CONCERT and RECEPTION

Sunday, April 16 4:00 P.M. University Music Building

PROLOGUE FOR BRASS AND PERCUSSION (1959)DANIEL GUERERRO

UNIVERSITY OF HAWAII BRASS ENSEMBLE

RICHARD S. LUM, director

o LORD, OUR LORD (Psalm 8) (1960) .First performance

N ORMAND LOCKWOOD

o Lord, our Lordhow majestic is thy name in allthe earth!

SHIGERU HOTOKE, tenorUNIVERSITY OF HAWAII STRING ENSEMBLE

NORMAND LOCKWOOD, composer-conductor

I HEAR AMERICA SINGING (1954) NORMAND LOCKWOODI hear America singing, the varied carols I hear, Those of the mechanics, the carpenter,

the mason, the boatman, the deck-hand, the shoe-maker, the hatter, the wood cutter's song,the plough-boy's, the singing of the mother or of the young wife at work, or of the younggirl sewing or washing, each singing what belongs to him or to her.... At night the partyof young fellows, robust, friendly.... Stave nlachines, planing machines, reaping machines,plowing machines, thrashing machines, steam wagons.... The little one sleeps in its cradle... the unbounded sea, on its breast a ship.... The big doors of the country barn standopen, ready for the harvest.... A child said, What is the grass? How could I answer thechild? I do not kno'w any more than he what it is. I hear America singing, the varied carolsI hear-Walt Whitman

UNIVERSITY OF HAWAII CONCERT CHOIR

RAYNETIE YASUKAWA, pianoNORMAN' D. RIAN, director

Alleluial Praise the Lord, AlleluialPraise God in his sanctuary ... in his mighty firmament!Praise him for his mighty deeds ... for his abundant greatnesslPraise him with the blast of the horn ... with the lyre and the lutelPraise him with the drum and the dance ... the clanging cymbalslLet every heart that breathes, praise the Lordi Alleluial

UNIVERSITY OF HAWAII

CHORUS

CONCERT CHOIR

WIND ENSEMBLE

NORMAN D. RIAN, director

THE CLOSING DOXOLOGY (Psalm 150) (1952)NORMAND LOCKWOOD

A reception honoring Isami Doi and Normand Lockwood will follow thisafternoon's musical program. All are cordially invited to meet our distin­guished guests.

Festival Gllests

Punahou School and the University of Hawaii take sincere pleasure in wel­coming artist Isami Doi and composer Normand Lockwood as the featured guestsof the 1961 Festival of Music and Art of This Century. Mr. Doi and Mr. Lock­wood have been widely recognized for their creative achievements, and "'\\Te aremost honored that they have accepted our invitation to participate in the festival.

Mr. Doi's paintings may be seen in tIle University of Hawaii Music Buildingduring the festival week, and Mr. Lockwood's works will be heard in the festival'smusic programs.

Isami Doi was born in 1903 on Oahu, and spent most of his early years on theisland of Kauai, where he has recently returned to a life of contemplation andpainting. He attended the University of Hawaii and Columbia University andtook specialized art studies in Paris. He is widely known as a printmaker, havingworked with great success in lTIOSt of the fine print techniques. I-lis honors as apainter and printmaker are far too numerous to recount here. Mr. Doi's last exhi­bition at the Honolulu Academy of Arts was one of the outstanding shows ofrecent years, and he was singled out for highest praise by New York critics for hispictures in the Seven Artists from Havvaii exhibition at the Downto,\vn Galleryin February 1960.

ormand Lockwood was born in New York in 1906. He attended the Schoolof Music of the University of Michigan after which he studied in Europe withNadia Boulanger and lived for three years in Rome as a Fellow of the AmericanAcademy in Rome. Following ten years of teaching at Oberlin Conservatory ofl\!Iusic, Mr. Lockwood went to New York on a Guggenheim Fellowship. Duringhis residence in the New York area, he taught at Columbia University, Yale Uni­versity, Westminster Choir College, and Union Seminary, and was active in theAmerican Composers Alliance, the National Association for American Composersand Conductors, and the Yaddo Festival at Saratoga Sp-rings. Mr. Lockwood iscurrently at work on an opera, Early Dawn, which will be produced in the latesummer of 1961 by the University of Denver.

Mr. Lockwood's work, 0 Lord, OU1' Lord, was composed especially for the fes­tival and is dedicated "to my esteemed friends in the Music Department, Univer­sity of Hawaii."

