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    Edited by

    Dr. A. S. Nene

    [email protected]

    Buildinging Materials & Construction

    Techniques of Ancient India

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    Eight ancient Indian tools of a

    Sthapati (Engineer/ Architect)

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    Mud, bricks, lime, stones, wood, metals andprecious stones should be used inconstruction of houses - Mayamat

    Ancient Building Materials

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    1. Soil /Mud

    Techniques (Vidya) related to Veshma Shashtra

    Vaso vidya-Huts (made of barks/skin)

    Kutti vidya-Mud houses

    Arts related to Kutti vidya

    Mrutsadhan - Soil conditioning

    TruNadyachhadan - Roofing with grass

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    Definitions

    Soil It is an aggregate of inorganic and

    organic grains which can be separated by

    simple mechanical action such as agitation in

    water or by sieving.

    Clays: Clays are finest particles of soil with

    a size smaller than 75 microns.Mud It is a workable mixture of clay soil

    and water.Ramtek -7 Aug 2014

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    MANIFESTATIONS OF MUD

    Cob Adobe / Sun- dried blocks

    Rammed earth Wattle and DaubRamtek -7 Aug 2014

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    Advantages of Adobe material

    Adobe has relatively high thermal conductivityAdobe has sound insulation property.

    Mud construction is really cost-effective,

    Mud construction is a labor intensive mode

    Disadvantages

    Mud construction has low strength compared to

    brick or stone construction.

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    SOIL STABILIZATION

    Functions of soil plasticizers

    Increase the workability with minimum water

    content

    Increase the water repellent property

    Increase the strength by increasing thedensity.

    Impart glazing to pottery products.

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    Ancient plasticizers can be grouped as

    Extracts of Herbs, Fruits and tree barks

    Trifala- Aamla, Hirda and Behada1

    Wood apple2, Holy tree fruit3

    Barks- Khadir4, Arjun trees

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    Natural fibers

    Cotton, coir, wool, silk cotton or jute

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    Natural polymers

    Cow Dung, Jaggaery, Coconut water, Eggs,

    Green Algae, rice husk, burnt coconut shell

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    Idols - Mud plaster

    This constancy is determined by rollingthe clay mass on the palms. When the linesof palm are clearly impressed on the claymass the constancy is proper.

    Liquidity index for this consistency (Palm line limit)corresponds to 15 to 20 %

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    CASE STUDIES

    A. Gadi soilswhite soil

    The main constituents

    are local soil, fine sand,

    cow dung, quick lime,

    extracts of Belphal ,fibers of jute and water

    for mixing.

    The mixture is allowed tomature for a minimum

    period of 30 days and

    kneaded everyday.

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    2. Mud f loor ing.

    The floors of were made

    of a material that is unique

    blend of burnt coconutshells, quick lime, palm

    toddy, the whites of eggs

    and extracts of certain

    barks of trees and nuts.

    Padmanabhapurum palace (1601 A.D) in Kerala

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    Laurie Baker & his work

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    2-Bricks & Roof Tiles

    Mohenjodaro 2500 BC

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    Origin of Bricks

    Sanskrit word for brick is "Istika" meaning

    comfort giving or well being. On being

    burnt, the mud blocks of fire place (Yadnyakund) turned into a baked brick. Sage

    Angirus was an authority on brick making.

    Ref. Shatapatha Brahman

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    Bricks and Tiles making

    1. Selection of suitable site and collection of soil2. Wetting & Kneading the brick earth, Mixing of

    additives.3. Hand molding of bricks

    4. Sun dying of bricks5. Kiln Preparation and firing the bricks6. Cooling and quenching of bricks7. Rejecting damaged or non standard bricks

    8. Testing of bricks9. Classification & qualitiesRef -Shilparatna, (c14, v48-51)

    Various stages invo lved

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    Cooling and quenching of bricks

    The fire should be extinguished after 15 days

    Bricks should be immersed in water for six to twelve

    months before these are used

    Bauddhayan Shalbsutra- measurement of bricks

    used in constructing Holy pyre. The description ofHansmukhi (pentagonal) and Choukoni(four sided)

    bricks.

