contents this month’s program meeting locationmetrocameraclub.org/cs/0919cs.pdf · dogs or cats,...

Metro Camera Club Contact Sheet

www.MetroCameraClub.org

Competition Deadline

PDI All entries must be submitted to [email protected]

by 9:00 PM on August 20, 2019

At-a-Glance

• September – Field Trip –, Page 3

• August Competition Results, Page 2 & 4

• 2019 Photo Judging Schedule, Page 5

• Photo Gallery, Page 3, 5, 10-11

September 2019 Editor: Tim Sharp Volume 43, Number 9

Contents

Ice Cream Social Each member is encouraged to bring homemade or store bought ice cream. Either type of ice cream is acceptable. Cookies, cake or other desserts and

snacks are welcome as well. Please bring serving utensils. Bowls, cups, spoons and

napkins will be provided by the Club.

Human Portrait Contest

Only photos of humans allowed (no dogs or cats, for example). One photo

may be entered per member. Your photo may have been taken at any time in the past or present. Post-

processing may include any Photoshop actions you can imagine.

Monthly Program

Page 1 & 3

At-a-Glance

Page 1

Awards & Points

Page 2 & 4

15 Point Winners

Page 2

Judges

Page 2

Field Trip

Page 3

Child Labor

Page 8

MCC Officers

Page 5

Icecream Social

Page 6

Photography Tips

Page 6

Thoughts on Africa

Page 7

Gallery Photos

Page 3, 5, 10, 11

This Month’s Program Meeting Location:

Will Rogers Exhibition Building 3400 NW 36th St, Oklahoma City

Every 2nd & 4th Monday of the Month Socializing: 6:45 pm Meeting: 7:00 pm

This Month’s Meetings

1st Meeting: Septemer 9, 2019 Program: Ice Cream Social

2nd Meeting: September 23, 2019

Competition: PDI

Continued on Page 3

Competition

Page 1

OKCMOA

Page 9



August Photo Competition Results

Class Pts Place Title Photographer B&W Print A 15 1 GRAND OLD MAN CAROL SHIPLEY A 13 2 CRESENT MARSHALL JONES A 13 2 PRIVATE CEMETERY RICH REINHOLZ A 13 2 TURNING A NEW LEAF CAROL SHIPLEY A 12 3 MOUNTAIN WEATHER RICH REINHOLZ A 11 REACHING 4 THE HEAVENS MARSHALL JONES A 10 57 CHEVY TOM LOVE A 10 SCHNEBLY SNOW MARSHALL JONES A 10 FALL FUN TOM LOVE A 9 BATH TIME MARSHALL JONES A 9 BOUQUET TOM LOVE AAA 11 1 HERE COMES THE STORM DON RICE AAAA 12 1 HUBBARD GLACIER PAUL JOHNSON AAAA 12 1 THATS CLOSE ENOUGH PAUL JOHNSON AAAA 11 2 BACKSTAGE PASS RANDY CARR AAAA 11 2 MIRROR ON THE WALL VICKIE JENKINS AAAA 11 2 DARREN WALKER RANDY CARR AAAA 11 2 GOT HER COVERED RANDY CARR AAAA 11 2 KEYBOARD BLUES MAN RANDY CARR AAAA 11 2 BELLA VICKIE JENKINS AAAA 10 3 SOLITUDE VICKIE JENKINS AAAA 9 PARALLEL PARKING PAUL JOHNSON AAAA 9 A BIRD'S EYE VIEW VICKIE JENKINS Class Pts Place Title Photographer Color Print A 14 1 I AM A ROCK CAROL SHIPLEY A 13 2 YOU LOOKIN' AT ME MARSHALL JONES A 13 2 ROCK OF AGES CAROL SHIPLEY A 12 3 BODIE TRUCK CAROL SHIPLEY A 12 3 70 PERCENT H20 TOM LOVE A 12 3 ANOTHER ONE ON THE WAY TOM LOVE A 11 ICE MARSHALL JONES A 11 AFTERNOON GLORY MARSHALL JONES A 11 GULLS RICH REINHOLZ A 10 REFLECTING MARSHALL JONES A 9 97 OF 100 TOM LOVE AAAA 14 1 COOL MORNING REFLECTION JOHN BOWMAN AAAA 13 2 RACING TO SECOND RANDY CARR

15 Point Winners

Carol Shipley

August Judges

Don Risi, Kay McKinnis, and Carl Shoryy Jr.

