data i paint with

106
723.859 ml 5890 33 +5567 34098 -2987 * n.p - - - normalized +58690 47829 56987 2121578 66 4434 14u -index we2098 Gg2890 - - - null 21987 980 //function 1498 099 22098 34098 - - - - [ 45798- 1239 ]d iu {267} ^ _ _ category philospher novelist painter writer poet phisician matemathician genre woman man month of birth janyary february march april may nationality italy france spain poland united states @giorgialupi | EYEO2013 stories, composition, inspiration data I paint with (background image by Stamen design) Friday, July 12, 13

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slides from my EYEO2013 speech

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Page 1: Data i paint with

723.859 ml

589033

+556734098-2987* n.p

---

normalized+58690

4782956987

212157866

443414u

-indexwe2098Gg2890

- --

null21987

980 //function

1498099

2209834098

----

[ 45798- 1239 ]d iu {267} ^

_

_

category

philosphernovelistpainterwriterpoetphisicianmatemathician

genrewomanman

month of birthjanyaryfebruarymarchaprilmay

nationalityitalyfrancespainpolandunited states

@giorgialupi | EYEO2013

stories, composition, inspirationdata I paint with

(background image by Stamen design)

Friday, July 12, 13

Page 2: Data i paint with

723.859 ml

589033

+556734098-2987* n.p

---

normalized+58690

4782956987

212157866

443414u

-indexwe2098Gg2890

- --

null21987

980 //function

1498099

2209834098

----

[ 45798- 1239 ]d iu {267} ^

_

_

category

philosphernovelistpainterwriterpoetphisicianmatemathician

genrewomanman

month of birthjanyaryfebruarymarchaprilmay

nationalityitalyfrancespainpolandunited states

@giorgialupi | EYEO2013

data I paint withstories, composition, inspiration

Friday, July 12, 13

Page 3: Data i paint with

an attempt to makebeautiful compositions of data

data I paint with

[why]

{ } ?

Friday, July 12, 13

Page 4: Data i paint with

[what]

Friday, July 12, 13

Page 5: Data i paint with

[what]

interactivityon paper

Friday, July 12, 13

Page 6: Data i paint with

[what]

interactivityon paper

composinglayered stories

Friday, July 12, 13

Page 7: Data i paint with

[what]

interactivityon paper

inspirationlearning to seecomposing

layered stories

Friday, July 12, 13

Page 8: Data i paint with

[what]

interactivityon paper

inspirationlearning to see drawing

and capturecomposinglayered stories

Friday, July 12, 13

Page 9: Data i paint with

[how]

me?

Friday, July 12, 13

Page 10: Data i paint with

[how]

me?

Visual dataCorriere della Sera

( www.accurat.it)

Friday, July 12, 13

Page 11: Data i paint with

{ }

[how]

me?

compositionlayering information

Visual dataCorriere della Sera

( www.accurat.it)

Friday, July 12, 13

Page 12: Data i paint with

{ }

[how]

me?

compositionlayering information

inspirationbefore I think I draw

Visual dataCorriere della Sera

( www.accurat.it)

Friday, July 12, 13

Page 13: Data i paint with

[how]

me?

Visual dataCorriere della Sera

“stealing”

compositionlayering information

inspirationbefore I think I draw{ }

from painters( www.accurat.it)

Friday, July 12, 13

Page 14: Data i paint with

me?

architecturalstudies

informationand representation

of contents

Friday, July 12, 13

Page 15: Data i paint with

informationand representation

of contents

(2006)MA thesisan information mapping project of "potential" physical places to be reused for certain purposesarchitectural

studies

Friday, July 12, 13

Page 16: Data i paint with

informationand representation

of contents

(2007 - 2011)....from the design of the Plan of Services for the Municipality of Milan and its communication to citizens....to the interaction design for several interactive exhibitions, selecting and displaying different kind of contents

(2006)MA thesisan information mapping project of "potential" physical places to be reused for certain purposesarchitectural

studies

Friday, July 12, 13

Page 17: Data i paint with

informationand representation

of contents

(2007 - 2011)

