creative ethnography for design

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CREATIVE ETHNOGRAPHY FOR DESIGN Organizer: Jennifer Preston Speakers: James Wilson Galen Cranz

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Page 1: Creative Ethnography for Design

CREATIVE ETHNOGRAPHY FOR DESIGN

Organizer: Jennifer Preston

Speakers:James WilsonGalen Cranz

Page 2: Creative Ethnography for Design

listen to place

Page 3: Creative Ethnography for Design

listen for meaning

Image: Bjørn Christian Tørrissen

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listen for empathy

Image:Egon Schiele

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listen for connection

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listen with your body

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listen with your imagination

Image: Albert Robida

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listen for beauty

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listen for wellness

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listen for a living future

Image: Louise Docker

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ETHNOGRAPHY is......the description of a culture in its own terms in real settings.

... a process of discovering meaning, making inferences and continuing inquiries.

...an iterative process of learning episodes.

... an open‑ended emergent learning process.

...a highly flexible and creative process.

....the practice of listening actively, observing systematically, and interviewing sensitively.

...a way to see beyond our preconceptions and immerse ourselves in the world of others.

...a tool for understanding place. Source: Teaching Semantic Ethnography to Architecture Students

Cranz, Lindsay, Morhayim, Sagan

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SEMANTIC ethnography is......requires close listening.

...is based on special interviewing skills.

...relies on what people can tell you about the nature of the world they live in.

... relies on learning the categories of speech and thought that people use to givestructure and meaning to their worlds.

...is particularly suited to architectural design because it is qualitative,interactional, not restrictive, and generative.

Source: Teaching Semantic Ethnography to Architecture StudentsCranz, Lindsay, Morhayim, Sagan

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ETHNOGRAPHY for design......gives architects a way to interpret and feel social forces and cultural resonances.

...offers the architect an expanded way of seeing and listening.

... provides architects with the social acumen to tease out spatial solutions andaesthetic values from social or functional issues.

...is an opportunity for designers to develop an “ethnographer’s sensitivity” and abroader sensibility for empathy.

...produces empathic awareness that is not a constraint on architecturalexpression, but rather a source of inspiration and a generator of creativity.

...provides the architect with greater response-ability and cultural agency.

Source: Teaching Semantic Ethnography to Architecture StudentsCranz, Lindsay, Morhayim, Sagan

Page 14: Creative Ethnography for Design

Velocity, Contingency, Rhythm

Image: Chris Litherland

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Velocity, Contingency, Rhythm

Image: Brett Weinstein

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Velocity, Contingency, Rhythm

Image: User:Omegatron

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Trajectory, Proportions + Pattern

Image: User: Purpy Pupple

Page 18: Creative Ethnography for Design

Trajectory, Proportions + Pattern

Image: NASA

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Trajectory, Proportions + Pattern

Image: User: Abrget47j

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Texture, Scales + Fabric

Image: Gordon Rice

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Texture, Scales + Fabric

Image: Nikodem Nijaki

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Texture, Scales + Fabric

Image: Jialiang Gao

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Density, Proportion + Adjacency

Image: Chris Davis

Page 24: Creative Ethnography for Design

Density, Proportion + Adjacency

Image: User: chensiyuan

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Density, Proportion + Adjacency

Image: User: Schulbausteine

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Where can this tool take us?

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occupant engagement

Image:Jacob Riis

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body consciousness

Image: Eadweard Muybridge

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narrative-based design

Image:Winsor McCay

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generative drawing

Image: Muhammad al‑Idrisi

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relational mapping

Image:USGS

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ecological thought