critiquing art photomontages by david hockney step one: description to be able to critique a work of...
TRANSCRIPT
Step One: Description
• To be able to critique a work of art, and to write a critique, one must first describe what you are talking about.
• Many times people will never actually SEE the work in person, so as the reviewer (and as someone about to form an opinion) the critter should be able to describe what he or she is looking at.
Context
Know the context in which the work was made
Information such as:• Artist’s name• Where are/were they when they made it?• Year it was made• Title, if it has one• Use, if it has one• Other pertinent information about the artist
The CONTEXT of the Artwork is part of the DESCRIPTION
Some of the context will come from
• Observation
Some will come from
• Research
Portrait by Chuck Close
Step 2: Analysis
• Ask yourself: Does this artwork reflect the context that you have discovered?
• Is the meaning clear?
• Does the description fit the meaning?
• Analysis is not SUBJECTIVE it is based on what you have FOUND OUT about the Artist, artwork and time period that the artwork was made (the context.)
Joseph CornellUntitled (The Hotel Eden)
•1945•Assemblage with Music Box•15x15 5/8 x 4 ¾•National Gallery of Canada,
Ottawa
Joseph CornellAmerican Artist
showed in New York with the surrealists although he did not feel that he shared the subconscious and dream
theories of the surrealists.
Although Cornell did tell, “mesmerizing complex stories with found objects and images in the self contained and magical worlds of his boxes.”Fineberg, Johnathan. Art Since 1940:Strategies if Being. New Jersey:
Prentice Hall) 1995. 30.
Joseph Cornell was inspired by:The art of Max ErnstCornell saw Ernsts’ work at the Julien Levy Gallery in 1931 - this is the same gallery that Cornell himself exhibited his work.
Zoomorphic Couple (Couple zoomorphe), 1933. Oil on canvas, 91.9 x 73.3 cm. Peggy Guggenheim Collection. 76.2553 PG 75. Max Ernst © 2003 Artists Rights Society (ARS), New York/ADAGP, Paris.
Observation:
• What is in the box? What do you see? • Card – “Hotel Eden”• Bird• Ball (as in a bird cage?)• What else?• These things can be seen as symbols or signifiers that stand for something else…
Research:
Research tells us that:• Cornell was influenced by:• the Surrealists• Max Ernst• Souvenirs and postcards in Times Square• 1940’s • Collected Memories• Constructed many assemblage boxes• He attempted to collect from the world
immediately around him
Step 3: Judgment
• Not “I hate it, I like it” (this is valid on a personal level)
• But rather “is it a successful piece of art?”
• Does it communicate the artist’s intentions?
• Ask questions?
• Make a statement?
• Achieve the artist’s goal?