(2006)MA thesisan information mapping project of "potential" physical places to be reused for certain purposes

(2011 - )Accurat / information design companyco-founder and design director

DensityDesign / Politecnico di MilanoPhD student

....from the design of the Plan of Services for the Municipality of Milan and its communication to citizens....to the interaction design for several interactive exhibitions, selecting and displaying different kind of contents

architecturalstudies

Friday, July 12, 13

Page 18: Data i paint with

informationand representation

of contents

(2007 - 2011)

(2006)MA thesisan information mapping project of "potential" physical places to be reused for certain purposes

(2011 - )Accurat / information design companyco-founder and design director

DensityDesign / Politecnico di MilanoPhD student

played the piano

contemporary dance

....from the design of the Plan of Services for the Municipality of Milan and its communication to citizens....to the interaction design for several interactive exhibitions, selecting and displaying different kind of contents

architecturalstudies

Friday, July 12, 13

Page 19: Data i paint with

me?

who I am not I cannot codeI only deal with data I can handle

Friday, July 12, 13

Page 20: Data i paint with

https://vimeo.com/68229534Friday, July 12, 13

Page 21: Data i paint with

how do we get there?(easier said than done)

Friday, July 12, 13

Page 22: Data i paint with

{ }constraintsto focus the attentionto create consistency

Newspaper constraints- timing (4 days)- audience- size (fixed)- background (same color)- fonts (only 2)

Our additional rules- fonts (only 1)- visual models (no pictorial) (no conventional)

Friday, July 12, 13

Page 23: Data i paint with

{ }constraintsas a resource

Friday, July 12, 13

Page 24: Data i paint with

{ }team

Giorgia LupiSimone QuadriGabriele Rossi

with:Marco BernardiValentina BitettoMichela ButtignolDavide CiuffiRachel FinckenFederica FragapaneMichele GraffietiStefania GuerraPietro Guinea MontalvoGiovanni MarchiFrancesco MajnoEmanuela PaponeMarco PrandinaValerio PellegriniElisa RacitiMatteo RivaMarco Vettorello

that makes thingshappen

Friday, July 12, 13

Page 25: Data i paint with

{ }storynon-linear story telling:

towards interactivity on print

The leading story has first of all to be catchy, and allow to find several other layers of exploration

Friday, July 12, 13

Page 26: Data i paint with

{ }layers?

@shancarter ”

designing for both Bart Simpsonand Lisa Simpson

Friday, July 12, 13

Page 27: Data i paint with

Liguria, Italy summer 2012“Continent showdown”, La Lettura #38

{ }testingdo people understand it?

Friday, July 12, 13

Page 28: Data i paint with

Friday, July 12, 13

Page 29: Data i paint with

turn Bart into Lisa(at least for 10 mins)

goals

Friday, July 12, 13

Page 30: Data i paint with

Friday, July 12, 13

Page 31: Data i paint with

{ }competitors!!!

Friday, July 12, 13

Page 32: Data i paint with

when in doubt, ask your mum.

Friday, July 12, 13

Page 33: Data i paint with

{ }testing

emailingmy mum

reaching outto people

outside the field

Friday, July 12, 13

Page 34: Data i paint with

Paintersin the making

At what stage of life did the most celebrated artists paint their masterpieces? Were they young and inexperienced or mature and established? And what about colour, technique and representation styles? This analysis and visualization attempts to capture centuries of art, artists and artistry in a double-page spread.

Friday, July 12, 13

Page 35: Data i paint with

Friday, July 12, 13

Page 36: Data i paint with

Friday, July 12, 13

Page 37: Data i paint with

Friday, July 12, 13

Page 38: Data i paint with

Friday, July 12, 13

Page 39: Data i paint with

Friday, July 12, 13

Page 40: Data i paint with

Friday, July 12, 13

Page 41: Data i paint with

Friday, July 12, 13

Page 42: Data i paint with

Friday, July 12, 13

Page 43: Data i paint with

Is it always so complicated?

