d12 79 roll - university grants...

1. Write your roll number in the space provided on the top ofthis page.

2. This paper consists of fifty multiple-choice type ofquestions.

3. At the commencement of examination, the question bookletwill be given to you. In the first 5 minutes, you are requestedto open the booklet and compulsorily examine it as below :(i) To have access to the Question Booklet, tear off the

paper seal on the edge of this cover page. Do not accepta booklet without sticker-seal and do not accept anopen booklet.

(ii) Tally the number of pages and number of questionsin the booklet with the information printed on thecover page. Faulty booklets due to pages/questionsmissing or duplicate or not in serial order or anyother discrepancy should be got replaced immediatelyby a correct booklet from the invigilator within theperiod of 5 minutes. Afterwards, neither theQuestion Booklet will be replaced nor any extratime will be given.

(iii) After this verification is over, the OMR Sheet Numbershould be entered on this Test Booklet.

4. Each item has four alternative responses marked (A), (B),(C) and (D). You have to darken the circle as indicated belowon the correct response against each item.Example :where (C) is the correct response.

5. Your responses to the items are to be indicated in the OMRSheet given inside the Paper I Booklet only. If you markat any place other than in the circle in the OMR Sheet, it willnot be evaluated.

6. Read instructions given inside carefully.7. Rough Work is to be done in the end of this booklet.8. If you write your Name, Roll Number, Phone Number or

put any mark on any part of the OMR Sheet, except for thespace allotted for the relevant entries, which may discloseyour identity, or use abusive language or employ any otherunfair means, you will render yourself liable todisqualification.

9. You have to return the test question booklet and OriginalOMR Sheet to the invigilators at the end of the examinationcompulsorily and must not carry it with you outside theExamination Hall. You are, however, allowed to carryduplicate copy of OMR Sheet on conclusion of examination.

10. Use only Blue/Black Ball point pen.11. Use of any calculator or log table etc., is prohibited.12. There is no negative marks for incorrect answers.

Number of Pages in this Booklet : 16 Number of Questions in this Booklet : 50

Instructions for the Candidates ¯Ö¸üßõÖÖÙ£ÖμÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö

D-79-12 1 P.T.O.

1. ¯ÖÆü»Öê ¯ÖéÂšü Ûêú ‰ú¯Ö¸ü ×®ÖμÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …2. ‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö“ÖÖÃÖ ²ÖÆãü×¾ÖÛú»¯ÖßμÖ ¯ÖÏ¿®Ö Æïü …3. ¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯Ö¸ü, ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖμÖêÝÖß … ¯ÖÆü»Öê

¯ÖÖÑ“Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ•ÖÖÑ“Ö Ûêú ×»Ö‹ ×¤üμÖê •ÖÖμÖëÝÖê, ×•ÖÃÖÛúß •ÖÖÑ“Ö †Ö¯ÖÛúÖê †¾Ö¿μÖ Ûú¸ü®Öß Æîü :(i) ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ˆÃÖÛêú Ûú¾Ö¸ü ¯Öê•Ö ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö

Ûúß ÃÖß»Ö ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô μÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖß»Ö Ûúß¯Öã×ÃŸÖÛúÖ Ã¾ÖßÛúÖ¸ü ®Ö Ûú¸ëü …

(ii) Ûú¾Ö¸ü ¯ÖéÂšü ¯Ö¸ü ”û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛúÖ Ûêú ¯ÖéÂšü ŸÖ£ÖÖ¯ÖÏ¿®ÖÖë Ûúß ÃÖÓÜμÖÖ ÛúÖê †“”ûß ŸÖ¸üÆü “ÖîÛú Ûú¸ü »Öë ×Ûú μÖê ¯Öæ¸êüÆïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ÃŸÖÛúÖ ×•Ö®Ö´Öë ¯ÖéÂšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë μÖÖ ¤ãü²ÖÖ üÖ †ÖÝÖμÖê ÆüÖë μÖÖ ÃÖß×¸üμÖ»Ö ´Öë ®Ö ÆüÖë †£ÖÖÔŸÖË ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ÃŸÖÛúÖ Ã¾ÖßÛúÖ¸ü ®Ö Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖμÖ ˆÃÖê»ÖÖî™üÖÛú¸ü ˆÃÖÛêú Ã£ÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛúÖ »Öê »Öë …‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ“Ö ×´Ö®Ö™ü ×¤üμÖê •ÖÖμÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü ®ÖŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖμÖêÝÖß †Öî ü ®Ö Æüß †Ö¯ÖÛúÖê†×ŸÖ×¸üŒŸÖ ÃÖ´ÖμÖ ×¤üμÖÖ •ÖÖμÖêÝÖÖ …

(iii) ‡ÃÖ •ÖÖÑ“Ö Ûêú ²ÖÖ¤ü OMR ¯Ö¡ÖÛú Ûúß ÛÎú´Ö ÃÖÓÜμÖÖ ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛúÖ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü ¤ëü …

4. ¯ÖÏŸμÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ “ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö (A), (B), (C) ŸÖ£ÖÖ (D) ×¤üμÖêÝÖμÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü•ÖîÃÖÖ ×Ûú ®Öß“Öê ×¤üÜÖÖμÖÖ ÝÖμÖÖ Æîü …ˆ¤üÖÆü¸üÞÖ :•Ö²Ö×Ûúú(C) ÃÖÆüß ˆ¢Ö¸ü Æîü …

5. ¯ÖÏ¿®ÖÖë Ûêú ¢Ö¸ü Ûêú¾Ö»Ö ÖÏ¿®Ö Ö¡Ö I Ûêú †®¤ü¸ü ×¤üμÖê ÝÖμÖê OMR Ö¡ÖÛú Ö¸ü Æüß†Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … μÖ×¤ü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×¤üμÖê ÝÖμÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ×ÛúÃÖß †®μÖ Ã£ÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×“ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê Æïü, ŸÖÖê ˆÃÖÛúÖ ´Öæ»μÖÖÓÛú®Ö®ÖÆüà ÆüÖêÝÖÖ …

6. †®¤ü¸ü ×¤üμÖê ÝÖμÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬μÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …7. Ûú““ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ÃŸÖÛúÖ Ûêú †×®ŸÖ´Ö ¯ÖéÂšü ¯Ö¸ü Ûú¸ëü …8. μÖ×¤ü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖμÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ®ÖÖ´Ö, ¸üÖê»Ö

®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü μÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×“ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü“ÖÖ®Ö ÆüÖêÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖÏμÖÖêÝÖ Ûú¸üŸÖê Æïü, μÖÖ ÛúÖê‡Ô†®μÖ †®Öã×“ÖŸÖ ÃÖÖ¬Ö®Ö ÛúÖ ¯ÖÏμÖÖêÝÖ Ûú¸üŸÖê Æïü, ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖμÖê †μÖÖêÝμÖ‘ÖÖê×ÂÖŸÖ ×ÛúμÖê •ÖÖ ÃÖÛúŸÖê Æïü …

9. †Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ¯ÖÏ¿®Ö-¯Öã×ÃŸÖÛúÖ ‹¾ÖÓ ´Öæ»Ö OMR ¯Ö¡ÖÛú×®Ö¸üßõÖÛú ´ÖÆüÖê¤üμÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿μÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖ×¯ŸÖ Ûêú ²ÖÖ¤üˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®Ö ÃÖê ²ÖÖÆü¸ü ®Ö »ÖêÛú¸ü •ÖÖμÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö¯Ö¸üßõÖÖ ÃÖ´ÖÖ×¯ŸÖ ¯Ö¸ü OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü ¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖÃÖÛúŸÖê Æïü …

10. Ûêú¾Ö»Ö ®Öß»Öê/ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê ÖÖ»Ö Ûú ëü …11. ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) μÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Ö×¤ü ÛúÖ

¯ÖÏμÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …12. ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô †ÓÛú ÛúÖ™êü ®ÖÆüà •ÖÖ‹ÑÝÖê …

[Maximum Marks : 100Time : 1 1/4 hours]

PAPER-IIVISUAL ARTS

(To be filled by the Candidate)

Signature and Name of InvigilatorOMR Sheet No. : ...............................................

Roll No.

(In words)

1. (Signature) __________________________

(Name) ____________________________

2. (Signature) __________________________

(Name) ____________________________Roll No.________________________________

7 9(In figures as per admission card)

D 1 2

Paper-II 2 D-79-12

1. Who is the painter of famous painting “Maids of Honour” ?

(A) Francisco de Goya

(B) Caravaggio

(C) Peter Paul Rubens

(D) Diego Velasquez

2. Chaunsath Yogini temple at Bhedaghat, Jabalpur is known for circular ground plan. To which dynastic reign it can be attributed ?

