cpsc 599.28/601.28 colour · 2008. 3. 4. · 1 cpsc 599.28/601.28 colour sheelagh carpendale...
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CPSC 599.28/601.28Colour
Sheelagh Carpendale
References• Colin Ware. (2004) Information Visualization: Perception for
Design. Morgan Kaufmann.• Maureen Stone. (2003) A field guide to digital color. AK Peters• Bernice E. Rogowitz and Lloyd A. Treinish. (1996) How Not to
Lie with Visualization. Computers In Physics 10(3), pp 268-273. http://www.research.ibm.com/dx/proceedings/pravda/truevis.htm
• C. Brewer. (1999) Color use guidelines for data representation. http://www.personal.psu.edu/faculty/c/a/cab38/ColorSch/ASApaper.html
• Andrew Glassner (1995) Principles of Digital Image Synthesis. Morgan Kaufmann Publishers.
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Effective Colour
Materials
Aesthetics
Perception
Illustrators, cartographersArtists, designers
A few scientific principles
From: M. Stone
What is Colour?
Physical World Visual System Mental Models
Lights, surfaces, objects
Eye, optic nerve, visual
cortex
Red, green, brown
Bright, light, dark, vivid, colorful, dull
Warm, cool, bold, blah, attractive, ugly,
pleasant, jarring
Perception and Cognition
From: M. Stone
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Physical World• Spectral Distribution
– Visible light– Power vs. wavelength
• Any source– Direct– Transmitted– Reflected– Refracted
From A Field Guide to Digital Color, © A.K. Peters, 2003
Colour The Retina
photoreceptors: rods and cones
neurons (receptive fields): intermediate neural layers – image processing
http://school.discovery.com/homeworkhelp/worldbook/atozpictures/lr001100.html
http://www.ccrs.nrcan.gc.ca/ccrs/eduref/sradar/chap2/c2p2_g2e.html
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Cone Response
• Encode spectra as three values– Long, medium and short (LMS)– Trichromacy: only LMS is “seen”– Different spectra can “look the same”
From A Field Guide to Digital Color, © A.K. Peters, 2003
Effects of Retinal Encoding
All spectra that stimulate the same cone responseare indistinguishable
Metameric match
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Chromaticity Diagram
RGB Chromaticity• R,G,B are points (varying lightness)• Sum of two colors lies on line• Gamut is a triangle
– White/gray/blacknear center
– Saturated colorson edges
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Display Gamuts
From A Field Guide to Digital Color, © A.K. Peters, 2003
Projector Gamuts
From A Field Guide to Digital Color, © A.K. Peters, 2003
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Opponent Colour
• Definition– Achromatic axis– R-G and Y-B axis– Separate lightness from chroma channels
• First level encoding– Linear combination of LMS– Before optic nerve– Basis for perception– Defines “color blindness”
Colour Blindness
• Simulates color vision deficiencies– Web service or Photoshop plug-in– Robert Dougherty and Alex Wade
• www.vischeck.com
Deuteranope Protanope Tritanope
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http://colorvisiontesting.com
normal
protanope
deuteranope
tritanope
Colour Blindness
Genes in Vischeck
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2D Colour Space
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Smart Money
small-field tritanopia
Colour Blindness
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Colour Addition• computer monitors• red, green, and blue • absence all three colors gives black, • all three gives white.
Colour Subtraction• printers ink• cyan, magenta, and yellow • absence all three colors gives white, • all three gives black.
Colour Paint
primary
secondary
tertiary
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Perceptual Color Spaces
Lightness
Hue
Colorfulness
Unique black and whiteUniform differences
Perception & design
Munsell Atlas
Courtesy Gretag-Macbeth
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Color Appearance
• colour constancy• colour perception
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Color Appearance
• More than a single color– Adjacent colors (background)– Viewing environment (surround)
• Appearance effects– Adaptation– Simultaneous contrast– Spatial effects
• Color in contextColor Appearance ModelsColor Appearance Models
Mark FairchildMark Fairchild
surround
background
stimulus
Simultaneous Contrast
• Add Opponent Color– Dark adds light– Red adds green– Blue adds yellow
These samples will have both light/dark and hue contrast
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Bezold Effect
Spreading
• Spatial frequency– The paint chip
problem– Small text, lines,
glyphs– Image colors
• Adjacent colors blendRedrawn from Foundations of Vision© Brian Wandell, Stanford University
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What makes colour effective?• “Good ideas executed with superb craft”
—E.R. Tufte
• Effective colour needs a context– Immediate vs. studied– Anyone vs. specialist– Critical vs. contextual– Culture and expectations– Time and money
Why Should You Care?
• Poorly designed colour is confusing– Creates visual clutter– Misdirects attention
• Poor design devalues the information– Visual sophistication– Evolution of document and web design
• “Attractive things work better”—Don Norman