Friday, July 12, 13

Page 44: Data i paint with

Europeansubterraneanveins

Have you ever considered travelling from London to Paris by Tube? How long are the underground “veins” that run below major European cities? This analysis and visualization compares the distances covered and journey fares of various underground systems across the continent, revealing some interesting insights and comparing actual sizes on the map.

Friday, July 12, 13

Page 45: Data i paint with

Friday, July 12, 13

Page 46: Data i paint with

Friday, July 12, 13

Page 47: Data i paint with

Friday, July 12, 13

Page 48: Data i paint with

Friday, July 12, 13

Page 49: Data i paint with

Europeansubterraneanveins

Have you ever considered travelling from London to Paris by Tube? How long are the underground “veins” that run below major European cities? This analysis and visualization compares the distances covered and journey fares of various underground systems across the continent, revealing some interesting insights and comparing actual sizes on the map.

Friday, July 12, 13

Page 50: Data i paint with

learn from what you do(frame your intuitions)

Friday, July 12, 13

Page 51: Data i paint with

“Non-linear Storytelling:Journalism through “Info-spatial” Compositions”

(article - Parsons Journal for Information Mapping vol. 04 - 2012)

Friday, July 12, 13

Page 52: Data i paint with

Layering, and makinghierarchies clear

Supplementing the greater story through the addition of “minor or tangental tales” elementsComposing the main

architecture of the visualization

Positioning singular elements within the

main framework.

Providing small visual explanations such as a legend or key

Fine-tuning and stylizing of elements shapes, colors, and weights to make hierarchies pop out.

Constructing shaped elements of

dimensionality and form

Elucidating internal relationships between

elements. (if any)

Labeling and Identifying elements

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

Friday, July 12, 13

Page 53: Data i paint with

Composing the main architecture of the visualization

[1]

Friday, July 12, 13

Page 54: Data i paint with

Positioning singular elements within the main framework.

[2]

Friday, July 12, 13

Page 55: Data i paint with

Constructing shaped elements of dimensionality and form

[3]

Friday, July 12, 13

Page 56: Data i paint with

Elucidating internal relationships between elements. (if any)

[4]

Friday, July 12, 13

Page 57: Data i paint with

Labeling and Identifying elements

[5]

Friday, July 12, 13

Page 58: Data i paint with

Supplementing the greater story through the addition of “minor or tangental tales” elements

[6]

Friday, July 12, 13

Page 59: Data i paint with

Providing small visual explanations such as a legend or key

[7]

Friday, July 12, 13

Page 60: Data i paint with

Fine-tuning and stylizing of elements shapes, colors, and weights to make hierarchies pop out.

[8]

Friday, July 12, 13

Page 61: Data i paint with

Layering, and makinghierarchies clear

Supplementing the greater story through the addition of “minor or tangental tales” elementsComposing the main

architecture of the visualization

Positioning singular elements within the

main framework.

Providing small visual explanations such as a legend or key

Fine-tuning and stylizing of elements shapes, colors, and weights to make hierarchies pop out.

Constructing shaped elements of

dimensionality and form

Elucidating internal relationships between

elements. (if any)

Labeling and Identifying elements

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

Friday, July 12, 13

Page 62: Data i paint with

before I think, I draw

Friday, July 12, 13

Page 63: Data i paint with

on inspiration

Friday, July 12, 13

Page 64: Data i paint with

As we run out of methapors for visual models,

inspiration shouldn’t come

from data visualization

(or not only!)

being “original”?

Friday, July 12, 13

Page 65: Data i paint with

“we consumed almost all the

patterns of visualization”

(on inspiration andplagiarism)

Mahir M. Yavuz@mahirmyavuz

Friday, July 12, 13

Page 66: Data i paint with

...the search for inspiration in unusual contexts an attempt to

analyze the aesthetic qualities of things

that are naturally pleasant to the eye.

...understanding how they can be

abstracted and re-used as core principles

and guidelines in building visual compositions

I must be seeing things.

