creative dramatics

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CREATIVE DRAMATICS

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Page 1: Creative dramatics

CREATIVE DRAMATICS

Page 2: Creative dramatics

What is Creative Dramatics?

• An informal, improvisational, non-exhibitional, process-centered form of drama in which participants are guided by a leader to imagine, enact, and reflect upon human experiences through role-play, improvisation, pantomime, movement, and sound.

(American Alliance for Theatre and Education: www.aate.org)

Page 3: Creative dramatics

What is Creative Dramatics?

• It is “incorporating theatrical components and dramatic exploration into educational settings to support the child’s natural tendency to learn through play.”

(PTM Creative Dramatics Program mission statement)

Page 4: Creative dramatics

What is Creative Dramatics?

It is a distinct discipline, art form, teaching tool and educational process for teaching and learning; it is a hybrid between theatre and education.

(Nellie McCaslin's Creative Drama in the Classroom and Beyond.)

Page 5: Creative dramatics

Reasons for Using Creative Drama in Education

Page 6: Creative dramatics

• Social Skills

• Individual Growth and Development

Page 7: Creative dramatics

Why should educators use Creative Dramatics?

Page 8: Creative dramatics

Because Creative Drama:• Affirms that all people can play, that all

people can succeed at it, and that all people are creative; has no right or wrong answers.

• Develops people, is not a product; has experience and not performance as the goal.

• Promotes physical, mental and emotional learning.

Page 9: Creative dramatics

Because Creative Drama:

• Supports concentration, imagination, problem solving, and critical thinking.• Fosters empathy, cooperation, and

compromise.• Cultivates self-control, initiative, and

self-esteem.• Helps children absorb, process, and

retain concepts.

Page 10: Creative dramatics

Because Creative Drama:• Develops communication and language

skills, breath awareness, and voice control.• Enhances physical control and

awareness; develops gross and fine motor skills.• Encourages theatre and art appreciation,

provides accessibility; debunks the myth that only actors can use drama.

Page 11: Creative dramatics

Because Creative Drama:

• Requires only space, leadership, imagination, and participation; is inexpensive and uncomplicated.

• Invigorates any subject, but can also be a subject unto itself.

Page 12: Creative dramatics

Creative Dramatics: Programming Components

Page 13: Creative dramatics

Some Building Blocks of Drama:

• Action/Movement• Sensory Exploration• Emotional Awareness/Empathy• Stories/Storytelling• Dramatic Play/Improvisation• Character Development/Role Playing• Interaction/Cooperation/Negotiation• Masks/Puppets

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Springboard Subjects for Creative Drama:• Museum Exhibits• Theater and Improvisation Games or

Exercises• Books or Poems• Folk Tales, Fables, Fairy Tales, Legends or

Myths• Visual Arts: paintings, photographs,

sculpture, architecture• Location or Event--historical, contemporary,

real or imaginary

Page 15: Creative dramatics

Springboard Subjects for Creative Drama:

• Scientific Processes or Natural Phenomena• Songs or Music• Sports•Mathematical Pattern and Sequence• Feelings and Emotions• Dance, Rhythm and Movement

Page 16: Creative dramatics

“The Actor’s Toolbox” (Sean Layne)

•Body•Voice• Imagination•Concentration•Cooperation

Page 17: Creative dramatics

Creative Dramatics: Programming Checklist

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Is the program:

• Flexible?

• Physical?

• Fun?

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Does the program encourage the “I”s?

• Imagination

• Innovation

• Improvisation

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Does the program encourage the “C”s?

• Communication

• Cooperation

• Creativity

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Is the program:

• Practical

• Prepared