curriculum vicente calleja

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Vicente Calleja Fernández RESUMEE DATA Vicente Calleja Fernández [email protected] http://www.slideshare.net/callejaferna ndez/el-sueo-de-la-razn http://www.slideshare.net/callejaferna ndez/resumee-2107672 EDUCATION Escuela Nacional de Artes Plásticas UNAM Master’s Degree in Visual Arts (Orientation: Painting) Thesis: Aproximación a la Técnica Veneciana” (Approach to the Venetian Technique)

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Page 2: Curriculum Vicente Calleja

• EXPOSICIONES INDIVIDUALES

• “El sueño de la Razón”

Nuevo Museo Universitario

Interactivo Casa de los Muñecos (BUAP)

Puebla11 de Junio de 2009

Escultura, Dibujo

INDIVIDUALEXHIBITIONS

Page 3: Curriculum Vicente Calleja

SCHOLARSHIP: Foeca 2007, Morelos“Active line, Talavera and bats from the Huautla Sierra.”

Page 4: Curriculum Vicente Calleja

PUBLICATIONSInventio Magazine

No. 5, March 2007

Universidad Autónoma de Morelos

Diverse illustrations including the cover.

Page 5: Curriculum Vicente Calleja

PUBLICATIONSEl Sol De Puebla22 July, 2009

Page 6: Curriculum Vicente Calleja

NATIONAL SELECTIONS

• MuseoNacionalde la Estampa

Mini print Annual Contest 1993

““Cráneo de Gato”

(Cat cranium)

Page 7: Curriculum Vicente Calleja

TEACHING EXPERIENCEDifferent drawing and painting

subjectsUAEM, Universidad

Iberoamericana (Campus Santa Fé yCampus Puebla), Universidad del Valle

de México

Page 8: Curriculum Vicente Calleja

Private Collection Museo Universitario Interactivocasa de los muñecos

B. Universidad Autónoma de Puebla

Page 9: Curriculum Vicente Calleja

DRAWINGS

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DRAWINGS

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Research: Active Line,Pictorial Technique and Metal Cast

Page 12: Curriculum Vicente Calleja

• EXPOSICIONES INDIVIDUALES

• “El sueño de la Razón”

Nuevo Museo Universitario

Interactivo Casa de los Muñecos (BUAP)

Puebla11 de Junio de 2009

Escultura, Dibujo

INTERVENTION INWALL

Page 13: Curriculum Vicente Calleja

PAINTING

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Mogila Nieznanej KrolewnyMARBLE SCULPTURE

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MOGILABRONZE

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SILVER

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STAINLESSSTEEL

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FUNDICION

SMALL FORMAT SCULPTURE

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Theoretical Fundamentals:

Present art is arbitrarily divided between objectual art and conceptual art.

I propose to take the concept of complexity from Edgar Morin’s theory, in order to create “complex art”, a comprehensive proposition which includes objetual, conceptual, symbolic art, etc. And may use them randomly to achieve powerful images that reach the soul. Even further than what it is written.

Page 21: Curriculum Vicente Calleja

Hotel Nikko, Campos Elíseos 204, 1er pisoPolanco, México D.F.www.misrachi

.com.mxK

GALERY: Galería Alberto Misrachiwww.misrachi.com.mx

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COURSESLost-Wax, Ceramic Shell, Bronze Casting one personcourse.

Shellspen. Int. Inc. Venice, Florida, EEUU

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POLISH CENTRE OF ESCULPTURE IN OROÑSKO, POLAND

ARTISTIC RESIDENCE