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Costume Final Justine English

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Costume Final. Justine English. Bustle. A ladies undergarment that assists in supporting the top layers of fabric in the back of a woman’s dress often in the 19th century. Currently, bustles are done using buttons or ties to hold up fabric. Braces. - PowerPoint PPT Presentation

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Page 1: Costume  Final

Costume FinalJustine English

Page 2: Costume  Final

Bustle• A ladies

undergarment that assists in supporting the top layers of fabric in the back of a woman’s dress often in the 19th century.

• Currently, bustles are done using buttons or ties to hold up fabric.

Page 3: Costume  Final

Braces• Modernly knows as

“suspenders” are worn typically with men’s pants. Originally worn in 18th century to hold up breeches. Worn ever since to keep men from the embarrassment of their pants falling down.

Page 4: Costume  Final

Clocking• Around 16th

century it was a type of pattern that is embroidered onto socks or hose, runs vertically up leg. Said to remotely resembles the hands of a clock hand from a distance, thus the name.

• Not always worn for show, but for the wearer.

Page 5: Costume  Final

Cloche• A fitted woman’s

hat created in 1908, that became popular in the 1920’s to 1930’s.. Cloche is the French word for “belle”, and refers to the bell-like shape. Usually made of felt and worn low on forehead.

• Repopularized in 1960’s and often reused.

Page 6: Costume  Final

Codpiece• 15th and 16th

century piece of clothing that was a covering for a man’s crotch, and actually assisted in accentuating the area. Held by buttons or ties. Still used in leather clothing.

• *Predates zipper.

Page 7: Costume  Final

Fillet• Headband or

ribbon used to keep hair up, hold headpiece, or decorate hair. Used as early as Greek and Egyptian culture, approximataly 800 BC.

Page 8: Costume  Final

Crinoline• Stiff petticoat or a

skirt shaped metal frame to support weight of a woman’s dress into the correct position or shape.

Page 9: Costume  Final

Doric Chiton• Worn in 5th and 6th

century by men and women in Greece. Made of larger woolen fabric, pleated and draped. Pinned at shoulders. Upper edge is draped to hand over breast. One leg left open.

• Dyed, striped patterns, and fancy borders were popular.

Page 10: Costume  Final

Ionic Chiton• Rectangular fabric,

lighter fabric than wool, often dyed bright colors and embroidered. Garment was fuller and able to make more folds. Does not drape in overblouse but pinned to shoulders and arms.

Page 11: Costume  Final

Hobble Skirt• Long skirt with a

narrow hem worn around the early 1900’s. Sometimes has a restrictive piece of fabric, braided rope, or other material that is relatively tight below the knees.

Page 12: Costume  Final

Norfolk Jacket• C. 1860’s. Single

breasted jacket with box pleats, very loose fit but belted. Originally a shooting jacket so that arms and elbows were easy to move.

Page 13: Costume  Final

Peplos• C. 500 Bc- Tube-

like fabric worn by women in Greece. Belted at middle.

• Standard for Greek women.

Page 14: Costume  Final

Fedora• Hat that is creased

lengthwise and pinched at sides and front.

• Popular in the late 1800’s

• Originally for women, but became designed for men

Page 15: Costume  Final

Petticoat• Woman’s

undergarment to be worn under skirts.

• 16th to 18th century

• Worn for warmth and to give extra shape

Page 16: Costume  Final

Pillbox• Military Headgear-

uses chin strap• Popular in 1960’s

for women after influence of Mrs. Kennedy

• Small round hat worn towards back of head

Page 17: Costume  Final

Himation• Used in Ancient

Greece . It is a heavy drape put over the chiton, works as a cloak.

Page 18: Costume  Final

Pumpkin Hose• Ballooned pants

that were very short and full. Cover upper thigh to knee giving a rounded look to hips.

Page 19: Costume  Final

Parti Colored• Piecing many

different fabrics into one outfit. Predominant color broken by patches.

Page 20: Costume  Final

Inverness• Loose belted coat

with a cape with a close fitting round collar.

Page 21: Costume  Final

Jabot• Originally the frill

and ruffles at front of shirt. Evolved into neckwear with lace and ruffles pinned on neckband or collar. 1650 and on.

Page 22: Costume  Final

Leg o’ Mutton• 1890’s sleeve that

grew in volume over the years. Tapers from one large end to small end.

Page 23: Costume  Final

Mantle• Loose cloak like

garment worn over clothing in 12th century on. Similar to a cape and worn by both sexes.

Page 24: Costume  Final

Merry Widow• 1955 corselet

named after 1905 operetta. Had demi cups and shorter girdle. Had slim panels of black elastic yarn netting with heavy zipper hidden behind hook and eyes and all lined in nylon voile.

Page 25: Costume  Final

Mob Cap• Round

gathered/pleated bonnet to cover hair, with ribbon and frilled brim usually. 18th century.