(A) Gupta Dynasty

(B) Pratihar Dynasty

(C) Chandella Dynasty

(D) Solanki Dynasty

3. Who is attributed from the following to make powerful muscular female figure in action ?

(A) Rodin

(B) Bernini

(C) Maillol

(D) Duchamp

4. Who is the author of famous work ‘Critique of Judgement’ ?

(A) Frederich Hegel

(B) Immanuel Kant

(C) Archibald Alison

(D) David Hume

5. In typography space between two character is known as

(A) Leading

(B) Tracking

(C) Kerning

(D) Legibility

6. The process of recording human movement and translating that movement on to a digital mode is known as

(A) Motion picture

(B) Rotoscoping

(C) Manga

(D) Stopmotion

7. Which of the following is an example of sales promotional tool ?

(A) The media mix

(B) A money refund offer

(C) Consumer promotion

(D) Market segmentation

8. ‘CC’ is a measurement unit in

(A) Internet Advertising

(B) Radio Advertising

(C) Outdoor Advertising

(D) Newspaper Advertising

9. Who is the action painter ?

(A) James Ensor

(B) Degas

(C) Gose

(D) Jackson Pollok

VISUAL ARTS Paper – II

Note : This paper contains fifty (50) objective type questions, each question carrying two (2) marks. Attempt all the questions.

D-79-12 3 Paper-II

1. ¯ÖÏ×ÃÖ¨ü ×“Ö¡Ö ‘´Öê›ËüÃÖ †Öò±ú †Öò®Ö¸ü’ ÛúÖ ×“Ö¡ÖÛúÖ¸ü ÛúÖî®Ö Æîü ?

(A) ±Ïïú×ÃÖÃÛúÖê ¤êü ÝÖÖêµÖÖ

(B) ÛúÖ¸ü¾ÖÖ×•ÖµÖÖê

(C) ¯Öß™ü¸ü ¯ÖÖò»Ö ºþ²Öê®ÃÖ

(D) ×¤ü‹ÝÖÖê ¾Öê»ÖÃŒ¾Öê•Ö

2. ³Öê›ÌüÖ‘ÖÖ™ü, •Ö²Ö»Ö¯Öã¸ü ×Ã£ÖŸÖ “ÖÖïÃÖšü µÖÖê×ÝÖ®Öß ´ÖÓ×¤ü¸ü †¯Ö®Öß ¾Öé¢ÖÖÛúÖ¸ü ³Öæ-µÖÖê•Ö®ÖÖ Ûêú ×»Ö‹ ¯ÖÏ×ÃÖ¨ü Æîü … ‡ÃÖÛúÖ ÃÖÓ²ÖÓ¬Ö ×ÛúÃÖ üÖ•Ö¾ÖÓ¿Ö Ûêú ¿ÖÖÃÖ®ÖÛúÖ»Ö ÃÖê Æïü ?ü

(A) ÝÖã¯ŸÖ ¾ÖÓ¿Ö

(B) ¯ÖÏ×ŸÖÆüÖ¸ü ¾ÖÓ¿Ö

(C) “ÖÓ¤êü»ÖÖ ¾ÖÓ¿Ö

(D) ÃÖÖê»ÖÓÛúß ¾ÖÓ¿Ö

3. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ®Öê ÃÖã¥üœÌü ´ÖÖÓÃÖ¯Öê×¿ÖµÖÖë ¾ÖÖ»Öß ÝÖ×ŸÖ¿Öß»Ö ´Ö×Æü»ÖÖ †ÖÛéú×ŸÖ ÛúÖ ×“Ö¡Ö ²Ö®ÖÖµÖÖ Æîü ?ü

(A) ¸üÖê¤üÖÑ

(B) ²ÖÙ®Ö®Öß

(C) ´Öî»ÖÖê»Ö

(D) ¤ãü¿ÖÖÑ

4. ¯ÖÏ×ÃÖ¨ü ¯ÖãÃŸÖÛú ‘×ÛÎú×™üÛú †Öò±ú •Ö•Ö´Öë™ü’ ÛúÖ »ÖêÜÖÛú ÛúÖî®Ö Æîü ?ü

(A) ±Ïêú›ü×¸üÛú ÆüßÝÖ»Ö

(B) ‡´Öê®Öã†»Ö ÛúÖÞ™ü

(C) †ÖÙÛú²ÖÖ»›ü ‹»ÖßÃÖ®Ö

(D) ›êü×¾Ö›ü Êæ´Ö

5. ´Öã¦üÞÖÛú»ÖÖ ´Öë ¤üÖê †õÖ¸üÖë (Ûîú¸êüŒ™üÃÖÔ) Ûêú ²Öß“Ö Ûêú Ã£ÖÖ®Ö ÛúÖê ŒµÖÖ ÛúÆüŸÖê Æïü ?ü

(A) »ÖßØ›üÝÖ (B) ™ÒîüØÛúÝÖ (C) ÛúÚ®ÖÝÖ (D) »Öê•Öß×²Ö×»Ö™üß 6. Êæ´Öê®Ö ´Öæ¾Ö´Öë™ü ÛúÖê ×¸üÛúÖ›Ôü Ûú¸ü®Öê ŸÖ£ÖÖ ˆÃÖê ×›ü×•Ö™ü»Ö

´ÖÖ¬µÖ´Ö ¯Ö¸ü ºþ¯ÖÖÓŸÖ×¸üŸÖ Ûú¸ü®Öê Ûúß ¯ÖÏ×ÛÎúµÖÖ ÛúÖê ŒµÖÖ ÛúÆüüŸÖê Æïü ?

(A) ´ÖÖê¿Ö®Ö ×¯ÖŒ“Ö¸ü (B) ¸üÖê™üÖêÃÛúÖêØ¯ÖÝÖ (C) ´ÖÑÝÖÖ (D) Ã™üÖò¯Ö´ÖÖê¿Ö®Ö 7. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö ÃÖÖ ×²ÖÛÎúß ²ÖœÌüÖ®Öê Ûêú ×»Ö‹

‹Ûú ˆ¯ÖÖµÖ Æîüü ?

(A) ´Öß×›üµÖÖ ×´ÖŒÃÖ (B) ´Ö®Öß ×¸ü±úÞ›ü †Öò±ú¸ü (C) ˆ¯Ö³ÖÖêŒŸÖÖ ¯ÖÏÖê´ÖÖê¿Ö®Ö (D) ²ÖÖ•ÖÌÖ¸ü ÜÖÞ›üßÛú¸üÞÖ 8. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ´Öë ‘ÃÖß ÃÖß’ ‹Ûú ´ÖÖ¯Ö®Ö

‡ÛúÖ‡Ô Æîü ?ü (A) ‡Ó™ü¸ü®Öê™ü ×¾Ö–ÖÖ¯Ö®Ö (B) ¸êü×›üµÖÖê ×¾Ö–ÖÖ¯Ö®Ö (C) †Öˆ™ü›üÖê¸ü ×¾Ö–ÖÖ¯Ö®Ö (D) ÃÖ´ÖÖ“ÖÖ¸ü¯Ö¡Ö ×¾Ö–ÖÖ¯Ö®Ö 9. ‘‹êŒ¿Ö®Ö ¯Öë™ü¸ü’ ÛúÖî®Ö Æîü ?ü (A) •Öê´ÃÖ ‹ëÃÖ¸ü (B) ¤êüÝÖÖ (C) ÝÖÖêÃÖê (D) •ÖîŒÃÖ®Ö ¯ÖÖê»ÖÖêÛú

¥ü¿µÖ Ûú»ÖÖ‹Ñ¯ÖÏ¿®Ö¯Ö¡Ö – II

×®Ö¤ìü¿Ö : ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö“ÖÖÃÖ (50) ²ÖÆãü-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê (2) †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …

Paper-II 4 D-79-12

10. Who painted the “Age of Innocence” ?

(A) Reynolds

(B) Renoir

(C) Picasso

(D) Constable

11. Basawan was court painter of which school ?

(A) Pahari

(B) Rajasthani

(C) Mughal

(D) Pal

12. Who painted the “Celebration Triptych” in acrylic ?

(A) Biren De

(B) Satish Gujral

(C) Tayeb Mehta

(D) Ramkumar

13. First mechanical printing started at

(A) Cochin

(B) Goa

(C) Kolkata

(D) Chennai

14. What is surface in lithographic process ?

(A) Intaglio

(B) Raised surface printing

(C) Rotogravure

(D) Planography

15. Viscosity printing is done by using

(A) Types of oils

(B) Thinness of colour

(C) Rollers of different hardness

(D) Plastic surface

16. In the year 2012, what award was conferred to the cartoonist Late Mario de Miranda ?

(A) Padma Bhushan

(B) Padma Vibhushan

(C) Bharat Ratna

(D) Padmashree

17. In iconography of Vishnu ‘Gada’ is represented as

(A) Female companion

(B) Celestial being

(C) Male companion

(D) A vehicle

18. “Man with Dog” is sculpted by

(A) August Rodin

(B) Aristide Maillol

(C) Dhruva Mistry

(D) Raghav Kaneria

19. Stone ware is made of

(A) Stone

(B) Glass

(C) Clay

(D) Plaster of Paris

20. Henry Moore was influenced by

(A) Maya and Aztec sculpture

(B) Etruscan sculpture

(C) African sculpture

(D) Indian sculpture

D-79-12 5 Paper-II

10. ‘‹•Ö †Öò±ú ‡Ó®ÖÖêÃÖëÃÖ’ Ûêú ×“Ö¡ÖÛúÖ ü ÛúÖ ®ÖÖ´Ö ²ÖŸÖ»ÖÖ‡‹ …ü

(A) ×¸ü®ÖÖê»›ËüÃÖ

(B) ×¸ü®¾ÖÖµÖ¸ü

(C) ×¯ÖÛúÖÃÖÖê

(D) ÛúÖÑÃ™êü²Ö»Ö

11. ²ÖÃÖÖ¾Ö®Ö ×ÛúÃÖ ¿Öî»Öß Ûêú ¸üÖ•Ö ¤ü¸ü²ÖÖ¸üß ×“Ö¡ÖÛúÖ¸ü £Öê ?ü

(A) ¯ÖÆüÖ›Ìüß

(B) ¸üÖ•ÖÃ£ÖÖ®Öß

(C) ´ÖãÝÖ»Ö

(D) ¯ÖÖ»Ö

12. ‘ÃÖê×»Ö²ÖÎê¿Ö®Ö ×™Òü×¯ŸÖ•Ö’ ÛúÖê ‹ÛÎêú×»ÖÛú ´Öë ×“Ö×¡ÖŸÖ Ûú¸ü®Öê ¾ÖÖ»Öê ×“Ö¡ÖÛúÖ¸ü ÛúÖ ®ÖÖ´Ö ²ÖŸÖ»ÖÖ‡‹ :ü

