contemporary art day

EmErgEncy charity SalE lotS 101-121

Sold to bEnEfit thE EmErgEncy

charitablE organiSation

Phillips de Pury & Company is proud to open the

Contemporary Art Day Sale with a collection of twenty-one

works by internationally renowned artists, which will be

sold to benefit the EmErgEnCy charitable organisation.

These works were inspired by and created in response to

drawings given to the artists by children affected by war

and poverty. The artists’ donation to the ‘Adopt a Drawing’

project, and the subsequent proceeds from the sale, will

raise money for life support for civilian war victims.

Phillips de Pury & Company is proud to be part of this

project and wishes EmErgEnCy every success for their

worthwhile cause.

EmErgEnCy Life Support for Civilian War Victims

EmErgEnCy is an independent and neutral humanitarian organization,

founded in Italy in 1994, that provides free-of-charge, high quality

medical and surgical treatment to the victims of war, landmines

and poverty.

EmErgEnCy has active programmes in Afghanistan, Cambodia,

Central African republic, Iraq, Italy, Sierra Leone and Sudan.

Since 1994, EmErgEnCy has worked in 14 countries, building 8

Hospitals, 4 rehabilitation Centres, a maternity Centre and 55 First

Aid Posts and Primary Health Care Centres.

EmErgEnCy is currently building a Paediatric Centre in nyala, South

Darfur (Sudan).

EmErgEnCy has treated over 3 million patients so far.

EmErgEnCy works to implement Human rights based health

projects,according to the principles of Equality, Quality and Social

responsibility (EQS).

In 2006 EmErgEnCy became a partner of the United nations

Department of Public Information.

EmErgEnCy UK is a British, independent, charitable organisation that

supports EmErgEnCy’s projects.

www.emergency.it

www.emergencyuk.org

www.emergencyusa.org

ADOPT A DrAWIng

‘Adopt a Drawing’ represents an important encounter of cultures and

experiences to attract people’s attention to the suffering brought about by

wars and poverty in every part of the world. International artists have been

asked to reinterpret drawings by children; patients in several EmErgEnCy

hospitals and, according to their sensibilities, to take inspiration from

their images. By donating one of their works to EmErgEnCy, the artist

has created an imaginary connection with these little artists. A travelling

exhibition, which included both the childrens’ drawings and the artists’

creations, was presented last year in several venues, including rome, Turin,

genoa, Florence and Ferrara.

The drawings (by Souk, Ali, Kualid, Asuda, Federico…) have arrived from

the refugee camps, the hospitals, and the places devastated by wars.

Transcending different countries and cultures, these childrens’ drawings

have stimulated the creativity of well-known artists. All the artists have

conceived, built and created something of their own for each one of

these children.

For the children, art has a therapeutic value: through imagination, drawing

helps them to free themselves from pain and fears, to overcome difficulties

and recover a trace of light-heartedness. For the artists, on the other hand,

it is an emotional journey into the depths of their creative aspirations, about

the recovery of art’s social meaning and a concrete engagement with

today’s problems.

Culture and art can and must be the most efficient means of educating

and re-educating consciences and minds towards peace and rejection of

war in all shapes and forms. The artists’ personal involvement represents

the desire to participate and the opportunity to turn the suffering into a

possibility of hope.

These works represent an understanding and construct a common

language of signs to tell different stories, confirming that culture is, first of

all, encounter and exchange.

Sergio Casoli, Elena Geuna, Vauro Senesi

Special thanks to all the little and big artists, who have made this

project possible.

EmErgEnCy are very grateful to:

Sergio Casoli, Elena geuna, Stefano Senardi and Vauro Senesi; Luisa

mensi, Ilaria Porotto, and Carola Serminato; Laura garbarino and Eugenia

Bertelè; Spedart S.r.l., massimo De rossi and Davide Papadia; regione

Lazio, American Express and Fandango; Banca Popolare di milano

And for their precious support and collaboration: Archivio Fausto melotti,

milan; Fondazione Lucio Fontana, milan; galleria Continua, San gimignano

– Beijing; guido Costa Projects, Turin; galleria Emi Fontana, milan/West

of rome, Los Angeles; galleria Franco noero, Turin; galeria Jérôme de

noirmont, Paris; galleria Lia rumma, naples/milan

In memory of Teresa Sarti Strada, President of EmErgEnCy

03_LON_OCT_CONT_v6.indd 114 24/09/09 08:51

Sold to benefit the emergency charitable organiSation

101 BEN VAUTIER b. 1935

Untitled, 2007

acrylic on paper. 50 x 70 cm. (19 5/8 x 27 1/2 in). Signed ‘ben’ lower right.

Estimate £1,0 0 0 -1,5 0 0 $1,70 0 -2,5 0 0 €1,10 0 -1,70 0 •

Provenance acquired directly from the artist

exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September

– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,

museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno



102 Paul Fryer b. 1963

And There Shall Be No Death, 2008

egg, nest, kevlar thread in Plexiglas case on wooden base. overall: 126 x 26 x 26 cm.

(49 5/8 x 10 1/4 x 10 1/4 in).

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 •♠

Provenance acquired directly from the artist; guido costa Projects, turin


Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September –

12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo

marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

03_LON_OCT_CONT_v6.indd 116 23/09/09 20.30


103 MONA HATOUM b. 1952

Untitled (Willow Cage), 2002

Willow. 152.5 x 28.5 x 26.5 cm. (60 x 11 1/4 x 10 1/2 in). this work is from an edition

of six plus two artist’s proofs.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠

Provenance acquired directly from the artist; galleria continua, San

gimignano/beijing





Literature Mona Hatoum, exhibition catalogue, centro de arte contemporanea

de Salamanca (caSa), curated by cristina Zelich, 10 July – 1 September 2002,

p.54, in collaboration with il centro galego de arte contemporanea (cgac),

Santiago de compostela, 3 october 2002 – 5 January 2003; Mona Hatoum,

exhibition at darat al funun, the Kalid fondation, darat al funun, 11 october

2002 – 22 January 2003, n.p.



104 Lara Favaretto b. 1973

Twistle, 2003

air compressed tank, nitrogen, pressure regulator, timer, electrovalve, trumpet,

plastic cables. 187 x 22 cm. (73 5/8 x 8 5/8 in).

estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 •♠

Provenance acquired directly from the artist; galleria franco noero, turin

exhibited turin, galleria franco noero, Lara Favaretto, 27 may, 2004 – 23 July,

2004; new york, Swiss institute and grey art gallery, Ok/OKAY, 19 april, 2005

– 16 July, 2005; Paris, Palais de tokyo, Cinq Milliards d’Années/Une seconde une

année, 14 September, 2006 – 14 January, 2007; rome, complesso del Vittoriano, 7

february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara,

casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione,

1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5

January 2009, Adotta un disegno

literature Swiss institute and grey art gallery, Ok/OKAY, new york, 2005, pp.

34-37; Palais de tokyo ed., Palais magazine, Cinq Milliards d’Années/Une seconde

une année, Paris, fall – Winter 2006, p. 48-54

Fig. 1

Fig. 2



105 KEITH TYSON b. 1969

Little Fella, 2007

resin, acrylic and black lacquer base. Sculpture height: 39 cm. (15 1/4 in)., base:

22.7 x 17.6 x 3.7 cm. (9 x 7 x 1 in).

Estimate £ 8 ,0 0 0 -10,0 0 0 $13 , 2 0 0 -16,5 0 0 €9,10 0 -11,4 0 0 •♠




– 12 october 2008; turin, Palazzo della regione, 1 – 18 november 2008; florence,




106 Lucio Fontana 1899-1968

Studi per Buchi, 1960-1961

ballpoint pen on paper. 31 x 21 cm. (12 1/4 x 8 1/8 in). this work is registered under

archive number 844/58.

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 •

Provenance fondazione lucio fontana, milan

exhibited milan, castello Sforzesco, Fontana Disegni, 19 may – 31 July, 1977;

milan, Padiglione d’arte contemporanea, Da Modigliani a Fontana Disegno italiano

del XX secolo nelle Civiche Raccolte d’Arte di Milano, 3 october – 8 december, 1991;

rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa, Palazzo

ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12

october 2008; turin, Palazzo della regione, 1 – 18 november 2008; florence,


Literature exhibition catalogue milan, castello Sforzesco, Fontana disegni, pl.

58 (illustrated); exhibition catalogue milan, Padiglione d’arte contemporanea, Da

Modigliani a Fontana. Disegno italiano del XX secolo nelle Civiche Raccolte d’Arte di

Milano, p. 163 (illustrated)



107 FAUSTO MELOTTI 1901-1986

Leone, circa 1975

brass. 22 x 20 x 8 cm. (8 5/8 x 7 7/8 x 3 1/8 in).

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 •

Provenance archivio fausto melotti, milan







108 Shay FriSch Peri b. 1963

Superficie Assemblata 1499 B., 2007

Plastic and electrical components. 134 x 140 cm. (52 3/4 x 55 1/8 in).

estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 •








109 Enrico castEllani b. 1930

Untitled, 2007

acrylic on shaped canvas, copper nails. 50 x 80 cm. (19 3/4 x 31 1/2 in). Signed,

dedicated and dated ‘castellani Per emergency 2007’ on the overlap.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 •♠








110 PASCALE MARTHINE TAYOU b. 1967

School of the Funny Ones, 2007

graphite on paper. 120 x 180 cm. (47 1/4 x 70 7/8 in).

Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0


gimignano/beijing

exhibited boissy-le-chatel, france, galleria continua/le moulin, Ouverture,

21 october 2007 – 6 april 2008; rome, complesso del Vittoriano, 7 february – 2

march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara, casa

dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18

november 2008; florence, museo marino marini, 11 december 2008 – 5 January

2009, Adotta un disegno

Literature n. bourriaud, P.l. tazzi, Pascale Marthine Tayou, Le grand sorcier de

l’utopie, ed. gli ori, 2009, p.121 (illustrated), p.260



111 RUDOLF STINGEL b. 1956

Untitled, 2002

celotex tuff - r mounted on panel in aluminium frame. 65 x 48.3 cm.

(25 1/2 x 19 in). Signed and dated ‘Stingel 2002’ on the reverse.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 •♠








112 PIERRE ET GILLES b. 1950 & b. 1953

Les enfants du Laos, 1994

hand-painted c-print flush-mounted to aluminium in the artists’ frame. 60.5 x 34.5

cm. (23 3/4 x 13 5/8 in). Signed, titled and dated ‘les enfants du laos 1994 pierre

gilles’ on the reverse. this work is unique.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 •♠

Provenance acquired directly from the artists; galerie Jérôme de

noirmont, Paris

exhibited arles, chapelle du méjan, rencontres internationales de la

Photographie, Pierre et Gilles, 5 July – 15 august 1994; Paris, maison européenne

de la Photographie, Pierre et Gilles – Vingt Ans 1976-1996, 26 november 1996 – 26

January 1997; Valencia, museo de bellas artes de Valéncia, Pierre et Gilles, 2 June

– 29 July 1998; tokyo, Shiseido gallery ginza art Space, Pierre et Gilles Mémoire

de Voyage, 16 September – 18 october 1998; Paris, galerie Jérôme de noirmont,

fiac 2000, Pierre et Gilles 1977-1998, 24-30 october 2000; rome, complesso del

Vittoriano, 7 february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may

2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo

della regione, 1-18 november 2008; florence, museo marino marini, 11 december

2008 – 5 January 2009, Adotta un disegno

Literature m. nuridsany, ‘Pierre et gilles – Un naturel confondant, par michel

nuridsany’, Actes Sud, arles, 1994, pl.8 (illustrated); b. marcadé & d. cameron,

Pierre et Gilles, L’Oeuvre Complet 1976-1996, taschen, cologne, 1997, p.281

(illustrated); Pierre et Gilles Mémoire de voyage, Shiseido gallery ginza art Space,

tokyo, 1998, p.17 (illustrated); J.m.g. cortes, e. mendicutti & S. leturcq, Pierre et

Gilles, museo de bellas artes de Valéncia, Valéncia, 1998, p.123 (illustrated); b.

marcadé, P. Park & J. Sans, Pierre et Gilles – Beautiful Dragon, Seoul museum of

art, Seoul, 2004, p.62 (illustrated)



113 FRANCESCO VEZZOLI b. 1971

Whatever happened to Baby Francesco?, 2007

laser print on canvas with metal embroidery. 16 x 12 cm. (6 1/4 x 4 3/4 in).

Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 •♠








114 ANSELM KIEFER b. 1945

Die Ungeborenen, 2002

charcoal and lead on photographic paper. 60.5 x 88 cm. (23 3/4 x 34 5/8 in).

Estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0 •♠

Provenance acquired directly from the artist; galleria lia rumma,

naples/milan



115 FABRICE HYBER b. 1961

Solitairies, 2007

oil, charcoal and collage on canvas. 150 x 150 cm. (59 x 59 in). inscribed ‘by m.Said’

lower right; signed, titled and dated ‘fabrice hyber 2007 “Solitaries”’ on the reverse.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 •♠

Provenance acquired directly from the artist; galerie Jérôme de noirmont, Paris


Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September –

12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo

marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno



117 KENDELL GEERS b. 1968

Hiroshima, 2004

indian ink on paper. 140 x 200 cm. (55 1/8 x 78 3/4 in). Signed and dated ‘Kendell

geers 2004’ lower right.

Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠


gimignano/beijing






116 MASSIMILIANO FUKSAS b. 1944

Tra le nuvole, 2007

tempera and pencil on paper. 45 x 52 cm. (17 3/4 x 20 1/2 in).

Estimate £1,0 0 0 -1,5 0 0 $1,70 0 -2,5 0 0 €1,10 0 -1,70 0 •♠






117

116



119 NAN GOLDIN b. 1953

Isabelle as a ghost, St. Remy de Provence, France, 2002

cibachrome print. 76 x 103 cm. (30 x 40 1/2 in). this work is from an edition of

fifteen plus one artist’s proof.

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 •

Provenance acquired directly from the artist; guido costa projects, turin





Literature nan goldin, The Devil’s Playgound, Phaidon Press, london, 2008,

p.464 (illustrated)


118 MIKE KELLEY b. 1954

Drawing, 2007

ink on paper. 50 x 70 cm. (19 3/4 x 27 1/2 in). Signed and dated ‘m. Kelley 2007’

lower right.

Estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 •

Provenance acquired directly from the artist; galleria emi fontana, milan/rome





118

119



120 Carla aCCardi b. 1924

Nero su Arancio, 2007

gouache on cardboard. 35 x 50 cm. (13 3/4 x 19 3/4 in).

Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 •♠








121 Daniel Buren b. 1938

Photo-Souvenir: Couleur et ombre portées N°11, travail situé, giugno 2006, 2006

Vinyl, Plexiglas and steel. 200 x 200 x 2.5 cm. (78 3/4 x 78 3/4 x 1 in).

estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0 ♠


gimignano/beijing






122 Jack Goldstein 1945-2003

Untitled, 1986

Acrylic on canvas. 183 x 213.4 cm. (72 x 84 in).

estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ‡

Provenance Dart Gallery Inc., Chicago; The Stone Collection,

Chicago; The Fruit Market Gallery, Edinburgh; Musée de Grenoble,

Grenoble

Looking at these images, we think of the Northern Lights, sunspots,

mushroom clouds or volcanic explosions seen either from a great

distance or in greatly magnified detail. These events are depicted to

meticulous, if not obsessive, perfection through a procedure that involves

a great deal of taping and stenciling, and that leaves very little indication

of human involvement. Each color of the spectrum has its own separate

physical layer. Both process and result suggest topographical maps, but

- even though there’s an inclination to read the darkest colors as ocean

depths and the brightest as mountain ranges -here it is the topography of

light and hue that is being charted. (Roberta Smith, New York Times,

5/22/87)


123 DAMIÁN ORTEGA b. 1967

Biombio (Green), 2002

Fibreglass and metal. 90.2 x 117 x 109.2 cm. (35 1/2 x 46 x 43 in). This work is

accompanied by a certificate of authenticity.

Estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0

Provenance Galeria Pepe Cobo, Madrid


124 MARTIN CREED b. 1964

Work No. 294 A Sheet of A5 paper crumpled into a ball, 2003

Paper, wood and Perspex. Overall: 65.4 x 21.5 x 15.9 cm. (25 3/4 x 8 1/2 x 6 1/4 in).

Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ♠‡

Provenance Analix Forever, Geneva


125 ImI Knoebel b. 1940

Under the Moon of Love, 1993

Acrylic on aluminium. 124.8 x 124.5 x 14 cm. (49 1/8 x 49 x 5 1/2 in). Initialed and

dated ‘IM 93’ on the reverse.

estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0 ♠‡

Provenance Acquired directly from the artist

Like Beuys’ disciple Palermo, with whom he shared a studio in 1968,

Knoebel devoted his attention in various analytical series to the

relationship between space, carrier and colour. He was indebted to

his second great master Kasimir Malevich for a certain reduction to

the elementary coordinates of painting. (D. Zwirner, Imi Knoebel, in

exhibition catalogue, German Art from Beckmann to Richter, Images of

a Divided Country, Berlin 1997, p. 523).


126 Louise LawLer b. 1947

Two Heads, 2004

Cibachrome on aluminium museum box. 103 x 133.5 cm. (40 1/2 x 52 1/2 in).

Signed, dated and numbered of five ‘Louise A Lawler 2004’ on the reverse.

This work is from an edition of five.

estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡

Provenance Metro Pictures, New York

exhibited New York, Metro Pictures, Louise Lawler, Looking Forward, 30 October

– 23 December, 2004


127 Wade Guyton b. 1972

Untitled, 2001

Fibreglass and tape. 122 x 90 x 90 cm. (48 x 35 1/2 x 35 1/2 in).

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0

Provenance Private collection, Austria

exhibited Vienna, Engholm Engelhorn Galerie, The Love of Look, 1 February,

2001 – 18 March, 2001


128 Katja Strunz b. 1970

Untitled, 2003

Oil on wood. 200 x 80 x 13.5 cm. (78 3/4 x 31 1/2 x 5 3/8 in).

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠

Provenance Galerie Giti Nourbakhsch, Berlin


129 WIM DELVOYE b. 1965

Silvett Gomex, 1989

Enamel paint on steel saw blade. Diameter: 25 cm. (9 7/8 in). Signed, titled and

dated ‘Wim Delvoye 1989 Silvett Gomex’ on the reverse.

Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠

Provenance Galleria Pontepietra, Verona


130 John Armleder b. 1948

Furniture Sculpture, 1986

Two painted mahogany side tables. Red: diameter: 45.6 cm. (18 in); height:

66.6 cm (26 1/4 in). Blue: diameter: 46 cm. (18 1/8 in), height: 67 cm. (26 3/8 in).