What

Panel Discussion

re the Uses of Contemporary Painting?

Monday, April 17 8: 15 P. f. George Hall 226 (adjoining Gallery)

Moderator

BEN NORRIS, Painter and Professor of Art

Panelists

ALFRED PREIS, AlA, ArchitectCARL WRIGHT, Layman and Journalist

JEAN CHARLOT, Painter and Professor of ArtURRAY TURNBULL, Interim Director, East-West Center,

a defection in his career of Artist and Teacher

Projectionist

GILBERT F. C RPEl TER, Painter and Profes. or of rt

Is contemporary painting, or any painting for that matter, actually useless,existing only for itself and accessible only through essentially private responses?What about public art in the twentieth century? Are the painting styles peculiarto the twentieth century too private for public relevance? Is the word "decorative"till a nasty word to the dedicated artist or connoisseur? How important to society

are the sometimes difficult expressions of contemporary painters? This evening'panelists mayor may not answer these questions, but they will doubtless havesome stimulating comments to make.

As an aid to orientation and to focus attention on some visual references, thefollowing works will be projected on the screen, and may be referred to through­out the discussion:

1. Thomas Hart Benton, detail of a m ural in oil.2. Peter Blume, The Eternal City~ a large easel painting.3. Pablo Picasso, Guernica~ a mural in oil.4. Max Ernst, Sun and Sea~ a very small easel painting.5. Josef Albers, I-lomage to the Square: Tempered Ardor~ an easel painting.6. ~Iark Rothko, White and Grays in Blue~ a very large easel painting.7. Claude Monet, Nympheas~portion of a mural in oil.8. Jackson Pollack, Autumn Rhythm~ a very large painting.9. Willem de Kooning, Woman and Bicycle~ a large easel painting.

10. Henri Matisse, Saint Dominic, glazed tile in chapel at Assy.11. Assy, France. Porch of the Chapel.12. Chapel of the Agricultural School at Chapingo, Mexico. Rivera frescoes.13. Diego Rivera, detail of Chapingo frescoes.14. Robert Motherwell, Wall Painting No. IV~ a large easel painting.15. Kurt Schwitters, Drawing R 2: Hansi-Schokolade~a very small easel picture.

rt Exhibi

Monday, April 17 7:30 P. . University of Hawaii Gallery, George Hall

Reception opening the annual Student Exhibition of the University Art De­partment. This year the exhibition will be sho,vn in four successive installments,of ,vhich this is the first, in order to accommodate a representative selection ofvaried tudent \vork.

pril 17- fay 5

May 8-19

iay 22-June 2

June 5-17

Paintings, Drawings, Prints

Ceramics, Sculpture, Constructions, "I"extile

Visual Design, Advertising Art, Architecture

One-man shows by graduate painting students!{enneth Bushnell and Walter Hood

pril 13-25 Lobby, he Ha,vaiian Electric Company

,Iember' nnual Exhibition by Hav\Taii Painters and culptors League.

April 17-21 Montague Hall, Punahou School

n exhibition of prints by active luembers of the Honolulu Print Maker .

pril 7-29 Library of Hawaii

Exhibition of annual Gift Prints by melnbers of Honolulu Print Makers, cov­ering a selection of prints distributed to subscribers during the twenty-five yearof the Print Makers.

CONCERT

Tuesday, April 18 8:00 P.M. University Music Building

DEUX RAPSODIES (1905) CHARLES MARTIN LOEFFLER

L'Etang (The Pool)La Cornemuse (The Bagpipers)

JAMES ALEXA DER, oboeBARBARA BECHTOLD, viola

ISABEL HARA ,piano

THREE SONGS (ca. 1950)Suk yu (Pomegranate)Naga koo eh e rom ul (Till I call your name)Koo rhee oom (Longing)

HELEN NOH LEE, mezzo-sopTanoMARIAN KERR, piano

YOON-JOO JEO G

QUI TET FOR PIANO AND STRI G QUARTET (1941)ORMA "D LOCI WOOD

.f dagioAdagio con gran' tranquillitaAllegro molto e vivaceAdagio con gran larghezzaRecitative (Lento cantabile)-Vigoroso e marcatissimo-Lento moderato

