computer graphics and art may1976
TRANSCRIPT
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TERDISCIPLINARYCOMPUTERGRAPHICS FORMPUTERARTISTS.
Ergrrrzigcrk of theOrdinal TS"
- TEE STATE OF THE ART OF COMPUTERARTYiS0nSVFEd:rly computer art and todays~;;ggs= NAM IsM * "**"
APHI(;S_FREl;1Asgcgxxge{ugaM _""
tubeCRT.)LUATINGCOMPUTERARThan, oniaStateUniv., caiunaus,:;;.N2:**2:.:..
,ANNOUNCEMENTS, conuems*S
m
NE 7-l0rnnmn on thefunn distinctiveexnnmaansf computer art to beshownat theNCC`76. with
R JagkiePqtgg ag ArtsChairman.NTS ANDWORK:
BARBADILLG
EDNUNTT
DWARDmscENEKSymp;} and RQGERVILDER
zsusan scuwiumzconvcsm or cmouncn
eck, Univ, ar aneipn, Ontario,
atterndevelopvnentpt isexplored,ng in sculpture- heavily illustrated.)
SERPENTSlin Evrmett, London, EnglandntsontheAvark uy cna
M NCC76udeMarquette, Paris, FranceanddSten Kallin, Malmo, Swedencomments.)
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TERGRAPHICS FORr;>,, I_{ I ` \
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TURE ,,,;"/ Y.; ".{};,' g QV; _ _QR,4,;//yi/I L,jj { _ _
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movement
Two, computer art istakenfromdevices, and is an intermediatestep be-ntment in art media. Photography ishemeansby which computer art output isto silkscreening, etching, and litho-phicsexplorationsusing overlays,
hromeacetates, photographiccombinations,rebut afewnewexperiments.
erewill beother explorations-theytable. And thesenewexperiments,inThreewill hein heuristicprogramming that
msareinteresting, but generallytheavesvery much to bedesired.Artifi-intelligencemaygivewayto aestheticin-nceand output! Andthisnewart will be
hich wecomefull circle: mathematics,e, integrated with art.
ANNE DEFINE ART?
measurableelementsof art. Seey, 1974 Qgmgnterg and People,"Computer Art:
wardsaMeasurableAnalysis",by theeditor.ossessessomeof thesequalities:n, which may beengendered by new
m other worlds other than art.
medium is sufficiently learned so thatreely expressthemselvesin varieties
of theimagination"isthemost im-ment of art, in which themind and eyedsynthesizetools, materials, ideas,periences.
sart movesthe
such atotal experience.
y near future, computer art willommon, accepted art form that manyoy and practice. Computer art
beimplanted in many useful,yday functionsaswell. It isoftena
tit recently. May it growin beauty.reely, without dogmas.
ein
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tter capabilities, butd reliableTektronix 1B"storagerissareetubes,
ical of CRT (and microfilm) output.(For nnreepage32.)
rcduced byeseperetePURYRANtdrewssegmentscf eclyccnsinscribedccircles.
HINGCRT GRAPHICS
tly fren theCRT,usinchisnnm- lest weresnct at t=4.usinqretim cf ehcut onesecond and dee-19.Printswerethen madeusingntrast AgfaBrovira(Grade6) for fi-7.B,and medium contrast Kodak(F3) For flqure6, all developed
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art hasstretched thecontinuum from staticart object to dynamictivedisplays, ..Isthe work of artt,thegenerating program or both?"HETICIDEATHE MACHINE PROCESS ANDSEARCHFORANAESTEETIC
r eevpeeretetee111settetiiquenew$1r>ee1 f_thepmeeeeby_whehde- Mteheel M1 feet eteted m"Theertiet'e'ieee end net Metech-ility ih manipulating mediacould betheim-1 eteumsertletwet"3
ld H;;bEgi"'Bi_ld t TT?k mttee
ng; its chief aestheticprinciple
E S$P-methe?"l;*i"M "jdgs"nciplei`S fm?S"
umhm 1Ei$ thet theP'YErnst heeb"ht $ *0 a"!"`T"`c"
ji V\/gd ee$"`*;ji* i 4-`fe,_ _
?;,`i ,e, ,'./."\ /wJ
anu by Chang; (jguri
comesical
al stimulation thatrgan-mshar; ihedan , ern the other.
