dada between heaven and hell: abstraction and universal language in the rhythm films of hans richter

7/29/2019 Dada between Heaven and Hell: Abstraction and Universal Language in the Rhythm Films of Hans Richter

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Dada between Heaven and Hell: Abstraction and Universal Language in the Rhythm Films ofHans RichterAuthor(s): Malcolm TurveySource: October, Vol. 105, Dada (Summer, 2003), pp. 13-36Published by: The MIT PressStable URL: http://www.jstor.org/stable/3397680Accessed: 27/01/2010 11:37

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dada between heaven and hell: abstraction and universal language in the rhythm films of hans richter

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