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    Brick Classification

    Masculine Bricks with the same width at the front and theback

    Having parallel edges Best for a for buildings .

    Feminine -Bricks

    Lesser width at the front than at the back Curved but parallel edges Building temples of Goddesses.

    Neuter- bricks

    Greater width at the front Curved but non parallel edges Discarded but used for other purposes.

    RefShilparatna , Kashyap-Shilpam(and Ishan Shivgurudev paddhati

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    Shapes& Sizes of Bricks

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    Roof Tiles

    Types and Sizes of roofing tiles

    Neevraloshta , Urdhwaloshta, Turyakloshta

    Kroorloshta , Dhwashraloshta, Keellloshta

    Gartakonaloshta , Konaloshta , Putloshta

    Ref.- Shilparatna, Vastuvidya and Vastu Vidya

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    Name of Bond

    in the order of

    strength

    Layers in which

    joints are exactly

    above First Layer

    1.Toda or Patti Third

    2.Mallaleel Fourth

    3.Brahmraj Fifth4.Panchparva Sixth

    5.Poogparva Seventh

    6.Devsandhi Ninths

    6.Swana twelfth

    7.Dandak Fourteenth

    Brick bonds

    Samarangana Stradhar (c10-v26.), Baudhayan Shulbsutra,Vasturatnakar

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    1 - Mohenjo-Daro and Harappa Civilization

    Brick Size - 10 x 20 x 40 cm

    2

    Floating Bricks of Maharashtra during 10th to 17thcentaury

    Gora kumbhar (1267 to 1317 AD) Floating Bricks atTera doki (near Kurduwadi)

    Sizes of bricks vary from 350x175x75 mm to450x225x150mm.

    Properly fired

    Lighter by 2 to 10 times compared to modernbricks

    Contains micro pores partially interconnected.

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    Written instructions by Swami Ramadass to Shiwaji ,

    about bricks and brick construction.

    Bricks should be of uniform size and with square corners

    Size should be 9x7x3 tasu.(1 tasu = 37.5 mm)

    Brickearth should be prepared by proper mixing of red clayey

    soil, ash, dung of cow or horse.

    Soil mixed with water should be kneaded frequently

    The soil should be free from gravels

    Wooden moulds should be used for casting bricks. Sides should

    be fixed by driving nails.

    Bricks should be sun dried and then fired in kilns. The fire

    wood should be dry and of medium size.

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    Village Sirpur (Chhattisgarh) 5th century AD.

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    Lakshmana Temple, Sirpur-Chattisgarh

    Lakshmana temple built by Queen Vasata, in 7th century AD is

    world heritage structure

    Brick temple stands on a high massive platform

    This temple is one among the best examples of brick temples

    of ancient India. Ramtek -7 Aug 2014

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    Clay cart of MohenjodaroRamtek -7 Aug 2014

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    3. Lime and Lime Mortars

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    Five types of sands for lime mortars

    1. Karal (size similar to hirda seeds)2. Mugdi (size similar to green gram

    seeds)3. Gulmash (medium size sand)4. Kalk (size similar to Bengal gram flour)

    5. ChikkaN (Fine silt)

    Ref.Mayamat chp.18Ramtek -7 Aug 2014

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    Lime Plasters

    1. Wash and dry fine sand

    2. Sieve slaked lime to separate coarse materials.3. Cut cotton fibers into very fine pieces.4. Cook three food grains (Trijava) Rice, Wheat and Barley(equal parts).5. Cook powdered banana.