DELIGHT HEDGES, piano

IVfARIANNE FLEECE, violi'n 1 R OBERT BECKER, viola. RAY.r10r JD VAUGHT, violin II BELLE CI-IAMBERLIN, cello

INTERMISSION

r- HREE WORKS BY ANTON WEBERFour Pieces for Violin and Piano, Ope 7 (1910)

RAYl\10ND VAUGHT, violin MARlAr !{ERR, pianoQuartet for Clarinet, Tenor Saxophone, Violin, an·d Piano, Ope 22 (1930)

EDWARD MATSUSHIGE, clarinet DALE BECI-ITEL, violinFLOYD UCHIMA, tenor saxophone JOHN SACLAUSA, piano

Variations for Piano, Ope 27 (1936)ZANETA RICHARD , piano

OBOE Q"UI TET (1961)First performance of complete work

llegro giocosoAdagioModerato e semplice

GEORGE BARATI

JAMES ALEXANDER, oboeDELIGI-IT HEDGES, violin I GEORGE GAUGGEL, violaBARBARA BECHTOLD, violin II KATHRYN KENNARD VAUGHT, cello

OIlight' Composers

CHARLES MARTIN LOEFFLE.R (1861-1935) Born in Alsace. Following violinstudy with Joachim and composition study with Guiraud an·d Kiel, he came toAmerica and became first desk violinist with the Boston Symphony. Among hismany chamber works are his Deux Rapsodies which were inspired by poemsof Maurice Rollinat and were dedicated to the memory of Leon Pourtau.

OON-JOO JEOl G Born in 1918 in Choon-moo City, lVIr. Jeong studied com­position with Dong-Hyuk 1m from 1939 to 1942, and was music instructor fornine years at Tong-yun Middle School. He is presently serving as musicianand sound recording chief of the Motion Picture Section of the ExecutiveOffice of the State Council, Republic of Korea Government. Mr. Jeong hacomposed several works for orchestra. His ballet suite, D'eath of the Magpie)was awarded first prize in the Korean Music Composition Contest whicll waponsored by the Asia Foundation, Korea Branch.

ORMt\ D LOCI(WOOD Quintet for Piano and Strings was first performedin Oberlin about a yea11 after it was completed by a senior piano student anda student string quartet in the Conservatory. The work has since been per­formed by faculty members of the Woman's College, Greensborough, N. C.,and by Johana Harris and the Galimir String Quartet at the Music Period,Yaddo, Saratoga, . Y.

TO WEBER (1883-1945) Born in Vienna. Received his Ph.D. in '1usi­cology froln the University of Vienna in 1906. In 1904 he became Scllonberg"first pupil and remained his lifelong disciple. The Three Worhs by AntonWebern were selected by the festival committee as representative of the devel­opment of this important and strongly influential composer. There are manyyoung composers who feel that our musical age is really "the age of Webern."

EORGE BARATI Born in Gyor, Hungary, in 1913. Mr. Barati is musical di­rector of the Honolulu Symphony. His orchestral work The Dragon and ThePhoenix was cOlnmissioned by tIle Honolulu Symphony Society and had itspremiere performance in January 1961. Two movements of Mr. Barati's OboeQuintet were performed in the 1959 Hawaii festival. With the recent comple­tion of the third and final movement, this work is having a first performanceof the entire quintet in the 1961 festival.

University Young Musician

CONCERT

\IVedne. day, April 19 8:00 P.M. University u ic Building

'TWO CHANSONS (1931)Poems by Rainer l\faria Rilke

The Doe (La Riche)

FOUR SONGS (1938)Poem by Grant Loomis

Forever Be l\tly Song of SongBe Not Disconsolate

PAUL HINDEMITH

Since All Is Passing (Puisque tout passe)

ORMAND LOCI woo

OmenTinmouth Town

WI TER (1957) H R ROBERt"' WILSO T

U I IVERSITY OF HAWAII SINGER

OR~IAN D. RIAN~ director

o (ca. 1959)MICHIO MAMI

STUDENT COMPOSITIONSFanfare for Brass (1961) . ER EST f u

U IVERSITY OF HA\VAII BRAS ENSE 1:BL ,

ERNEST MAU, composer-di'rectorPiano iece in hree Parts (1960) H ROLD HIG

DIANE W ATA ABE, pianoDuet for Flute and Violin (1961) . OR lUGE R

MARY A OGAWA, violin CAROLYN E GLU D, flute

HREE PIECES FOR CELLO A D PIUshi Oi Uta (Cowherders' Song)Chiran Bushi (Chiran Song)Gin 1. suru Bushi (Silver Crane Song)