9'7l.aphics- Computer
k:
nham, "SystemsEsthetics,"in ceeeepts
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j; l: i ; t i ; i j i ihe"iw~=il-timeart r>\:_`cc1."
puter art objectsarewhich can bencc4E refer :;.2; asabject. Thiskindfor tie zine,compmcr withinteractinaaot chekai 2:cac
eiers. theoontenv of thisn tieuuexhiard. upon the1,~u5Ji2&
enrcezossvbixh rivas ti~to herienal #:i.rla;, :."`
CTS namcdqa},whewith Lighh pgn
oremmimllticn of Fhlwx)Charlespsuriy y_;Cdu,E $,3 FCTLLj,',]}, ;jB:,j],,_lHa.E,:'
1111 > Z'Pi1' ;:l"HY>i-llieanu~etneIEEE,dol. 64, ic,..,
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I I . I/ I I I
ear that aestheticsystemsde-veleadthecritic tothe.point wherecriteriacan onlybeapplied in ase-nd that means-end criteriabecomeary touchstonefor analysisandevalua-hcriteriaasutility, economy, effi-strumentality, conservation,etc.areconceived of asextra-aesthetic.ver, thecontinued application of formalistshrinking formsappearsillogical.
el depictstheprogression of thebject from material object to, anddemonstratesthecorrespond-
ia, Essentially thissetsupawhich accommodatesat oneextremetheeval-thesystemsartistsidea or concept.
methodsof phenomenological art cri-hiswould beseen ascommittingthein-allacyr It isargued by proponentsofhod, that theartist'sidea or conceptr beknown,and that criticism shouldonlyf, However, thesystems
erpart. Asystemsdesign methodnelaborateplan - onein whichgoals,vesandanticipated outcomesareclearlyptionswithin the system areclearlyted, andthe interaction of componentsisThesyst emsartist leaves"tracks"ut theplanning processin theform of, computer programs, andtesting re-onsequentlythereisdata onwhichthen processcan bedeterminedand evaluated.
ve! art objectsme'% computer art objects
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ing to sell their work bydirectreadersmay send an illustration, a
and pricematerial, to bepublishedin. (Seepage 25for exaxrple.) There
havea section deeader feedback on this
es: Pleasesend otiqinalaterials. Otherwiseagreat
hestaff in redcinq Xeroxrts. Or yuu may send photready
a.
ationsfor Articles, Papers: In agazine, 1t appearsdesirableto mtefer to specificqraphicmes andaudwrsaterial, but wherefeasible, toircludeationsrelated (Dr Closely related) to thetext. If apictureisworm athousandstrationsaccompanyinu atext speak
an, theresearch described shouldllustrationsof thefinal product.
UPEPIORmm PFVIHAFRS WOR(Em`,
h, .06-i I Themn *55**1. Citi .1 Semy beme OY1. my lm weales-guent mdsl?eeL *
Bvemreen College, Olympia,n_isour Film PeviewEditor.
rhlenh isonewewish to buildader service.
IODMDIGISSUES
process. Theilesfor theseissuesare:
I*.ny superior qroupsof peopleareer. Typical qroupsare: CAYC,Btenos
eArchi.teCtureMachineGroup, MIT; AK),, Vdssouxiy GAIV, Paris,etc.There isn thecolleague/ group approachto
ur participa-
TIONS _ All disciplinesarerequestej
mqhlv wed MeealsM this wmlebeen re-
Vsxy dl
mstsd m
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Pottsfor NCC'7- thehown in theU. S.to date.Herein theSDL Collection. (Comments
hibition Notes, end correspondence
TUURINGEXHIBITIONOF COMPUTERS ANDTHE
alargeexhibition of invitational,ational computer art, containingover l5Uysi>< artistsand groups.It isted in theUnited Statesin honor of theniversary of COMPUTERS ANDTHE HUMANITIES,ournal that reportson theentiremputer applicationsin thehumani-
hen,QueensCollege, Flushing,NewYork.
/2ART EXHIBITIONwasorganized bytional Con-
of Southern Californiain LosApril of l9`/5. Additional c0ordina~eparation of theexhibition was byrschmann of USC,in conjunction with
n.orksarequite large, and reflectnewtrend in computer art: onein whichthean intermediatedevice,and the
ulpture, painting, etching.lithography,wexamples.
uniquecharacteristicsof computer art.
