curatorial statement and...
TRANSCRIPT
This exhibition began life as a book 100 Canberra Houses: A Century of Capital Architecture by Tim Reeves and Alan Roberts. Sampling from a book to produce an exhibition is a challenge to established curatorial method. The ideas that generated the book are set, the research done, so why reformat it as an exhibition?
The broad sweep of this book covers Canberra’s urban social history with stories of one hundred homes in just over two hundred pages. Examining a selection of these stories in an exhibition offers new insights and brings the book squarely into Canberra Museum and Gallery’s sphere of activity.
CMAG’s exhibitions are a means of exploring and communicating the Canberra region’s rich and diverse visual arts, social history, and sense of place and identity. Exhibitions will inform, challenge, inspire, entertain and stimulate curiosity.
— CMAG Exhibition Policy
The authors of the book, Messrs. Reeves and Roberts, have been ideal partners in this project. They initially helped select ten homes from their book and provided contact details for potential lenders of exhibition material. They also liaised with their publisher Halstead Press who provided images and text for the exhibition. Others to acknowledge in this project are Archives ACT, ACT Heritage Library, the contributors (listed opposite), Mary Virr who named the exhibition, CMAG colleagues, Claire Corcoran University of Canberra intern and Karin Hoskings, volunteer editor and fact-checker.
So central is housing to our lived experience that it provides a window onto many elements of national life, including law, public health, the economy, urban and regional development, Federalism, transportation, science, technology and aesthetics.
— 100 Canberra Houses: A Century of Capital Architecture by Tim Reeves and Alan Roberts
Dale MiddlebySenior Curator of Social HistoryDecember 2015
• Curatorial Statement and Acknowledgments •
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Brema group
Sign, Currong Apartments C Block, ‘71’, H Tazewell nameplate, front door bell 1959
John and Louise Blue
‘Apprentice mistake’ by “’twasn’t me” 1994
Brochure, ‘How do you judge the property to buy?’ Canberra Times Real Estate, 14 July 1993
Fadden Hills suburb plan, photographs of block development
Letter from Shane Blue (Architect), dated 6 August 1991
Plans, elevations and sections Sunday Telegraph, 4 February 1996
Table, Stool (plan and invoice), designer/maker: Andrzey Kosmider 1994
Wooden blocks, bricks (Nowra Red), ‘Dolphin Striker’, Paver, 1994
Calthorpes’ House
Enamel cup, framed print, kettle, lantern, metal plate, packing case and lid, pot-belly stove c.1927 Single bed frame n.d.
CCJ Architects (Collard Clarke Jackson Canberra)
Photographs by Ben Wrigley, site plan, samples, 3D model of NNP Ranger’s home 2015
Community Services Directorate
Currong Flats building file #PC35/3/3
Federal Capital Commission Property and Tenancy Register 2012-02170
Environment and Planning Directorate
Plan Canberra Avenue Subdivision Division 111 c.1930
Toni Phillips
Doll’s house and furniture: bed and covers, chairs, table, couch, cupboard c.1930
Kerry Reed-Gilbert
Book ‘Aboriginal Sovereignty Justice The Law and Land’ by Kevin Gilbert 1987, Booklet ‘Aboriginal Tent Embassy 1972–2013’, Newspaper ‘National Indigenous Times’ 2012, Koori Flag n.d.
Noeleen Tazewell
Portrait of Harry Tazewell c.1958
Furniture made by Harry Tazewell: telephone table, coffee table, stool and table, carrier (fishing/picnic) c.1960
Gail Tregear
Framed painting ‘Port Philip Bay’ n.d. by Harry McClelland (1884–1954)
Lamp 1938
Table, designer/maker: Ray Riddell of Riddell and Marley (Melb)
Laurie and Mary Virr
Original plan of Rivendell, drawn by Laurie Virr October 1975
Occasional table, designed by Laurie Virr, made by Stan Barber c.1971
Arabia table ware 1970s
Set square and T-Square, latter made by Stan Barber 1980s
Chair, designed by Fred Ward made by Stan Barber 1980s
Cushion, embroidered by Mary Virr 1970
Outside lamp, designed by Laurie Virr late 1990s
• List of lenders and objects •
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