(A) ²Öß¸êü®Ö ›êü

(B) ÃÖŸÖß¿Ö ÝÖã•Ö¸üÖ»Ö

(C) ŸÖîµÖ²Ö ´ÖêÆüŸÖÖ

(D) ¸üÖ´ÖÛãú´ÖÖ¸ü

13. ¯ÖÏ£Ö´Ö µÖÖÓ×¡ÖÛú ´Öã¦üÞÖ ÛúÆüÖÑ ¿Öãºþ Æãü†Ö £ÖÖ ?ü

(A) ÛúÖê“Öß®Ö

(B) ÝÖÖê†Ö

(C) ÛúÖê»ÖÛúÖ¢ÖÖ

(D) “Öê®®Ö‡Ô

14. ×»Ö£ÖÖêÝÖÏÖ±úß Ûúß ¯ÖÏ×ÛÎúµÖÖ ´Öë ÃÖŸÖÆü ÛîúÃÖß ÆüÖêŸÖß Æîü ?ü

(A) ‡Ó™êü×Ý»Ö†Öê

(B) ¸êü•›ü ÃÖ±ìúÃÖ Ø¯ÖÏØ™üÝÖ

(C) ¸üÖê™üÖêÝÖÏî¾µÖæ¸êü

(D) ¯»Öî®ÖÖêÝÖÏÖ±úß

15. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ×ÛúÃÖÛúÖ ˆ¯ÖµÖÖêÝÖ Ûú¸ü ×¾ÖÃÛúÖê×ÃÖ™üß ´Öã¦üÞÖ ×ÛúµÖÖ •ÖÖŸÖÖ Æîü ?

(A) ŸÖî»ÖßµÖ ¯Ö¤üÖ£ÖÔ (B) ¸ÓüÝÖ Ûúß ×¾Ö¸ü»ÖŸÖÖ (C) ×¾Ö×³Ö®®Ö ÛúšüÖê¸üŸÖÖ ¾ÖÖ»Öê ¸üÖê»ÖÃÖÔ (D) ¯»ÖÖ×Ã™üÛú ÃÖŸÖÆü 16. ¾µÖÓÝµÖ ×“Ö¡ÖÛúÖ¸ü Ã¾ÖÝÖáµÖ ´ÖÖ×¸ü†Öê ¤üß ´Öß¸üÖÓ›üÖ ÛúÖê ÃÖ®ÖË

2012 ´Öë ×ÛúÃÖ ¯Öã¸üÃÛúÖ¸ü ÃÖê ®Ö¾ÖÖ•ÖÖ ÝÖµÖÖü ?

(A) ¯Ö¤Ëü´Ö ³ÖæÂÖÞÖ (B) ¯Ö¤Ëü´Ö ×¾Ö³ÖæÂÖÞÖ (C) ³ÖÖ¸üŸÖ ¸üŸ®Ö (D) ¯Ö¤Ëü´ÖÁÖß 17. ×¾ÖÂÞÖã Ûúß ´ÖæÙŸÖ ´Öë ‘ÝÖ¤üÖ’ ÛúÖ ¯ÖÏ×ŸÖ×®Ö×¬ÖŸ¾Ö ×ÛúÃÖÃÖê

×ÛúµÖÖ ÝÖµÖÖ Æîüü ?

(A) ÃÖÆü“Ö¸üß (B) †»ÖÖî×ÛúÛúŸÖÖ (C) ÃÖÆü“Ö¸ü (D) ¾ÖÖÆü®Ö 18. ‘´Öî®Ö ×¾Ö¤ü ›üÖòÝÖ’ Ûêú ´ÖæÙŸÖÛúÖ¸ü ÛúÖ ®ÖÖ´Ö ²ÖŸÖ»ÖÖ‡‹ü …

(A) †ÝÖÃŸÖ ¸üÖê¤üÖÑ (B) †×¸üÃ™üÖ‡›ü ´ÖÖ‹»ÖÖê»Ö (C) ¬ÖÐã¾Ö ×´ÖÃ¡Öß (D) ¸üÖ‘Ö¾Ö Ûú®Öê×¸üµÖÖ 19. Ã™üÖê®Ö ¾ÖêµÖ¸ü ×ÛúÃÖÃÖê ×®ÖÙ´ÖŸÖ ÆüÖêŸÖÖ Æîü ?ü (A) Ã™üÖê®Ö (B) Ý»ÖÖÃÖ (C) Œ»Öê (D) ¯»ÖÖÃ™ü¸ü †Öò±ú ¯Öê×¸üÃÖ 20. Æêü®Ö¸üß ´Öæ¸ü ×ÛúÃÖÃÖê ¯ÖÏ³ÖÖ×¾ÖŸÖ £Öê ?ü (A) ´ÖÖµÖÖ ŸÖ£ÖÖ †•Ö™êüÛú ´ÖæÙŸÖÛú»ÖÖ (B) ‡™äüÃÛúÖ®Ö ´ÖæÙŸÖÛú»ÖÖ (C) †±ÏúßÛúß ´ÖæÙŸÖÛú»ÖÖ (D) ³ÖÖ¸üŸÖßµÖ ´ÖæÙŸÖÛú»ÖÖ

Paper-II 6 D-79-12

21. Assertion (A) : Ram Kinkar did all his big sculptures in cement and concrete.

Reason (R) : He chose this medium because no other medium was easily available.

(A) (A) and (R) both are correct.

(B) (A) is correct, (R) is not correct.

(C) (A) is not correct, (R) is partly correct.

(D) (A) is partly correct, (R) is not correct.

22. Assertion (A) : Terracotta medium is more commonly used in West Bengal.

Reason (R) : Terracotta is more used because no other material was found nearby.

(A) (A) is not correct, (R) is partly correct.


(C) (A) and (R) both are correct.

(D) (A) and (R) both are not correct.

23. Assertion (A) : Advertisements with false claims are subject to ethical issue.

Reason (R) : Advertisements may become misleading, violating set norms and may affecting buying behaviour.


(B) (A) is not correct, (R) is correct.

(C) (A) is correct, (R) is not correct.


24. Assertion (A) : Advertisement must cope up with cultural environment and value system of the society.

Reason (R) : Advertisements provide knowledge to the society about the products and services.

(A) (A) is correct, (R) is not correct.

(B) (A) and (R) both are correct.

(C) (A) and (R) both are not correct.

(D) (A) is not correct, (R) is correct.

25. Assertion (A) : Ancient Greeks knew the architectural techniques of arch and domes but they mostly used Post and Lintel.

Reason (R) : Arch and domes appear to rise upward either to reach other wordly goals or to dominate the beholder. Such motives were incompatible to Greek values.

(A) (A) and (R) both are not correct.


(C) (A) and (R) both are correct.


26. Assertion (A) : Bull’s Head sculpted by Picasso is an important work of fine art made of handle bar and seat of a bicycle forming third image.

Reason (R) : Because it reacts against conventional sculptural method of carving or modelling but expressing full emotion.

(A) (A) is correct, (R) is not correct.