I-IILTON You G, cello CAROL AKAGA EKU, piano

ODE TO La a (1961) aRM

First performance of complete workInvocation Invitation Arrival The Makahiki (Festival)

rTIVERSITY OF HAWAII CONCERT CHOIR A D DA CER

ORMAN D. RIAN, composer-director

D. RIA J

INTERMISSIO

wa SCENES FROM THE CONSUL (1950) GI T-CARLO El OTTIct I, Scene I, The Sorel home, early morning

Interlu·de from Act II, Scene I, The Grandmother's Lullabyct II, Scene II, The Consulate, a few days later

CharactersMagda Sorel . . . . . . . . ZEL fA BERKSTRESSER, sopranoJohn Sorel. . . . . . . . . CHARLES ROBERTS, baritoneGrandmother . . . CO CHITA MEHIO, mezzo-sopranoSecret Police Agents LFRED LAGASO and LOWELL PA G, bassesThe Secretary . . PATRICIA ANDERSON, sopranoThe Magician .. JAMES KAINA, tenorMr. Kaufner . . . . .. ALFRED LAGASO, bassThe Foreign Woman ..... " A EITE AKIMOTO, sopranoAnna Gomez . . . . .. .... DIANA EARLE. sopranoVera Boronel . . . . .. KANANI ANDERSON, mezzo-soprano

Piano Accompanimentct I: CAROLYN YANAGIDA and RAYNETTE YA UKA\V

,\ct II and Interlude: ESTHER RICH RD and DIA E ',\T TA T BE

RICHARD W. VINE, director

Tonigl1t' COnlpOSer

TUDENT COMPOSITIONS by orma Shigemura, Harold Riga, and ErnestMau are being performed for the first time. The three works by these youngcomposers have been prepared under the direction of Normand Lockwood,with whom they have been studying composition during the current year.

fLCRIO MAMIYA Born in Aomori Prefecture in 1931. Mr. Mamiya graduatedfrom the Tokyo Art University and studied composition with T. Okenouchi.In 1958 he received the Art Festival Encouragement Award, and in 1959 hewas the recipient of the Mainichi Arts Award for Music. Because of his treat­Inent of Japanese materials, Mr. ~Iamiya has been labeled as a "nationalist"composer. This tendency in fr. Mamiya' work i apparent in his ThreePieces for Cello and Piano.

lORMAN D. RIAN studied at St. Olaf College, Eastman School of Music, andColumbia University. Presently studying composition with Normand Lock­,vood, Mr. Rian's works have been heard at Columbia University, in Japan,and in Hawaii. In Ode to Lono) the composer has attempted to express thespirit of ancient Hawaii. Dedicated to the University of Hawaii ConcertChoir, the choral work sings of Lono, the makahiki harvest god, brought toIavvaii from Tahiti by the ancient Hawaiians.

Authentic chant used in Part IV, The Makahiki

Hiki mai, hiki mai, e ka la e It is here, it is here, the sunAloha wale ka la e kau nei. Beloved the sun shining on highAia malolo 0 Kawaihoa Now it is below Kawaihoa,A lalo Kaua'i au '0 Lehua Below Kaua'i where floats LehuaKaua'i au 'ike i ka pali Kaua'i where I beheld the cliff.

Miloli'i wale i ka pali loloa The far cliffs look like twisting twineE kolo ana e ka pali 0 Makua Creeping and twisting the Makua cliffKola ana pu'e aku nei ia 'oe Creeping and thrusting itself at youE pu'e aalala e ke Keiki Thrusting until the child criesI(eiki makua 'ole ke uwe nei The orphan who now cries.

'HE COl SUL, which received the 1949-50 New York Drama Critics Award forthe best musical play, and the Pulitzer Prize for Music, was written, composed,and staged by Gian-Carlo Menotti.

Act I, Scene I. An occupied country which could be pre-World vVar IIGermany, or present day Budapest. The Sorels are faced with great povertyalong with the difficulties caused by John Sorel's underground activities.

Act II, Scene II. The consulate where several anxious people are trying toobtain passports to freedom from persecution and suspicion.