Each signed and dated ‘John Armleder 1986’ on the underside.

estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡

Provenance John Gibson Gallery, New York

exhibited Geneva, Mamco, John Armleder, Amor Vacui, Horror Vacui, 18 October,

2007 – 21 January, 2007


131 JIM LAMBIE b. 1964

Two works: (i) Sandhead (Blue); (ii) Sandhead (Sand), 2004

Hand-cut boxer shorts with gloss paint, tape and two cans of paint. Each:

31.8 x 25.4 x 9.5 cm. (12 1/2 x 10 x 3 3/4 in).

Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ♠

Provenance Konrad Fischer Galerie, Düsseldorf


132 JEFF GEYS b. 1934

Ten Model Paintings, 1965

Ten oil on canvas paintings in artist’s frames. Largest: 56.2 x 69.2 cm. (22 1/8 x 27

1/4 in). Smallest: 40.3 x 30.2 cm. (15 7/8 x 11 7/8 in). Six works signed ‘Jeff Geys’ on

the reverse.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠‡

Provenance Galerie Micheline Szwajcer, Antwerp


133 Yves Klein 1928 - 1962

La Terre Bleue, 1957/1990

Dry blue pigment and synthetic resin on plaster cast. 41.5 x 29.5 x 29.5 cm.

(16 1/4 x 11 1/2 x 11 1/2 in). Embossed with the star and numbered of 300 on a

label attached to the underside. This work is from an edition of 300 plus 50

Hors Commerce copies, edited by Galerie Bonnier, Geneva. This work was

conceived in 1957 and cast in 1990.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0

Provenance Private collection, Geneva

Literature P. Wember, Yves Klein, Cologne, 1969, p. 137, no. RP7

(illustration of original cast); J.-P. Ledeur, Yves Klein, Catalogue Raisonné des

Editions et Sculptures, Knokke-le-Zoute, 2000, p. 242, no. RP7 (illustration of

another cast in colour)


134 Rudolf Stingel b. 1956

Untitled, 1994

Pigmented cast polyurethane rubber compound. 34.3 x 25 cm. (13 1/2 x 9 7/8 in).

Signed, inscribed and and dated ‘M-8 94 Stingel’ on the reverse.

estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠‡

Provenance Paula Cooper Gallery, New York


135 Louise Bourgeois b. 1911

Les Herbes Folles, 2002

Crayon, ink and pencil on paper. 22.5 x 29.8 cm (8 7/8 x 11 3/4 in). Initialed ‘LB’

lower right.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡

Provenance Galerie Karsten Greve AG, St. Moritz


136 ANYA GALLACCIO b. 1963

Nevertheless, 2003

Bronze. 12 x 87 x 17.8 cm. (4 3/4 x 34 1/4 x 7 in).

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠

Provenance Blum & Poe, Los Angeles


137 Steven Parrino 1958-2005

Untitled-Silver, 1995

Enamel and silicone on canvas. 43.2 x 45 cm. (17 x 17 3/4 in). Signed and dated

‘Steven Parrino 95’ on the stretcher.

estimate £ 3 0,0 0 0 - 5 0,0 0 0 $49,6 0 0 - 8 2,70 0 €3 4,3 0 0 - 57,10 0 ‡

provenance Acquired directly from the artist


138 Frank nitsche b. 1964

BDG-01, 2002

Oil on canvas. 300 x 250 cm. (118 1/8 x 98 3/8 in). Signed, titled and dated ‘BDG-01

-2002 Nitsche’ on the reverse.

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡

Provenance Leo Koenig Inc., New York

Literature G. Gohlke, Frank Nitsche, Buchhandlung, Walther König, Cologne,

2002, p. 5 (illustrated)


139 FRANK NITSCHE b. 1964

BAB-02, 2002

Oil on canvas. 230 x 199 cm. (90 1/2 x 78 3/8 in). Signed, titled and dated ‘Nitsche

BAB-02-2002’ on the reverse.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠

provenance Leo Koenig Inc., New York


140 GÜnther FÖrG b.1952

Untitled, 1991

Acrylic on lead. Each: 80 x 60.3 cm. (31 1/2 x 23 3/4 in). Each signed and dated

‘Förg 91’ on the reverse.

estimate £ 3 5,0 0 0 - 4 5,0 0 0 $57,9 0 0 -74,4 0 0 €4 0,0 0 0 - 51,4 0 0 ♠‡



141 GÜnther FÖrG b. 1952

Untitled, 1998

Acrylic on canvas. 200.4 x 165 cm. (78 7/8 x 65 in). Signed and dated ‘Förg 98’ on

the reverse.

estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠‡



142 Dan Walsh b. 1960

Reflector, 1995

Acrylic on canvas 178 x 177.8 cm. (70 1/8 x 70 in). Signed, titled and dated ‘Dan

Walsh “Reflector” 1995’ on the stretcher bar.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡



143 JOHN MCCRACKEN b. 1934

Visit, 1994

Polyester resin, fibreglass and plywood. 16 x 107.7 x 23.2 cm. (6 1/4 x 42 3/8 x 9 1/8

in). Signed, titled and dated ‘VISIT 1994 McCracken’ on the reverse.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡



144 JOHN MCCRACKEN b. 1934

Zing, 1994

Polyester resin, fibreglass and plywood 54 x 28.5 x 23.5 cm. (21 1/4 x 11 1/4 x 9 1/4 in).

Signed, titled and dated ‘ZING 1994 McCracken’ on the underside.

Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡



145 RobeRt Mangold b. 1937

Two Squares within Two Triangles, 1976

Coloured pencil on paper. 58 x 79.7 cm. (22 7/8 x 31 3/8 in). Signed, titled and

dated ‘Two Squares within Two Triangles R.Mangold 1976’ upper left.

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ‡

Provenance Galerie Marcel Fleiss, Paris


146 ROBERT MANGOLD b. 1937

One 72” square within 6 distorted rectangles, 1979

Graphite on six sheets of paper. 210 x 192.5 cm. (83 x 75 3/4 in).

Estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ‡

Provenance Paula Cooper Gallery, New York

Drawing for me is a process. It’s true that my paintings in a lot of ways

are as much drawing as they are paintings. I think my involvement from

the beginning has been very linear in terms of how I work, and I’ve

never been involved in paint the way a lot of painters are. It’s been a way

of coloring a surface or a step, but drawing is the starting point. It’ll start

with little sketches where I get an idea about fitting one form within

another or I’ll do some thumbnail sketches and then I’ll go through a

process of picking and choosing or deciding if it’s a good idea or not a

good idea, and making larger drawings and finally drawings with color

so that basically I have a pretty strong idea of what I’m going to do.

That’s pretty well established in the drawing state. Because I work in

shaped canvas, I have to have the idea worked out so that I can build

the stretchers, because there’s a cost commitment when you build a

stretcher. You want to get it figured out ahead of time so you don’t waste

too many stretchers, so there’s a sense in using the drawing in that way.

Drawing is central to the work. (Robert Mangold in conversation with

John Yau, The Brooklyn Rail, March 2009)


147 HANNE DARBOVEN 1941-2009

Dostojewski, 12 months (May), 1990

Ink and collage on graph paper in sixteen parts. Overall: 90.5 x 130 cm. (35 5/8 x 51

1/8 in). Each: 22.5 x 31.1 cm. (8 7/8 x 11 7/8 in). Each dated ‘V 90’ on the reverse.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠

Provenance Galerie Crone, Berlin


148 MAREPE b. 1970

Untitled, 2003

Plastic. 83.8 x 67.9 x 58.4 cm. (33 x 26 3/4 x 23 in).

Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ♠

Provenance Galeria Luisa Strina, Sao Paolo; Private collection, Paris


149 Paul Mccarthy b. 1945

Brancusi Tree (Silver), 2007

Self-inflatable mylar fabric with integrated fan on plastic base with electrical

fittings. Height: 203 cm. (80 in). Diameter: 101.6 cm. (40 in). Signed, numbered of

75 and dated ‘Paul McCarthy 2007’ on the base. This work is from an edition of 75.

Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0

Provenance Hauser & Wirth, London


150 Julian Opie b. 1958

J, 1987

Glass, aluminium, stainless steel, foam, PVC, wood. 126.8 x 248.8 x 22 cm.

(49 7/8 x 98 x 8 5/8 in). Signed ‘J. Opie’ on the reverse.

estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ♠

PrOVenanCe Galleria Lia rumma, naples


151 JULIAN OPIE b. 1958

Sara Walking Naked, 2003

Computer animation on LCD screen. 94.9 x 64.4 x 31.1 cm. (37 1/4 x 25 1/4 x 12 3/8 in).

This work is from an edition of four.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠

Provenance Patrick De Brock Gallery, Knokke


152 ENRICO DAVID b. 1966

Dinnisblumen, 1999

Wool on dyed canvas. 300 x 220 cm. (118 1/8 x 86 5/8 in).

Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠†

Provenance The Approach, London

Literature M. Holbern & F. Huber, eds., The Triumph of Painting, London, 2005,

p. 271 (illustrated)


153 GeorGe Condo b. 1957

Outside the Hotel, 2005

Oil on canvas. 61 x 50.8 cm. (24 x 20 in). Signed, titled and dated ‘George Condo

Outside the Hotel 05’ on the reverse.

estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ‡

Provenance Private collection, New York


154 GeorGe Condo b. 1957

Multi-coloured Figure IV, 1993

Oil on linen. 177.8 x 162.6 cm. (70 x 64 in). Signed and dated ‘Condo 93’ lower left.

estimate £6 0,0 0 0 - 8 0,0 0 0 $9 9, 2 0 0 -132,0 0 0 €6 8 ,5 0 0 - 91,4 0 0 ‡

Provenance Baldwin Gallery, Aspen; Private collection, New York


155 GRAYSON PERRY b. 1960

Driven Man, 2000

Glazed earthenware. 39 x 31 x 31 cm. (15 3/8 x 12 1/4 x 12 1/4 in).

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 †

Provenance Laurent Delaye Gallery, London

exhibited London, Tate Britain, Turner Prize, 29 October, 2002 - 18 January, 2003;

Amsterdam, Stedelijk Museum, Grayson Perry, 25 November - 31 December, 2003


Alternative view


156 Grayson Perry b. 1960

Print for a Politician, 2005

Etching on paper. 67 x 249.5 cm. (26 3/8 x 98 1/4 in).

Signed ‘Grayson Perry’ and numbered of 59 on the reverse. This work is from an

edition of 59.

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠



157 Markus Muntean & adi rosenbluM b. 1962 & b. 1962

Untitled (We look at each other…), 2002

Acrylic on canvas. 200 x 250 cm. (78 3/4 x 98 1/2 in).

estimate £18 ,0 0 0 -2 2,0 0 0 $2 9,8 0 0 - 3 6,4 0 0 €2 0,6 0 0 -25,10 0 ♠†

Provenance Maureen Paley Interim Arts, London

Literature M. Holborn & F. Huber, eds., The Triumph of Painting, London, 2005,

p. 164 (illustrated)


158 JULES DE BALINCOURT b. 1972

Two works: (i) Boxing Your Subconscious; (ii) Untitled, 2005

(i) Oil and enamel on panel; (ii) Mixed media. (i) 61 x 121.9 cm. (24 x 48 in).

(ii) 61 x 101.6 x 40.7 cm. (24 x 40 x 16 in). (i) Signed and dated ‘Jules de Balincourt 2005’

on the reverse.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠†

Provenance Zach Feuer (LFL) Gallery, New York


159 GAVIN TURK b. 1967

Four works: (i) Flag, (ii) Stretcher, (iii) Union Jack, (iv) Requiem, 1994

Oil on paper. Each: 21.5 x 28 cm. (8 1/2 x 11 in). Each signed and dated ‘Gavin Turk

1994’ lower right; each titled lower centre.

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡

Provenance Jay Jopling, London

(i)

(ii)


(iii)

(iv)


160 Damien Hirst b. 1965

Orange Butterfly with Red Tips, 2008

Colour aquatint: 119.5 x 108 cm. (47 x 42 1/2 in). Signed and dated ‘Damien Hirst

2008’ lower margin. This work is unique and is registered in the Damien Hirst

Archive under Archive number DHS10364.

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠

provenance Private collection, London


161 Damien Hirst b. 1965

The Souls on Jacob’s Ladder Take Their Flight, 2007

The complete set of six colour photogravure etchings. 119.6 x 108.4 cm.

(47 1/8 x 42 5/8 in). Each signed ‘Damien Hirst’ and numbered of 72 on the reverse.

This work is from an edition of 72.

estimate £ 3 5,0 0 0 - 45,0 0 0 $57,9 0 0 -74,4 0 0 €4 0,0 0 0 - 51,4 0 0 ♠



162 Marc Quinn b. 1964

Polar Bears of the Liro, 2008

Oil on canvas. 170 x 250 cm. (67 x 98 1/2 in). Signed, titled and dated ‘Polar Bears of

the Liro Marc Quinn 2008’ on the reverse.

Estimate £ 8 0,0 0 0 -12 0,0 0 0 $132,0 0 0 -19 8 ,0 0 0 €91,4 0 0 -137,0 0 0 ♠

Provenance White Cube, London


163 AXEL HÜTTE b. 1951

Caño Harol, 2002

C-print. 157 x 256.5 cm. (61 3/4 x 101 in). This work is from an edition of four.

Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠‡

Provenance Galerie Wilma Tolksdorf, Frankfurt


164 Roni HoRn b. 1955

Three works: (i) Untitled (To Nest) #2; (ii) Untitled (To Nest) #5; (iii) Untitled

(To Nest) #6, 2001

Iris prints. Each: 60.3 x 91.4 cm. (23 3/4 x 36 in). Each signed ‘Roni Horn’ on a label

adhered to the reverse. These works are from an edition of fifteen.

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡

Provenance i8, Reykjavik

(i) (ii)


(iii)


165 Florian Maier-aichen b. 1973

Untitled, 2005

C-print in artist’s wooden frame. 183 x 241 cm. (72 1/4 x 95 in). Signed, numbered

of six and dated, ‘Florian Maier-Aichen 2005’ on a label adhered to the reverse.

This work is from an edition of six plus two artist’s proofs.

estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ♠

PROVENANCE Blum & Poe, Los Angeles

EXHIBITED Los Angeles, Blum & Poe, Florian Maier-Aichen, 21 January – 25

February, 2006 (another example exhibited); New York, 303 Gallery, Florian Maier-

Aichen, 14 January – 25 February, 2006 (another example exhibited); London, Royal

Academy of Arts, USA Today, 6 October – 4 November, 2006 (another example

exhibited); New York, The Bertha and Karl Leubsdorf Art Gallery, Hunter College,

to:Night: Contemporary Representations of the Night, 12 September – 6 December,

2008 (another example exhibited); Madrid, Museo Thyssen-Bornemisza, Photo

España 08, 3 June – 27 July, 2008 (another example exhibited)


166 FLORIAN MAIER-AICHEN b. 1973

Untitled, 2007

C-print. 78 x 103.5 cm. (30 3/4 x 40 3/4 in). Signed, numbered of six and dated

‘Florian Maier-Aichen, 2007’ on a label adhered to the reverse. This work is from

an edition of six.

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡


Literature R. Morse, MOCA Focus, Florian Maier-Aichen, Ostfildern, Germany,

pl. 11 (illustrated)


167 Florian Maier-aichen b. 1973

Untitled, 2003

C-print. 163.8 x 233.7 cm. (64 1/2 x 92 in). This work is from an edition of six.

estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠



168 OLAFUR ELIASSON b. 1967

Trollakrokar series, 2004

Five c-prints in artist’s frames. Each: 30.5 x43 cm. (11 1/2 x 17 in.) Signed ‘Olafur

Eliasson’ on a label adhered to the reverse of the fifth photograph; numbered of six

on a label adhered to the reverse of each. This work is from an edition of six.

Estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ♠‡

Provenance neugeriemschneider, Berlin; Marc Jancou Contemporary, New York


169 CINDY SHERMAN b. 1954

Untitled #174, 1987

Cibachrome print. 186 x 126 cm. (71 x 47 1/2 in). This work is from an edition of six.

Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ‡

Provenance Metro Pictures, New York; Hoffman Borman Gallery, Santa

Monica; Lambert Art Collection, Switzerland

Literature Whitney Museum of American Art, Cindy Sherman, New York, 1987

pl. 125 (illustrated)


170 Thomas Ruff b. 1958

19h 38m/-60, 1992

C-print in artist’s wooden frame. 257.8 x 186 cm. (101 1/2 x 73 1/4 in). Signed,

titled and dated ‘TC Ruff 1992 19h 38m/ -60˚’ on the reverse. This work is from an

edition of two.

Estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ♠‡



176

171 VIJA CELMINS b. 1938

Two works: (i) Untitled, 1995; (ii) Untitled, c. 1995

Mezzotints. (i) 40.6 x 35.2 cm. (16 x 13 7/8 in); (ii) Sheet: 45.7 x 37.5 cm. (18 x 14 3/4

in). (i) Signed and numbered of 25 ‘V. Celmins’ in lower margin. This work is from

an edition of 25. (ii) Signed and numbered of 50 ‘V. Celmins’ in lower margin. This

work is from an edition of 50.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠

Provenance McKee Gallery, New York; Private collection, Paris

172 MAT COLLISHAW b.1966

Infectious Orchid 2, 2004

Digital print. 49 x 39 cm. (19 1/4 x 15 1/4 in). This work is from an edition of three

and one artist’s proof.

Estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 ♠

Provenance Galerie Anne Faggionato, London; Private collection, Paris

172


173 Wolfgang Tillmans b. 1968

Eighteen works: (i) Sucking at Roxy, 1993, (ii) Macau/China border, 1993, (iii) Tristan on

Rooftop, 1993, (iv) Tom, Gillian and Thiery doing makeup, 1994, (v) Four boots, 1992 (vi) Alex and

Lutz am strand, 1992, (vii) Arse in fountain (repro), 1994, (viii) Lutz wanking, 1991, (ix) TV and

Leatherman, 1993, (x) Sadie Frost, 1995, (xi) Palomino, piss, 1995, (xii) Travis with tree, 1994,

(xiii) bück dich, 1992, (xiv) Far Rockaway, 1995, (xv) Lutz, Alex, Suzee and Christoph on beach,

colour, (xvi) Paul, arm right angle, 1994, (xvii) Room after party, 1992, (xviii) Young woman, 1992

C-prints. Each: 40.5 x 30.5 cm. (16 x 12 in). Each signed, titled, inscribed, numbered of ten

and dated on the reverse. These works are from an edition of ten plus one artist’s proof.

Estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ♠‡

provenance Ars Futura, Zurich


175

174

174 Carol Bove b. 1971

Refugees from Affluence, 2000

Ink on paper. 114.5 x 152 cm. (45 1/8 x 59 7/8 in). Initialed and dated ‘CB00 lower

left.

estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ‡

Provenance Team Gallery, New York

175 Joseph Kosuth b. 1945

Drawing for Discussion about a Lawn, 1965

Graphite on paper. 29.2 x 38.6 cm. (11 1/2 x 15 1/4 in). Signed and dated ‘Joseph

Kosuth 1965’ lower left; Initialed ‘JK’ on the reverse along with printed statement

‘A drawing only and not documentation for the construction of the work’.

estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0

Provenance Galleria Primo Piano, Rome; Galeria Alfonso Artiaco, Naples


176

177

176 JOHN BOCK b. 1965

Untitled, 2004

Mixed media collage and felt-tip pen on paper. 150 x 214 cm. (59 1/8 x 84 1/4 in).

Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ♠

Provenance Klosterfelde, Berlin; Galleria Fonti, Naples

177 LEE UfaN b. 1936

Untitled, 1994

Ground pigment on paper. 62 x 90.8 cm. (24 5/8 x 35 3/4 in). Signed and dated

‘L Ufan 94’ lower right.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0

Provenance Private collection, Paris


178 MATT GREENE b. 1971

This Contains Our Pleasure, 2005

Acrylic and graphite on canvas. 183 x 152 cm. (72 x 60 in).

Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡

Provenance Modern Art, London

exhibited London, Modern Art Inc., We Are the Dead, 21 April – 22 May, 2005


179 Johannes Kahrs b. 1965

Schmerzbild I, 1990

Oil and varnish on felted material. 169.5 x 129.8 cm. (66 3/4 x 51 1/8 in). Signed,

titled and dated ‘Johannes Kahrs “Schmerzbild” 1990’ on the reverse.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠



180 Larry Poons b.1937

Minter, 1975

Acrylic on canvas. 256.5 x 163 cm. (101 x 64 3/8 in). Signed, titled and dated

‘LARRY POONS 1975 MINTER’ on the reverse.

Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ‡



181 Raymond Hains 1926-2005

Untitled, 1975

Lacerated posters on galvanised steel. 108 x 93.5 cm. (42 1/2 x 36 7/8 in). Signed

and dated ‘Raymond Hains 1975’ on the reverse.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ‡

Provenance Anon. sale, Catherine Charbonneaux, Paris


182 Raymond Hains 1926-2005

Palissade, 1961

Lacerated posters on galvanised steel. 49.5 x 48.9 cm. (19 1/2 x 19 1/4 in). Signed

and dated ‘R. Hains 1961’ lower right; Signed and dated ‘Raymond Hains 1961’ on

the reverse.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ‡

Provenance Galerie Beaubourg, Paris


183 Gerhard richter b. 1932

Untitled (1.2.89), 1989

Oil on colour photograph. 15 x 10.2 cm. (5 7/8 x 4 in). Signed and dated ‘Richter

1.2.89’ lower right; signed and dated ‘1.2.89 Richter’ on the reverse of backing.

estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ♠‡

Provenance Sperone Westwater, New York


184 Francis alÿs b. 1959

Sin Titulo (Paisaje con plastico y burro), 1996

Mixed media on canvas. 30 x 40.5 cm. (12 x 16 in).

Estimate £ 3 0,0 0 0 - 5 0,0 0 0 $49,6 0 0 - 8 2,70 0 €3 4,3 0 0 - 57,10 0 ♠

Provenance Kenneth L. Freed collection, Boston; Goff + Rosenthal, New York


185 Christo b. 1935

Running Fence (Project for Sonoma and Marin Counties, California), 1976

Pencil, pastel, charcoal and black and white photograph on paper in Plexiglas

frame. 72 x 56.5 cm. (28 3/8 x 22 1/4 in). Signed, titled and dated ‘Christo 1976

RUNNING FENCE (Project for Sonoma and Marin Counties, CA)’ lower right.

Estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0

Provenance Verner Amell Gallery, London

Literature This work will be included in the forthcoming Christo Catalogue

Raisonné being prepared by Daniel Varenne under n° 7602


186 FRANCIS ALŸS b. 1959

Estudio para el soplón, 1996-1997

Oil on canvas mounted on wooden panel. 29.5 x 24.4 cm. (11 5/8 x 9 5/8 in). Signed,

titled and dated ‘F Alÿs studio para el soplón 96-7’ lower right. This work is


Estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ♠

Provenance Galeria OMR, Mexico City


187 Valerio adami b. 1935

Voyage en train, 1968-1970

Acrylic on canvas. 81 x 100 cm. (31 7/8 x 39 3/8 in). Signed and titled on the

reverse.

estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ♠

Provenance Private collection, Italy


188 ANDY WARHOL 1928-1987

Portrait of Man Ray, 1974

Colour screenprint. 35 x 35 cm. (13 3/4 x 13 3/4 in). Signed, numbered of 100 and

dated ‘Andy Warhol 1974’ on the reverse. This work is from an edition of 100.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0

Provenance Galleria Il Centro, Naples; Galleria Lucio Amelio, Naples

exhibited Naples, Maschio Angioino, Warhol – Viaggio in Italia, 20 July – 2

November, 1996; Modena, Padiglione d’Arte Moderna, Andy Warhol, 29 August – 23

September, 2002; Arona, Villa Ponti, Made in Warhol, 22 June – October, 2007

Literature Exhibition catalogue, Maschio Angioino, Warhol-Viaggio in Italia,

Naples, 1996, p. 112 (illustrated); Exhibition catalogue, Padiglione d’Arte Moderna,

Andy Warhol, Modena, 2002, p. 94 (illustrated)


189 Keith haring 1958-1990

Happiness (Parent Ship), c.1980-1984

Chalk on three sheets of paper. 204.5 x 101.7 cm. (80 1/2 x 40 in).

estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0

provenance Angel Ortiz, Los Angeles; Private collection, Germany


190 Sigmar Polke b. 1941

Untitled, 1983

Gouache and ink on paper. 68 x 47 cm. (26 3/4 x 18 1/2 in). Signed and dated ‘S.

Polke 83 V’ on the reverse.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡

Provenance Patrick Painter Inc., Los Angeles


191 Sigmar Polke b. 1941

Untitled, 1983

Gouache and ink on paper. 67.6 x 48 cm. (26 5/8 x 18 7/8 in). Signed ‘S Polke 83’ on

the reverse.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡

Provenance Patrick Painter Inc., Los Angeles


192 Chiho AoshimA b. 1974

Ornamental Hairpin of the Rose; Golden Fish; Foot of the Squid, 1999

Three Inkjet prints. Each: 170 x 42.5 cm. (66 7/8 x 16 3/4 in). These works

are from an edition of eight.

Estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0

Provenance Galerie Emmanuel Perrotin, Paris

193 Chiho AoshimA b. 1974

Hot Spring, 2002

Inkjet print, flush-mounted to aluminium. 100 x 100 cm.

(39 3/8 x 39 3/8 in). This work is from an edition of eight plus one

artists proof.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0


193

192


194 AyA TAkAno b. 1976

Infancy Snow, 2006

Acrylic on canvas. 61 x 72.5 cm. (24 x 28 1/2 in).

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0



196 YOSHITOMO NARA b. 1959

Untitled, 2003

Coloured pencil on paper. 25.5 x 18.3 cm. (10 x 7 1/4 in).

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0

Provenance Tomio Koyama Gallery, Tokyo

195 HIROSHI SugITO b. 1970

House and Tree, 1999

Acrylic, pigment and graphite on canvas. 169.5 x 200 cm. (66 3/4 x 78 3/4 in).

Signed, titled and dated ‘HIROSHI SUGITO house and tree 1999’ on the reverse.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0

Provenance Arndt & Partner, Berlin

195

196


197 Mr b. 1969

Tokyo Port Tunnel, 2004

Acrylic on fibreglass reinforced plastic. 68.5 x 56 x 73.7 cm. (27 x 22 x 29 in).

Signed, numbered of five and dated ‘Mr 2004’ on the underside. This work is from

an edition of five.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0


exhibited Naples, Castle St. Elmo, Cartoons, Comics and Contemporary Art, 26

April – 30 May, 2007


199 Wang XingWei b. 1969

The Death of Ximen, 2002

Oil on canvas. 168.5 x 219 cm. (66 1/4 x 86 1/4 in).

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0

Provenance Primo Marella Gallery, Milan

exhibited Milan, Spazio Oberdan, La Cina. Prospettive d’arte contemporanea,

28 June – 16 October, 2005; Naples, Museo Pan, La Cina è Vicina, 14 December,

2007 – 25 February, 2008

literature Damiani ed., China Contemporary Painting, Bologna, 2005, p. 149

198 ZHang Peng b. 1981

Red No. 1, 2007

C-print. 94 x 200 cm. (37 x 78 3/4 in). This work is from an edition of eight and is


estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ‡


198

199


200 YANG QIAN b. 1959

Bath 13521300250, 2003

Oil on canvas. 110.2 x 150.2 cm. (43 3/8 x 59 1/8 in). Signed [in English and Pinyin]

and dated ‘Yang Qian 2003’ upper left.

Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0

Provenance Primo Marella Gallery, Milan

exhibited Naples, Museo Pan, La Cina è Vicina, 14 December, 2007 – 25

February, 2008


201 Zhang huan b. 1965

Shanghai Family Tree, 2001

Nine c-prints flush-mounted to aluminium. Each: 50.8 x 76.2 cm (20 x 30 in).

Signed, titled [in Pinyin], numbered of 25 and dated ‘Zhang Huan Shanghai

Family Tree 2001’ on a label adhered to the reverse. This work is from an edition

of 25.

Estimate £2 0,0 0 0 -25,0 0 0 $3 3 ,10 0 - 41,3 0 0 €2 2,8 0 0 -28 ,6 0 0 ‡

Provenance Galerie Volker Diehl, Berlin


203 Cai-Guo-QianG b. 1957

Untitled, 2006

Gunpowder on cardboard notebook. 13.2 x 13.2 cm. (5 1/4 x 5 1/4 in).

Estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0

Provenance Deutsche Guggenheim, Berlin

exhibited Berlin, Sammlung Deutsche Bank, Cai Guo-Qiang, Head On, 28

August, 2006 – 15 October, 2006

202 Yan PEi MinG b. 1960

Portrait II, 1999

Charcoal on paper. 74.6 x 105.4 cm. (29 3/9 x 41 1/2 in). Signed and dated [in

Pinyin] ‘Yan Pei-Ming 02.99’ lower right.

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡


202

203


204 Yan Pei Ming b. 1960

Tête de M.T. Matricule 922335, 2003

Charcoal on paper. 200 x 123.8 cm. (78 3/4 x 48 3/4 in). Signed, titled and dated

‘Tête de M.T. Matricule 922335, 2003 Yan Pei-Ming’ lower right.

estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ♠‡



205 Hong Hao b. 1965

Two works: (i) My Things No. 3, 2002-2003; (ii) My Things No. 7, 2004

C-prints. Each: 58.1 x 98.2 cm. (22 7/8 x 38 5/8 in). (i) Signed, titled, numbered

of fifteen and dated ‘Hong Hao My Things No. 3 2002-2003’ on the reverse. (ii)

Signed, titled, numbered of fifteen and dated ‘Hong Hao My Things No. 7 2004’

on the reverse. These works are from an edition of fifteen.

Estimate £ 4,0 0 0 - 5,0 0 0 $6,6 0 0 - 8 ,3 0 0 €4,6 0 0 - 5,70 0 ‡

Provenance Private collection, USA


206 Luo Brothers b. 1963, 1964 and 1972

World’s Famous Brand, 2004

Lacquer and enamel on wooden panel. 119 x 99 cm. (46 7/8 x 39 in).

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0

Provenance Changing Role –Move Over Gallery, Naples

exhibited Naples, Museo PAN, La Cina è Vicina, 14 December, 2007 – 25

February, 2008


207 Wang ZiWei b. 1963

Mao Wave Dance, 2003

Acrylic on canvas. 143.5 x 173.5 cm. (56.5 x 68.3 in). Signed, titled and dated

‘ZIWEI WANG MAO WAVE DANCE 2003’ on the reverse

estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0



208 Wang Du b. 1956

Tapis Volant (Flying Carpet)—Time, 2002-2003

Hand-woven wool. 400 x 346 cm. (157 1/2 x 136 1/4 in). This work is from an edition

of six.

Estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ♠‡

Provenance Galerie Laurent Godin, Paris

exhibited Vancouver Art Gallery, Wang Du, 28 May – 12 September, 2005

(another example exhibited)


209 Chitra Ganesh b. 1975

Rose Of My Rose, 2006

Acrylic on canvas. 232 x 450 cm. (91 x 177 in).

estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ‡

Provenance Galerie Haas & Fischer AG, Zurich


210 Subodh Gupta b. 1964

Dialogue, 1991

Triptych. Acrylic on canvas. 152 x 76 cm. (60 x 30 in). Signed, titled and dated

‘SUBODH GUPTA DIALOGUE 1991’ on the reverse of the first panel.

Estimate £2 0,0 0 0 -25,0 0 0 $3 3 ,10 0 - 41,3 0 0 €2 2,8 0 0 -28 ,9 0 0 ‡

Provenance Saffronart, Mumbai/New York/London


211 ROKNI HAERIZADEH b. 1978

Untitled, 2007

Mixed media on paper. 76 x 65.5 cm. (30 x 25 3/4 in). Signed [in Farsi and English] and dated

‘Rokni Haerizadeh 2007’ lower right.

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0

Provenance Private collection, London


212 Rokni HaeRizadeH b. 1978

Busking, 2005

Acrylic on canvas. 143 x 139 cm. (56 3/8 x 54 3/4 in). Signed [in English and Farsi]

‘Rokni Haeri’ lower left.

estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ‡

Provenance Private collection, Europe

This lyrical depiction of Iranian street performers belongs to series

of works from by Rokni Haerazideh entitled Busking. The series

depicts buffoons, troubadours, Sufi mystics and other creatures

from Iranian folk culture and as a whole celebrates the colour, drama

and movement of street life.

In the present lot, a gypsy woman in a brilliant red dress creates

a frenzy of movement as she walks on her hands through a ring

of braided hair and oranges, the flounce of her dress aflutter

as she arcs her legs over her head. To accompany her dance, a

mustachioed man in striped shirt and cap plays the Tombak, a

traditional Persian drum. Entranced by the beat of his own drum

and the flourishes of the dancer, he embodies the multi-sensory

experience one might have as a by-stander on the street. By

blending the themes of bohemian poverty, sensuality and emotional

expression, the scene exemplifies Haerizadeh’s romantic view of

folk culture.


213 Farhad Moshiri b. 1963

Untitled, 2003

Oil and acrylic on canvas. 177 x 128 cm. (69 3/4 x 50 3/8 in). Signed, titled and

dated ‘Untitled Farhad Moshiri 2003’ on the reverse.

Estimate £ 3 5,0 0 0 - 4 5,0 0 0 $57,9 0 0 -74,4 0 0 €4 0,0 0 0 - 51,4 0 0 ‡

Provenance Kashya Hildebrand, Geneva


214 KHOSROW HASSANZADEH b. 1963

Ashura Series, 2001

Silkscreen, acrylic and collage on paper. 228 x 107 cm. (89 3/4 x 42 1/8 in). Signed

[in Farsi] and dated ‘KHOSROW 1380 (2001)’ lower left.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0

Provenance Acquired directly from the artist by the present owner


216 Shadi Ghadirian b. 1974

Untitled, 2003

C-print. 76 x 76 cm. (29 7/8 x 29 7/8 in). Signed [in Farsi] and numbered of ten on

the reverse. This work is from an edition of ten.

Estimate £2,5 0 0 - 3 ,5 0 0 $4,10 0 - 5,8 0 0 €2,9 0 0 - 4,0 0 0

Provenance Private collection, Switzerland

215 Shirin nEShaT b. 1957

Women of Allah series, 1995

Gelatin silver print. 23.5 x 34 cm. (9 1/4 x 13 3/8 in). Signed, titled and dated ‘Shirin

Neshat 1995 “Women of Allah” series’ on the reverse. This work is unique and is

accompanied by a certificate of authenticity signed by the artist.

Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0

Provenance Private collection, London

216

215


217 TERENCE KOH b. 1977

Do Not Doubt the Dangerousness of My Butterfly Song, Black, 2004.

Metal vitrine, speakers, iPod, song with artist singing in his own private

language, paint, hair, male battus philenor butterfly and blackened ash from a

gingko tree. 155 x 114 x 46cm. (61 x 44 7/8 x 18 1/8 in).

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 †

Provenance Maureen Paley Interim Arts, London


218 ElmgrEEn & DragsEt b. 1961 & b. 1969

Tilted Wall from Powerless Structures, 2001

MDF, wood, acrylic, emergency sign. 245 x 390 x 138 cm. (96 1/2 x 153 1/2 x 54 3/8 in).

This work is unique and is accompanied by a certificate of authenticity.

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠

Provenance Private collection, Germany


219 Anselm Reyle b. 1970

Untitled, 2005

Fluorescent paint on wooden cartwheel. Diameter: 100 cm. (39 3/8 in).

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠



220 Martin Kippenberger 1953 – 1997

Travolta, 1989

Vacuum cleaner on Plexiglass stand. Overall: 96.5 x 127 x 96.5 cm. (38 x 50 x 38 in).

Signed and dated ‘Kippenberger 89’ on a label adhered to the side of vacuum cleaner.

estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ‡

Provenance Acquired directly from the artist; Private collection, Geneva


221 GEORG HEROLD b. 1947

Heisdiel Painting, 1990

Oil, caviar and adhesive on canvas. 120 x 89.8 cm. (47 1/4 x 35 in). Titled ‘Heisdiel

Painting’ on the stretcher bar.

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ♠



222 Herbert brandl b. 1959

Untitled, 1998

Oil on canvas. 110 x 90 cm. (43 1/4 x 35 1/2 in). Signed and dated ‘Brandl 98’ on

the reverse.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠

Provenance Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Vienna


223 Sylvie Fleury b. 1961

Claudia, 1997

Synthetic fur on wood. 180 x 50 x 10 cm. (70 7/8 x 19 3/4 x 4 in).

estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0

Provenance Galerie Mehdi Chouakri, Berlin


224 Stephen Conroy b. 1964

Study for Painting No 1, 1994-1995

Oil on canvas. 76.2 x 61 cm. (30 x 24 in). Signed and dated ‘Stephen Conroy

1994-5’ on the overlap.

estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ♠

Provenance Marlborough Gallery, New York


225

226

225 GARTH WEISER b. 1979

Untitled (Brown), 2005

Oil on canvas. 240 x 207 cm. (94 1/2 x 81 1/2 in).

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0

Provenance Private collection, Paris

226 PETER PERI b. 1971

Cruciform 2, 2007

Oil, acrylic and varnish on canvas. 126.4 x 105.1 cm. (49 3/4 x 41 3/8 in). Signed,

titled and dated ‘CRUCIFORM 2 Peter Peri 8. 07’ on the reverse.

Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ♠

Provenance Galerie Giti Nourbakhsch, Berlin


227 OLAF HOLZAPFEL b. 1969

Element von (Haus), 2004

Oil on canvas. 190 x 150.5 cm. (74 3/4 x 59 1/4 in). Signed, titled and dated ‘Element

von (Haus) Holzapfel 04 ‘ on the reverse.

Estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ♠




Archiv 4, 2007

Ultrachrome print on Aludibond. 235 x 178 cm. (92 1/2 x 70 1/8 in). Signed, titled,

dated and numbered of three ‘Holzapfel Archiv 4 2007’ on the reverse. This work

is from an edition of three.

Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠

Provenance Johnen Galerie, Berlin



Hot Spot, 2004

Oil on Canvas. 200 x 135 cm. (78 3/4 x 53 1/8 in). Signed, titled and dated

‘Olaf Holzapfel Hot Spot 04’ on the reverse.

Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠

Provenance Baronian Francey, Brussels


230 NATHAN HYLDEN b. 1978

Untitled, 2007

Acrylic on linen. 171.5 x 119.5 cm. (67 1/2 x 47 in). Signed and dated ‘Nathan

Hylden 08’ on the reverse.

Estimate £ 8 ,0 0 0 -10,0 0 0 $13 , 2 0 0 -16,5 0 0 €9,10 0 -11,4 0 0

Provenance Art:Concept, Paris


231 NATHAN HYLDEN b. 1978

Untitled (1), 2008

Acrylic on linen. 171 x 119.5 cm. (67 1/2 x 47 in). Signed and dated ‘Nathan Hylden

08’ on the reverse.

Estimate £ 8 ,0 0 0 -10,0 0 0 $13 , 2 0 0 -16,5 0 0 €9,10 0 -11,4 0 0

Provenance Richard Telles Fine Art, Los Angeles; Johann König Gallery, Berlin


232 Helmut Federle b. 1944

Corner Field Painting XV (Lot des Schattens II), 1994

Oil on canvas. 48 x 53 cm. (18 7/8 x 20 7/8 in). Signed, titled and dated ‘CORNER

FIELD PAINTING XV FEDERLE 94’ on the reverse.

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡

Provenance Galerie Nächst St. Stephan, Rosemarie Schwartzwälder, Vienna

exhibited Bonn, Kunstmuseum, Helmut Federle, 12 October, 1995 - 21 January, 1996


233 Helmut Federle b. 1944

Corner Field Painting XVII, 1994

Oil on canvas. 50 x 55 cm. (19 3/4 x 21 5/8 in). Signed, titled and dated

‘CORNER FIELD PAINTING XVII FEDERLE 94’ on the reverse.

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡

Provenance Galerie Nächst St. Stephan, Rosemarie Schwartzwälder, Vienna

exhibited Paris, Galerie Jeu de Paume, Helmut Federle, 3 May - 15 June, 1995

literature Exhibition catalogue, Galerie Jeu de Paume ed., Helmut Federle,

Paris, 1995, p. 55 (illustrated)


234 Ian Wallace b. 1943

Untitled, 1989

Diptych: acrylic and photolaminate on canvas. Overall: 244.1 x 243.8 cm.

(96 1/8 x 96 in). Stamped, signed and dated ‘Ian Wallace 89’ on the reverse

of each panel.

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠‡

Provenance Galerie Meert Rihoux, Brussels


235 GÜNTHER FÖRG b. 1952

Untitled, 1988

Acrylic on lead on wood. 240 x 160 cm. (94 1/2 x 63 in). Signed and dated ‘Förg 88’

on the reverse.

Estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0 ♠

Provenance Private collection, Belgium


236 patrick caulfield 1936 – 2005

Night Sky, 1973

Acrylic on paper laid down on board. 20.6 x 15.7 cm. (8 1/4 x 6 1/4 in). Signed and

titled ‘Night Sky Patrick Caulfield’ along the lower edge.

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0

Provenance Austin/Desmond Fine Art, London


237 SERGEJ JENSEN b. 1973

The Big Fire of Antwerp, 2004

Stitched hessian. 130.2 x 100.3 cm. (51 1/4 x 39 1/2 in). Signed, titled and dated

‘THE BIG FIRE OF ANTWERP Sergej Jensen 2004’ on the overlap.

Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ♠



239 Marcia Hafif b. 1929

No. 119 Italian Series No. 4, 1966

Oil on canvas. 139.5 x 140 cm. (55 x 55 1/8 in). Signed and dated ‘HAFIF 1966’

on the stretcher bar.

Estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡

Provenance Galleria Edieuropa, Rome

238 SErGEJ JENSEN b. 1973

Saturn, 2005

Acrylic on linen. 40 x 50.2 cm. (15 3/4 x 19 3/4 in). Signed ‘Sergej Jensen 2005

SATURN’ on the overlap.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠

Provenance Patrick de Brock Gallery, Knokke

239

238


242 RosemaRie TRockel b. 1952

Kopf, 1985

Watercolour on paper. 50.5 x 39 cm. (19 7/8 x 15 3/8 in). Signed and dated

‘R Trockel 1985’ on the reverse.

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠‡

Provenance Galerie Karlheinz Meyer, Karlsruhe

240 Wayne Gonzalez b. 1957

Face Painting, 1995

Acrylic on canvas. Diameter: 76.2 cm. (30 in.) Signed and dated ‘Wayne Gonzalez


estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ‡


241 Wayne Gonzalez b. 1957

Face Painting, 1995

Acrylic on canvas. Diameter: 76.2 cm. (30 in). Signed and dated ‘Wayne Gonzalez


estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ‡


242

241240


243 RosemaRie TRockel b. 1952

Untitled, 1994

Watercolour on paper. 33 x 23.8 cm. (13 x 9 3/8 in). Signed and dated

‘Trockel 94’ on the reverse.

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠‡

Provenance Skarstedt Gallery, New York; Monika Sprüth Galerie,

Cologne


244 Thoralf Knobloch b. 1962

Teddy 2, 2005

Oil on canvas. 120 x 175 cm. (47 1/4 x 68 7/8 in). Signed, titled and dated ‘Teddy

2 Knobloch 2005’ on the reverse.

Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠‡

Provenance Galerie Gebr. Lehmann, Dresden


245 EbErhard havEkost b. 1967

Untitled, 1996

Oil on canvas. 40 x 30 cm. (15 3/4 x 11 7/8 in). Signed and dated ‘Havekost 96’

on the reverse.

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡

Provenance Galerie Gebr. Lehmann, Dresden


246 Jonathan Meese b. 1970

DER ERSTE EINSIEDLER ‘DELIOZ’, 2005

Mixed media on canvas. 139.7 x 100.3 cm. (55 x 39 1/2 in). Initialed and dated

‘JM 2005’ lower right; signed, titled and dated ‘J Meese 2005 DER ERSTE

EINSIEDLER “DELIOZ”’ on the reverse.

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡

Provenance Contemporary Fine Arts, Berlin

247 Dana sChUtZ b. 1976

Untitled—Self Eater, 2005

Wood cut and collage on paper. 96.5 x 83.5 cm. (38 x 32 7/8 in). Signed, titled,

dated and numbered of 48 ‘ Dana Schutz 2005’ lower right. This work is from

an edition of 48.

estimate £1,5 0 0 -2,0 0 0 $2,5 0 0 - 3 ,3 0 0 €1,70 0 -2,3 0 0

Provenance Zach Feuer (LFL) Gallery, New York

247

246


248 Martin Kippenberger 1953-1997

Beton Landschaft, 1989

Collage on lithograph. 69.2 x 49.5 cm. (27 1/4 x 19 1/2 in). Initialed and dated

‘MK 89’ lower right.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡

Provenance Galerie Max Hetzler, Berlin


249 PierPaolo CamPanini b. 1964

Untitled, 2002

Oil on canvas. 141 x 191 cm. (55 1/2 x 75 1/4 in). Signed ‘PIERPAOLO CAMPININI’

on the reverse.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠

Provenance Corvi-Mora, London

251 HUBerT SCHeiBl b. 1951

Untitled, 2006

Print, oil and crayon on paper. 49.5 x 26 cm. (19 1/2 x 10 1/4 in). Signed

and dedicated ‘Hubert’ on the reverse.

estimate £6 0 0 - 8 0 0 $1,0 0 0 -1,3 0 0 €70 0 - 9 0 0 •♠

Provenance Gifted by the artist to the present owner

250 marTin KerSelS b. 1960

Cup Breaker, 2004

Metal mesh, wood, ceramics and resin. Height: 88.2 cm. (34 3/4 in); diameter:

45.7 cm. (18 in).

estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0

Provenance Galerie GP & N Vallois, Paris

exhibited Paris, Galerie GP & N Vallois, Orchestra for Idiots, 18 February –

2 April, 2007

250

249

251


252 DonalD Baechler b. 1956

Red Line Drawings #2, 1991

Gesso, gouache and collage on paper. 68.5 x 53.3 cm. (27 x 21 in). Initialed and

dated ‘DB91’ lower right.

estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0

Provenance Luhring Augustine Hetzler, Santa Monica

254 Mike kelley b. 1954

Two works: (ii) Idol Worship Mostly; (ii) Pagan Indoctrination, 1995

Collage on paper. (i) 35 x 27,5 cm. (13 3/4 x 10 7/8 in). (ii) 34.5 x 28 cm.

(13 5/8 x 11 in). Each signed and dated ‘Mike Kelley 1995’ on the reverse.

estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0


254

252 253

253 BernharD MarTin b. 1966

Klubbo, 2003

Oil and acrylic on board. 65 x 55.2 cm. (25 5/8 x 21 3/4 in). Signed and dated

‘B.Martin 2003’ on the reverse.

estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ♠

Provenance Unlimited Gallery, Athens; Private collection, Athens


255 RYAN MCGINNESS b. 1971

The Reason for Reason, 2005

Acrylic and enamel urethane on wood panel. 152.5 x 244 cm.

(60 x 96 in). Signed, titled and dated ‘“The Reason for Reason”

Ryan McGinness, 2005’ on the reverse.

Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0

Provenance Deitch Projects, New York

256 RYAN MCGINNESS b. 1971

They Came to See Who Came, 2004

Acrylic on canvas. 183 x 153 cm. (72 x 60 1/4 in). Signed, titled

and dated ‘ Ryan McGinness THEY CAME to SEE WHO

CAME 2004’ on the reverse.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0


256

255


257 KEITH TYSON b. 1969

Everything I Hate About art, 2000

Gouache and felt-tip pen on paper. 152 x 121 cm. (59 3/4 x 47 5/8 in). This work is


Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠

Provenance Galeria OMR, Mexico City

44941


258 TORBEN GIEHLER b. 1973

Stareadactyl (Blood Witch), 2007

Acrylic on canvas. 305 x 243.5 cm. (120 x 93 1/4 in). Signed twice, titled and dated

‘T Giehler STAREADACTYL (BLOOD WITCH)’ on the stretcher.

Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠

Provenance Leo Koenig Inc., New York


259 ANTON HENNING b. 1964

Interieur No. 237, 1999-2004

Oil on canvas. 220 x 251 cm. (86 5/8 x 251 7/8 in). Initialed, titled, and dated ‘AH

Interieur No.237 2004-045’ on the reverse; initialed and dated ‘AH 2004’ upper

and lower right, and lower left; initialed and dated ‘AH99’ upper and lower left.

Estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ♠

Provenance Arndt & Partner, Berlin


260 AlexAnder roitburd b. 1961

Flight to Egypt, 2009

Oil on canvas. 200 x 150 cm. (78 3/4 x 59 in). Signed [in Cyrillic] and dated

‘Roitburd 2009’ on the reverse.

estimate £ 3 0,0 0 0 - 4 0,0 0 0 $49,6 0 0 - 6 6,10 0 €3 4,3 0 0 - 45,70 0 ‡

Provenance Collection Gallery, Kiev


261 Andriy Bludov b.1962

Railway Station II, 2009

Acrylic on canvas. 120 x 100 cm. (47 1/4 x 39 3/8 in). Signed [in Cyrillic] ‘Bludov’

lower right; signed, titled [in Cyrillic] and dated ‘Bludov A.V.; railway II, 2009’

on the reverse.

Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ‡

Provenance Bottega Gallery, Kiev


262 Oleg TisTOl b. 1960

Yalta—City of Happiness, 2009

Acrylic on canvas. 210 x 150 cm. (82 5/8 x 59 in). Signed, titled [in Cyrillic]

and dated ‘O. Tistol 2009 Yalta—City of Happiness’ on the reverse.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡

Provenance Art—Agent Ukr Gallery, Kiev


263 Igor NovIkov b. 1961

Diamond Grove, 2007-2009

Oil on canvas. 100 x 140 cm. (39 3/8 x 55 1/8 in). Signed ‘Igor Novikov’ on the reverse.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡

Provenance Private collection, Zurich


264 Victor Sydorenko b. 1953

The Direction of Contemplation, 2001

Oil and acrylic on canvas. 170 x 150 cm. (67 x 59 in). Signed ‘VICTOR’ upper left;

signed and dated ‘Sydorenko V 2001’ on the reverse.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡


exhibited Kiev, Gallery L-ART, Amnesia, 25 December, 2003 - 10 January, 2004;

Kiev, Central Artsts’ Centre, Victor Sydorenko, 10 February - 27 February, 2007;

Kiev, Russian Art Museum, Ukranian Art Today, Kiev-Paris, 25 October -

20 November, 2008

Literature Oranta ed., Ukranian Art Today Kiev-Paris, Kiev, 2008, p. 291

(illustrated)


265 AlexAnder roitburd b. 1961

Avignon Girls, 2009

Oil on canvas. 150 x 200 cm. (59 x 78 3/4 in). Signed [in Cyrillic] and dated

‘Roitburd 2009’ on the reverse.

estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0 ‡



266 Illya ChIChkan b. 1967

Heavyweight Curator, 2009

C-print. 122.7 x 150 cm. (48 1/4 x 59 in). This work is from an edition of six

and is accompanied by a certificate of authenticity signed by the artist.

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡


Literature Lindauer Druckerei Eschbaumer GmbH & Co., Venice 53rd

Bienalle Ukranian Pavilion Catalogue, Steppes of Dreamers, Lindau, 2009, cover

(illustrated); Art-Media ed., Artchronika magazine, Moscow, August 2009,

cover (illustrated)


267 MaxiM MaMsikov b. 1968

The Ring, 2009

Oil on canvas. 110 x 150 cm. (43 3/8 x 59 in). Signed [in Cyrillic] and dated

‘Mamsikov ‘09’ on the reverse.

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡


exhibited Kiev Fine Art Gallery, Between the Earth and the Sky: New Ukranian

Landscape, 19 March – 17 May, 2009


268 ARSEN SAVADOV b. 1962

Prince, 2006

Acrylic on linen. 171 x 141 cm. (67 1/4 x 55 1/2 in). Signed and dated ‘ARSEN

SAVADOV - 06’ on the reverse. This work is accompanied by a certificate of

authenticity.

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0

Provenance Daneyal Mahmood Gallery, New York


269 ARSEN SAVADOV b. 1962

Straw, 2006

Acrylic on linen. 200 x 295 cm. (78 3/4 x 116 1/8 in). Signed and dated ‘ARSEN

Savadov’ on the reverse. This work is accompanied by a certificate of

authenticity.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0

Provenance Daneyal Mahmood Gallery, New York


271 Ksenia HnylytsKa b. 1984

Untitled (Project Open Air), 2008

Oil on canvas. 136 x 202 cm. (53 1/2 x 79 1/2 in). Initialed [in Cyrillic] and dated

‘KH2008’ on the reverse.

estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡


exhibited Kiev, Collection Gallery, Project Open Air, 29 January – 26 February, 2009

270 Valeria troubina b. 1966

Gates—III, 1993

Oil on canvas. 150 x 200 cm. (59 x 78 3/4 in). Initialed ‘VT’ lower right; signed,

titled and dated ‘Valeria Troubina, Gates—III, London, 1993’ on the reverse.

estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ‡

Provenance Bottega Gallery, Kiev

270

271


272 AlexAnder KlymenKo b. 1963

A myriad of worlds directly overhead above us (Solar Hedonism from Goa series), 2009

Acrylic on canvas. Diameter: 120 cm. (47 1/4 in). Signed and dated ‘Klymenko

2009’ lower edge. Signed, titled [in Cyrillic] and dated ‘Alexander Klymenko

“Solar Hedonism” 2009’ on the reverse.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ‡


exhibited Kiev, Modern Art Research Institute, Goa, 18 July - 1 August, 2009


273 Mykola Matsenko b. 1960

Culture, 2008

Oil and acrylic on canvas. 200 x 160 cm. (78 3/4 x 63 in). Initialed and dated ‘M

2008’ centre; Signed, titled [in Cyrillic] and dated ‘M. Matsenko 2008 Culture’ on

the reverse.

estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ‡

Provenance Art & Agent Ukr Gallery, Kiev

exhibited Kiev, Pavel Gudimov Art Centre, Ya Gallery, Culture, 26 November -

15 December, 2008; Vilnius, Centre Lit Expo, Art Vilnius ‘09, 8 July - 12 July, 2009


274 AlexAnder Gnilitsky b. 1961

Heater, 2008

Oil on canvas. 200 x 140 cm. (78 3/4 x 55 1/8 in). Signed and dated ‘Gnill 2008’ on

the reverse.

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ‡


exhibited Kiev, Collection Gallery, Alexander Gnilitsky, Modesty and Lard, 30

October – 11 November, 2009

Literature Exhibition catalogue, Collection Gallery, Modesty and Lard, Kiev,

2008, p. 35 (illustrated)


275 Nikita kadaN b. 1980

Untitled (Project Place of Action), 2009

Oil on canvas. 145 x 145 cm. (57 1/8 x 57 1/8 in). Signed [in Cyrillic] and dated

‘Kadan 09’ on the reverse.

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡


exhibited Kiev, Collection Gallery, Project Place of Action, 10 September – 10

October, 2009


276 illya isupov b. 1971

The Citizen, 2007

Oil, tracing paper and collage on cardboard. 101 x 71 cm. (39 3/4 x 28 in).

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡


exhibited Kiev, Fine Art Gallery, Top 10, 20 December, 2007 - 31 January, 2008;

Kiev, Tseh Gallery, Millet, 6 February - 5 March, 2008


277 Dmitry Dulfan b. 1971

Talk to Me, Earthman!, 2009

Cellophane, electrical components and mixed media. Height: 130 cm. (51 1/4 in).

Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 Ω


exhibited Kiev, Collection Gallery, The Perfect Age Project 2, 25 June – 30 July,

2009

Literature Exhibition catalogue, Collection Gallery, The Perfect Age Project 2 ,

Kiev, 2009 p. 33 (illustrated)


278 ALEXANDER KOSOLAPOV b. 1943

Mc Lenin’s, 1991

Lightbox. 120.6 x 121 cm. (47 1/2 x 47 5/8 in). This work is accompanied by a

certificate of authenticity.

Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠

Provenance Galerie Hussenot, Paris

279 ALEXANDER KOSOLAPOV b. 1943

Malevich, 2001

Lightbox. 90.8 x 120.7 cm. (35 3/4 x 47 1/2 in). This work is accompanied by

a certificate of authenticity.

Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ♠

Provenance Galerie Hussenot, Paris

279

278


281 BARRY MCGEE b. 1966

Untitled, 2004

Acrylic on board in six parts. 100 x 137 cm. (39 3/8 x 53 7/8 in). This work is

accompanied by a certificate of authenticity signed by the artist.

Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0 ‡

Provenance Modern Art Inc., London

280 BARRY MCGEE b. 1966

Untitled (3 bottles), 2005

Painted glass bottles in three parts. Overall: 35 x 26 cm. (13 3/4 x 10 1/4 in).

This work is accompanied by a certificate of authenticity signed by the artist.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ‡

Provenance Modern Art Inc., London

exhibited London, Modern Art Inc., Barry McGee, Easy Touto, 9 September –

30 October, 2005

281

280


282 Louise LawLer b. 1947

This Picture is the Same Size as the Painting I was Asked to Photograph, 1999

Cibachrome print flush-mounted to aluminium. 52.4 x 38.1 cm. (20 5/8 x

15 in). Signed, numbered of five and dated ‘Louise A. Lawler 1999’ on the

reverse. This work is from an edition of five.

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ‡


283 Mike keLLey b. 1954

Landscape Figure (from Monkey Island Series), 1982-3

Felt tip pen on paper. 101.7 x 76 cm. (40 x 29 7/8 in). Signed ‘M.Kelley’ on the label

adhered to the reverse.

estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ‡

Provenance Patrick Painter Inc, Santa Monica

283

282


285

284

284 fiona banner b. 1966

The Desert, 1995

Screenprint mounted to linen. 211.5 x 553.7 cm. (83 1/4 x 218 in). .

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠‡

Provenance Acquired directly from the artist; Private collection, New York

285 sarah lucas b. 1962

Untitled, 1991

Graphite on paper in five parts. Each: 22.5 x 17.8 cm. (8 7/8 x 7in). Signed and dated

‘Sarah Lucas 1991’ on an envelope accompanying the work.

estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ♠‡

Provenance Acquired directly from the artist; Private collection, New York


286 Bernd & Hilla BecHer b. 1931 b. 1934

Krefeldn Hafen, 1979

Gelatin silver print. 91.8 x 75.6 cm. (36 x 29 3/4 in). Signed, titled, dated and

numbered of five ‘Krefeldn Hafen 1979 Bernd Becher Hilla Becher’ on the

reverse. This work is from an edition of five.

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0 ♠‡

Provenance Sonnabend Gallery, New York; Zeit Photo Salon, Tokyo


287 Bernd & Hilla BecHer 1931-2007 & b. 1934

Nachkriegshäuser, Ruhrgebiet, Deutschland, 1988

Triptych: gelatin silver prints. Each: 39.7 x 30.5 cm. (15 5/8 x 12 in). Signed ‘Bernd

Becher Hilla Becher’ on the reverse.

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡

provenance Marc Jancou Contemporary, New York


288 Peter Fischli & DaviD Weiss b. 1952 & b. 1946

Siedlungen Agglomeration, 1992

Triptych: cibachrome prints flush-mounted to aluminium Each: 16 x 24 cm.

(6 3/8 x 9 1/2 in). Signed and dated ‘1992 Fischli David Weiss’ on a label adhered

to the reverse of each.

estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡



290 Hans Op de Beeck b. 1969

Two works: (i) Exercising the Nowhere—Train Station, 2000; (ii) Exercising the

Nowhere–Waiting Room 2, 2000

Digital prints Diasec mounted. (i) 80 x 170 cm. (31 1/2 x 67 in); (ii) 79.5 x 113 cm. (31

1/4 x 44 1/2 in). These works are from an edition of five.

estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ♠

provenance Private collection, Netherlands

289

290

289 Hynek martinec b. 1980

At the Same Time, 2009

Triptych: oil and acrylic on canvas. 20 x 60 cm. (7 7/8 x 23 5/8 in). Signed and

dated ‘HYNEK MARTINEC 2009’ on the reverse of each panel.

estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 ♠


(i)

(ii)


292 NaN GoldiN b. 1953

Hafen Bar. Berlin, 1991

Cibachrome print. 66.6 x 97.5 cm. (26 1/4 x 38 3/8 in). Signed, titled, numbered

of 25 and dated ‘Nan Goldin Hafen Bar. Berlin. 1991’ on the reverse. This work

is from an edition of 25.

Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0 ‡

Provenance Matthew Marks Gallery, New York

291 KatE BriNKworth b. 1977

Two Fifties, 2009

Oil on canvas. 135 x 89.5 (52 3/4 x 35 1/4 in). Signed, titled and dated

‘Kate Brinkworth Two Fifties Jan 2009’ on the reverse.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠


292

291


293 Paul Mccarthy b. 1945

Mother PIG, Shushi Gallery, San Diego, CA Performance, 1983, 1995

Cibachrome. Each: 95.2 x 65.4 cm. (37 1/2 x 25 3/4 in). Each signed and dated

‘Paul Mccarthy 95’ on the reverse.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡



294 sterling ruby b. 1972

Physicalism The Recombine 1, 2006

Lamda print. 157.5 x 124.5 cm. (62 x 49 in). This work is from an edition of three

plus two artist’s proofs and is accompanied by a certificate of authenticity.

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0

Provenance Galleria Emi Fontana, Milan

exhibited Milan, Galleria Emi Fontana, Sterling Ruby, The Recombines, 25 May –

28 July, 2006


295 andy warhol 1928-1987

Torso, 1977

Screenprint on Lenox museum board. 152.4 x 102 cm. (60 x 40 1/8 in). Stamped

with the Estate and Foundation seals and numbered ‘UP 56.47’ on the reverse.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡

provenance Acquired directly from the artist; the Andy Warhol Foundation,

New York; Paul Kasmin Gallery, New York; Private collection, New York


296 Thomas Ruff b. 1958

Nudes wh14, 2001

C-print in artist’s wooden frame. 153 x 110.4 cm. (60 1/4 x 43 1/2 in). Signed, titled,

dated and numbered of five ‘TC Ruff 2001 wh14’ on the reverse. This work is from

an edition of five.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡

Provenance Galerie Nelson, Paris


297 michal rovner b. 1957

Human Seeds, 2004

Pigment on canvas. 76.5 x 93.5 cm. (30 1/8 x 36 7/8 in)

estimate £ 8 ,0 0 0 -12,0 0 0 $13 , 2 0 0 -19,8 0 0 €9,10 0 -13 ,70 0

Provenance Pace Wildenstein, New York


298 VIK MUNIZ b. 1961

(Still Life): Bouquet, After Henri Matisse, from Pictures of magazine, 2004

C-print. 142 x 102 cm. (55 7/8 x 40 1/8 in). This work is one of four artist’s proofs

aside from a numbered edition of six.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0

Provenance Galeria Fortes Vilaça, Sao Paulo


299 VIK MUNIZ b.1961

Kyber Pass, Self-Portrait as an Oriental (After Rembrandt), from Pictures of junk, 2005

Digital C-print. 213.5 x 183 cm. (84 x 72 in). Signed and dated ‘Vik Muniz 2005’

on the label adhered to the reverse. This work is from an edition of six.

Estimate £25,0 0 0 - 3 5,0 0 0 $41,3 0 0 - 57,9 0 0 €28 ,6 0 0 - 4 0,0 0 0



300 VIK MUNIZ b.1961

Self-Portrait (Golden Boy), 2005

Digital c-print. 152.5 x 122 cm. (60 x 48 in). Signed and dated ‘Vik Muniz 2005’

on a label adhered to the reverse.

Estimate £18 ,0 0 0 -2 2,0 0 0 $2 9,8 0 0 - 3 6,4 0 0 €2 0,6 0 0 -25,10 0




Brushstroke 3, After Roy Lichtenstein, from Pictures of Chocolate Series, 2002

C-print. 122 x 152.5 cm. (48 x 60 in). Signed and dated ‘Vik Muniz 2002’ on a label

adhered to the reverse. This work is from and edtion of three.

Estimate £12,0 0 0 -18 ,0 0 0 $19,8 0 0 -2 9,8 0 0 €13 ,70 0 -2 0,6 0 0


302


Self-Portrait, after Rembrandt, from Pictures of Chocolate Series , 2002

Cibachrome print. 152.5 x 122 cm. (60 x 48 in). Signed and dated ‘Vik Muniz 2002’

on a label adhered to the reverse. This work is from an edition of three.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0


301



Key (The Sarzedo Drawings), from Pictures of Earthworks Series, 2002

Gelatin sepia toned silver print. 101.5 x 127 cm. (40 x 50 in). Signed and dated ‘Vik

Muniz 2002’ on a label adhered to the reverse. This work is from an edition of ten.

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0



Three works: Untitled (from Pictures of Holes), 1997

Cibachrome prints. Each: 49 x 39 cm. (19 1/4 x 15 3/8 in). Signed, titled and dated

‘”M” VIK MUNIZ 1997 Pictures of Holes’ on the reverse of one of the works.

These works are from an edition of ten.

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0


Literature C.A. Stainback & J. Crump, Vik Muniz: Seeing is Believing, Santa Fe,

1998, p. 99 (one work illustrated)

303

304


306 thomas ruff b. 1958

Portrait (Pia Fries), 1985

C-print. 24 x 18 cm. (9 1/2 x 7 1/4 in). Signed and dated ‘Th. Ruff 1985’ on a label

adhered to the reverse. This work is form an edition of twelve.

Estimate £1,5 0 0 -2,0 0 0 $2,4 8 0 - 3 ,3 0 0 €1,710 -2, 28 0 ♠‡

Provenance 303 Gallery, New York

307 ugo rondinonE b. 1963

I Don’t l Live Here Anymore, 2001

C-print, flush-mounted to aluminium with Diasec face. 149.9 x 100 cm.

(59 x 39 3/8 in). Signed ‘Ugo Rondinone’ on a label adhered to the reverse. This

work is from an edition of two plus one artist’s proof.

Estimate £7,0 0 0 - 9,0 0 0 $11,6 0 0 -14,9 0 0 €8 ,0 0 0 -10,3 0 0

Provenance Galerie Hauser & Wirth & Presenhuber, Zurich; Galerie Almine

Rech, Paris

exhibited Naples, Museo d’Arte Contemporanea Donna Regina, People,

Volti, corpi e segi Contemporanei dalla Collezione di Ernesto Esposito, 29 June –

28 August, 2006

307306

305

305 nan goLdin b. 1953

Joanna Laughing, L’Hotel, Paris, 1999

Cibachrome. 122 x 183 cm. (48 x 72 in). Signed, titled, numbered of three and dated

‘Joanna Laughing, L’Hotel, Paris, 1999 Nan Goldin’ on a label adhered to the reverse.

This work is from an edition of three.

Estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0

Provenance Guido Costa Projects, Turin

exhibited Naples, Museo d’Arte Contemporanea Donna Regina, People, Volti, corpi

e segi Contemporanei dalla Collezione di Ernesto Esposito, 29 June – 28 August, 2006


308 Russell Young b. 1960

Hendrix, 2006

Screenprint on canvas. 159 x 115 cm. (62 1/2 x 14 1/4 in). Signed ‘Russell Young’ on

the reverse.

estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0



309 RAFAL BUJNOWSKI b. 1974

Untitled, 2003

Oil on canvas. 35.3 x 44.7 cm. (13 7/8 x 17 5/8 in). Signed and dated

‘BUJNOWSKI/2003’ on the reverse.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠


309

310 GEORGE cONdO b. 1957

Etruscan Study, 1993

Pastel on paper. 203 x 101.5 cm. (80 x 40 in). Signed ‘Condo’ lower right.

Estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0

Provenance Galerie Daniel Templon, Paris; Private collection, Paris;

Galerie Bruno Bischofberger, Zurich

310


311 Sophie von hellerman b. 1975

The Duellists, 2000

Acrylic on canvas. 243.5 x 182.8 cm. (95 7/8 x 72 in). Signed and dated ‘SOPHIE

VON HELLERMANN 2000’ on the stretcher bar.

estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ♠

Provenance Vilma Gold, London


312 Markus Muntean & adi rosenbluM b. 1962 & b.1962

Untitled, 2005

Acrylic and graphite on canvas. 260 x 160.5 cm (102 3/8 x 63 1/4 in). Signed and

dated ‘MUN/ROS 05’ on the reverse.

estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠

Provenance Sommer Contemporary Art, Tel Aviv


314 Ben Vautier b. 1935

Je fais quoi?

Oil on canvas. 24 x 33 cm. (9 1/2 x 13 in). Signed ‘Ben’ lower right.

estimate £2,5 0 0 - 3 ,5 0 0 $4,10 0 - 5,8 0 0 €2,9 0 0 - 4,0 0 0

Provenance Private collection, Belgium

313 Paul Morrison b. 1966

Stem, 2002

Acrylic on canvas 203 x 305 cm. (80 x 120 1/4 in). Signed, titled and dated ‘’STEM’

2002 Paul Morrison’ on the reverse.

estimate £15,0 0 0 -2 0,0 0 0 $24,8 0 0 - 3 3 ,0 0 0 €17,10 0 -2 2,8 0 0 ♠‡


314

313


317 Antony Gormley b. 1950

Untitled, 1995

Gouache on paper. 27.5 x 38.5 cm .(10 3/4 x 15 1/4 in).

estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 ♠

Provenance Private collection, Los Angeles

315 DAviD tremlett b. 1945

The first work on canvas in my life, 1993

Pastel and graphite on canvas. 90 x 140.5 cm. (35.5 x 57 1/8 in).

Signed, titled and dated ‘David Tremlett The first work on canvas in

my life 93’ on the reverse.

estimate £ 3 ,0 0 0 - 4,0 0 0 $5,0 0 0 - 6 ,6 0 0 €3 ,4 0 0 - 4,6 0 0 ♠

Provenance Alfonso Artiaco, Napoli

316 Anish KApoor b. 1954

Untitled from Twelve Etchings I/Red Oval Forms, 2007

Colour etching on Somerset paper. 78 x 91 cm. (30 3/4 x 35 7/8 in).

Signed ‘Anish Kapoor’ lower right; signed and titled ‘Kapoor –Twelve

Etchings I / Red Oval Forms’ on the reverse. This work is from an

edition of 40.

estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 ♠

Provenance Private collection, Cologne

317

316

315


318 Raymond Pettibon b. 1957

Five Works: (i) Untitled (Here is to be noted), 1990; (ii) Untitled (In Looking Back), 1991;

(iii) Untitled (As if Smoothed), 1998; (iv) Untitled (Neverland Honor Ranch), 1998;

(v) Untitled (To Provoke us), 1994

Ink on paper. (i) 35.5 x 28 cm. (14 x 11 in); (ii) 50.8 x 66.9 cm. (20 x 26 1/4 in);

(iii) 24.5 x 18.1 cm. (9 5/8 x 7 1/8 in); (iv) 56.5 x 38.3 cm. (22 1/4 x 15 1/8 in); (v) 55.8 x 54 cm.

(22 x 21 1/4 in). Each signed and dated on the reverse.

estimate £2 0,0 0 0 - 3 0,0 0 0 $3 3 ,10 0 - 49,6 0 0 €2 2,8 0 0 - 3 4,3 0 0 ‡

provenance (i) Regen Projects, Los Angeles; (ii) Feature Gallery, New York; (iii) (iv) (v)

Contemporary Fine Arts, Berlin

(i)

(ii)

(iii)

(iv)

(v)


319 Gillian CarneGie b. 1971

Ponoka, 2003-2004

Portfolio of nine etchings. Largest: 69.5 x 57.5 cm. (27 1/8 x 22 5/8 in); smallest:

40.6 x 53.3 cm. (16 x 21 in). Each signed ‘Gillian Carnegie’ and numbered of 37 in

lower margin. This work is from an edition of 37 plus eight artist’s proofs and one

printer’s proof.

estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 ♠

Provenance The Paragon Press, London


321 KENDELL GEERS b. 1968

Two works: La Sainte Vierge, 2004

Ink on paper. 100.3 x 70.2 cm. (39 1/2 x 27 5/8 in). Each signed ‘Kendell Geers’

lower right.

Estimate £10,0 0 0 -15,0 0 0 $16,5 0 0 -24,8 0 0 €11,4 0 0 -17,10 0 ♠


321

320

320 SAM SALISBURY b. 1977

Untitled #7, 2005

Graphite on paper. 76.5 x 57.2 cm. (30 1/8 x 22 1/2 in).

Estimate £ 8 0 0 -1, 2 0 0 $1,32 0 -1,9 8 0 €914 -1,370 ‡

Provenance Alison Jacques Gallery, London


322 DR LAKRA b. 1972

Untitled (Karloff Lagarde), 2007

Ink on vintage poster. 73 x 47.5 cm. (28 3/4 x 18 3/4 in). Signed ‘Dr Lakra’ lower

right.

Estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0

Provenance Kurimanzutto, Mexico City


45947

tranny

from clx

323 Dr laKra b. 1972

Black Gordman, 2003

Ink and paint on vintage magazine. 47.5 x 35 cm. (18 3/4 x 13 3/4 in). Signed and

dated ‘Dr Lakra MM3’ lower left.

Estimate £2,0 0 0 - 3 ,0 0 0 $3 ,3 0 0 - 5,0 0 0 €2,3 0 0 - 3 ,4 0 0 †

Provenance Kate MacGarry, London


324 Vanessa Beecroft b. 1969

Five works: VB08, VB16, VB35, VB39, VB39, 1999

C-prints, Diasec mounted. Each: 49.5 x 69.5 cm. (19 1/2 x 27 3/8 in). These works

are from an edition of 55.

estimate £1,5 0 0 -2,5 0 0 $2,5 0 0 - 4,10 0 €1,70 0 -2,9 0 0 ♠

Provenance Marco Noire Gallery, Turin

325 Vanessa Beecroft b. 1969

Untitled (performance, detail, 1998, Solomon R. Guggenheim Museum, New York,

NY), VB35.079, 1998

Digital c-prints. 101.2 x 135.9 cm. (39 7/8 x 53 1/2 in). This work is from an edition

of three.

estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ♠‡


exhibited Rivoli-Turin, Castello Di Rivoli Museo D’arte Contemporanea, Vanessa

Beecroft Performances 1993-2003, 8 October 2003 – 25 January 2004 (another

example exhibited); Bielefeld, Kunsthalle Bielefeld, Vanessa Beecroft Performances

1993-2003, 9 May 2004 – 29 August 2003 (another example exhibited)

Literature ed. SKIRA, Vanessa Beecroft performances 1993-2003, Castello Di

Rivoli Museo D’arte Contemporanea, Rivoli-Turin, 2003, p. 222 (illustrated)

324

325


326 VANESSA BEECROFT b. 1969

Untitled (performance, detail, 1998, Solomon R. Guggenheim Museum, New York,

NY), VB35.330, 1998

Digital c-print. 101.6 x 123.2 cm. (40 x 48 1/2 in). This work is from an edition of

three.

