crit studies

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Crit studies [email protected] 3/3/14- Critical studies- The Broadway Tradition - “America is a vast conspiracy for making you happy.” John Updike What is Critical Studies? - Studying theatre in relation to society - Studying society in relation to theatre - History - Literary studies - Philosophy - Anthropology - Sociology - Theatre/film studies - Ethics - Semiotics - Phenomenology - Aesthetics What is Theatre? - A place for viewing action - A place to feel pleasure, be entertained, challenged and to think Music Theatre: - Words make you think thoughts, music makes you feel a feeling and a song makes you feel a thought - Bobby Mcfarren Communication across time: - George Gershwin quote- True music must repeat the thought ad aspirations of the people and the time. My people are American’s… I try to put the pulse of my times into my music and do it in an original way”. - Walt Whitman- “The subtlest spirit of a nation is expressed through its music and the music acts reciprocally upon the nations very soul.” - Adrian Piper- Funk lessons were a series of participatory social events in which the artist

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Page 1: Crit Studies

Crit studies

[email protected]

3/3/14- Critical studies- The Broadway Tradition

- “America is a vast conspiracy for making you happy.” John Updike

What is Critical Studies? - Studying theatre in relation to society - Studying society in relation to theatre- History - Literary studies- Philosophy - Anthropology - Sociology - Theatre/film studies- Ethics- Semiotics - Phenomenology - Aesthetics

What is Theatre?- A place for viewing action- A place to feel pleasure, be entertained, challenged and to think

Music Theatre:- Words make you think thoughts, music makes you feel a feeling and a

song makes you feel a thought- Bobby Mcfarren

Communication across time: - George Gershwin quote- True music must repeat the thought ad

aspirations of the people and the time. My people are American’s… I try to put the pulse of my times into my music and do it in an original way”.

- Walt Whitman- “The subtlest spirit of a nation is expressed through its music and the music acts reciprocally upon the nations very soul.”

- Adrian Piper- Funk lessons were a series of participatory social events in which the artist taught white participants about black funk music and how to dance it. The aim to transmit and share a physical language that everyone was then empowered to use.

- People sharing an experience- about the enjoyment not ability or technique/structure.

- “Less about sexism, more about sexuality.”- Black funk music brings people together, forgetting about the fear and

anxiety of racism. - Funk is black, and funk is back.

A way to consider lived culture. Funk lessons. - The workshop allowed white people to physically express black culture. - Talk about the feelings- Racism/fear from college educated white people.

Page 2: Crit Studies

- Embarrassment from European descended traditions as it involved being sexual to and extent.

- Acetic differences in the kinds of dance, example; Ballet/funk. - Workshops sometimes elicited condescension and embarrassment from

middle class blacks. - The reason for Adrian doing the workshops was that it gave her the

chance to affirm and explore the culture dimension of her identity as a black in that that illuminate her personal and political connect to other cultural heritage

What is a musical? - A stage, television or film production utilizing popular style songs,

dialogue optional- to either tell a story, or showcase- Musicals1O1.com

How can we study musicals?- Popular culture- Musicals in relation to the market place- In relation to gender- An anthropological approach: thick description - Through musicology - As a part of history

- WALSH AND PLATT- musical sociology—BOOK SHOP

- The musical as the portal to the American Dream- “know your part, learn your lines, sing the notes you are given, if you can do that better than anyone else you will become a star”.

- Musicals are part of the so-called entertainment industry, ruled by a brutal bottom-line philosophy.

- KURT WEILL

The self-reflexive artist- Anthony Giddens:- What to do? How to act? Who to be? These are focal questions for

everyone living in circumstances of late modernity…- A person’s identity is not to be found in behavior, nor important though

this, in the reactions of other but in the capacity to keep a particular narrative going.

- The self-reflexive artist knows that creativity is informed by historical knowledge, social awareness, and critical and technical expertise.