Friday, July 12, 13

Page 67: Data i paint with

learning to see(and to abstract)

“it is not what you look at

that matters, it's what you see”

H.D. Thoreau

Friday, July 12, 13

Page 68: Data i paint with

drawing becomes a practice of

externalization,Represent to

understandand to abstract

The idea of drawing as an hypothesis of

sight

Friday, July 12, 13

Page 69: Data i paint with

Figures of thoughts

"Drawing as a conjectural

operation, the tentative manifestation of an

insurgent if "

Emma Cocker / drawing an hypothesis

Friday, July 12, 13

Page 70: Data i paint with

ok.prove it.

Friday, July 12, 13

Page 71: Data i paint with

Brain Drain

The phenomenon of so-called «brain drain» is explored through a mapshowing incoming and outgoing flows of researchers in 16 countries.Using a series of parametres, the map is an attempt to discoverthe motivations that move researchers from one country to another.their country of origin,and the main countries researchers come from and move to.

Friday, July 12, 13

Page 72: Data i paint with

Friday, July 12, 13

Page 73: Data i paint with

MOMA (NY)“Inventingabstraction1910-1925”

Friday, July 12, 13

Page 74: Data i paint with

MOMA (NY)“Inventingabstraction1910-1925”

> Brain Draindata-visualization

(first sketches)trying to

“paint withdata”

Friday, July 12, 13

Page 75: Data i paint with

(sketches)data starts

to paint!

Friday, July 12, 13

Page 76: Data i paint with

123.456 BrasilBras

il

123.456

Brasil Bras

il

Brasil

documentirankingdonne

documentirankingdonne

Brasil

Brasil

Brasil

Brasil

qui ho schiarito

le opacità di tutti

tranne i ricercatori

(storia principale piu chiara) quelli che ritornano

in verde?

(E’ una cosa positiva)

Brasil

*

*

Danimarca

India

Brasile

Italia

Spagna

Olanda

Uk

Canada

Belgio

Francia

Australia

Usa

Germania

Svizzera

Giappone

Svezia

(intermediate steps)exploring on singularelements’ composition

Friday, July 12, 13

Page 77: Data i paint with

Friday, July 12, 13

Page 78: Data i paint with

Did I tell you I played the piano and studies musical

composition?

Friday, July 12, 13

Page 79: Data i paint with

Nobels,no degrees

How much do you know about Nobel prize winners and Nobel graduates?This visualization explores Nobel Prizes and graduate qualifications from 1901 to 1912, by analysing the age of recipients at the time prizes were awarded, average age evolution through time and among categories, graduation grades, main university affiliations and the principal hometowns of the graduates.

Friday, July 12, 13

Page 80: Data i paint with

Friday, July 12, 13

Page 81: Data i paint with

Nobels,no degrees

How much do you know about Nobel prize winners and Nobel graduates?This visualization explores Nobel Prizes and graduate qualifications from 1901 to 1912, by analysing the age of recipients at the time prizes were awarded, average age evolution through time and among categories, graduation grades, main university affiliations and the principal hometowns of the graduates.

Friday, July 12, 13

Page 82: Data i paint with

Friday, July 12, 13

Page 83: Data i paint with

(fascination)graphic music notations

Friday, July 12, 13

Page 84: Data i paint with

(fascination)graphic music notationsJohn Cage,

Fontana Mix project (1959)

Friday, July 12, 13

Page 85: Data i paint with

(sketches)trying to

“make data dance”

Friday, July 12, 13

Page 86: Data i paint with

Friday, July 12, 13

Page 87: Data i paint with

"and here it goes something like this I still don't know what :-)"

Friday, July 12, 13

Page 88: Data i paint with

"and here it goes something like this I still don't know what :-)"

{ }don’t try it at home

Friday, July 12, 13

Page 89: Data i paint with

and don’t tell Tufte

Friday, July 12, 13

Page 90: Data i paint with

(intermediate steps)building thearchitectureand fine tuning

Friday, July 12, 13

Page 91: Data i paint with

and don’t tell Tufte

Friday, July 12, 13

Page 92: Data i paint with

Friday, July 12, 13

Page 93: Data i paint with

Friday, July 12, 13

Page 94: Data i paint with

Friday, July 12, 13

Page 95: Data i paint with

Friday, July 12, 13

Page 96: Data i paint with

{ }could it be moreliteral?