Estimate £6 ,0 0 0 - 8 ,0 0 0 $9,9 0 0 -13 , 2 0 0 €6,9 0 0 - 9,10 0 ♠‡


exhibited Rivoli-Turin, Castello Di Rivoli Museo D’arte Contemporanea, Vanessa

Beecroft Performances 1993-2003, 8 October 2003 – 25 January 2004 (another

example exhibited); Bielefeld, Kunsthalle Bielefeld, Vanessa Beecroft Performances

1993-2003, 9 May 2004 – 29 August 2004 (another example exhibited)

326

327

327 SpENCER TuNiCk b. 1967

Krystl 1, 1999

C-print, Diasec face mounted. 180.5 x 227 cm. (71 x 89 1/2). Signed, dated and

numbered of six ‘ Spencer Tunick 1999’. This work of from an edition of six.

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0 ‡

Provenance I-20 Gallery, New York


328 PhiliP-lorca Dicorcia b. 1951

Eleven works: Hustlers (i) John Marcus Allen 31 years old, Georgia, $25, 1992;

(ii) Jeff Doken, 25 years old, Seattle Washington, $25, 1992/3; (iii) Christopher

Patterson, 17 years old San Jaun, Puerto Rico, $20, 1991; (iv) Alex T’Angelo, 28 years

old, Los Angeles, CA, $25,1991; (v) Ike Cole, 38 years old, Los Angeles, California, $25,

1991; (vi) ‘Candy’ Robert Randall, 25 years old, Lynwood CA, $30, 1991; (vii) Billy Terry,

31 years old, Los Angeles, California, $25, 1992; (viii) Jerry Michael Jonson, 19 years

old Dallas Texas (Hat), $20, 1991; (ix) Brian Scott, 24 years old, San Marco California,

$25, 1992; (x) Mickey Jams, 29 years old, Minister, Indiana, $30, 1991; (xi) Mike, 26

years old, $30, 1990/92

C-prints. Each approximately 39 x 58 cm. (15 3/8 x 22 7/8 in). Each: signed,

dated and numbered of twenty on the reverse. These works are from an edition

of twenty.

Estimate £ 4 0,0 0 0 - 6 0,0 0 0 $6 6,10 0 - 9 9, 2 0 0 €45,70 0 - 6 8 ,5 0 0 ‡



330

329

329 PhiliP-lorca dicorcia b. 1951

Todd M. Brooks; 22 Years Old; Denver, Colorado; $40, 1990/1992

C-print. 60.6 x 90.2 cm. (23 7/8 x 35 1/2 in). Signed ‘Philip Lorca di Corcia’ on the

reverse. This work is from an edition of twenty.

Estimate £ 4,0 0 0 - 6 ,0 0 0 $6,6 0 0 - 9,9 0 0 €4,6 0 0 - 6 ,9 0 0

Provenance Changing Role Gallery, Naples

330 cathErinE Sullivan b. 1968

Misfire #10, 2005

C-print. 49 x 98.5 cm. (19 1/4 x 38 3/4 in). This work is from an edition of six.

Estimate £2,5 0 0 - 3 ,5 0 0 $4,10 0 - 5,8 0 0 €2,9 0 0 - 4,0 0 0

Provenance Gio Marconi, Milan; Supportico Lopez, Naples


332 Jeremy Deller b. 1966

Untitled, 2002

C-print. 27.3 x 41.6 cm. (10 3/4 x 16 3/8 in). Signed ‘Jeremy D’ on a label adhered to

the reverse. This work is from an edition of three.

estimate £1,5 0 0 -2,0 0 0 $2,5 0 0 - 3 ,3 0 0 €1,70 0 -2,3 0 0 ♠

Provenance Art: Concept, Paris

331 markus schinwalD b. 1973

Contortionists (Daniela), 2005

Lambda print flush-mounted to aluminium. 99.4 x 160 cm. (39 1/8 x 63 in). This

work is from an edition of three.

estimate £5,0 0 0 -7,0 0 0 $8 ,3 0 0 -11,6 0 0 €5,70 0 - 8 ,0 0 0 ♠

Provenance Max Wigram Gallery, London

332

331


333 Wolfgang Tillmans b. 1968

Two works: (i) Arms & Chair, 2000; (ii) Hindemithstrasse, 1996,

C-print. i) 30.5 x 40.6 cm. (12 x 16 in). ii) 40.6 x 30.5 cm. (16 x 12 in). (i) Signed,

inscribed, titled, numbered of ten and dated ‘arms & chair ph 9 2000 print 2000

Wolfgang Tillmans’ on the reverse. (ii)Signed, inscribed, titled, numbered of ten

and dated ‘Hindemithstrasse ph 4 96 print 96 Wolfgang Tillmans’ on the reverse.

These works are from an edition of ten plus one artist’s proof.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠

Provenance Private collection, Italy


334 WOLFGANG TILLMANS b. 1968

Two works: (i) Faltenwurf, Shiny, 2001; (ii) Use, 2000,

C-prints. (i) 40.7 x 30 cm. (16 x 12 in). (ii) 30 x 40.7 cm. (12 x 16 in). (i) Signed,

inscribed, numbered of ten, titled and dated ‘Faltenwurf, Shiny ph 2001 WT01

Wolfgang Tillmans 01’ on the reverse; (ii) Signed, inscribed, numbered of ten and

dated ‘Use ph 5 00 Pr WT 5 00 Wolfgang Tillmans 00’ on the reverse. These works

are from an edition of ten plus one artist’s proof.

Estimate £ 3 ,0 0 0 - 5,0 0 0 $5,0 0 0 - 8 ,3 0 0 €3 ,4 0 0 - 5,70 0 ♠

Provenance Andrea Rosen Gallery, New York


index

Accardi, C. 120

Adami, V. 187

Alys, F. 37,184, 186

Aoshima, C. 192, 193

Armleder, J. 24, 35, 128

Baechler, D. 257

Banner, F. 284

Basquiat, J-M. 12

Becher, B. & H. 286, 287

Beecroft, V. 324, 325, 326

Bludov, A. 261

Bock, J. 176

Bourgeois, L. 135

Bove, C. 174

Brandl, H. 222

Brinkworth, K. 291

Bujnowski, R. 309

Buren, D. 121

Cai, G. Q. 203

Campinini, P. 254

Carnegie, G. 319

Castellani, E. 109

Caulfield, P. 236

Celmins, V. 171

Chapman, J & D. 14

Chichkan, I. 266

Christo 185

Colen, D. 26

Collishaw, M. 172

Condo, G. 153, 154, 310

Conroy, S. 224

Cragg, T. 38, 41

Creed, M. 124

Darboven, H. 147

David, E. 152

de Balincourt, J. 158

de Beeck, H. o. 290

Deller, J. 332

Delvoye, W. 36, 131

DiCorcia, P.-L. 328, 329

Dragset, I. & Elmgreen, M. 2, 218

Dulphan, D. 276

Eliasson, O. 23, 168

Elmgreen, M. & Dragset, I. 2, 218

Favaretto, L. 104

Federle, H. 232, 233

Fischli, P. & Weiss, D. 288

Fleury, S. 223

Fontana, L. 30, 106

Förg, G. 31,140, 141, 235

Frisch Peri, S. 108

Fryer, P. 102

Fuksas, M. 116

Gallaccio, A. 136

Ganesh, C. 209

Geers, K. 117, 321

Geys, J. 132

Ghadirian, S. 216

Giehler, T. 252

Gnilitsky, A. 275

Goldin, N. 119, 292, 305

Goldstein, J. 122

Gonzalez, W. 240, 241

Gormley, A. 317

Greene, M. 178

Gupta, S. 210

Gursky, A. 44

Guyton, W. 127

Haerizadeh, R. 211, 212

Hafif, M. 239

Hains, R. 181, 182

Haring, K. 189

Hassanzadeh, K. 214

Hatoum, M. 103

Havekost, E. 245

Henning, A. 253

Herold, G. 221

Hirst, D. 160, 161

Hnilitska, K. 271

Hodges, J. 3

Holzapfel, O. 227, 228, 229

Hong, H. 207

Horn, R. 164

Hutte, A. 163

Hybert, F. 115

Hylden, N. 230, 231

Isupov, I. 277

Jensen, S. 32, 237, 238

Kadan, N. 274

Kahrs, J. 179

Kallat, J. 42

Kapoor, A. 316

Kawara, O. 29

Kelley, M. 118, 259, 283

Kersels, M. 255

Kiefer, A. 114

Kippenberger, M. 5, 6, 7, 8, 25, 220, 248

Klein, Y. 133

Klymenko, A. 272

Knobloch, T. 244

Knoebel, I. 125

Koh, T. 217

Kosolapov, A. 278, 279

Kosuth, J. 175

Lakra, Dr. 322, 323

Lambie, J. 130

Lawler, L. 126, 282

Lee, U. 177

Lucas, S. 285

Luo Brothers 206

Maier-Aichen, F. 20, 165, 166, 167

Mamsikov, M. 267

Mangold, R. 145, 146

Manzelli, M. 15

Marepe 148

Martin, B. 258

Martinec, H. 289

McCarthy, P. 16, 149, 293

McCracken, J. 22, 143, 144

McGee, B. 280, 281

McGinnis, R. 249, 250

Meese, J. 9, 246

Melotti, F. 107

Morrison, P. 313

Moshiri, F. 213

Motsenko, M. 273

Mr 197

Muniz, V. 298, 299, 300, 301, 302, 303, 304

Muntean, M. & Rosenblum, A. 157, 312

Nara, Y. 196

Neshat, S. 215

Nitsch, H. 13

Nitsche, F. 138, 139

Novikov, I. 263

Opie, J. 150, 151

Ortega, D. 123

Parrino, S. 11, 137

Peri, P. 226

Perry, G. 155, 156

Pettibon, R. 318

Pierre et Gilles 112

Polke, S. 190, 191

Poons, L. 43, 180

Quinn, M. 162

Raedecker, M. 19

Rauschenberg, R. 34

Reyle, A. 219

Richter, G. 183

Roitburd, A. 260, 265

Rondinone, U. 21, 307

Rosenblum, A. & Muntean, M. 157, 312

Rovner, M. 297

Ruby, S. 4, 294

Ruff, T. 17, 170, 296, 306

Salisbury, S. 320

Savadov, A. 268, 269

Scheibl, H. 256

Schutz, D. 247

Sherman, C. 10, 18, 169

Shinwald, M. 331

Stingel, R. 111, 134

Strunz, K. 129

Sugito, H. 195

Sullivan, C. 330

Sydorenko, V. 264

Takano, A. 194

Tayou, P. M. 110

Tillmans, W. 173, 333, 334

Tistol, O. 262

Tremlett, D. 315

Trockel, R. 39, 242, 243

Troubina, V. 270

Tunick, S. 327

Turk, G. 159

Tyson, K. 105, 251

Vautier, B. 101, 314

Vezzoli, F. 113

von Hellerman, S. 311

Wallace, I. 234

Walsh, D. 1, 142

Wang, D. 208

Wang, X. 199

Wang, Z. 205

Warhol, A. 28, 188, 295

Weiser, G. 225

Weiss, D. & Fischli, P. 288

West, F. 33, 40

Wool, C. 27

Yan, P. M. 202, 204

Yan, Q. 200

Young, R. 308

Zhang, H. 201

Zhang, P. 198

08_LON_OCT_CONT Backmatter.indd 354 24/09/09 11:44

GUIDE FOR PROSPECTIVE BUYERS

BUYInG aT aUCTIOn

The following pages are designed to offer you information on how to buy at auction at

Phillips de Pury & Company. Our staff will be happy to assist you.

COnDITIOnS OF SalE

The Conditions of Sale and Authorship Warranty which appear later in this catalogue

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1 PRIOR TO aUCTIOn

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Although the sale is conducted in pounds sterling, the pre-sale estimates in the

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Please refer to the section entitled “VAT AND OTHER TAX INFORMATION FOR

BUYERS” in this catalogue for additional information.


2 Bidding in the Sale

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(i.e. UK£4,200, 4,500, 4,800)

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UK£50,000 to UK£100,000 by UK£5,000s

UK£100,000 to UK£200,000 by UK£10,000s

above UK£200,000 auctioneer’s discretion

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own discretion.

3 the auction

conditions of Sale

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by saleroom addendum or auctioneer’s announcement.

interested Parties announcement

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consecutive and Responsive Bidding

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The auctioneer may further bid on behalf of the seller up to the amount of the reserve

by placing consecutive bids or bids in response to other bidders.

4 afteR the auction

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on a UK bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is

our corporate policy not to make or accept single or multiple payments in cash or cash

equivalents in excess of the local currency equivalent of US$10,000.

credit cards

As a courtesy to clients, Phillips de Pury & Company will accept Visa, Mastercard

and UK-issued debit cards to pay for invoices of £50,000 or less. A processing

fee will apply.

collection

It is our policy to request proof of identity on collection of a lot. A lot will be released

to the buyer or the buyer’s authorized representative when Phillips de Pury & Company

has received full and cleared payment and we are not owed any other amount by the

buyer. Promptly after the auction, we will transfer all lots to a third party storage

facility and will so advise all buyers. If you are in doubt about the location of your

purchase, please contact the Shipping Department prior to arranging collection. We

will levy removal, interest, storage and handling charges on uncollected lots.

loss or damage

Buyers are reminded that Phillips de Pury & Company accepts liability for loss or

damage to lots for a maximum of five days following the auction.

transport and Shipping

As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for

hand carry only. We do not provide packing, handling or shipping services directly.

However, we will coordinate with shipping agents instructed by you in order to

facilitate the packing, handling and shipping of property purchased at Phillips

de Pury & Company. Please refer to Paragraph 7 of the Conditions of Sale for

more information.

export and import licenses

Before bidding for any property, prospective bidders are advised to make independent

enquiries as to whether a license is required to export the property from the United

Kingdom or to import it into another country. It is the buyer’s sole responsibility to

comply with all import and export laws and to obtain any necessary licenses or

permits. The denial of any required license or permit or any delay in obtaining such

documentation will not justify the cancellation of the sale or any delay in making full

payment for the lot.

endangered Species

Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,

whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value,

may require a license or certificate prior to exportation and additional licenses or

certificates upon importation to any country outside the European Union (EU). Please

note that the ability to obtain an export license or certificate does not ensure the

ability to obtain an import license or certificate in another country, and vice versa. We

suggest that prospective bidders check with their own government regarding wildlife

import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain

any necessary export or import licenses or certificates as well as any other required

documentation. The denial of any required license or certificate or any delay in

obtaining such documentation will not justify the cancellation of the sale or any delay

in making full payment for the lot.


MARTIN KIppeNbeRgeR AlbeRT OehleN

MIchAel KRebbeR JöRg SchlIcK

eXhIbITION ON VIeWphIllIpS De pURY & cOMpANY gAlleRY

AT SAATchI gAlleRY7 – 24 OcTObeR 2009

the Bleich-Rossi collection

An iMPoRtAnt collection oF woRks By MARtin kiPPenBeRGeR

AnD his collABoRAtoRs oFFeReD FoR PRiVAte sAle

Duke of York Headquarters

London

SW3 4SQ

Enquiries: +44 20 7318 4010

Gallery opening hours: 10am-6pm,

7 days a week, last entry 5:30PM

FRee ADMission

www.phillipsdepury.com www.saatchigallery.com sale enquiries: silke taprogge [email protected] +44 20 7318 4012


2 Bidding in the Sale

Bidding at auction

Bids may be executed during the auction in person by paddle or by telephone or prior

to the sale in writing by absentee bid. Proof of identity in the form of government

issued identification will be required, as will an original signature. We may also

require that you furnish us with a bank reference.

Bidding in Person

To bid in person, you will need to register for and collect a paddle before the auction

begins. New clients are encouraged to register at least 48 hours in advance of a sale to

allow sufficient time for us to process your information. All lots sold will be invoiced to

the name and address to which the paddle has been registered and invoices cannot be

transferred to other names and addresses. Please do not

misplace your paddle. In the event you lose it, inform a Phillips de Pury & Company

staff member immediately. At the end of the auction, please return your paddle to the

registration desk.

Bidding by telephone

If you cannot attend the auction, you may bid live on the telephone with one of our

multi-lingual staff members. This service must be arranged at least 24 hours in

advance of the sale and is available for lots whose low pre-sale estimate is at least

£500. Telephone bids may be recorded. By bidding on the telephone, you consent to the

recording of your conversation. We suggest that you leave a maximum bid, excluding

the buyer’s premium and VAT, which we can execute on your behalf in the event we are

unable to reach you by telephone.

absentee Bids

If you are unable to attend the auction and cannot participate by telephone, Phillips de

Pury & Company will be happy to execute written bids on your behalf. A bidding form

can be found at the back of this catalogue. This service is free and confidential. Bids

must be placed in the currency of the sale. Our staff will attempt to execute an

absentee bid at the lowest possible price taking into account the reserve and other

bidders. Always indicate a maximum bid, excluding the buyer’s premium and VAT.

Unlimited bids will not be accepted. Any absentee bid must be received at least 24

hours in advance of the sale. In the event of identical bids, the earliest bid received will

take precedence.

employee Bidding

Employees of Phillips de Pury & Company and our affiliated companies, including the

auctioneer, may bid at the auction by placing absentee bids so long as they do not



Bidding increments

Bidding generally opens below the low estimate and advances in increments of up to

10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the

increments set below may be lowered to the next bidding increment.

UK£50 to UK£1,000 by UK£50s

UK£1,000 to UK£2,000 by UK£100s

UK£2,000 to UK£3,000 by UK£200s

UK£3,000 to UK£5,000 by UK£200s, 500, 800

(i.e. UK£4,200, 4,500, 4,800)

UK£5,000 to UK£10,000 by UK£500s

UK£10,000 to UK£20,000 by UK£1,000s

UK£20,000 to UK£30,000 by UK£2,000s

UK£30,000 to UK£50,000 by UK£2,000s, 5,000, 8,000

UK£50,000 to UK£100,000 by UK£5,000s

UK£100,000 to UK£200,000 by UK£10,000s

above UK£200,000 auctioneer’s discretion

The auctioneer may vary the increments during the course of the auction at his or her

own discretion.