    Mix all the above ingredients in the proportion given below

    Fine sand 1 part

    Slaked lime 1 part

    Cooked grains half partCooked Banana powder Half part

    Cotton fibers Half part

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    Ingredient for Lime plasters1 Ash 9 Cow dung 17 Mahuwa flowers

    2 Bark of Neem 10 Egg white 18 Milk, curd or ghee

    3 Bark of Pakar tree 11 Flowers Silk cotton tree 19 Mustard cake

    4 Bee wax 12 Green gram (Moog) 20 oil

    5 Belgiri (aegle'pulp) 13 Guggul 21 Powder of Cattle horn

    6 Black gram(Udad ) 14 Hemp fiber 22 Resin of Sal tree

    7 Brick powder 15 Jaggery 23 Rice husk

    8 Clay 16 Juice of Cactus 24 Saaf flower oil

    Natural Polymers for Lime Mortar

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    Case Studies

    Brick Mortar

    A Light House structure on the coast near Mul Dwarka

    (Kodinar)

    The possible date of this structure is 12th and the 15th

    centuries AD.

    As per SEM analysis lime mortar was used .

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    Waterproof lime mortar

    Mix Ghee, coconut water, black

    gram paste , extract of

    barks(Pipal), milk, curd,

    decoction of Trifala, and Pichhit,

    in proportion of 3,4,5,6,7,8,9,10

    and 11 parts to 100 parts of

    slaked lime.

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    4. Building Stones

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    Sources of building stones

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    Sources of building stones

    From hills From underground mines

    Riverbanks and forests

    The stones obtained from barren land,

    graveyard or those embedded in ground

    are unsuitable.

    Stones obtained from sites unsuitable

    for habitation are also unsuitable.

    Ref. Kashyapash i lpa

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    Stones of first or third category are unsuitable

    By Age

    Child Sound produced as un-burnt

    bricks, long or flat in shape asa leaf

    Young Longringing sound like bell,

    soft in touch, with good smell,

    without pores

    Old Non-ringing sound, highly

    porous, highly weathered

    Ref. MayamatRamtek -7 Aug 2014

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    Defects in building stones

    Lines curvilinear (as thread),

    straight (as sun rays)

    parallel (as rains)

    Spots size. lemon fruit (15-20 mm),

    grape size (5-10 mm),

    less than 5 mm.

    Ref. Mayamat

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    Selection of Building Stones

    The stones which are weathered, contains sand grains ordisintegrates on immersion in water are termed unsuitable(Kashyapashilpa ,Shilpratna )Stones from unsuitable site, used stones, stones withinferior minerals are termed unsuitable (Mayamat ,

    Vishnupuran)Stone with one side very long compared to other sidesshould not be used. (Shilpratna )Brittle or porous stones, non-uniform colored stones areunsuitable (Shilpratna, Vishnupuran)Stones with cavities inside or poisonous stones should notbe used. The ancient texts describe methods to check suchdefects. (Mayamat , Shilpratna )

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    Breaking of stone blocks

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    gHeating: The stone block is heated by make a

    pyre of wooden logs of Palash or Tinduk trees.

    The heating is continued till the color of woodenlogs becomes bright red or orange.

    Cooling: The fire is moved to adjacent area of

    rock surface. The preheated surface is cooled down

    quickly by pouring certain types of liquids listed

    below.

    Solution of quick lime in cold water

    Solution prepared by mixing buttermilk with rice paste, ripeberries.

    Solution prepared by boiling Neem leaves and some tree

    barks.

    Ref. Brihat SamhitaRamtek -7 Aug 2014

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    SurangaA water tunnel

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    g

    Suranga is a tunnels bored horizontally

    on the slopes of hills to get clean drinking

    quality water.

    Found in many parts of Dakshina Kannada

    district of Karnataka and Kasaragod districtof

    KeralaQuanatis a similar structure used in Iran

    and Iraq

    Quanat

    Suranga

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    Ashtabandha and Vajralepa

    Special Mortars for Brick or Stone masonry

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    Shrivasaka Raktabola(myrrh)

    Guggulu Bhallataka

    Kunduruka

    or tree resin

    Atasi Bilva) fruit

    The resulting paste is termed as adamantine glue. It

    was expected to last for a million years.

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    Second VarietyAs per Mayamat

    Lac Kunduru soot (lamp

    black)Guggulu wood-apple Manjiostha

    resin

    Bilva

    kernel

    fruits of Naga,

    neem,Tinduka,Madana,Madhuka,

    myrrh and

    Ambalaka

    The method of preparation is same as

    mentioned above.