In the full production of the opera, the Sorel family becomes extinctthrough the death of the baby and the grandmother from privation and heart­break, the suicide of Magda Sorel who hoped by this act to prevent her hus­band's return to capture, and the capture and execution of John Sorel by theecret Police.

Punall0U Young Musicialls

CONCERT

Thursday, April 20 8:00 P.M. 1'1ontague Hall

MOUNTAIN IDYLLS (1955) . ALAN HO\'HANESS

Moon Lullaby 1\1:oon Dance Mountain LullabyERIC CHING, piano

VIOLIN DUETS (1933)lVlenuetto Pillovv DanceSlovakian Song, No.2 Hungarian Song, No.2Ruthenian Song Burlesque

KAREN KAU, violinHEIDI ETo, violin

BELA BARTOr

SO A1'A FOR TRUMPET AND PIANO (1959) . HALSEY STEVEN

GREGG BOHART, trumpetNICI-IOLAS HORMAN, piano

HE CREEL-SUITE FOR PIANO DUET AFTERIZAAK W ALTON (1941) ALA RA''''STHOR E

IV1aestosoThe Migh ty Pike is the ~ryrant of the Fresh 'Vater

Vivace~rhe Sprat; a Fish that is ever in Motion

.l\ndante can moto'The Carp is the Queen of the Rivers; a Stately, a good, and a very ubtil 11'ish

llegro non troppoThe Leap of Summersault of the Salmon

PATRICIA TALBERT, pianoSHERYL DARE, piano

MlJSIC FOR VOICE AND FLUTE, Ope 23 (1950)WALLINGFORD RIEGGER

I(ATHLEEN TONER, SOpTanOKEITII HARADA, flute

POElVIS FOR PIANO (1947) VI TCENT PERSICHET IUnroll the flicker's rousing clrum--Louis Untermeyer

GERALD SUIVIIDASoft is the collied night-James Elroy Flecker

I-IARRIE ALLEY'!\Take subtler dreams, and touch me nigh to tears - vVilliam \(Val on

CAROL ETORavished Iu te, sing to her virgin ears - Robert 11'itzgerald

LINDA TOM'\Those thin fraud I wink at privily-vVilliam Watson

PETERAKWAI

IMPRESSIONES DE LA PUNA (1942) ALBERTO GINASTERf\EMMETT YOSHIOKA, flute LESLIE PARK, violinDENNIS PARK, violin COLLEEN KELLY, cello

llETSY KORTSCHAK, violin

Tonight's Composers

LAN HOVHA ESS Born in 1911 in Massachusetts. Hovhaness has becomeknown for his very individual style, which is a contemporary developm,ent ofarchaic music. Characteristic of this style are his Mountain Idylls which arelargely modal, employing tone clusters and heterophonic effects.

BELA BARTOK (1881-1945) Duos for Violin were based on folk song litera­ture. They provide material for students without the technical difficultiesfound in his other string music, although there are musical problems of in­tonation, polyrhythms, and the niceties of contrapuntal playing.

HALSEY STEVE Born in Scott, New York, in 1908. Stevens received his edu-cation at Syracuse U~iversity, and later studied with Ernest Bloch. His musicis characterized by a tightness of melodic structure and great rhythmic vitality.In his Sonata 101'" Trumpet and Piano) the themes are especially well suited tothe trumpet.

LAN RAWSTHORI E Born in 1905 in· Lancashire, England; studied at theRoyal Manchester College of Music, and later studied piano with Egon Petri.Since 1935 he has concentrated on cOluposition and his symphonic works havebeen premiered by major symphonies ill England. The miniature suite TheCreel is representative of his piano compositions and portrays the titles witha nice wit.

,tVALLI GFORD RIEGGER Born in Albany, Georgia, in 1885. Riegger held aposition of higll regard among contemporary American composers. His majorsymphonic "vorks have been performed in many American and Europeancities. Music for Voice and Flute is laid out as a duet in which the s~prano

performs a vocalise. It is interesting to note that while the participants con­tinually expand and develop ideas, they are not called upon to compete intruly contrapuntal fashion. Instead, they accompany eacll other with rhythmicostinatos. Mr. Riegger died in early April of this year.

VINCENT PE,RSICHETTI (1915- ) Educated in Philadelphia, Persichetti 11aschosen the same city as the center of his sphere of activity. Poems for Pianomake up the first volume of a set of pieces inspired by American poets. Thepieces are descriptive to the extent that each conveys the mood suggested bythe line of poetry which titles it.