3 the auction

conditions of Sale

As noted above, the auction is governed by the Conditions of Sale and Authorship

Warranty. All prospective bidders should read them carefully. They may be amended

by saleroom addendum or auctioneer’s announcement.

interested Parties announcement

In situations where a person allowed to bid on a lot has a direct or indirect interest in

such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner

of the lot or a party providing or participating in a guarantee on the lot, Phillips de

Pury & Company will make an announcement in the saleroom that interested parties

may bid on the lot.

consecutive and Responsive Bidding

The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller.

The auctioneer may further bid on behalf of the seller up to the amount of the reserve

by placing consecutive bids or bids in response to other bidders.

4 afteR the auction

Payment

Buyers are required to pay for purchases immediately following the auction unless

other arrangements are agreed with Phillips de Pury & Company in writing in advance

of the sale. Payments must be made in pounds sterling either by cash, cheque drawn

on a UK bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is

our corporate policy not to make or accept single or multiple payments in cash or cash

equivalents in excess of the local currency equivalent of US$10,000.

credit cards

As a courtesy to clients, Phillips de Pury & Company will accept Visa, Mastercard

and UK-issued debit cards to pay for invoices of £50,000 or less. A processing

fee will apply.

collection

It is our policy to request proof of identity on collection of a lot. A lot will be released

to the buyer or the buyer’s authorized representative when Phillips de Pury & Company

has received full and cleared payment and we are not owed any other amount by the

buyer. Promptly after the auction, we will transfer all lots to a third party storage

facility and will so advise all buyers. If you are in doubt about the location of your

purchase, please contact the Shipping Department prior to arranging collection. We

will levy removal, interest, storage and handling charges on uncollected lots.

loss or damage

Buyers are reminded that Phillips de Pury & Company accepts liability for loss or

damage to lots for a maximum of five days following the auction.

transport and Shipping

As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for

hand carry only. We do not provide packing, handling or shipping services directly.

However, we will coordinate with shipping agents instructed by you in order to

facilitate the packing, handling and shipping of property purchased at Phillips

de Pury & Company. Please refer to Paragraph 7 of the Conditions of Sale for

more information.

export and import licenses

Before bidding for any property, prospective bidders are advised to make independent

enquiries as to whether a license is required to export the property from the United

Kingdom or to import it into another country. It is the buyer’s sole responsibility to

comply with all import and export laws and to obtain any necessary licenses or

permits. The denial of any required license or permit or any delay in obtaining such

documentation will not justify the cancellation of the sale or any delay in making full

payment for the lot.

endangered Species

Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,

whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value,

may require a license or certificate prior to exportation and additional licenses or

certificates upon importation to any country outside the European Union (EU). Please

note that the ability to obtain an export license or certificate does not ensure the

ability to obtain an import license or certificate in another country, and vice versa. We

suggest that prospective bidders check with their own government regarding wildlife

import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain

any necessary export or import licenses or certificates as well as any other required

documentation. The denial of any required license or certificate or any delay in

obtaining such documentation will not justify the cancellation of the sale or any delay

in making full payment for the lot.


AUCTIONS NEW YORK

PART I 12 NOVEMBER 2009 7pm PART II 13 NOVEMBER 2009 10am & 2pm

Viewing 7 – 12 November

Phillips de Pury & Company 450 West 15 Street New York 10011

Enquiries +1 212 940 1260 Catalogues +1 212 940 1240 / +44 20 7318 4039 www.phillipsdepury.com

OLAFUR ELIASSON 1m3 light, 1999 Estimate $300,000-500,000

CONTEMPORARY ART


VAT And oTher TAx

informATion for buyers

The following paragraphs provide general information to buyers on the VAT and

certain other potential tax implications of purchasing property at Phillips de Pury &

Company. This information is not intended to be complete. In all cases, the relevant tax

legislation takes precedence, and the VAT rates in effect on the day of the auction will

be the rates charged. It should be noted that, for VAT purposes only, Phillips de Pury &

Company is not usually treated as agent and most property is sold as if it is the

property of Phillips de Pury & Company. In the following paragraphs, reference to VAT

symbols shall mean those symbols located beside the lot number or the pre-sale

estimates in the catalogue (or amending saleroom addendum).

1 ProPerTy wiTh no VAT symbol

Where there is no VAT symbol, Phillips de Pury & Company is able to use the

Auctioneer’s Margin Scheme, and VAT will not normally be charged on the

hammer price.

Phillips de Pury & Company must bear VAT on the buyer’s premium. Therefore, we will

charge an amount in lieu of VAT at 15% on the buyer’s premium. This amount will form

part of the buyer’s premium on our invoice and will not be separately identified.

2 ProPerTy wiTh A † symbol

These lots will be sold under the normal UK VAT rules, and VAT will be charged at 15%

on both the hammer price and buyer’s premium.

3 ProPerTy wiTh A § symbol

Lots sold to buyers whose registered address is in the EU will be assumed to be

remaining in the EU. The property will be invoiced as if it had no VAT symbol. However,

if an EU buyer advises us that the property is to be exported from the EU, Phillips de

Pury & Company will re-invoice the property under the normal VAT rules.

Lots sold to buyers whose address is outside the EU will be assumed to be exported

from the EU. The property will be invoiced under the normal VAT rules. Although the

hammer price will be subject to VAT, the VAT will be canceled or refunded upon export.

The buyer’s premium will always bear VAT. However, buyers who are not intending to

export their property from the EU should notify our Client Accounting Department on

the day of the sale, and the property will be re-invoiced showing no VAT on the

hammer price.

4 ProPerTy sold wiTh A ‡ or Ω symbol

These lots have been imported from outside the EU to be sold at auction under

temporary importation. Property subject to temporary importation will be offered

under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5%

or 15% on the hammer price and an amount in lieu of VAT at 15% on the buyer’s

premium. Anyone who wishes to buy outside the Auctioneer’s Margin Scheme should

notify the Client Accounting Department before the sale.

‡ = 5% Ω = 15%

5 exPorTs from The euroPeAn union

The following types of VAT may be cancelled or refunded by Phillips de Pury &

Company on exports made within three months of the sale date if strict conditions

are met:

• The amount in lieu of VAT charged on the buyer’s premium for property

sold under the Auctioneer’s Margin Scheme (i.e., without a VAT symbol).

• The VAT on the hammer price for property sold under the normal VAT

rules (i.e., with a † or a § symbol).

• The import VAT charged on the hammer price and buyer’s premium for

property sold under temporary importation (i.e., with a ‡ or a Ω symbol).

In each of the above examples, where the appropriate conditions are satisfied, no VAT

will be charged if, at or before the time of invoicing, the buyer instructs Phillips de

Pury & Company to export the property from the EU. If such instruction is received

after payment, a refund of the VAT amount will be made.

Where the buyer carries purchases from the EU personally or uses the services of a

third party, Phillips de Pury & Company will charge the VAT amount due as a deposit

and refund it if the lot has been exported within three months of the date of sale

and the following conditions are met:

• For lots sold under the Auctioneer’s Margin Scheme or the normal VAT

rules, Phillips de Pury & Company is provided with appropriate

documentary proof of export from the EU. Buyers carrying their own

property should obtain hand-carry papers from the Shipping Department

to facilitate this process; or

• For lots sold under temporary importation, Phillips de Pury & Company is

provided with a copy of the correct paperwork duly completed and stamped

by HM Revenue and Customs which shows the property has been exported

from the EU via the UK. It is essential for shippers acting on behalf of

buyers to collect copies of original import papers from our Shipping

Department. HM Revenue and Customs insist that the correct customs

procedures are followed and Phillips de Pury & Company will not be able to

issue any refunds where the export documents do not exactly comply with

governmental regulations. Property subject to temporary importation must

be transferred to another customs procedure immediately if any restoration

or repair work is to be carried out.

Buyers carrying their own property must obtain hand-carry papers from the Shipping

Department, for which a charge of £20 will be made. The VAT refund will be processed

once the appropriate paperwork has been returned to Phillips de Pury & Company.

Phillips de Pury & Company is not able to cancel or refund any VAT charged on sales

made to UK or EU private residents unless the lot is subject to temporary importation

and the property is exported from the EU within three months of the sale date. Any

refund of VAT is subject to a minimum of £50 per shipment and a processing charge

of £20.

Buyers intending to export, repair, restore or alter lots under temporary importation

should notify the Shipping Department before collection. Failure to do so may result in

the import VAT becoming payable immediately and Phillips de Pury & Company being

unable to refund the VAT charged on deposit.

6 VAT refunds from hm reVenue And CusToms

Where VAT charged cannot be cancelled or refunded by Phillips de Pury & Company,

it may be possible to seek repayment from HM Revenue and Customs. Repayments

in this manner are limited to businesses located outside the UK and may be

considered for:

• VAT charged on the buyer’s premium on property sold under the normal

VAT rules.

• Import VAT charged on the hammer price and buyer’s premium for lots

sold under temporary importation.

Claim forms are available from:

HM Revenue and Customs

VAT Overseas Repayment Section

P.O. Box 34, Foyle House, Duncreggan Road, Londonderry

Northern Ireland BT48 7AE

Tel +44 28 7130 5100

Fax +44 28 7130 5101

7 sAles And use TAxes

Buyers from outside the UK should note that local sales taxes or use taxes may

become payable upon import of lots following purchase. Buyers should consult their

own tax advisors.

CondiTions of sAle

The Conditions of Sale and Authorship Warranty set forth below govern the

relationship between bidders and buyers, on the one hand, and Phillips de Pury &

Company and sellers, on the other hand. All prospective buyers should read these

Conditions of Sale and Authorship Warranty carefully before bidding.


AUCTION 14 NOVEMBER 2009 10am & 1pm NEW YORK

Viewing 7 – 13 November

Phillips de Pury & Company 450 West 15 Street New York 10011

Enquiries +1 212 940 1245 Catalogues +1 212 940 1240 / +44 20 7318 4039 www.phillipsdepury.com

ALBERT WATSON Breaunna on Leopard Print, Las Vegas Hilton, 2001 Estimate $18,000-22,000

PHOTOGRAPHS


1 IntroductIon

Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of

Sale and Authorship Warranty; (b) additional notices and terms printed in other places

in this catalogue, including the Guide for Prospective Buyers, and (c) supplements to

this catalogue or other written material posted by Phillips de Pury & Company in the

saleroom, in each case as amended by any addendum or announcement by the

auctioneer prior to the auction.

By bidding at the auction, whether in person, through an agent, by written bid, by

telephone bid or other means, bidders and buyers agree to be bound by these

Conditions of Sale, as so changed or supplemented, and Authorship Warranty.

These Conditions of Sale, as so changed or supplemented, and Authorship Warranty

contain all the terms on which Phillips de Pury & Company and the seller contract with

the buyer.

2 PhIllIPs de Pury & comPany as agent

Phillips de Pury & Company acts as an agent for the seller, unless otherwise indicated

in this catalogue or at the time of auction. On occasion, Phillips de Pury & Company

may own a lot, in which case we will act in a principal capacity as a consignor, or may

have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise.

3 catalogue descrIPtIons and condItIon of ProPerty

Lots are sold subject to the Authorship Warranty, as described in the catalogue

(unless such description is changed or supplemented, as provided in Paragraph

1 above) and in the condition that they are in at the time of the sale on the

following basis.

(a) The knowledge of Phillips de Pury & Company in relation to each lot is partially

dependent on information provided to us by the seller, and Phillips de Pury & Company

is not able to and does not carry out exhaustive due diligence on each lot. Prospective

buyers acknowledge this fact and accept responsibility for carrying out inspections

and investigations to satisfy themselves as to the lots in which they may be interested.

Notwithstanding the foregoing, we shall exercise such reasonable care when making

express statements in catalogue descriptions or condition reports as is consistent

with our role as auctioneer of lots in this sale and in light of (i) the information

provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the

generally accepted opinions of relevant experts, in each case at the time any such

express statement is made.

(b) Each lot offered for sale at Phillips de Pury & Company is available for inspection

by prospective buyers prior to the auction. Phillips de Pury & Company accepts bids

on lots on the basis that bidders (and independent experts on their behalf, to the

extent appropriate given the nature and value of the lot and the bidder’s own expertise)

have fully inspected the lot prior to bidding and have satisfied themselves as to both

the condition of the lot and the accuracy of its description.

(c) Prospective buyers acknowledge that many lots are of an age and type which

means that they are not in perfect condition. As a courtesy to clients, Phillips de Pury

& Company may prepare and provide condition reports to assist prospective buyers

when they are inspecting lots. Catalogue descriptions and condition reports may make

reference to particular imperfections of a lot, but bidders should note that lots may

have other faults not expressly referred to in the catalogue or condition report. All

dimensions are approximate. Illustrations are for identification purposes only and

cannot be used as precise indications of size or to convey full information as to the

actual condition of lots.

(d) Information provided to prospective buyers in respect of any lot, including any

pre-sale estimate, whether written or oral, and information in any catalogue, condition

or other report, commentary or valuation, is not a representation of fact but rather a

statement of opinion held by Phillips de Pury & Company. Any pre-sale estimate may

not be relied on as a prediction of the selling price or value of the lot and may be

revised from time to time by Phillips de Pury & Company in our absolute discretion.

Neither Phillips de Pury & Company nor any of our affiliated companies shall be liable

for any difference between the pre-sale estimates for any lot and the actual price

achieved at auction or upon resale.

4 BIddIng at auctIon

(a) Phillips de Pury & Company has absolute discretion to refuse admission to the

auction or participation in the sale. All bidders must register for a paddle prior to

bidding, supplying such information and references as required by Phillips de Pury

& Company.

(b) As a convenience to bidders who cannot attend the auction in person, Phillips de

Pury & Company may, if so instructed by the bidder, execute written absentee bids on

a bidder’s behalf. Absentee bidders are required to submit bids on the “Absentee Bid

Form,” a copy of which is printed in this catalogue or otherwise available from Phillips

de Pury & Company. Bids must be placed in the currency of the sale. The bidder must

clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s

premium and value added tax (VAT). The auctioneer will not accept an instruction to

execute an absentee bid which does not indicate such maximum bid. Our staff will

attempt to execute an absentee bid at the lowest possible price taking into account

the reserve and other bidders. Any absentee bid must be received at least 24 hours

in advance of the sale. In the event of identical bids, the earliest bid received will

take precedence.

(c) Telephone bidders are required to submit bids on the “Telephone Bid Form,” a copy

of which is printed in this catalogue or otherwise available from Phillips de Pury &

Company. Telephone bidding is available for lots whose low pre-sale estimate is at

least £500. Phillips de Pury & Company reserves the right to require written

confirmation of a successful bid from a telephone bidder by fax or otherwise

immediately after such bid is accepted by the auctioneer. Telephone bids may be

recorded and, by bidding on the telephone, a bidder consents to the recording of

the conversation.

(d) When making a bid, whether in person, by absentee bid or on the telephone, a

bidder accepts personal liability to pay the purchase price, as described more fully in

Paragraph 6 (a) below, plus all other applicable charges unless it has been explicitly

agreed in writing with Phillips de Pury & Company before the commencement of the

auction that the bidder is acting as agent on behalf of an identified third party

acceptable to Phillips de Pury & Company and that we will only look to the principal for

such payment.

(e) Arranging absentee and telephone bids is a free service provided by Phillips de

Pury & Company to prospective buyers. While we undertake to exercise reasonable

care in undertaking such activity, we cannot accept liability for failure to execute such

bids except where such failure is caused by our willful misconduct.

(f) Employees of Phillips de Pury & Company and our affiliated companies, including

the auctioneer, may bid at the auction by placing absentee bids so long as they do not



5 conduct of the auction

(a) Unless otherwise indicated by the symbol • each lot is offered subject to a reserve,

which is the confidential minimum selling price agreed by Phillips de Pury & Company


with the seller. The reserve will not exceed the low pre-sale estimate at the time of

the auction.

(b)The auctioneer has discretion at any time to refuse any bid, withdraw any lot,

re-offer a lot for sale (including after the fall of the hammer) if he or she believes

there may be error or dispute and take such other action as he or she deems

reasonably appropriate.

(c) The auctioneer will commence and advance the bidding at levels and in increments

he or she considers appropriate. In order to protect the reserve on any lot, the

auctioneer may place one or more bids on behalf of the seller up to the reserve without

indicating he or she is doing so, either by placing consecutive bids or bids in response

to other bidders.

(d) The sale will be conducted in pounds sterling and payment is due in pounds

sterling. For the benefit of international clients, pre-sale estimates in the auction

catalogue may be shown in US dollars and/or euros and, if so, will reflect approximate

exchange rates. Accordingly, estimates in US dollars or euros should be treated only

as a guide.

(e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by

the auctioneer will be the buyer and the striking of the hammer marks the acceptance

of the highest bid and the conclusion of a contract for sale between the seller and the

buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph

7 below.

(f) If a lot is not sold, the auctioneer will announce that it has been “passed,”

“withdrawn,” “returned to owner” or “bought-in.”

(g) Any post-auction sale of lots offered at auction shall incorporate these Conditions

of Sale and Authorship Warranty as if sold in the auction.

6 Purchase Price and Payment

(a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s

premium, plus any applicable value added tax (VAT) and any applicable resale royalty

(the “Purchase Price”). The buyer’s premium is 25% of the hammer price up to and

including £25,000, 20% of the portion of the hammer price above £25,000 up to and

including £500,000 and 12% of the portion of the hammer price above £500,000.

(b) VAT is payable in accordance with applicable law. All prices, fees, charges and

expenses set out in these Conditions of Sale are quoted exclusive of VAT.

(c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees to

pay to us an amount equal to the resale royalty provided for in those regulations and

we undertake to the buyer to pay such amount to the artist’s collection agent. Lots

subject to the Artist’s Resale Right are identified with the symbol ♠ next to the lot

number.

(d) Unless otherwise agreed, a buyer is required to pay for a purchased lot

immediately following the auction regardless of any intention to obtain an export or

import license or other permit for such lot. Payments must be made by the

invoiced party in pounds sterling either by cash, cheque drawn on a uK bank or

wire transfer, as follows:

(i) Phillips de Pury & Company will accept payment in cash provided that

the total amount paid in cash or cash equivalents does not exceed the local

currency equivalent of US$10,000.

(ii) Personal cheques and banker’s drafts are accepted if drawn on a UK

bank and the buyer provides to us acceptable government issued

identification. Cheques and banker’s drafts should be made payable to

“PDEPL LTD.” If payment is sent by post, please send the cheque or

banker’s draft to the attention of the Client Accounting Department at

Howick Place, London SW1P 1BB and ensure that the sale number is

written on the cheque. Cheques or banker’s drafts drawn by third parties

will not be accepted.

(iii) Payment by wire transfer may be sent directly to Phillips de Pury &

Company. Bank transfer details:

Bank of Scotland

Gordon Street, Glasgow G1 3RS.