Friday, July 12, 13

Page 97: Data i paint with

https://vimeo.com/68221581Friday, July 12, 13

Page 98: Data i paint with

06 | 10 / Kandinskyvisualizing painters’ lives

a project by Accuratdirected by Giorgia Lupi and Michela Buttignolwww.accurat.it

artisticperiod

artisticperiod

artisticperiod

equals to a single artwork

artistic production:paintings per year

the artistic production of the author has been scaled and normalized to the total of the works of Picasso

Landscape

Abstract paintingPicture with archer

Composition VIII

Blue rider

Composition VII

Painting with green center

Improvisation 30 (Cannons) Picture With A White Border

Small worlds

Succession

CityscapeHouses at MurnauMunich-Schwabing with

the church of St. Ursula

Expressionism Abstract ArtPost-impressionismClaude Monetinfluenced by:

(impressionist)Marcel Duchampinfluenced:

(dadaist)

Paul KleeGabriele Münter

Arnold Schoenberg

Franz arc

Founds the Der Blaue ReiterMoscow

StudiesAnton A!be's

private school Academy of Fine Artsof Munich

Moscow Academyof Fine Arts Bauhaus

University ofMoscow

1870 1880 1900 19101890 1930 194019201866Dec. 16Moscow, Russia

1944Dec. 13Neuilly-sur-Seine, France

77 y. o.

Germany______

Ukraine______

1933Neuilly-sur-SeineFrance______

1921Berlin

1925Dessau

1896Dessau

1922Weimar

1871Odessa

1886Russia______ Moscow

1914Moscow

Mathilde(1876)

Vasily Silvestrovich Kandinskyfather

Lidia Ivanovna Tikheevamother

Vsevolod

Gabriele Münter

Lily Stumpf

Anna Chimyakina

sister

firstexhibition

how to read it:shapes, elements, forms

relationship(love affair)

artworks

colors =artwork palette

son

born

acquistance

<1 sqm

1< area <2 sq m

>2 sqm

The sun melts all of Moscow down to a single spot that, like a mad tuba, starts all of the heart and all of the soul vibrating. But no, this uniformity of red is not the most beautiful hour. It is only the final chord of a symphony that takes every colour to the zenith of life that, like the fortissimo of a great orchestra, is both compelled and allowed by Moscow to ring out.

““

Kandinsky

[...]

(1980)

(1962)

[...]

[...]

full name

distinctive features

SagittariusRighty

death [...] data not available

travels

Vasilij Vasil'evic Kandinsky

event

with Michela Buttignol (www.michelabuttignol.com)Visualising Painters’ lives (serie)

1900 1920 1930 1940 1950 1960 1970 19801910

GuggenheimInternational Award

1958Venice Biennale Grand Prize

for Graphic work

1954Gold medal of Fine Arts

1958

Paul Cezanne(impressionist)

influenced by:

equals to a single artwork

artistic production:paintings per year

the artistic production of the author has been scaled and normalized to the total of the works of Picasso

<1 sqm

1< area <3 sq m

>3 sqm

artworks

colors =artwork palette

PortraitPortrait ofMrs Mills in 1750(after Constable)

Portrait of Vincent Nubiola

Portrait of E.C. Ricart Man and woman in front of a pile of excrement

Metamorphose

Women and birdin the moonlight

Person throwinga stone at a bird

Rope and people I

Still Life with old shoe

The farm

Dutch interior, I

The hunter (Catalan landscape)

The birth of the worldCiphers and constellations,in love with a woman The song of the vowels

Dutch interior

Still life

Landscape

Interior painting

Abstract painting

Genre painting

Self-portraitSelf-portrait

Early Years Surrealism Abstract Art

Joan Prat Henri Matisse

Jose Luis Sert

Joseph Dalmau

Joseph Llorente Artigas Pablo Gargallo

Andre Breton King Juan Carlos

Archile Gorkyinfluenced:

(abstract expressionist)

Dalmau Gallery

1893Apr. 20Barcelona, Spain

Studies

1983Dec. 25Palma, MajorcaSpain

90 y. o.