    Ingredients are

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    Third Variety As per Brihatsamhita

    This variety of glue known as Vajratala or VajralepaIngredients are

    horns of cows, buffalo and goats,

    hairs of donkey,

    buffalo hide, cow hide,

    Neem fruits,wood-apples and myrrh.

    This mixture too should be boiled in water and

    reduced to one-eight. In this glue some organicsubstances are also included

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    Musical Pillars at Hampi, Vijaynagar AP

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    5 Timber for Construction

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    A civil engineer has to use different building materials including

    wood.

    The quality and durability of the structure depends upon

    the wood used.

    The life of the structure is also affected by trees grown in

    its vicinity.

    Hence a civil engineer should have some basic

    knowledge about botany.

    5. Timber for Construction

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    Environment means neighborhood of

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    Indian Botanical Classification

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    Indian Botanical Classification

    Western Botanists divide trees into two classes viz.;

    1) Endogenous or growing from inside and

    2) Exogenous or growing from outside.

    Ancient Indian Botanists divide trees into four classes viz.;

    1. NissarTrees having no hard core

    2. Antassar-Trees having hard core inside

    3. BahhissarTrees having hard core outside

    4. Sarvassar- Trees having core throughout their cross-section

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    1.Nissar trees are Pipal, Banyan and Holy fig.

    However thick these trees grow they form no core.

    Their flowers are closed. Fruits are bunch of flowers

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    3. Antassar trees or Exogenous trees, as per

    western Botanist, are Mango, Jackfruit, Neem

    tree and other trees.

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    Unsuitable trees

    Pipal , Banyan , Holy fig, Kadamba

    Saptaparn ,Tamarind Bilva Palash,

    Pilu ,Kutaj, Shlemantak, Lodhra ,Parijat, Kovider, Shirish, Plaksha,

    Mahadroom

    Nissar trees and Sarvassar trees are

    unsuitable construction

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    Tree Recommended near Habitat

    High trees or fruit bearing trees may be

    allowed, provided they cast no shadow at

    noon or overtop the building. The distance of

    tree from house should be twice the height

    of tree.

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    T itt d t H bit t

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    Trees permitted to grow near Habitat

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    Classification of Trees

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    According to Gender

    Gender: This subdivisions is based on the

    direction of growth of the tree.

    Male trees : Trees strong vertically or in compression

    Female trees: Trees strong laterally or in tension

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    Hard wood Trees

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    Hard wood Trees

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    Classification of Trees

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    According to Age

    Classification of Trees

    Age: This subdivisions is based on the five life spans

    the tree: Child, Young, Adult, Aged and Dead

    The trees in the middle three spans of life are to be used

    for constructional purposes. The trees in the extreme two

    spans (childhood and decay) of life should not be used.

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    Formation test

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    To ascertain the stage of life of a tree, a bore through

    the stem, at two feet above ground is made. The age of

    the tree is indicated by1) color of the core,

    2) hardness and

    3) juice oozing from the bore.

    If a tree is already cut, instead of juice, the sound

    produced by tamping with a heavy rod, will indicate the

    stage of age.

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    Directional suitability of Trees

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    Directional suitability of Trees

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    K t i W d

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    Knots in Wood

    The wood should not be full of or devoid of knots.

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    Seasoning of wood

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    For seasoning of wood, it should be placed on sandwith bottom portion facing wind blowing from west or

    south direction.

    Seasoning of wood

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    Before felling the tree, the branches of tree

    should be cut first to avoid unusual strains.

    Felling the tree

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    Preservation of Wood

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    Preservation of Wood

    The wood should be painted to avoid thelosses of oily substance. An oil coat should

    be applied every year after rainy season.

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    Frames and door shutters

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    Wood for frames and door shutters should be of same

    type so that the action of weather may be same on

    both. Unequal action produces unequal strains and it is

    detrimental to architecture.