Continued on pg 4



What: Oklahoma State Fair Where: State Fair Park, Oklahoma City When: 6:30PM, Wednesday, Sept. 18th The midway at the Oklahoma State Fair is a kaleidoscope of lights, colors, and movement. It’s a great place to experiment with long exposures to blur the lights of the rides. We will meet at the eastern side of the section of the midway where all the rides are. Even though we’ll be doing some walking, you’ll want to bring a tripod. The reason we’re having this field trip on a Wednesday is because it’s Senior Day. All those 55+ years of age get in free with proof of age. Put on your walking shoes and join us at this fun annual event. Feel free to contact me by phone if needed. My number is: Tommy Evans (405) 919-4338

Photo Gallery Next Field Trip – Oklahoma State Fair

Entries will be displayed on the screen and judged by

members on September 9 during the Ice Cream Social.

Prizes awarded: First Place Prize: One individual free membership for 2020. Second and Third Place Prize:

Bragging Rights

Program (cont.)



Class Pts Place Title Photographer Color Print AAAA 13 2 FIRST TO LAND RANDY CARR AAAA 12 3 SWIFT CURRENT LAKE JOHN BOWMAN AAAA 12 3 THE COLOR PURPLE JOE WILSON AAAA 12 3 NATURE'S WONDER VICKIE JENKINS AAAA 12 3 STARRY NIGHT IN WYOMING JOE WILSON AAAA 12 3 INT FINALS YOUTH RODEO RANDY CARR AAAA 12 3 EXCUR BOAT RETURNING PAUL JOHNSON AAAA 11 COLORADO SNOWCAPS VICKIE JENKINS AAAA 11 CALM WATER & DRIFTWOOD JOHN BOWMAN AAAA 11 DAY IS DONE VICKIE JENKINS AAAA 11 FORCED LANDING PAUL JOHNSON AAAA 11 EARLY MORNING BLUES JOHN BOWMAN AAAA 11 BARN AGAIN JOE WILSON AAAA 11 RED HIBISCUS JOE WILSON AAAA 11 DOGS BEST FRIEND DON RICE AAAA 11 THE DISCOVERY lll PAUL JOHNSON AAAA 10 SLEEPING BEAUTY VICKIE JENKINS AAAA 10 ROCK AND ROLLERS RANDY CARR Class Pts Place Title Photographer Slide AAAA 11 1 DUCKS ON PARADE JOE WILSON AAAA 11 1 LITLE FLOWERS JOE WILSON AAAA 11 1 XMAS LIGHTS UNDER SNOW JOE WILSON AAAA 11 1 SING ME A SONG JUNE RANNEY AAAA 10 2 DUSTY SUNSET JOE WILSON AAAA 10 2 FOLLOW THE STREAM JUNE RANNEY AAAA 10 2 MOMENT OF SUNSET JUNE RANNEY AAAA 9 3 LILY AND FRIENDS JUNE RANNEY

August Photo Competition Results

!!! Reminder !!!

If you enjoy the refreshments, please place your $1.00 in the Kitty.

Support Our Sponsors

Baker Photo & Video 401 W Main St

Yukon, OK 73099 www.BakerPhotoVideo.com

Bedford Camera & Video

3110 N May Ave Oklahoma City, OK 73112

www.Bedfords.com



DATE TYPE JUDGE 1 JUDGE 2 JUDGE 3

9/23/2019 PDI Dennis Corbin Linda James Diane Bittle

10/14/2019 PDI Jack Delisle Mary Horn Ken Biddle

10/28/2019 Print/Slide Chuck Emmerling Dave Woodson Kay McKinnis

2019 Officers & Committees

Officers: President: Don Risi Vice President: John Bowman Secretary: Peyton Osborne Treasurer: Marlene Helsel Past President: Carl Shortt Jr. Committee Members: Competition/Stats: John Williams Membership: Paul Johnson Field Trips: Tommy Evans Webmaster/Yearbook: Jack DeLisle Contact Sheet: Tim Sharp Critique Master: Joe Wilson

2019 Judging Schedule

Photo Gallery



Ask Tim Grey eNewsletter August 15, 2019 Providing Answers to Photographers for Over 17 Years...

Today's Question If I stand in the same location, center the same subject, and use the same lens, what changes if I use a Full Frame camera body (with a larger sensor) instead of an APS-C camera body? I want to know what (if any) the lens prospective variations (and Lightroom [Classic] corrections) would be between different camera bodies with different sensor sizes. Or are these corrections dependent only upon the specific lens used?

Tim's Quick Answer:

With the same lens from the same position, using a camera with a full-frame sensor (35mm equivalent) versus a "cropped" sensor (such as APS-C), the only difference would be the cropping of the image circle projected by the lens. If you apply profile-based lens corrections in Lightroom Classic, that correction will take into account the sensor size, to ensure the correction is applied correctly across the frame.