Carrer del Regomir 13 Escuela deBellas Artesde la Llotja

School ofCommerce

Escuela de Artede Francesco Galí

Cercle Artísticde Sant Lluc

Miquel Miró Adzeriasfather

Dolores Ferràmother

Maria Dolors

1920Paris

Spain______

France______

1928NetherlandsVisit______

1949

1930

Paris

Montroig1940

Palma, Majorca1956

Palma, Majorca1932

Barcelona

United States1968

1942Barcelona

Pilar Juncosa Iglesias (1995)

firstexhibition

how to read it:shapes, elements, forms

marriage

(love affair)

death

daughter

born

acquaintance

award

event

travels

02 | 10 / Miróvisualizing painters’ lives

a project by Accuratdirected by Giorgia Lupi and Michela Buttignolwww.accurat.it

Miró

“Joan Miró Ferráfull name

distinctive features

AriesRighty

You must always plant your feet firmly on the ground if you want to jump into the air. The fact that I come down to Earth from time to time makes it possible to jump all the higher.

artisticperiod

artisticperiod

artisticperiod

International LeninPeace Prize

1964

Picasso“

Pablo Diego José María de los Remedios Crispinianode la Santísima Trinidad

full name

distinctive features

ScorpioRighty

My mother said to me, 'If you are a soldier, you will become a general. If you are a monk, you will become the Pope.' Instead, I was a painter, and became Picasso.

Symbolic painting

Nude painting

Portrait

Genre painting

Literary painting

Mythological painting

Still life

Girl in front of mirrorMarie-Thérèse Walter

Portrait of Sylvette DavidSylvette David

A dreamMarie-Thérèse Walter

Portait of Suzanne BlochSuzanne Bloch

Guernica

The girls of Avignon

The old blind guitarist

Boy leading a horse

Crying woman

Family ofacrobats jugglers

A boy with a pipeAn actor The piano accordionist

Girl with mandolin(Fanny Tellier)

Don Quixote

The dance Night fishing at Antibes

The pigeon pea Fruit dish

The minotauromachie

Celestina

Early Years Blue Period Rose Period African Period Cubism Neoclassicism & Surrealism Late YearsNeoclassicism & SurrealismNeoclassicism & Surrealism

Julio Gonzalez

Henri Matisse

Erik Satie

Gertrude Stein

Ernest Hemingway

George Braques

Jaime Sabartes

Max Jacob

Jean Cocteau

1881 1890 1900 1920 1930 1940 1950 1960 19701910 1970Oct. 25Malaga, Spain

1973Apr. 8Mougins, France

91 y. o.Paulo Maya Claude Paloma

1891 1895 1897

1900

1917

1936

Coruna Madrid Barcelona

Paris Paris1946

Antibes 1946

La Californie1961

Mougins

Barcelona Spain______

France______

José Ruiz y Blasco father

María Picasso y Lópezmother

Conchita

Fernande Olivier

Eva Gouel

Olga Kokhlovawriter

Marie-Therese Walter

Dora Maarwriter

Francoise Gilot

Genevieve Laporte

Jacqueline Roque

Still alive

(1977)

(1997)

Still aliveStill alive

Still alive

Paul Gauguin(impressionist)

influenced by:Jackson Pollockinfluenced:

(drip painter)

marriage

relationship(love affair)

<1 sqm

1< area <3 sq m

>3 sqm

artworks

colors =artwork palette

award

death

travels

daughtersister

acquaintance

artworks

born

son

artisticperiod

artisticperiod

artisticperiod

equals to a single artwork

artistic production:paintings per year

the artistic production of the author has been scaled and normalized to the total of the works of Picasso

event

how to read it:shapes, elements, forms

01 | 10 / Picassovisualizing painters’ lives

a project by Accuratdirected by Giorgia Lupi and Michela Buttignolwww.accurat.it

Friday, July 12, 13

Page 99: Data i paint with

06 | 10 / Kandinskyvisualizing painters’ lives

a project by Accuratdirected by Giorgia Lupi and Michela Buttignolwww.accurat.it

artisticperiod

artisticperiod

artisticperiod

equals to a single artwork

artistic production:paintings per year

the artistic production of the author has been scaled and normalized to the total of the works of Picasso