D-79-12 7 Paper-II

21. †×³ÖÛú£Ö®Ö (A) : üÖ´Ö ØÛúÛú ü ®Öê †¯Ö®Öß ÃÖ³Öß ´ÖæÙŸÖµÖÖë ÛúÖê ÃÖß´Öë™ü µÖÖ ÛÓúÛÎúß™ü ÃÖê ²Ö®ÖÖµÖÖ Æîü …

ÛúÖ¸üÞÖ (R) : ˆ®ÆüÖë®Öê µÖÆü ´ÖÖ¬µÖ´Ö ‡ÃÖ ×»Ö‹ “Öã®ÖÖ ŒµÖÖë×Ûú ÛúÖê‡Ô †®µÖ ´ÖÖ¬µÖ´Ö ˆ¯Ö»Ö²¬Ö ®ÖÆüà £ÖÖ …

(A) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …

(B) (A) ÃÖÆüß Æîü, (R) ÝÖ»ÖŸÖ Æîü …

(C) (A) ÝÖ»ÖŸÖ Æîü, (R) †ÖÓ×¿ÖÛú ºþ¯Ö ´Öë ÃÖÆüß Æîü …

(D) (A) †ÖÓ×¿ÖÛú ºþ¯Ö ´Öë ÃÖÆüß Æîü, (R) ÝÖ»ÖŸÖ Æîü …

22. †×³ÖÛú£Ö®Ö (A) : ¯Ö×¿“Ö´Ö ²ÖÓÝÖÖ»Ö ´Öë ÃÖÖ´ÖÖ®µÖŸÖ: ™êü¸üÖÛúÖê™üÖ †Ö¬ÖÖ¸-ÃÖÖ´ÖÝÖÏß ÛúÖ †×¬ÖÛú ¯ÖÏµÖÖêÝÖ ÆüÖêŸÖÖ Æîü …

ÛúÖ¸üÞÖ (R) : ™êü¸üÖÛúÖê™üÖ ÛúÖ ¯ÖÏµÖÖêÝÖ †×¬ÖÛú ÆüÖêŸÖÖ Æîü ŒµÖÖë×Ûú ×®ÖÛú™ü¾ÖŸÖá Ã£ÖÖ®ÖÖë ´Öë ÛúÖê‡Ô †®µÖ †Ö¬ÖÖ¸ü-ÃÖÖ´ÖÝÖÏß ®ÖÆüà ¯ÖÖ‡Ô •ÖÖŸÖß …

(A) (A) ÝÖ»ÖŸÖ Æîü, (R) †ÖÓ×¿ÖÛú ºþ¯Ö ´Öë ÃÖÆüß Æîü …


(C) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …

(D) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …

23. †×³ÖÛú£Ö®Ö (A) : ×´Ö£µÖÖ ¤üÖ¾ÖÖ Ûú¸ü®Öê ¾ÖÖ»Öê ×¾Ö–ÖÖ¯Ö®Ö ®Öî×ŸÖÛú ¤üÖµÖ¸êü ´Öë †ÖŸÖê Æïü …

ÛúÖ¸üÞÖ (R) : ×¾Ö–ÖÖ¯Ö®Ö ³ÖÏÖ´ÖÛú, ´ÖÖ®Ö¤üÞ›üÖë ÛúÖ ˆ»»ÖÓ‘Ö®Ö Ûú¸ü®Öê ¾ÖÖ»Öê ²Ö®Ö ÃÖÛúŸÖê Æïü ŸÖ£ÖÖ ÛÎúµÖ-¾µÖ¾ÖÆüÖ¸ü ÛúÖê ¯ÖÏ³ÖÖ×¾ÖŸÖ Ûú¸ü ÃÖÛúŸÖê Æïü …


(B) (A) ÃÖÆüß ®ÖÆüà Æîü, (R) ÃÖÆüß Æîü …

(C) (A) ÃÖÆüß Æîü, (R) ÝÖ»ÖŸÖ Æîü …


24. †×³ÖÛú£Ö®Ö (A) : ×¾Ö–ÖÖ¯Ö®Ö ÛúÖê ÃÖÖ´ÖÖ×•ÖÛú ¯Ö×¸ü¾Öê¿Ö ŸÖ£ÖÖ ´Öæ»µÖ-¯ÖÏÞÖÖ»Öß Ûêú †®Öãºþ¯Ö ÆüÖê®ÖÖ “ÖÖ×Æü‹ …

ÛúÖ¸üÞÖ (R) : ×¾Ö–ÖÖ¯Ö®Ö ÃÖ´ÖÖ•Ö ÛúÖê ˆŸ¯ÖÖ¤üÖë ŸÖ£ÖÖ ÃÖê¾ÖÖ†Öë Ûêú ²ÖÖ¸êü ´Öë •ÖÖ®ÖÛúÖ¸üß ˆ¯Ö»Ö²¬Ö Ûú¸üÖŸÖê Æïü …

(A) (A) ÃÖÆüß Æîü, (R) ÝÖ»ÖŸÖ Æîü …

(B) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …

(C) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …

(D) (A) ÝÖ»ÖŸÖ Æîü, (R) ÃÖÆüß Æîü …

25. †×³ÖÛú£Ö®Ö (A) : ¯ÖÏÖ“Öß®Ö µÖæ®ÖÖ®Öß ´ÖêÆü¸üÖ²Ö ŸÖ£ÖÖ

ÝÖã´²Ö¤ü Ûêú ×®Ö´ÖÖÔÞÖ Ûúß ¤üÖê®ÖÖë ¯ÖÏÛúÖ¸ü Ûúß ¾ÖÖÃŸÖã¯Ö¸üÛú ŸÖÛú®ÖßÛúÖë Ûêú •ÖÖ®ÖÛúÖ¸ü £Öê, ¯Ö¸ü®ŸÖã ˆ®ÆüÖë®Öê †×¬ÖÛúŸÖ¸ü ÃŸÖÓ³Ö ŸÖ£ÖÖ ¬Ö¸üÞÖ ÛúÖ ¯ÖÏµÖÖêÝÖ ×ÛúµÖÖ …

ÛúÖ¸üÞÖ (R) : ´ÖêÆü¸üÖ²Ö ŸÖ£ÖÖ ÝÖã´²Ö¤ü ÛúÖê ‰ú¬¾ÖÖÔÛúÖ¸ü ²Ö®ÖÖµÖÖ •ÖÖŸÖÖ Æîü ×•ÖÃÖÛúÖ ÛúÖ¸üÞÖ µÖÖ ŸÖÖê ¤îü×¾ÖÛú »ÖõµÖÖë ÛúÖê ÆüÖ×ÃÖ»Ö Ûú¸ü®ÖÖ µÖÖ ¤ü¿ÖÔÛúÖë ¯Ö¸ü ¬ÖÖÛú •Ö´ÖÖ®ÖÖ ÆüÖê ÃÖÛúŸÖÖ Æîü … ‹êÃÖê ˆ§êü¿µÖ µÖæ®ÖÖ®Öß ´Öæ»µÖÖë ÃÖê ÃÖãÃÖÓÝÖŸÖ ®ÖÆüà £Öê …

(A) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …


(C) (A) ŸÖ£ÖÖ (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …

(D) (A) ÝÖ»ÖŸÖ Æî,ü (R) ÃÖÆüß Æîü …

26. †×³ÖÛú£Ö®Ö (A) : ÃÖÖ‡Ûú»Ö Ûúß Æïü×›ü»Ö ŸÖ£ÖÖ

ÃÖß™ü ÃÖê ²Ö®ÖÖ‡Ô ÝÖ‡Ô ŸÖéŸÖßµÖ ”û×¾Ö ÛúÖ ×®Ö´ÖÖÔÞÖ Ûú¸ü®Öê ¾ÖÖ»Öß ×¯ÖÛúÖÃÖÖê «üÖ¸üÖ ×®ÖÙ´ÖŸÖ ‘²Öã»ÃÖ Æêü›ü’ »Ö×»ÖŸÖ Ûú»ÖÖ Ûúß ‹Ûú ´ÖÆü¢¾Ö¯ÖæÞÖÔ Ûéú×ŸÖ Æîü …

ÛúÖ¸üÞÖ (R) : ŒµÖÖë×Ûú µÖÆü ´ÖæÙŸÖ ˆŸÛúßÞÖÔ®Ö ŸÖ£ÖÖ ´ÖÖò›üØ»ÖÝÖ Ûúß ¯ÖÖ¸Óü¯Ö×¸üÛú ´ÖæÙŸÖÛú»ÖÖŸ´ÖÛú ×¾Ö×¬Ö Ûêú ×¾Ö¹ý¨ü ‹Ûú ¯ÖÏ×ŸÖ×ÛÎúµÖÖ Æîü, ¯Ö¸ü®ŸÖã ÃÖÓ¾ÖêÝÖÖë ÛúÖê ¯ÖæÞÖÔŸÖ:, †×³Ö¾µÖŒŸÖ Ûú¸üŸÖß Æîü :




(D) (A) ÝÖ»ÖŸÖ Æîü, (R) ÃÖÆüß Æîü …

Paper-II 8 D-79-12

27. Assertion (A) : Prayag Jha Chillar is print maker. She does aquatint.

Reason (R) : She is inspired by crows and the crows are only in black colour.



(C) (A) is not correct, (R) is correct.


28. Assertion (A) : Print making should not be considered as the medium of expression in visual arts.

Reason (R) : Print making is not direct action on paper, it only produces imprints on paper from some other surface worked by artist.


(B) (A) is not correct, (R) is correct.


(D) (A) is correct, (R) is not correct.

29. Assertion (A) : M.F. Hussain used bold lines in his paintings.

Reason (R) : Because early life was full of struggle and he expressed his reaction through it.

(A) (A) is correct and (R) is not correct.


(C) (A) is not correct but (R) is correct.


30. Assertion (A) : Drawing is basic component of all visual arts.

Reason (R) : Because without it form and image cannot be cast.

(A) (A) is correct but (R) is not correct.


(C) (A) is not correct but (R) is correct.


31. Select the correct chronological sequence of Gupta temple architecture :

(A) Cave No. 17 of Sanchi, Shiva Temple of Bhumra, Dasavatar Temple of Deogarh, Brick temple of Bhitargaon.