SWIFT BIC: BOFSGB21138

Sort code: 80-54-01

IBAN: GB36BOFS 8054 0100 4407 80

For the account of PDEPL LTD

Account no.: 00440780

(e) As a courtesy to clients, Phillips de Pury & Company will accept Visa, Mastercard

and UK-issued debit cards to pay for invoices of £50,000 or less. A processing fee

will apply.

(f) Title in a purchased lot will not pass until Phillips de Pury & Company has received

the Purchase Price for that lot in cleared funds. Phillips de Pury & Company is not

obliged to release a lot to the buyer until title in the lot has passed and appropriate

identification has been provided, and any earlier release does not affect the passing of

title or the buyer’s unconditional obligation to pay the Purchase Price.

7 collection of ProPerty

(a) Phillips de Pury & Company will not release a lot to the buyer until we have

received payment of its Purchase Price in full in cleared funds, the buyer has paid all

outstanding amounts due to Phillips de Pury & Company or any of our affiliated

companies, including any charges payable pursuant to Paragraph 8 (a) below, and the

buyer has satisfied such other terms as we in our sole discretion shall require,

including completing any anti-money laundering or anti-terrorism financing checks. As

soon as a buyer has satisfied all of the foregoing conditions, he or she should contact

us at +44 (0) 207 318 4081 or +44 (0) 207 318 4082 to arrange for collection of purchased

property.

(b) The buyer must arrange for collection of a purchased lot within five days of the date

of the auction. Promptly after the auction, we will transfer the purchased lot to a third

party storage facility and will so advise the buyer. Purchased lots are at the buyer’s

risk, including the responsibility for insurance, from the earlier to occur of (i) the date

of collection or (ii) five days after the auction. Until risk passes, Phillips de Pury &

Company will compensate the buyer for any loss or damage to a purchased lot up to a

maximum of the Purchase Price paid, subject to our usual exclusions for loss or

damage to property.

(c) As a courtesy to clients, Phillips de Pury & Company will, without charge, wrap

purchased lots for hand carry only. We do not provide packing, handling, insurance or

shipping services. We will coordinate with shipping agents instructed by the buyer,

whether or not recommended by Phillips de Pury & Company, in order to facilitate the

packing, handling, insurance and shipping of property bought at Phillips de Pury &

Company. Any such instruction is entirely at the buyer’s risk and responsibility, and we

will not be liable for acts or omissions of third party packers or shippers.

(d) Phillips de Pury & Company will require presentation of government issued

identification prior to release of a lot to the buyer or the buyer’s authorized

representative.

8 failure to collect Purchases

(a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30

days of the auction, the buyer will incur a late collection fee of £25, storage charges of

£3 per day and pro rated insurance charges of .1% of the Purchase Price per month on

each uncollected lot.

(b) If a purchased lot is paid for but not collected within six months of the auction, the

buyer authorizes Phillips de Pury & Company, upon notice, to arrange a resale of the

item by auction or private sale, with estimates and a reserve set at Phillips de Pury &

Company’s reasonable discretion. The proceeds of such sale will be applied to pay for

storage charges and any other outstanding costs and expenses owed by the buyer to

Phillips de Pury & Company or our affiliated companies and the remainder will be

forfeited unless collected by the buyer within two years of the original auction.

9 remedies for non-Payment

(a) Without prejudice to any rights the seller may have, if the buyer without prior

agreement fails to make payment of the Purchase Price for a lot in cleared funds

within five days of the auction, Phillips de Pury & Company may in our sole discretion

exercise one or more of the following remedies: (i) store the lot at Phillips de Pury &


Company’s premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the

sale of the lot, retaining any partial payment of the Purchase Price as liquidated

damages; (iii) reject future bids from the buyer or render such bids subject to payment

of a deposit; (iv) charge interest at 12% per annum from the date payment became due

until the date the Purchase Price is received in cleared funds; (v) subject to

notification of the buyer, exercise a lien over any of the buyer’s property which is in the

possession of Phillips de Pury & Company and instruct our affiliated companies to

exercise a lien over any of the buyer’s property which is in their possession and, in

each case, no earlier than 30 days from the date of such notice arrange the sale of

such property and apply the proceeds to the amount owed to Phillips de Pury &

Company or any of our affiliated companies after the deduction from sale proceeds of

our standard vendor’s commission, all sale-related expenses and any applicable taxes

thereon; (vi) resell the lot by auction or private sale, with estimates and a reserve set

at Phillips de Pury & Company’s reasonable discretion, it being understood that in the

event such resale is for less than the original hammer price and buyer’s premium for

that lot, the buyer will remain liable for the shortfall together with all costs incurred in

such resale; (vii) commence legal proceedings to recover the hammer price and

buyer’s premium for that lot, together with interest and the costs of such proceedings;

or (viii) release the name and address of the buyer to the seller to enable the seller to

commence legal proceedings to recover the amounts due and legal costs.

(b) The buyer irrevocably authorizes Phillips de Pury & Company to exercise a lien over

the buyer’s property which is in our possession upon notification by any of our

affiliated companies that the buyer is in default of payment. Phillips de Pury &

Company will notify the buyer of any such lien. The buyer also irrevocably authorizes

Phillips de Pury & Company, upon notification by any of our affiliated companies that

the buyer is in default of payment, to pledge the buyer’s property in our possession by

actual or constructive delivery to our affiliated company as security for the payment of

any outstanding amount due. Phillips de Pury & Company will notify the buyer if the

buyer’s property has been delivered to an affiliated company by way of pledge.

(c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips de

Pury & Company to instruct any of our affiliated companies in possession of the

buyer’s property to deliver the property by way of pledge as the buyer’s agent to a third

party instructed by Phillips de Pury & Company to hold the property on our behalf as

security for the payment of the Purchase Price and any other amount due and, no

earlier than 30 days from the date of written notice to the buyer, to sell the property in

such manner and for such consideration as can reasonably be obtained on a forced

sale basis and to apply the proceeds to any amount owed to Phillips de Pury &

Company or any of our affiliated companies after the deduction from sale proceeds

of our standard vendor’s commission, all sale-related expenses and any applicable

taxes thereon.

10 Rescission by PhilliPs de PuRy & comPany

Phillips de Pury & Company shall have the right, but not the obligation, to rescind a

sale without notice to the buyer if we reasonably believe that there is a material breach

of the seller’s representations and warranties or the Authorship Warranty or an

adverse claim is made by a third party. Upon notice of Phillips de Pury & Company’s

election to rescind the sale, the buyer will promptly return the lot to Phillips de Pury &

Company, and we will then refund the Purchase Price paid to us. As described more

fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse

of the buyer against Phillips de Pury & Company and the seller with respect to such

rescinded sale.

11 exPoRt, imPoRt and endangeRed sPecies licenses

and PeRmits

Before bidding for any property, prospective buyers are advised to make their own

enquiries as to whether a license is required to export a lot from the United Kingdom

or to import it into another country. Prospective buyers are advised that some

countries prohibit the import of property made of or incorporating plant or animal

material, such as coral, crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell,

irrespective of age, percentage or value. Accordingly, prior to bidding, prospective

buyers considering export of purchased lots should familiarize themselves with

relevant export and import regulations of the countries concerned. It is solely the

buyer’s responsibility to comply with these laws and to obtain any necessary export,

import and endangered species licenses or permits. Failure to obtain a license or

permit or delay in so doing will not justify the cancellation of the sale or any delay in

making full payment for the lot.

12 data PRotection

(a) In connection with the management and operation of our business and the

marketing and supply of auction related services, or as required by law, we may ask

clients to provide personal information about themselves or obtain information about

clients from third parties (e.g., credit information). If clients provide us with

information that is defined by law as “sensitive,” they agree that Phillips de Pury &

Company and our affiliated companies may use it for the above purposes. Phillips de

Pury & Company and our affiliated companies will not use or process sensitive

information for any other purpose without the client’s express consent. If you would

like further information on our policies on personal data or wish to make corrections

to your information, please contact us at +44 (0)20 7318 4010. If you would prefer not to

receive details of future events please call the above number.

(b) In order to fulfill the services clients have requested, Phillips de Pury & Company

may disclose information to third parties such as shippers. Some countries do not

offer equivalent legal protection of personal information to that offered within the

European Union (EU). It is Phillips de Pury & Company’s policy to require that any

such third parties respect the privacy and confidentiality of our clients’ information

and provide the same level of protection for client information as provided within the

EU, whether or not they are located in a country that offers equivalent legal protection

of personal information. By agreeing to these Conditions of Sale, clients agree to

such disclosure.

13 limitation of liability

(a) Subject to subparagraph (e) below, the total liability of Phillips de Pury &

Company, our affiliated companies and the seller to the buyer in connection with the

sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot.

(b) Except as otherwise provided in this Paragraph 13, none of Phillips de Pury &

Company, any of our affiliated companies or the seller (i) is liable for any errors or

omissions, whether orally or in writing, in information provided to prospective buyers

by Phillips de Pury & Company or any of our affiliated companies or (ii) accepts

responsibility to any bidder in respect of acts or omissions, whether negligent or

otherwise, by Phillips de Pury & Company or any of our affiliated companies in

connection with the conduct of the auction or for any other matter relating to the sale

of any lot.

(c) All warranties other than the Authorship Warranty, express or implied, including

any warranty of satisfactory quality and fitness for purpose, are specifically excluded

by Phillips de Pury & Company, our affiliated companies and the seller to the fullest

extent permitted by law.

(d) Subject to subparagraph (e) below, none of Phillips de Pury & Company, any of our

affiliated companies or the seller shall be liable to the buyer for any loss or damage


WORLDWIDE OFFICES

NEW YORK

450 West 15 Street NewYork NY 10011 USA

+1 212 940 1200 +1 212 924 5403 fax

LONDON

Howick Place London SW1P 1BB United Kingdom

+44 20 7318 4010 +44 20 7318 4011 fax

phILLIpS de puRy & COmpany

advisory Board

Maria Bell

Janna Bullock

Lisa Eisner

Lapo Elkann

Ben Elliot

Lady Elena Foster

H.I.H. Francesca von Habsburg

Marc Jacobs

Malcolm McLaren

Ernest Mourmans

Aby Rosen

Christiane zu Salm

Princess Gloria vonThurn undTaxis

Jean Michel Wilmotte

Anita Zabludowicz

Chairman

Simon de Pury

Chief Executive Officer

Bernd Runge

Senior partners

Michael McGinnis

Dr. Michaela Neumeister

partners

Aileen Agopian

Sean Cleary

Alexander Payne

Rodman Primack

Olivier Vrankenne

Tiffany Wood

PARIS

C/O Pro First 15 Rue de la Paix 75002 Paris France

+33 1 42 78 67 77 +33 1 42 78 23 07 fax

MUNICH

Maximiliansplatz 12a 80333 Munich Germany

+49 89 238 88 48 0 +49 89 238 88 48 15 fax

BERLIN

Auguststrasse 19 10117 Berlin Germany

+49 30 880 018 42 +49 30 880 018 43 fax

GENEVA

23, quai des Bergues 1201 Geneva Switzerland

+41 22 906 80 00 +41 22 906 80 01 fax


Kelly Troester, Worldwide Co-Director +1 212 940 1221

Cary Leibowitz, Worldwide Co-Director +1 212 940 1222

Jannah Greenblatt +1 212 940 1332

Joy Deibert +1 212 940 1333

Nazgol Jahan, Worldwide Director +1 212 940 1283

Carmela Manoli +1 212 940 1302

Heather Zises +1 212 940 1290

Carolin Bulgari +41 22 906 80 00

Veronica Lota +41 22 906 80 05

Lane McLean +44 20 7318 4032

Anthony McNerney, Head of Evening Sale, London +44 20 7318 4067

Peter Sumner, Head of Day Sale, London +44 20 7318 4063

Laetitia Catoir +44 20 7318 4064

Silke Taprogge +44 20 7318 4012

Ivgenia Naiman +44 20 7318 4071

Fiona Biberstein +44 20 7318 4013

Siobhan O’Connor +44 20 7318 4093

Catherine Higgs +44 20 7318 4089

Raphael Lepine +44 20 7318 4078

Tanya Tikhnenko +44 20 7318 4065

Sarah Buchwald +44 20 7318 4085

Phillippa Willison +44 20 7318 4070

Michael McGinnis, Worldwide Director +1 212 940 1254

Aileen Agopian, New York Director +1 212 940 1255

Jean-Michel Placent +1 212 940 1263

Timothy Malyk +1 212 940 1258

Chin-Chin Yap +1 212 940 1250

Sarah Mudge, Head of Part II, New York +1 212 940 1259

Roxana Bruno +1 212 940 1229

Sara Davidson +1 212 940 1262

Maria Bueno +1 212 940 1261

Peter Flores +1 212 940 1223

(Uli) Zhiheng Huang +1 212 940 1288

Eugenia Ballvé +1 212 940 1303

Alexander Payne, Worldwide Director +44 20 7318 4052

Ben Williams +44 20 7318 4027

Domenico Raimondo +44 20 7318 4016

Ellen Stelter +44 20 7318 4021

Marcus McDonald +44 20 7318 4014

Alex Heminway, New York Director +1 212 940 1269

Marcus Tremonto +1 212 940 1268

Tara DeWitt +1 212 940 1265

Meaghan Roddy +1 212 940 1266

Stephanie Abraitis +1 212 940 1268

Johanna Frydman +33 1 42 78 67 77

CONTEMPORARY ART

LONDON

NEW YORK

DESIGN

LONDON

NEW YORK

PARIS

SPECIALIST AND SERVICE DEPARTMENTS

THEME SALES

LONDON

NEW YORK

CHAIRMAN LONDON

MANAGING DIRECTORS

PRIVATE SALES

MODERN AND CONTEMPORARY EDITIONS

NEW YORK

JEWELRY

NEW YORK

GENEVA

LONDON

Berlin & Munich Dr. Michaela Neumeister +49 89 238 88 48 10

Brussels & Paris Olivier Vrankenne +32 486 43 43 44

Paris Leonie Moschner +33 6 85 53 92 03

London Ivgenia Naiman +44 20 7318 4071

Brooke de Ocampo +44 777 551 7060

Los Angeles Mimi Won Techentin +1 310 600 9192

Maya McLaughlin +1 323 791 1771

Milan Laura Garbarino +39 339 478 9671

Eugenia Bertelè +39 02 3669 5895

Moscow Svetlana Marich +7 495 225 88 22

Shanghai/Beijing Jeremy Wingfield +86 135 0118 2804

Lou Proud +44 20 7318 4018

Sebastien Montabonel +44 20 7318 4025

Alexandra Bibby +44 20 7318 4087

Helen Hayman +44 20 7318 4092

Vanessa Kramer, New York Director +1 212 940 1243

Shlomi Rabi + 1 212 940 1246

Caroline Shea +1 212 940 1247

Sarah Krueger +1 212 940 1245

Charlie Scheips, International Consulting Director + 1 212 940 1245

PHOTOGRAPHS

LONDON

NEW YORK

INTERNATIONAL SPECIALISTS AND REPRESENTATIVES

Tiffany Wood, Worldwide Director +49 30 880 018 42

Tobias Sirtl, London Manager +44 20 7318 4095

Arianna Jacobs +44 20 7318 4054

George O’Dell +44 20 7318 4040

Corey Barr, New York Manager +1 212 940 1234

Anne Huntington +1 212 940 1210

Steve Agin, Consultant +1 908 475 1796

Rodman Primack +44 20 7318 4017

Finn Dombernowsky, London +44 20 7318 4034

Charlie Horne, New York +1 212 940 1292

Christina Scheublein +1 212 940 1248


Auction

Day sale, Saturday 17 October 2009 at 3pm

Evening sale, Saturday 17 October 2009 at 7pm

Viewing

Saturday 10 October 10am – 6pm

Sunday 11 October 12pm – 6pm

Monday 12 October – Friday 16 October 10am – 6pm

Saturday 17 October 10am – 12pm

Viewing & Auction LocAtion

Howick Place London SW1P 1BB

SALe DeSignAtion

In sending in written bids or making enquiries please refer to these

sales as UK010509 or Contemporary Art Evening Sale and UK010609

or Contemporary Art Day Sale.

worLDwiDe Director

Michael McGinnis New York +1 212 940 1254

Director

Aileen Agopian New York +1 212 940 1255

SpeciALiStS

Anthony McNerney, Head of Evening Sale, London +44 20 7318 4067

Peter Sumner, Head of Day Sale, London +44 20 7318 4063

Laetitia Catoir +44 20 7318 4064

Silke Taprogge +44 20 7318 4012

Ivgenia Naiman +44 20 7318 4071

Fiona Biberstein +44 20 7318 4013

Jean-Michel Placent +1 212 940 1263

Timothy Malyk +1 212 940 1258

Chin-Chin Yap +1 212 940 1250

Sarah Mudge, Head of Part II, New York +1 212 940 1259

Dr Micheala Neumeister +49 89 238 88 48 10

Olivier Vrankenne +32 486 43 43 44

Leonie Moschner +33 6 85 53 92 03

Brooke de Ocampo +44 777 551 7060

Mimi Won Techentin +1 310 660 9192

Maya McLaughlin +1 323 791 1771

Laura Garbarino +39 339 478 9671

Jeremy Wingfield +86 135 0118 2804

Cataloguers

Raphael Lepine +44 20 7318 4078

Tanya Tikhnenko +44 20 7318 4065

Henry Highley +44 20 7318 4065

ADminiStrAtorS

Siobhan O’Connor +44 20 7318 4093

Sarah Buchwald +44 20 7318 4085

Phillippa Willison +44 20 7318 4070

VALuAtionS mAnAger

Catherine Higgs +44 20 7318 4089

operAtionS mAnAgerS

Ross Martin +44 20 7318 4057

Jeffrey Rausch, New York +1 212 940 1367

Catalogues

Allyson Melchor + 44 20 7318 4039 + 1 212 940 1240

Catalogues £30 at the Gallery/$60

[email protected]

AbSentee AnD teLephone biDS

Anna Ho +44 20 7318 4045 +44 20 7318 4035 fax

[email protected]

buyerS AccountS

Carolyn Whitehead +44 20 7318 4020

SeLLer AccountS

Elliot Depree +44 20 7318 4072

cLient SerViceS

Brette Kameny +44 20 7318 4010

photogrAphy

Byron Slater, Peter Hepplewhite, Kent Pell

SALe inFormAtion

Front cover Lucio Fontana, Concetto spaziale, 1958-1960, Lot 30 (detail)

title page Jean-Michel Basquiat, Year of the Boar, 1983, Lot 12 (detail)

Frontispiece Martin Kippenberger, Big Until Great Hunger, 1984, Lot 6 (detail)

Back Cover Jim Hodges, The Good News (De Morgen), 2006, Lot 3 (detail)

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www.phillipsdepury.com

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