Landscape

Abstract paintingPicture with archer

Composition VIII

Blue rider

Composition VII

Painting with green center

Improvisation 30 (Cannons) Picture With A White Border

Small worlds

Succession

CityscapeHouses at MurnauMunich-Schwabing with

the church of St. Ursula

Expressionism Abstract ArtPost-impressionismClaude Monetinfluenced by:

(impressionist)Marcel Duchampinfluenced:

(dadaist)

Paul KleeGabriele Münter

Arnold Schoenberg

Franz arc

Founds the Der Blaue ReiterMoscow

StudiesAnton A!be's

private school Academy of Fine Artsof Munich

Moscow Academyof Fine Arts Bauhaus

University ofMoscow

1870 1880 1900 19101890 1930 194019201866Dec. 16Moscow, Russia

1944Dec. 13Neuilly-sur-Seine, France

77 y. o.

Germany______

Ukraine______

1933Neuilly-sur-SeineFrance______

1921Berlin

1925Dessau

1896Dessau

1922Weimar

1871Odessa

1886Russia______ Moscow

1914Moscow

Mathilde(1876)

Vasily Silvestrovich Kandinskyfather

Lidia Ivanovna Tikheevamother

Vsevolod

Gabriele Münter

Lily Stumpf

Anna Chimyakina

sister

firstexhibition

how to read it:shapes, elements, forms

relationship(love affair)

artworks

colors =artwork palette

son

born

acquistance

<1 sqm

1< area <2 sq m

>2 sqm

The sun melts all of Moscow down to a single spot that, like a mad tuba, starts all of the heart and all of the soul vibrating. But no, this uniformity of red is not the most beautiful hour. It is only the final chord of a symphony that takes every colour to the zenith of life that, like the fortissimo of a great orchestra, is both compelled and allowed by Moscow to ring out.

““

Kandinsky

[...]

(1980)

(1962)

[...]

[...]

full name

distinctive features

SagittariusRighty

death [...] data not available

travels

Vasilij Vasil'evic Kandinsky

event

1900 1920 1930 1940 1950 1960 1970 19801910

GuggenheimInternational Award

1958Venice Biennale Grand Prize

for Graphic work

1954Gold medal of Fine Arts

1958

Paul Cezanne(impressionist)

influenced by:

equals to a single artwork

artistic production:paintings per year

the artistic production of the author has been scaled and normalized to the total of the works of Picasso

<1 sqm

1< area <3 sq m

>3 sqm

artworks

colors =artwork palette

PortraitPortrait ofMrs Mills in 1750(after Constable)

Portrait of Vincent Nubiola

Portrait of E.C. Ricart Man and woman in front of a pile of excrement

Metamorphose

Women and birdin the moonlight

Person throwinga stone at a bird

Rope and people I

Still Life with old shoe

The farm

Dutch interior, I

The hunter (Catalan landscape)

The birth of the worldCiphers and constellations,in love with a woman The song of the vowels

Dutch interior

Still life

Landscape

Interior painting

Abstract painting

Genre painting

Self-portraitSelf-portrait

Early Years Surrealism Abstract Art

Joan Prat Henri Matisse

Jose Luis Sert

Joseph Dalmau

Joseph Llorente Artigas Pablo Gargallo

Andre Breton King Juan Carlos

Archile Gorkyinfluenced:

(abstract expressionist)

Dalmau Gallery

1893Apr. 20Barcelona, Spain

Studies

1983Dec. 25Palma, MajorcaSpain

90 y. o.