(B) Shiva Temple of Bhumra, Dasavatar Temple of Deogarh, Brick Temple of Bhitargaon, Cave No. 17 of Sanchi

(C) Brick temple of Bhitargaon, Dasavatar Temple of Deogarh, Shiva Temple of Bhumra, Cave No. 17 of Sanchi.

(D) Dasavatar Temple of Deogarh, Shiva Temple of Bhumra, Cave No. 17 of Sanchi, Brick Temple of Bhitargaon

32. Select correct sequence of elements as described six limbs (shading) of Indian painting :

(A) Bhava, Lavanya, Praman, Rupabheda

(B) Rupabheda, Bhava, Lavanya, Praman

(C) Rupabheda, Praman, Bhava, Lavanya

(D) Praman, Rupabheda, Lavanya, Bhava

D-79-12 9 Paper-II

27. †×³ÖÛú£Ö®Ö (A) : ¯ÖÏµÖÖÝÖ —ÖÖ ×“Ö»»Ö¸ü ‹Ûú ”ûÖ¯ÖÖ-×“Ö¡ÖÛúÖ¸ü Æïü … ¾Öê ‹Œ¾ÖÖØ™ü™ü ´Öë Ûéú×ŸÖµÖÖÑ ²Ö®ÖÖŸÖß Æïü …

ÛúÖ¸üÞÖ (R) : ˆ®Æëü ÛúÖî¾ÖÖë ÃÖê ¯ÖÏê¸üÞÖÖ ×´Ö»ÖŸÖß Æîü ŸÖ£ÖÖ ÛúÖî¾Öê Ûêú¾Ö»Ö ÛúÖ»Öê ÆüÖêŸÖê Æïü …



(C) (A) ÝÖ»ÖŸÖ Æîü, (R) ÃÖÆüß Æîü …


28. †×³ÖÛú£Ö®Ö (A) : ¥ü¿µÖ Ûú»ÖÖ†Öë ´Öë ”ûÖ¯ÖÖ ×“Ö¡ÖÞÖ ÛúÖê ³ÖÖ¾ÖÖ×³Ö¾µÖ×ŒŸÖ Ûêú ´ÖÖ¬µÖ´Ö Ûêú ºþ¯Ö ´Öë ®ÖÆüà ´ÖÖ®ÖÖ •ÖÖ®ÖÖ “ÖÖ×Æü‹ …

ÛúÖ¸üÞÖ (R) : ”ûÖ¯ÖÖ-×“Ö¡ÖÞÖ ´Öë Ûú»ÖÖÛúÖ¸ü ÃÖß¬Öê ÛúÖÝÖ•Ö ¯Ö¸ü ×“Ö¡Ö ®ÖÆüà ²Ö®ÖÖŸÖÖ ²Ö×»Ûú Ûú»ÖÖÛúÖ¸ü «üÖ¸üÖ ×ÛúÃÖß †®µÖ †Ö¬ÖÖ¸ü ÃÖÖ´ÖÝÖÏß ¯Ö¸ü ²Ö®ÖÖµÖê ÝÖµÖê ×“Ö¡Ö Ûúß ”ûÖ¯Ö ÛúÖÝÖ•Ö ¯Ö¸ü »Öß •ÖÖŸÖß Æîü …


(B) (A) ÝÖ»ÖŸÖ Æîü, (R) ÃÖÆüß Æîü …


(D) (A) ÃÖÆüß Æîü, (R) ÝÖ»ÖŸÖ Æîü …

29. †×³ÖÛú£Ö®Ö (A) : ‹´Ö.‹±ú. ÆãüÃÖî®Ö ®Öê †¯Ö®Öê ×“Ö¡ÖÖë ´Öë ´ÖÖê™üß ¸êüÜÖÖ†Öë ÛúÖ ¯ÖÏµÖÖêÝÖ ×ÛúµÖÖ Æîü …

ÛúÖ¸üÞÖ (R) : ŒµÖÖë×Ûú ˆ®ÖÛêú •Öß¾Ö®Ö ÛúÖ †Ö¸Óü×³ÖÛú ÛúÖ»Ö ÃÖÓ‘ÖÂÖÔ¯ÖæÞÖÔ £ÖÖ ŸÖ£ÖÖ ˆ®ÆüÖë®Öê ´ÖÖê™üß ¸êüÜÖÖ†Öë Ûêú «üÖ¸üÖ ‡ÃÖÛêú ¯ÖÏ×ŸÖ ¯ÖÏ×ŸÖ×ÛÎúµÖÖ ¾µÖŒŸÖ Ûúß Æîü …



(C) (A) ÝÖ»ÖŸÖ Æîü, ¯Ö¸ü®ŸÖã (R) ÃÖÆüß Æîü …


30. †×³ÖÛú£Ö®Ö (A) : †Ö¸êüÜÖ®Ö ÃÖ´ÖÃŸÖ ¥ü¿µÖ Ûú»ÖÖ†Öë ÛúÖ †Ö¬ÖÖ¸ü³ÖæŸÖ ‘Ö™üÛú Æîü …

ÛúÖ¸üÞÖ (R) : ŒµÖÖë×Ûú ‡ÃÖÛêú ×²Ö®ÖÖ ºþ¯Ö †Öî¸ü ”û×¾Ö ®ÖÆüà ²Ö®ÖÖ‹ •ÖÖ ÃÖÛúŸÖê …

(A) (A) ÃÖÆüß Æîü, ¯Ö¸ü®ŸÖã (R) ÝÖ»ÖŸÖ Æîü …


(C) (A) ÝÖ»ÖŸÖ Æîü, ¯Ö ÓüŸÖã (R) ÃÖÆüß Æîü …


31. ÝÖã¯ŸÖÛúÖ»Öß®Ö ´ÖÓ×¤ü¸ü ¾ÖÖÃŸÖãÛú»ÖÖ ÛúÖ ÃÖÆüß ÛúÖ»ÖÖ®ÖãÛÎú´Ö “Öã×®Ö‹ :ü

(A) ÃÖÖÑ“Öß Ûúß ÝÖã±úÖ ÃÖÓ. 17, ³Öæ´Ö¸üÖ ÛúÖ ×¿Ö¾Ö ´ÖÓ×¤ü¸ü, ¤êü¾ÖÝÖœÌü ÛúÖ ¤ü¿ÖÖ¾ÖŸÖÖ¸ü ´ÖÓ×¤ü¸ü, ³ÖßŸÖ¸üÝÖÖÑ¾Ö ÛúÖ ‡Õ™ü ×®ÖÙ´ÖŸÖ ´ÖÓ×¤ü¸ü

(B) ³Öæ´Ö¸üÖ ÛúÖ ×¿Ö¾Ö ´ÖÓ×¤ü¸ü, ¤êü¾ÖÝÖœÌü ÛúÖ ¤ü¿ÖÖ¾ÖŸÖÖ¸ü ´ÖÓ×¤ü¸ü, ³ÖßŸÖ¸üÝÖÖÑ¾Ö ÛúÖ ‡Õ™ü ×®ÖÙ´ÖŸÖ ´ÖÓ×¤ü¸ü, ÃÖÖÑ“Öß Ûúß ÝÖã±úÖ ÃÖÓÜµÖÖ 17

(C) ³ÖßŸÖ¸üÝÖÖÑ¾Ö ÛúÖ ‡Õ™ü ×®ÖÙ´ÖŸÖ ´ÖÓ×¤ü¸ü, ¤êü¾ÖÝÖœÌü ÛúÖ ¤ü¿ÖÖ¾ÖŸÖÖ¸ü ´ÖÓ×¤ü¸ü, ³Öæ´Ö¸üÖ ÛúÖ ×¿Ö¾Ö ´ÖÓ×¤ü¸ü, ÃÖÖÑ“Öß Ûúß ÝÖã±úÖ ÃÖÓÜµÖÖ 17

(D) ¤êü¾ÖÝÖœÌü ÛúÖ ¤ü¿ÖÖ¾ÖŸÖÖ¸ü ´ÖÓ×¤ü¸ü, ³Öæ´Ö¸üÖ ÛúÖ ×¿Ö¾Ö ´ÖÓ×¤ü¸ü, ÃÖÖÑ“Öß Ûúß ÝÖã±úÖ ÃÖÓÜµÖÖ 17, ³ÖßŸÖ¸üÝÖÖÑ¾Ö ÛúÖ ‡Õ™ü ×®ÖÙ´ÖŸÖ ´ÖÓ×¤ü¸ü

32. ³ÖÖ¸üŸÖßµÖ ×“Ö¡ÖÛú»ÖÖ Ûêú ÂÖ›üÖÓÝÖ ´Öë ¾ÖÙÞÖŸÖ ŸÖ¢¾ÖÖë ÛúÖ ÃÖÆüß ÛÎú´Ö ¯ÖÆü“ÖÖ×®Ö‹ :