LBERTO GINASTERA Born in 1916 in Argentina, studied at the Conserva­tory of Music of Buenos Aires and has centered llis life of composing andteaching in that city. He combines Argentine rhythms and melody with theharlnony and timbre of modern European schools. In Impressiones de laPuna) a vivid tone picture is created of the Puna, a bleak plateau of theAndes.

CONCERT

Friday, pril21 8:00 P.M. Montague Hall

MASQUE FOR TWO FLUTES (1959)ContinuIncidental

JEAN HARLING, fluteEDWARD KA AYA, flute

TORU T AKEMIT U

rrRIPTYCH (1961) GERTRUD KUE ZEL ROBERT

First performanceGERTRUD KUENZEL ROBERTS, harpsichord

FIRST STRI G QUARTET (1951) .Fir t American perforlnance

00 -Joo JED TG

foderatodagio

1. llegroMARIAN E FLEECE, violin 1DELIGI-IT I-IEDGES, violin II

,,{OBERT BECKER, violaBELLE CHAMBERLIN, cello

ERENADE, Ope 39 (1935) .AlIa marciaAndante espressivoAdagio teneramente

oderato allegro, poco maestosoJEAN HARLL G, fluteJAs E ALEXA DER, oboe

BE:r WEB R

JOA A KOE TNECKE, celloGERTRUD ROBERTS, harpsichord

INTERMISSIO

CLARI ET QUINTET (1959) . ORMA D LOCKWOOD

Introduzione e fuga-LentoRondo scherzaso-i\llegro moltoCanzona-Adagio moltoVariazioni-Andante con moto

JUAN GREGORIO, clarinetRAYMO D VAUGHT, violin I GEORGE GAUGGEL, violaMARIANNE FLEECE, violin II KATHRYN KENNARD VAUGHT, cello

Tonight's Composers

TORU TAKElVIITSU Born in 1930 in Tokyo. Studied composition with YasujiKiyose and is considered to be one of japan's foremost young composers. Mr.Takemitsu is preparing a symphonic work for Thor Johnson who has per­formed his Requiem for String Orchestra and his Le son-calligraphie. TheMasque for Two Flutes is an abstract conception of the masks of the Noh playwith no direct quotation of the melody and rhythm of the music of the Nohplays. The "space" which Japanese music uniquely possesses is fully used inthis piece.

GERTRUD KUE ZEL ROBERTS Harpsichordist and composer, Mrs. Robertsstudied at the University of Minnesota, the Leipzig Conservatory, and workedin Vienna with the celebrated teacher, Madame Julia Elbogen. Mrs. Robertrecently composed and performed music for the Honolulu Community The­ater production of The Thieves' Carnival. An art film is presently in themaking featuring harpsichordist Gertrud Roberts, with script by Jean Char­lot, and under the direction of George Tahara. Triptych~ which was com­posed for the festival, will be performed by Mrs. Roberts on the harpsichordbuilt for ller by John Challis.

OON-JOO JEONG Fi1'st tring Quartet was completed in 1950 and was per­formed in Korea three years ago. Presentation of this work in the Hawaiifestival marks the first American performance of Mr. jeong's works whichhave been widely heard in Korea.

BEN WEBER Born in 1916 in St. Louis. Studied at the University of Illinoisand at De Paul University in Chicago. The recipient of a Guggenheim Fel­lowship, citations from the National Institute of Arts and Letters, and awardfrom the Fromm Foundation, he is preparing a commissioned work for theLouisville Orchestra Series. Serenade was dedicated to Julia Marlowe, harp­sichordist, and is described by Jay Harrison of the evv York Herald Tribuneas "a hale and jolly four-movement piece."

OR 1AND LOCKWOOD The Clarinet Quintet ,,,,a commissioned by theCleveland Chamber Music Society in memory of Dr. Normand Hoerr. Thiswork had its first performance at the Cleveland Museum of Art in 1960 withGeorge Silfies, solo clarinetist of tile Cleveland Symphony and the stringQuartet-in-Residence of Oberlin Conservatory of Music.

cknowledgmel1t

MUSIC

he lTIusical programs are made possible in part througll a grant fromMusic Performance Trust Funds of the Recording Industry 'rVith thecooperation of the Musicians Association of Honolulu, Local 677.