Page 26: Costume  Final

Morning Coat• 19th century- used

for horseback riding in mornings before replacing frock cock as formal wear. Single breasted coat with front parts meeting at middle with one button, then curving to two back tails. Can be grey or black with pointed lapels.

Page 27: Costume  Final

Balaclava• Originally 1800’s

headgear to keep British troops warm in winter war. Covers face and neck, leaving eye area open. Modernly for winter sport protection or work protection.

Page 28: Costume  Final

Chlamys• Ancient Greek

cloak made of wool with decorative border frequently. Originally wrapped around waist but later wrapped over elbows. For young messengers or soldiers only garment they wore.

Page 29: Costume  Final

Bodice• 16th to 18th

century women’s article of clothing that cover neck to waist, or the upper portion of the dress. Originally made of two pieces of fabric laced together.

Page 30: Costume  Final

Cummerbund• 1600’s adopted

from tribes. Sash around the waist, often pleated, that is worn with a single breasted jacket. Part of modern black tie male wardrobe.

Page 31: Costume  Final

Fibulae• Broach often made

of bronze or iron, coated in enamal and often have precious gems.

• Originated around 14th century BC and used in Roman and Greek cultures and still mentioned briefly in Medieval times

Page 32: Costume  Final

Frock Coat• Victorian men’s

coat that was knee length and double breasted. Has reverse collar and lapels- cut seperate and a tight fit at waist. 18th century.

Page 33: Costume  Final

Diadem• Ornamental

headband, or crown

• Jeweled ornament in half crown worn by women and placed over forehead

• Other headwear of royalty can be considered Diadem, such as Greek and Roman rulers.

• Dates around 100 BC on.

Page 34: Costume  Final

Hennin• 1428 and on, was a

woman’s cone or steeple shaped headress. Often around 12 inches, but as high as 36 in tall and tilted back at an angle.

Page 35: Costume  Final

Empire Line• Beginning in late

18th century, shape of a woman’s dress. Has a fitted bodice ending under breasts, with long and loose gathered skirts

Page 36: Costume  Final

Kolpos• Blousing of tunic,

chiton, or tunic in ancient Greece. Extra length of fabric hangs down and is folded.

Page 37: Costume  Final

Doublet• 15th century men’s

close fitted jacket that was hip or waist length and worn over shirt or drawers. Often left open in a “V”.

Page 38: Costume  Final

Peplum• Flared ruffle

attached at waistline

• OR• Garment worn in

Ancient Greece that went over shoulder and draped at waist.

Page 39: Costume  Final

Petasus• Wide brimmed hat

worn by Ancient Greeks and Romans with broad brim.

Page 40: Costume  Final

Fichu• Large

handkerchief or shawl like garment to cover low neckline of bodice in 18th century.

Page 41: Costume  Final

Gauntlet• Style of glove that

extends to cover forearm. Some flexible and some used as armor in 15th century and Middle Ages.

Page 42: Costume  Final

Plus Four• Breechers or

trousers that go four inches below the knee( added four inches to knickerbockers.) Easier to move and associated with sporting in 1860’s and on.

Page 43: Costume  Final

Godet• Skirt that has

inserts at seams near bottom of hem to add volume and flare, as well as increase movement associated with the 19th century.

Page 44: Costume  Final

Redingote• Type of coat

– Women:• 18th cent used on

horseback originally bulky. Towards 19th century tailored jackets worn

• Newer form is tight at torso, belted, and flares at bottom.– Men:

• 18th to 19th century long coat, fitted frock coat.

Page 45: Costume  Final

Reticule• A handbag that has

a draw string from 18th to 19th century. Usually made of beading or brocade.

Page 46: Costume  Final

Snood• Modernly is a tubular

neck scarf similar to a close fitted hood over back of head

• Originated in the Middle Ages as a hair net type of covering. Connects over crown and fits looser at neck to hold hair.

• Popular again in 1860’s-’70’s

• Popular during WWII

Page 47: Costume  Final

Teddy• Female

undergarment that covers torso and crotch in one piece.

• Typically loose and sheer

• Type of lingerie• Originated in 1910

as a camiknicker• Reappeared in

1990’s as lingerie

Page 48: Costume  Final

Toga• Ancient Roman

traditional garment.

• Cloth around 20 ft long wrapped around body and made of wool. Was to be worn over linen tunic.

• After 2nd cent BC only Roman male citizens could wear toga

Page 49: Costume  Final

Tricorne• 1700-1800 style of

hat• Triangular shape-

broad brim that was turned up and pinned at sides and back

• Used for regular dress and military dress– Often worn with

point front for civilians

– Military may turn to left or right for gun use

Page 50: Costume  Final

Union Suit• One piece

undergarment• Originally

designed for women in 19th century to be less restrictive, then soon adopted by men

• Buttons up front with optional flap over behind.

Page 51: Costume  Final

Zoot Suit• Men’s suit with

high waist, wide pant leg, tight cuffs, and have a long coat with wide lapels and padded shoulders.