(A) ³ÖÖ¾Ö, »ÖÖ¾ÖÞµÖ, ¯ÖÏ´ÖÖÞÖ, ºþ¯Ö³Öê¤ü

(B) ºþ¯Ö³Öê¤ü, ³ÖÖ¾Ö, »ÖÖ¾ÖÞµÖ, ¯ÖÏ´ÖÖÞÖ

(C) ºþ¯Ö³Öê¤ü, ¯ÖÏ´ÖÖÞÖ, ³ÖÖ¾Ö, »ÖÖ¾ÖÞµÖ

(D) ¯ÖÏ´ÖÖÞÖ, ºþ¯Ö³Öê¤ü, »ÖÖ¾ÖÞµÖ, ³ÖÖ¾Ö

Paper-II 10 D-79-12

33. Select the correct chronological sequence of artists :

(A) Krishna Reddy, Ravi Varma, Jyoti Bhatt, Chitt Prasad

(B) Jyoti Bhatt, Krishna Reddy, Chitt Prasad, Ravi Varma

(C) Ravi Varma, Krishna Reddy, Chitt Prasad, Jyoti Bhatt

(D) Ravi Varma, Chitt Prasad, Krishna Reddy, Jyoti Bhatt

34. Select the correct sequence of steps in woodcut printing :

(A) Rubbing with spoon, Carving, Rolling ink on block, Impression on paper

(B) Carving, Rolling ink on block, Rubbing with spoon, Impression on paper

(C) Rubbing with spoon, Impression on paper, Rolling ink on block, Carving

(D) Rolling ink on block, Rubbing with spoon, Impression on paper, Carving

35. Select the correct sequence of execution :

(A) Animatics, Storyboarding, Editing, Scripting

(B) Storyboarding, Editing, Scripting, Animatics

(C) Scripting, Storyboarding, Animatics, Editing

(D) Scripting, Storyboarding, Editing, Animatics

36. Select the correct sequence of stages of a layout :

(A) Rough, Comprehensive, Semi-comprehensive, Artwork

(B) Comprehensive, Semi-comprehensive, Rough, Artwork

(C) Comprehensive, Rough, Semi-comprehensive, Artwork

(D) Rough, Semi-comprehensive, Comprehensive, Artwork

37. Select the correct chronological sequence of the artists :

(A) Nagji Patel, Pradosh Dasgupta, Hiranmay Roychaudhury, Dhanraj Bhagat

(B) Pradosh Dasgupta, Nagji Patel, Dhanraj Bhagat, Hiranmay Roychaudhury

(C) Hiranmay Roychaudhury, Dhanraj Bhagat, Pradosh Dasgupta, Nagji Patel

(D) Dhanraj Bhagat, Hiranmay Roychaudhury, Pradosh Dasgupta, Nagji Patel

38. Select the correct sequence of steps in metal casting :

(A) P.O.P. Piece mould, Wax model, Investment mould, Metal pouring

(B) P.O.P. piece mould, Investment mould, Wax model, Metal pouring

(C) Metal pouring, P.O.P. piece mould, Wax model, Investment mould

(D) Investment mould, Metal pouring, Wax model, P.O.P. piece mould

D-79-12 11 Paper-II

33. ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûú»ÖÖÛúÖ¸üÖë ÛúÖ ÃÖÆüß ÛúÖ»ÖÛÎú´Ö ¯ÖÆü“ÖÖ×®Ö‹ :

(A) ÛéúÂÞÖÖ ¸êüøüß, ¸ü×¾Ö ¾Ö´ÖÖÔ, •µÖÖê×ŸÖ ³Ö¼ü, ×“Ö¢Ö ¯ÖÏÃÖÖ¤ü

(B) •µÖÖê×ŸÖ ³Ö¼ü, ÛéúÂÞÖÖ ¸êüøüß, ×“Ö¢Ö ¯ÖÏÃÖÖ¤ü, ¸ü×¾Ö ¾Ö´ÖÖÔ

(C) ¸ü×¾Ö ¾Ö´ÖÖÔ, ÛéúÂÞÖÖ ¸êüøüß, ×“Ö¢Ö ¯ÖÏÃÖÖ¤,ü •µÖÖê×ŸÖ ³Ö¼ü

(D) ¸ü×¾Ö ¾Ö´ÖÖÔ, ×“Ö¢Ö ¯ÖÏÃÖÖ¤,ü ÛéúÂÞÖÖ ¸êüøüß, •µÖÖê×ŸÖ ³Ö¼ü

34. ¾Öã›üÛú™ü ¯ÖëØ™üÝÖ ´Öë ×®Ö×ÆüŸÖ “Ö¸üÞÖÖë ÛúÖ ÃÖÆüß ÛÎú´Ö ²ÖŸÖ»ÖÖ‡‹ :

(A) Ã¯Öæ®Ö ÃÖê ¸üÝÖ›Ìü®ÖÖ, ˆŸÛúßÞÖÔ®Ö, ¸üÖê»Ö¸ü ÃÖê ²»ÖÖòÛú ¯Ö¸ü ¸ÓüÝÖ ±îú»ÖÖ®ÖÖ, ÛúÖÝÖ•Ö ¯Ö¸ü ”ûÖ¯ÖÖ ˆŸÖÖ¸ü®ÖÖ

(B) ˆŸÛúßÞÖÔ®Ö, ¸üÖê»Ö¸ü ÃÖê ²»ÖÖòÛú ¯Ö¸ü ¸ÓüÝÖ ±îú»ÖÖ®ÖÖ, Ã¯Öæ®Ö ÃÖê ¸üÝÖ›Ìü®ÖÖ, ÛúÖÝÖ•Ö ¯Ö¸ü ”ûÖ¯ÖÖ ˆŸÖÖ¸ü®ÖÖ

(C) Ã¯Öæ®Ö ÃÖê ¸üÝÖ›Ìü®ÖÖ, ÛúÖÝÖ•Ö ¯Ö¸ü ”ûÖ¯ÖÖ ˆŸÖÖ¸ü®ÖÖ, ¸üÖê»Ö¸ü ÃÖê ²»ÖÖòÛú ¯Ö¸ü ¸ÓüÝÖ ±îú»ÖÖ®ÖÖ, ˆŸÛúßÞÖÔ®Ö

(D) ¸üÖê»Ö¸ü ÃÖê ²»ÖÖòÛú ¯Ö¸ü ¸ÓüÝÖ ±îú»ÖÖ®ÖÖ, Ã¯Öæ®Ö ÃÖê ¸üÝÖ›Ìü®ÖÖ, ÛúÖÝÖ•Ö ¯Ö¸ü ”ûÖ¯ÖÖ ˆŸÖÖ¸ü®ÖÖ, ˆŸÛúßÞÖÔ®Ö

35. ÛúÖµÖÔ ×®ÖÂ¯ÖÖ¤ü®Ö ÛúÖ ÃÖÆüß ÛÎú´Ö ²ÖŸÖ»ÖÖ‡‹ :

(A) ‹×®Ö´Öê×™üŒÃÖ, Ã™üÖê¸üß²ÖÖêÚ›üÝÖ, ‹×›üØ™üÝÖ, ÃÛÎúßØ¯™üÝÖ

(B) Ã™üÖê¸üß²ÖÖêÚ›üÝÖ, ‹×›üØ™üÝÖ, ÃÛÎúßØ¯™üÝÖ, ‹×®Ö´Öê×™üŒÃÖ

(C) ÃÛÎúßØ¯™üÝÖ, Ã™üÖê¸üß²ÖÖêÚ›üÝÖ, ‹×®Ö´Öê×™üŒÃÖ, ‹×›üØ™üÝÖ

(D) ÃÛÎúßØ¯™üÝÖ, Ã™üÖê¸üß²ÖÖêÚ›üÝÖ, ‹×›üØ™üÝÖ, ‹×®Ö´Öê×™üŒÃÖ

36. »Öê-†Öˆ™ü Ûúß ×¾Ö×³Ö®®Ö †¾ÖÃ£ÖÖ†Öë ÛúÖ ÃÖÆüß ÛÎú´Ö ¯ÖÆü“ÖÖ×®Ö‹ :

(A) ¸ü±ú, ÛÓú×¯ÖÏÆëü×ÃÖ¾Ö, ÃÖê´Öß-ÛÓú×¯ÖÏÆëü×ÃÖ¾Ö, †Ö™Ôü¾ÖÛÔú

(B) ÛÓú×¯ÖÏÆëü×ÃÖ¾Ö, ÃÖê´Öß-ÛÓú×¯ÖÏÆëü×ÃÖ¾Ö, ¸ü±ú, †Ö™Ôü¾ÖÛÔú

(C) ÛÓú×¯ÖÏÆëü×ÃÖ¾Ö, ¸ü±ú, ÃÖê´Öß-ÛÓú×¯ÖÏÆëü×ÃÖ¾Ö, †Ö™Ôü¾ÖÛÔú

(D) ¸ü±ú, ÃÖê´Öß-ÛÓú×¯ÖÏÆëü×ÃÖ¾Ö, ÛÓú×¯ÖÏÆëü×ÃÖ¾Ö, †Ö™Ôü¾ÖÛÔú

37. ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûú»ÖÖÛúÖ¸üÖë ÛúÖ ÃÖÆüß ÛúÖ»ÖÛÎú´Ö ¯ÖÆü“ÖÖ×®Ö‹ :

(A) ®ÖÖÝÖ•Öß ¯Ö™êü»Ö, ¯ÖÏ¤üÖêÂÖ ¤üÖÃÖÝÖã¯ŸÖÖ, ×Æü¸üÞÖ´ÖµÖ ¸üÖµÖ“ÖÖî¬Ö¸üß, ¬Ö®Ö¸üÖ•Ö ³ÖÝÖŸÖ