Carrer del Regomir 13 Escuela deBellas Artesde la Llotja

School ofCommerce

Escuela de Artede Francesco Galí

Cercle Artísticde Sant Lluc

Miquel Miró Adzeriasfather

Dolores Ferràmother

Maria Dolors

1920Paris

Spain______

France______

1928NetherlandsVisit______

1949

1930

Paris

Montroig1940

Palma, Majorca1956

Palma, Majorca1932

Barcelona

United States1968

1942Barcelona

Pilar Juncosa Iglesias (1995)

firstexhibition

how to read it:shapes, elements, forms

marriage

(love affair)

death

daughter

born

acquaintance

award

event

travels

02 | 10 / Miróvisualizing painters’ lives

a project by Accuratdirected by Giorgia Lupi and Michela Buttignolwww.accurat.it

Miró

“Joan Miró Ferráfull name

distinctive features

AriesRighty

You must always plant your feet firmly on the ground if you want to jump into the air. The fact that I come down to Earth from time to time makes it possible to jump all the higher.

artisticperiod

artisticperiod

artisticperiod

International LeninPeace Prize

1964

Picasso“

Pablo Diego José María de los Remedios Crispinianode la Santísima Trinidad

full name

distinctive features

ScorpioRighty

My mother said to me, 'If you are a soldier, you will become a general. If you are a monk, you will become the Pope.' Instead, I was a painter, and became Picasso.

Symbolic painting

Nude painting

Portrait

Genre painting

Literary painting

Mythological painting

Still life

Girl in front of mirrorMarie-Thérèse Walter

Portrait of Sylvette DavidSylvette David

A dreamMarie-Thérèse Walter

Portait of Suzanne BlochSuzanne Bloch

Guernica

The girls of Avignon

The old blind guitarist

Boy leading a horse

Crying woman

Family ofacrobats jugglers

A boy with a pipeAn actor The piano accordionist

Girl with mandolin(Fanny Tellier)

Don Quixote

The dance Night fishing at Antibes

The pigeon pea Fruit dish

The minotauromachie

Celestina

Early Years Blue Period Rose Period African Period Cubism Neoclassicism & Surrealism Late YearsNeoclassicism & SurrealismNeoclassicism & Surrealism

Julio Gonzalez

Henri Matisse

Erik Satie

Gertrude Stein

Ernest Hemingway

George Braques

Jaime Sabartes

Max Jacob

Jean Cocteau

1881 1890 1900 1920 1930 1940 1950 1960 19701910 1970Oct. 25Malaga, Spain

1973Apr. 8Mougins, France

91 y. o.Paulo Maya Claude Paloma

1891 1895 1897

1900

1917

1936

Coruna Madrid Barcelona

Paris Paris1946

Antibes 1946

La Californie1961

Mougins

Barcelona Spain______

France______

José Ruiz y Blasco father

María Picasso y Lópezmother

Conchita

Fernande Olivier

Eva Gouel

Olga Kokhlovawriter

Marie-Therese Walter

Dora Maarwriter

Francoise Gilot

Genevieve Laporte

Jacqueline Roque

Still alive

(1977)

(1997)

Still aliveStill alive

Still alive

Paul Gauguin(impressionist)

influenced by:Jackson Pollockinfluenced:

(drip painter)

marriage

relationship(love affair)

<1 sqm

1< area <3 sq m

>3 sqm

artworks

colors =artwork palette

award

death

travels

daughtersister

acquaintance

artworks

born

son

artisticperiod

artisticperiod

artisticperiod

equals to a single artwork

artistic production:paintings per year

the artistic production of the author has been scaled and normalized to the total of the works of Picasso

event

how to read it:shapes, elements, forms

01 | 10 / Picassovisualizing painters’ lives

a project by Accuratdirected by Giorgia Lupi and Michela Buttignolwww.accurat.it

https://vimeo.com/68221582Friday, July 12, 13

Page 100: Data i paint with

Michela Buttignol (www.michelabuttignol.com)

Friday, July 12, 13

Page 101: Data i paint with

Friday, July 12, 13

Page 102: Data i paint with

Friday, July 12, 13

Page 103: Data i paint with

http://www.flickr.com/photos/accurat

Friday, July 12, 13

Page 104: Data i paint with

here comes the takeaway slide

Friday, July 12, 13

Page 105: Data i paint with

please,try this at home!

the takeaway

Friday, July 12, 13

Page 106: Data i paint with

@giorgialupi | EYEO2013

...so many thanksto so many people!

(background image by Stamen design)

Friday, July 12, 13