More Detail:

Each lens has its own unique behavior, which tends to be most significant with wide-angle lenses. Those behaviors often relate to distortion of the scene and vignetting of the edges of the frame. Many software applications, including Lightroom Classic, enable you to apply automatic corrections to a photo based on the lens that was used. These are generally referred to as profile-based lens corrections. These corrections will take into account the sensor size of the camera used in conjunction with the lens, so the correction can be applied correctly. For example, a smaller sensor means the image circle projected by the lens is being cropped more than would be the case with a full-frame camera. Therefore, the vignetting that is part of the lens behavior would also be at least partially cropped out of the final photo. The profile-based lens correction therefore needs to apply less vignette correction (in terms of total area) for a photo captured with a cropped sensor (such as APS-C) as compared to a full-frame capture. The perspective of the scene will not be affected by the cropping of the image circle, assuming the camera position is the same. Only the image circle projected by the lens is cropped to a smaller size, while the projection of the lens remains the same. Thus, you would get the same photo if you captured a scene with the same lens on a cropped versus full-frame sensor, and then cropped the full-frame capture to the same cropping as the camera with the smaller sensor. Furthermore, the profile-based lens corrections will compensate for the differences between the captures with the two different sensor sizes.

http://www.timgreyphoto.com/ | https://www.greylearning.com/ | http://www.pixologymag.com/

Photography Tips



“Thoughts on Africa,” a photography exhibit by Oklahoma City-based attorney Don Nevard, will open Saturday, August 24

Armed with only his Canon camera, Nevard traversed the game reserves of Kenya, Zambia, Tanzania and Botswana to produce his diverse portfolio of stunning animal photography. The

completely unedited photography exhibit encompasses both the beauty and color of the landscape and includes the pensive stare of the African Leopard and the playful side of the hippopotamus.

“Probably the most memorial photo event occurred during dinner at the Kalahari Plains Camp in

Botswana, as evidenced by the photo entitled ‘Lions Coming to Dinner,’” Nevard said. “Twelve of us on the safari, including two guides, were having dinner on the ground, 15 feet from a birdbath and 15 feet from the bush. During dinner and without any protection or any notice, eight uninvited lions came

into camp, to drink out of the birdbath. They were 15 feet from us, and you can actually see the corner of the table at the bottom of the photo. We sat for 20 minutes without moving, without talking

and without eating. When they left, we all went directly to the bar.”

“Thoughts on Africa” is available for viewing Monday through Friday from 8:00 a.m. to 5:00 p.m. through October 26. For more information on the exhibit or to purchase seats to The Capitol Steps,

contact the OCCC Box Office at (405) 682-7579. The Inasmuch Foundation Gallery is located inside the Visual and Performing Arts Center located at 7777 S. May Ave in Oklahoma City. The gallery is

free to the public..



KINGFISHER — The Chisholm Trail Museum is hosting a traveling exhibit of photography by Lewis Hine through Nov. 22.

“Child Labor in Oklahoma: Photographs by Lewis Hine, 1916–1917” is a traveling exhibit from the

Oklahoma History Center curated by Theresa Bragg, Jim Meeks and Lori Oden. The exhibit highlights a collection of 25 photographs taken by Hine while he was in Oklahoma more than 100

years ago.

Hine mainly focused on major cities, but he took brief trips to other parts of the country, including Oklahoma, to document child labor. Hine photographed in Tulsa, Oklahoma City, Lawton, Shawnee,

Okmulgee, Sulphur and a few other small communities in the state.

In 1938, President Franklin D. Roosevelt signed the Fair Labor Standards Act into law. The National Child Labor Committee, founded in 1904, had finally accomplished its first goal, a news release

stated. Hiring Hine in 1908 to document child laborers was pivotal to their cause. He was one of the first photographers to use the photo medium to document the human condition in order to make

positive changes. Hine once said, “If I could tell the story in words, I wouldn’t need to lug a camera.”

Although his photographs moved the nation to create child labor laws, Hine died in poverty and was unrecognized in 1940. Decades later, his life’s work would become synonymous with social reform

documentary photography.

An exhibit catalogue also is available for free while supplies last. The program is sponsored in part by Oklahoma Humanities and the National Endowment for the Humanities.

The Chisholm Trail Museum and A.J. Seay Mansion are at 605 Zellers Ave. For more information,

call 405-375-5176.



RENEWING THE AMERICAN SPIRIT: The Art of the Great Depression

Renewing the American Spirit: The Art of the Great Depression explores the physical and social landscape of the United States during the Great Depression through paintings, prints, photographs, and other media. The original exhibition includes a selection of works from the Museum’s excellent collection of WPA art, a recently acquired monumental mural by Gardner Hale, which has not been exhibited publicly since the First President’s bicentennial exhibition in 1932, and several loans from

regional institutions.

The exhibition examines the diverse responses of artists to the social upheaval and economic distress that characterized American life in the 1930s. Together, the aesthetically and politically

varied works produced in the 1930s paint a revealing portrait of the nation’s evolving psyche as it sought to move ahead through one of the country’s most challenging periods.

November 2, 2019 - April 26, 2020

Oklahoma City Museum of Art.



Photo Gallery

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