(B) ¯ÖÏ¤üÖêÂÖ ¤üÖÃÖÝÖã¯ŸÖÖ, ®ÖÖÝÖ•Öß ¯Ö™êü»Ö, ¬Ö®Ö¸üÖ•Ö ³ÖÝÖŸÖ, ×Æü¸üÞÖ´ÖµÖ ¸üÖµÖ“ÖÖî¬Ö¸üß

(C) ×Æü¸üÞÖ´ÖµÖ ¸üÖµÖ“ÖÖî¬Ö¸üß, ¬Ö®Ö¸üÖ•Ö ³ÖÝÖŸÖ, ¯ÖÏ¤üÖêÂÖ ¤üÖÃÖÝÖã¯ŸÖÖ, ®ÖÖÝÖ•Öß ¯Ö™êü»Ö

(D) ¬Ö®Ö¸üÖ•Ö ³ÖÝÖŸÖ, ×Æü¸üÞÖ´ÖµÖ ¸üÖµÖ“ÖÖî¬Ö¸üß, ¯ÖÏ¤üÖêÂÖ ¤üÖÃÖÝÖã¯ŸÖÖ, ®ÖÖÝÖ•Öß ¯Ö™êü»Ö

38. ´Öê™ü»Ö ÛúÖØÃ™üÝÖ ´Öë ×®Ö×ÆüŸÖ “Ö¸üÞÖÖë ÛúÖ ÃÖÆüß ÛÎú´Ö ¯ÖÆü“ÖÖ×®Ö‹ :

(A) ¯Öß.†Öê.¯Öß. ¯ÖßÃÖ ´ÖÖê»›ü, ¾ÖîŒÃÖ ´ÖÖò›ü»Ö, ‡Ó¾ÖêÃ™ü´Öë™ü ´ÖÖê»›ü, ¬ÖÖŸÖã ˆÑ›êü»Ö®ÖÖ

(B) ¯Öß.†Öê.¯Öß. ¯ÖßÃÖ ´ÖÖê»›ü, ‡Ó¾ÖêÃ™ü´Öë™ü ´ÖÖê»›ü, ¾ÖîŒÃÖ ´ÖÖò›ü»Ö, ¬ÖÖŸÖã ˆÑ›êü»Ö®ÖÖ

(C) ¬ÖÖŸÖã ˆÑ›êü»Ö®ÖÖ, ¯Öß.†Öê.¯Öß. ¯ÖßÃÖ ´ÖÖê»›ü, ¾ÖîŒÃÖ ´ÖÖò›ü»Ö, ‡Ó¾ÖêÃ™ü´Öë™ü ´ÖÖê»›ü

(D) ‡Ó¾ÖêÃ™ü´Öë™ü ´ÖÖê»›ü, ¬ÖÖŸÖã ˆÑ›êü»Ö®ÖÖ, ¾ÖîŒÃÖ ´ÖÖò›ü»Ö, ¯Öß.†Öê.¯Öß. ¯ÖßÃÖ ´ÖÖê»›ü

Paper-II 12 D-79-12

39. Select the correct sequence of artists in order of successive art movements :

(A) Courbet, Degas, Cezanne, Braque

(B) Degas, Courbet, Braque, Cezanne

(C) Cezanne, Braque, Degas, Courbet

(D) Braque, Cezanne, Degas, Courbet

40. Select the correct sequence in chronological order :

(A) Nandalal Bose, Arpita Singh, Amrita Shergil, Nalini Malani

(B) Nandalal Bose, Amrita Shergil, Arpita Singh, Nalini Malani

(C) Arpita Singh, Nalini Malani, Amrita Shergil, Nandalal Bose

(D) Amrita Shergil, Nandalal Bose, Nalini Malani, Arpita Singh

41. Match the following :

a. Tate Art Gallery

i. Hyderabad

b. Louvre Museum

ii. Bhopal

c. Bharat Bhawan

iii. London

d. Salarjang Museum

iv. Paris

Codes :

a b c d

(A) iv iii i ii

(B) iii iv ii i

(C) i ii iii iv

(D) ii iv i iii

42. Match the temples with respective sites:

a. Ladkhan Temple

i. Aihole

b. Bhimarath ii. Bhubaneswara c. Vaital Deul iii. Gwalior d. Telika Mandir iv. Mahabalipuram

Codes : a b c d (A) i ii iii iv (B) iii iv i ii (C) iv ii iii i (D) i iv ii iii 43. Match the following :

a. Oleography i. Intaglio printingb. Metal

engraving ii. Stencil printing

c. Wood engraving

iii. Planography

d. Silk screen iv. Relief printing Codes : a b c d (A) i iv ii iii (B) iv ii iii i (C) ii iii i iv (D) iii i iv ii 44. Match the following :

a. Carol Summers

i. Wood engraving

b. Hoksai ii. Print from woodblock on bothside of paper

c. Zarina Hashmi

iii. Wood cut

d. Albrecht Durer

iv. Japanese colourwood print

Codes : a b c d (A) iii i iv ii (B) ii iv iii i (C) i ii iv iii (D) iv iii ii i

D-79-12 13 Paper-II

39. ˆ¢Ö¸ü¾ÖŸÖá Ûú»ÖÖ †ÖÓ¤üÖê»Ö®ÖÖë Ûêú ÛÎú´Ö ´Öë ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûú»ÖÖÛúÖ¸üÖë ÛúÖ ÃÖÆüß ÛÎú´Ö ²ÖŸÖ»ÖÖ‡‹ :

(A) Ûæú²Öì, ¤êüÝÖÖ, ÃÖê•ÖÖÑ, ²ÖÎÖÛú

(B) ¤êüÝÖÖ, Ûæú²Öì, ²ÖÎÖÛú, ÃÖê•ÖÖÑ,

(C) ÃÖê•ÖÖÑ, ²ÖÎÖÛú, ¤êüÝÖÖ, Ûæú²Öì,

(D) ²ÖÎÖÛú, ÃÖê•ÖÖÑ, ¤êüÝÖÖ, Ûæú²Öì

40. ÃÖÆüß ÛúÖ»ÖÛÎú´Ö ²ÖŸÖ»ÖÖ‡‹ :

(A) ®ÖÓ¤ü»ÖÖ»Ö ²ÖÖêÃÖ, †Ù¯ÖŸÖÖ ØÃÖÆü, †´ÖéŸÖÖ ¿Öê¸ü×ÝÖ»Ö, ®Ö×»Ö®Öß ´ÖÖ»ÖÖ®Öß

(B) ®ÖÓ¤ü»ÖÖ»Ö ²ÖÖêÃÖ, †´ÖéŸÖÖ ¿Öê¸ü×ÝÖ»Ö, †Ù¯ÖŸÖÖ ØÃÖÆü, ®Ö×»Ö®Öß ´ÖÖ»ÖÖ®Öß

(C) †Ù¯ÖŸÖÖ ØÃÖÆü, ®Ö×»Ö®Öß ´ÖÖ»ÖÖ®Öß, †´ÖéŸÖÖ ¿Öê¸ü×ÝÖ»Ö, ®ÖÓ¤ü»ÖÖ»Ö ²ÖÖêÃÖ

(D) †´ÖéŸÖÖ ¿Öê¸ü×ÝÖ»Ö, ®ÖÓ¤ü»ÖÖ»Ö ²ÖÖêÃÖ, ®Ö×»Ö®Öß ´ÖÖ»ÖÖ®Öß, †Ù¯ÖŸÖÖ ØÃÖÆü

41. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúß×•Ö‹ :

a. ™êü™ü †Ö™Ôü ÝÖî»Ö¸üß i. Æîü¤ü¸üÖ²ÖÖ¤ü

b. »Öæ¾ÖÎ ´µÖæ×•ÖµÖ´Ö ii. ³ÖÖê¯ÖÖ»Ö

c. ³ÖÖ¸üŸÖ ³Ö¾Ö®Ö iii. »ÖÓ¤ü®Ö

d. ÃÖÖ»ÖÖ¸ü•ÖÓÝÖ ´µÖæ×•ÖµÖ´Ö

iv. ¯Öê×¸üÃÖ

Ûæú™ü :

a b c d

(A) iv iii i ii

(B) iii iv ii i

(C) i ii iii iv

(D) ii iv i iii

42. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´ÖÓ×¤ü¸üÖë ŸÖ£ÖÖ ˆ®ÖÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Ã£Ö»ÖÖë ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúß×•Ö‹ : a. »ÖÖ›üÜÖÖ®Ö ´ÖÓ×¤ü¸ü i. ‹êÆüÖê»Ö b. ³Öß´Ö¸ü£Ö ii. ³Öã¾Ö®Öê¿¾Ö¸ü c. ¾ÖîŸÖÖ»Ö ¤êüˆ»Ö iii. Ý¾ÖÖ×»ÖµÖ¸ü d. ŸÖê×»ÖÛúÖ ´ÖÓ×¤ü¸ü iv. ÖÆüÖ²Ö»Öß¯Öã¸ü´Ö