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    Woodwork Joints

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    Rathakar - Maker of chariots

    Badai - Carpenter Vidalkari - Women bamboo

    worker

    Names of wood workers - Shatapatha Brahman (3.6-12)

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    6.Colors and Paints

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    To enhance the aesthetics of any structure.

    To improve the durability .

    Vishnudharmottara Purana

    Chitrasutra

    Abhilisharthachintamani

    Manosollas

    Related ancient Indian texts

    The main purpose of colors and paints

    Basic Colors

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    White, yellow, red, black and blue are fivebasic (pure) colors. All other compositecolors are made from these colors.

    White color - White color is prepared from lime

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    White color White color is prepared from lime

    made of shells or mother of pearls or from white clay

    (pottery clay-Kaolin). White color is prepared by

    mixing resins of Neem or wood apple tree with white

    soil or lime. The mixture is pulverized and dissolved

    in hot water.

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    Yellow color - Yellow color is prepared frompounding yellow wood trees (Haridra) and yellow

    soil (from hills or river banks) together. Themixture is poured in clear water for two hours.The top yellow solution is stored in earth pot tillit dries. The dry powder is used for preparing

    yellow color.

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    Red color - Red color is prepared from Sindur (Vermilion), Gaierik

    (R d h ) Hi l (Ci b ) L k h (Sh ll ) li h

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    (Red ochre), Hingul (Cinnabar) or Laksharus (Shellac) to get light,

    medium, dark and very dark shades respectively. Red ochre is finely

    pulverized and sieved through a muslin cloth. The powder is cleaned by

    mixing with water. Vermillion is mixed in water and stirred for 12 hours.

    Manashil is dry pulverized by pounding in mortar with pestle. All these

    colors are mixed with resin of Neem.

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    Black color -Oil lamp is ignited in a mud pot. Inner

    surface of another mud pot is smeared with powder of drycow dung. This pot is place on the first pot such that lampblack is coated inside the top pot. The lamp black is cleanedwith water before application.

    Blue color - Blue color is prepared by drying a mixtureof blue minerals or indigo and resin of wood apple.

    Golden color - Golden color is prepared from gold foilpulverized with fine sand. The mixture is poured in water andtop suspension is separated and mixed with adamantine glue.

    The painted surface is polished with horn (of an ox or swine).

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    Composite Colors

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    Composite colors were made by mixing two

    or more basic (pure) colors.Table Composite colors

    Basic colors to be mixed Resulting composite color

    White + Red Gour light Pink

    White + Black +Yellow Shar color

    White + Black Elephant skin colorRed+ Yellow Bakul flower color

    2 parts Red+1 part Yellow flame color

    Dark Red+Yellow Fire color

    2 parts Yellow +1 part white gray color

    2 parts Yellow +1 part black aqua color

    White +Yellow skin colorYellow +Blue parrot green color

    Shellac+Hingul Dark Red

    Shellac+black Purple color

    Blue+black Hair color

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    Paintings at Ajanta & Ellora Cave

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    This presentation is only a tip of huge iceberg i.e. Ancient IndianShilpashastra.

    The main purpose to acquaint the engineers and students about theglorious heritage of ancient India.

    Many of the ancient techniques may have become irrelevant with the

    advent of modern materials and construction equipments. But onemust admire the wisdom of ancient engineers of India.

    The ancient Indian texts are not religious books compiled for peopleof a particular religion or caste. These are encyclopedias of allsubjects.

    If this presentation could inspire few research workers to look intoother hidden aspects related to their profession, the purpose ofthis presentation will be more than fulfilled.

    Indias Contribution to World

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    India s Contributionto World

    Mantra Futuristic Invention

    Ideas Tantra Technology

    Yantra Machines & Mechanisms

    Ramtek -7 Aug 2014

    Acknowledgement

    This presentation is based on published and

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    This presentation is based on published and

    unpublished works of Late K.V.Vaze and G.G.Joshi

    Late K.V. Vaze

    1869-1929

    Late G.G. Joshi

    1912-1992Ramtek -7 Aug 2014

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    Review the Past with modern perspective- Kautilya