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  • Photographic ProjectsAuthor(s): Diane Neumaier, Viktoria Buivid, Boris Mihailov, Galina Moskaleva, Igor Moukhin,Alexei Shulgin and Alexander SlyusarevSource: Art Journal, Vol. 53, No. 2, Contemporary Russian Art Photography (Summer, 1994),pp. 7-16Published by: College Art AssociationStable URL: http://www.jstor.org/stable/777476 .Accessed: 15/06/2014 10:47

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  • artists" pages]

    Photographic Projects

    Edited by Diane Neumaier

    he Russian artists represented here prepared photo- graphic projects especially for this issue of Art Journal devoted to contemporary Russian photogra-

    phy. They employ a variety of means and materials, including multiple printing and toning (Galina Moskaleva), torn paper and found images (Igor Moukhin), needlework and metallic ink (Viktoria Buivid), paint and typesetting (Alexei Shul-

    gin), and color ink markers (Boris Mihailov). Only one works with straight photographs alone (Alexander Slyusarev). These artists' practices are addressed in the critical essays that follow.

    VIKTORIA BUIVID was born in 1962 and lives in St. Petersburg.

    BORIS MIHAILOV was born in 1938 and lives in Kharkov, Ukraine.

    GALINA MOSKALEVA was born in 1954 and lives in Minsk, Belarus.

    IGOR MOUKHIN was born in 1961 and lives in Moscow.

    ALEXEI SHULGIN was born in 1963 and lives in Moscow.

    ALEXANDER SLYUSAREV was born in 1944 and lives in Moscow.

    7

    Galina Moskaleva, from Reminiscences of Childhood, 1992. Collection of the artist.

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    Igor Moukhin, On the Fence, 1993. Courtesy Michael Pauseback Edition, Cologne, Germany.

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    Viktoria Buivid, Love Me As I Love You, 1992. Collection of the artist. 1. "When there is love there are jokes, but love is not a joke!!!" 2. "Flowers wilt in time, but photos never!" 3. "Tender friend-loyal wife" 4. "My love is not a stream of smoke

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  • YES & NO

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    Alexe Shulgin, Yes & No, 1993. Collection of the artist.

    Alexei Shulgin, Yes & No, 1993. Collection of the artist.

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  • Boris Mihailov, Reflections on American Life, 1993. Collection of the artist. "One American stuck a finger in his ass and pulled out four pounds of shit."-Soviet children's rhyme

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    Article Contentsp. 7p. [8]p. [9]p. [10]p. [11]p. [12]p. [13]p. [14]p. [15]p. [16]

    Issue Table of ContentsArt Journal, Vol. 53, No. 2, Contemporary Russian Art Photography (Summer, 1994), pp. 1-112Front Matter [pp. 1-108]Artists' PagesPhotographic Projects [pp. 7-16]

    Editor's StatementContemporary Russian Art Photography [pp. 18-21]

    After Raskolnikov: Russian Photography Today [pp. 22-27]Photographers of Russia, Unite Yourselves! [pp. 28-30]An Update: Afterthoughts on Two Annual Exhibitions [pp. 31-32]Photography in the Thaw [pp. 33-39]Conceptual Photography in the Russian Museum [pp. 40-42]Russian Photography and Its Contexts [pp. 43-44]The Future of a Disillusion: Sex, Truth, and Photography in the Former Soviet Union [pp. 45-52]Negotiating New (His)Stories of Photography [pp. 53-57]Against the Camera, for the Photographic Archive [pp. 58-62]Photographic Ethics in the Work of Boris Mihailov [pp. 63-69]Photography and Reality in the Work of Afrika [pp. 70-75]Alternative Museum [pp. 76-79]The Sun without a Muzzle [pp. 80-84]Cool Reflections: A Kind of Utopian Manifesto for Reconstruction [p. 85]Exhibition ReviewsReview: Personality versus Physique [pp. 88-92]Review: Indian Temple Sculpture [pp. 94-97]Review: Face of the Gods [pp. 99-103]

    Book ReviewReview: Duchamp [pp. 105-107]

    Books and Catalogues Received [pp. 109-111]Letters to the EditorFrom Debra Miller [p. 112]From Elsa Schmidt [p. 112]

    Back Matter