Ûæú™ü : a b c d

(A) i ii iii iv

(B) iii iv i ii

(C) iv ii iii i

(D) i iv ii iii

43. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúß×•Ö‹ : a. ŸÖî»Ö ´Öã¦üÞÖ i. ‡Ó™êü×Ý»ÖµÖÖê Ø¯ÖÏØ™üÝÖ b. ¬ÖÖŸÖã ˆŸÛúßÞÖÔ®Ö ii. Ã™ëü×ÃÖ»Ö Ø¯ÖÏØ™üÝÖ c. ÛúÖÂšü ˆŸÛúßÞÖÔ®Ö iii. »Öê®ÖÖêÝÖÏÖ±úß d. ×ÃÖ»Ûú ÃÛÎúß®Ö iv. ×¸ü»Öß±ú ×¯ÖÏØ™üÝÖ


(A) i iv ii iii

(B) iv ii iii i

(C) ii iii i iv

(D) iii i iv ii

44. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúß×•Ö‹ : a. Ûîú¸üÖê»Ö ÃÖ´ÖÃÖÔ i. ÛúÖÂšü ˆŸÛúßÞÖÔ®Ö b. ÆüÖêŒÃÖÖ‡Ô ii. ÛúÖÝÖ•Ö Ûêú ¤üÖê®ÖÖë †Öê ü

ÛúÖÂšü ²»ÖÖòÛú ÃÖê Ø¯ÖÏØ™üÝÖ c. •Ö¸üß®ÖÖ ÆüÖ¿Ö´Öß iii. ¾Öã›ü Ûú™ü d. †»²ÖÎêÜŸÖ ›ü¶æ¸ü¸ü iv. •ÖÖ¯ÖÖ®Öß ¸ÓüÝÖß®Ö ÛúÖÂšü

´Öã¦üÞÖ Ûæú™ü : a b c d

(A) iii i iv ii

(B) ii iv iii i

(C) i ii iv iii

(D) iv iii ii i

Paper-II 14 D-79-12

45. Match the material with sculpture mediums :

a. Casting i. Ivory b. Modelling ii. Scrap wood c. Carving iii. Aluminium d. Assemblage iv. Wax

Codes : a b c d (A) iv ii i iii (B) iii iv i ii (C) iii i iv ii (D) i ii iii iv 46. Match the following artists with their

relevant creative works : a. Marcel

Duchamp i. Florence Pieta

b. Balbir Singh Katt

ii. Triumph ofLabour

c. Michelangelo iii. Bicycle wheel d. D.P.

Roychaudhury iv. Nadeshwar

Codes : a b c d (A) iv ii i iii (B) iii i ii iv (C) iii iv i ii (D) ii i iii iv 47. Match the following :

a. Mario Miranda

i. Photojournalist

b. Homai Vyarawalla

ii. Graphic Designer

c. Mickey Patel iii. Cartoonist d. Sudarshan

Dheer iv. Illustrator

Codes : a b c d (A) i iii ii iv (B) iii i iv ii (C) iv ii i iii (D) ii iv iii i

48. Match the following :

a. Transit i. Indoor media

b. Television ii. Outdoor media

c. Direct mail iii. Hangings

d. Point of purchase

iv. By Mail

Codes :

a b c d

(A) ii i iv iii

(B) i iv iii ii

(C) iii ii i iv

(D) ii iii iv i

49. Match the following artists to their respective phases :

a. Edgar Degas i. Fauvism

b. Matisse ii. Dadaism

c. Braque iii. Impressionism

d. Picabia iv. Cubism

Codes :

a b c d

(A) i iii ii iv

(B) iii i iv ii

(C) iv ii i iii

(D) ii iv iii i

50. Match the following textile with their States :

a. Phulkari i. Meghalaya

b. Lushai ii. Gujarat

c. Kantha iii. Punjab

d. Tanchol iv. Bengal

Codes :

a b c d

(A) i iii ii iv

(B) iii i iv ii

(C) iv ii i iii

(D) ii iv iii i

D-79-12 15 Paper-II

45. ÃÖÖ´ÖÝÖÏß ŸÖ£ÖÖ ´ÖæÙŸÖ ´Öß×›üµÖ´ÃÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúß×•Ö‹ : 48. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúß×•Ö‹ : a. ™ÒüÖÓ×•Ö™ü i. ‡Ó›üÖê¸ü ´Öß×›üµÖÖ b. ™êü»Öß×¾Ö•Ö®Ö ii. †Öˆ™ü›üÖê¸ü ´Öß×›üµÖÖ c. ›üÖµÖ¸êüŒ™ü ´Öê»Ö iii. ÆïüØÝÖÝÃÖ d. ¯ÖÖò‡®™ü †Öò±ú ¯Ö¸ü“Öê•Ö iv. Öê»Ö «üÖ¸üÖ

a. ÛúÖØÃ™üÝÖ i. †Ö‡¾Ö×¸ü

b. ´ÖÖò›üØ»ÖÝÖ ii. ÃÛÎêú¯Ö ¾Öã›ü

c. ÛúÖÚ¾ÖÝÖ iii.‹ê»Öã×´Ö×®ÖµÖ´Ö

d. ‹ÃÖê´²Ö»Öê•Ö iv. ¾ÖîŒÃÖ Ûæú™ü : Ûæú™ü : a b c d a b c d (A) ii i iv iii (A) iv ii i iii (B) i iv iii ii (B) iii iv i ii (C) iii ii i iv (C) iii i iv ii (D) ii iii iv i (D) i ii iii iv 49. ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûú»ÖÖÛúÖ¸üÖë ŸÖ£ÖÖ ˆ®ÖÛúß ÛúÖ»ÖÖ×¾Ö×¬ÖµÖÖë

ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúß×•Ö‹ : 46. ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûú»ÖÖÛúÖ¸üÖë ÛúÖê ˆ®ÖÛúß ÃÖé•Ö®ÖÖŸ´ÖÛú

Ûéú×ŸÖµÖÖë Ûêú ÃÖÖ£Ö ÃÖã´Öê×»ÖŸÖ Ûúß×•Ö‹ : a. ‹›üÝÖ¸ü ¤êüÝÖÖ i. ±úÖî×¾Ö•´Ö b. ´ÖÖ×ŸÖÃÖ ii. ¤üÖ¤üÖ¾ÖÖ¤ü c. ²ÖÎÖÛú iii. ÖÏ³ÖÖ¾Ö¾ÖÖ¤ü d. ¯ÖßÛúÖ×²ÖµÖÖ iv. ¬Ö®Ö¾ÖÖ¤ü

a. ´ÖÖÃÖì ¤ãü¿ÖÖÑ i. °»ÖÖê¸ëüÃÖ ×¯Ö‹ŸÖÖ

b. ²Ö»Ö²Öß¸ü ØÃÖÆü Ûú¼ü ii. ™ÒüÖ‡†´±ú †Öò±ú »Öê²Ö¸ü

c. ´ÖÖ‡Ûú»Öë•Ö»ÖÖê iii. ²ÖÖ‡Ô×ÃÖÛú»Ö ¾Æüß»Ö

d. ›üß.¯Öß. ¸üÖµÖ“ÖÖî¬Ö¸üß iv. ®ÖÖ¤êü¿¾Ö¸ü Ûæú™ü :


a b c d (A) i iii ii iv

(A) iv ii i iii (B) iii i iv ii

(B) iii i ii iv (C) iv ii i iii

(C) iii iv i ii (D) ii iv iii i (D) ii i iii iv 50. ×®Ö´®Ö×»Ö×ÜÖŸÖ ¾ÖÃ¡ÖÖë (™êüŒÃÖ™üÖ‡»ÖËÃÖ) ÛúÖê ˆ®ÖÛêú ¸üÖ•µÖÖë

Ûêú ÃÖÖ£Ö ÃÖã´Öê×»ÖŸÖ Ûúß×•Ö‹ : 47. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúß×•Ö‹ :

a. ´ÖÖ×¸üµÖÖê ×´Ö¸üÖÓ›üÖ i. ±úÖê™üÖê•Ö®ÖÔ×»ÖÃ™ü

b. ÆüÖê´ÖÖ‡Ô ¾µÖÖ¸üÖ¾ÖÖ»ÖÖ ii. ÝÖÏÖ×±úÛú ×›ü•ÖÖ‡®Ö¸ü

c. ×´ÖÛúß ¯Ö™êü»Ö iii.ÛúÖ™æÔü×®ÖÃ™ü

d. ÃÖã¤ü¿ÖÔ®Ö ¬Öß¸ü iv. ‡»ÖÃ™Òêü™ü¸ü

a. ±ãú»ÖÛúÖ¸üß i. ´Öê‘ÖÖ»ÖµÖ b. »Öã¿ÖÖ‡Ô ii. ÝÖã•Ö¸üÖŸÖ c. ÛúÖÓ£ÖÖ iii. ÖÓ•ÖÖ²Ö d. ŸÖÓ“ÖÖê»Ö iv. ²ÖÓÝÖÖ»Ö

Ûæú™ü : Ûæú™ü : a b c d a b c d

(A) i iii ii iv (A) i iii ii iv (B) iii i iv ii (B) iii i iv ii (C) iv ii i iii (C) iv ii i iii (D) ii iv iii i (D) ii iv iii i

Space For Rough Work

Paper-II 16 D-79-12

d12 79 roll - university grants...

Documents