BARBARA B. SMITH

Ode to Lono production:DOROTHY KAI-IANANUI .DOROTHY GILLETTE.ALDYTH MORRIS

DOROTHY GILLETIEJOHN SACLAUSA J

ART

sian cOInposers

Translation of Hawaiian chantChoreography

Text

Directors of University Chorus

I-Ionolulu Print Makers . JULIETIE MAY FRA ER, president

Hawaii Painters and Sculptors League DAVID ASHERMAN, president

Library of Hawaii. LOUISE HINKLEY, publicity director

Festival Committee

MUSIC

MARIAN J. KERR, chairman

RAYMOND VAUGHT ISABEL HARANNORMAND LOCKWOOD JEAN HARLINGNORMAN D. RIAN JAMES ALEXANDERFLOYD UCHIMA DELIGI-IT HEDGES

CARL CUNNINGI-IAM

BEN NORRIS

ART

BERT CARPENTER

John LaneRonald MuncyDouglas Yap

Baritones

Samuel AranioJonathan GainesLeslie IwataniMichael Snyder

*Velma KekipiJean MiyashiroKaren OnagaBetty OnoderaEsther RichardAurora Salvador

First TenorsChester DilleyMelvin RigaRodney Kalua BassesCharles Kane (Pahu) .George lVIatsuoka Ronald FlalEdward Pavao Charles IkeharaThomas Yano D~ve Long

TIm LongSecond Tenors Lowell PangPatrick Chu Bert YoshiokaAlvin Jitchaku (Conch Shell)

University Concert Choir

Yvonne ParkesKathy Puhl

*Florence SantiagoJean Tamashiro

First AltosLurena LeeJudith Milstead

*Roberta Mukai*Lillian Nakama

Aileen NobuLynne SmithSusan TanakaSharon Uchimura

Second AltosMarian K. AndersonJorgieanna ArthurLouise Elsner

First SopranosPatricia AndersonMarjorie BeckerZelma Berkstresser

*Melicent Ching*Miriam DontonDiana EarleMargarette LeeConchita MehioMav MurakamiNorma Shigemura

Second SopranosRenee ArakawaLucie ChengMargaret ChunJean Goya

*Barbara Kahaka

University Singers

First Sopranos

Patricia AndersonConchita MehioElizabeth PatakiNorma Shigemura

Second Sopranos

Jorgieanna ArthurJean GoyaRoberta MukaiKathy Puhl

First AltosVelma KekipiSharon Uchimura

Second AltosKanani AndersonEsther Richard

TenorsRodney KaluaCharles KaneThomas YanoBassesJonathan GainesLowell Pang

University String Ensemble

Second Violins ViolasFirst Violins

Charlyne HarrisEvelyn Laubaugh

tRaymond VaughtMargaret WardallCarolyn Yanagida

Clayton Carlson

J errilyn Harris

Mary Ann Ogawa

J anet Wolverton

t Robert Becker

Lelia Stacey

Antoinette Stark

CellosJuli Kimura

tKathryn VaughtSusan YoshinaHilton YoungBass

tLeon Burton

University Wind Ensemble

Trombones §Theodore Awaya§Samuel Aranio §Robert De Mello

Robert Holz §Thomas HeeJohn Isle §Eulalie OkashigeWarren Kuwahara Raynette Yasukawa

Robert Wakukawa§Bert Yoshioka

French Horns

§Annette Akimoto§Lynn FunkhauserJerry HermansonKaren Onaga

§George Oshiro§George Osakoda§Carolyn Yanagida

Flutes Janyce OkashigeMiriam Donton Wayne OmoriCarolyn Englund Cynthia Radi

Irene TanakaOboe George WatanabeRoy Yanagida Eb Alto Sax

Bassoon David KawamotoAndrew Tanji Tenor Sax

Bb Clarinets Roy TanabeDavid Cook Baritone SaxCharles IkeharaRobert Kiehm Bruce UshijimaWayne Kuramoto Bb Cornets andCharles Matsuo TrumpetsLloyd Nakahara §Rarry KubotaPaul Nakama §Elmer Kudo* Dancers. t Faculty. t Guest artist. § Brass Ensemble.

Herbert Uekawa§Mike Wheeler

Baritones

Joe Aranio

Tubas

Harold HigaBennett Samuels

§Roy Yoshida

Percussion