Spain,a, France, Canada,theUnitedzil, Austria, Italy. Israel,
N
E HENRYCHRISTIANSENCOLLECTION
rst"in computer art will bethest showing of the Henry Christiansenn, entitieu "cmnputersfor Peoplewho
Read but Loveto Look at Pictures."Dr,ansen, Professor of Civil Engineering at
Young University, will exhibit thirty-ed color photographsof continuous co-mageswhich areshaded drawings(ratherwings) of finiteelement systems.
AILSarried outnereproductionsham Lincoln producedeimagesaressor which isch theecorded by photography.
ART
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r)t aah thoughtsahahhaahaiaha.vhaaaauahghh ahhsay asah hhpahaahasaap cowardsasyaaahaaha*$S *5 appmaah ar aesthatical pmhwahs.AhaahahMala;
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es, "Vlax BenseMuseum"- from theSDL Collection.
THREE DWENSIONAL DESIGNbyG Mess
eof Cqnvmrsin rSrh tech-dministratin haslensSincebecomeion in thevarious
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emselvessolely$*$ 9"C"'". ..*9SWlimi"t:"f***l?"l;;e;;Te;g"991$a;;n in gg/E? lx; pmcessgs
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Aseriesof relaxed works. ThoFormsyield variedtheviewer,
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iieaiawe
EEEZCZ"$$ieiiLZSIIWZSLJom vinci a..atiIi..ig visual emits.imgct M mg C,,,pUtE,,_aiung with HS X_eed of Mami, iswhat I appre
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familial resemblanceto theiunnnai
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m im *0 beel im *rlTiSt that exploresthedistanctxcnsart, and mediaart asmeth."
Etgiili`ti'$isKiiltZ`"tSil`Z`;`Ein pghex lored On alessutilitarian basis
and thequestion of,callyned W111 beMHB.11 111um1nated
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swith all solution point orderingced on aprecedencelist or stack.
cgnsider acrossword puzzleto bea
elatecrossword puzzlesto recti-ur patterns, Rectilinear colour pat-bethought to beamatrix filled withg linesselected by anarbitrary process.
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ighted henhlsslhletvlvur lletes l2 wasevel1>ed Theh. therehdenof Bwas_generated. Thus,the Fourthn thelist, or Svwasseleczed,_ascanell. Figure13 contains the. aswell asthreeether interme-hs-
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. i i , i ,
pri1, 1973,ve1,
campased Music3 July 1960.
d sxhibitian onuxbridge,versity ras,
aphy andcamputersr
$9iz. "campurer chareaeteraction se-", Qing. s tm., 1970; 5(1);
rogramsTo DanceTa"rence, May, 1974.
erized Opera", ig.);
M. v., "Anaiysisai Instrument Tones".wxsjscs lam ._ 2_ ,,,,_ 23.32,F,,,,,,,a,v_ me
awimw, p, 11,,~cspe.,rar. nispisy or Key.usic~, uatamatian. v. 78, N0. 5. bv.
Mm (mei--
Linca1n, 1). 0. a Freiman,c. v., "Tdnard Aputer Typaaraphy fur MusicResearch: AREp,m_.7; p,,,c,,Ed;,,gsof the
ews,M.v. aMadre, F.1.., rmziiuva,Amy Hm cO,,t,1 of 3 SoundCompumm Awww&_
_ Cempufer 4e751S 06 MusicQ2633. Octbbers7968.
0009*0 N- 0m1>uer1Ze_77177_b177y 015-ehr the6eie 7r0Jet unanim-
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ark blue, and thewhiteareasin thispicturear, areprinted asisspectrum of coloursusinqxsszs Xaw.alimited edition of 10U. Eachprintll ever exist, and assuch they will retain their
t: Flat 4, 73 AnsonRoad, Lcyndcn NF GAT,
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j[[{f`,,'{,,,`Q'Q'"V"allin, Malmo, Sweden
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pages26 and27 illustrateveryighly personal, hiqhly varied ap-
dfinal presentationsof internationaltists. Theworksby Frankeand Kallinssonaresilkscreeninq, whilethe
en graphicsof me*1
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Patrick, P. H., "Composer,Computer andAudi-omposer (London), n35, Spring, 1970,
ng, G.,"Ethicsand Esthetics of Computern", TheComputer agi M sic, 1970,
nimation and Music", Natl, Res.tawa, Ontario, Canada, CanadianerenceSession, 1972.
for Describing Complex Pictureswithnd Texture", Proceedingsof the2ndnf. onPattern Recognition, Aug. 13-
October, 1973,
H., li Freiman, C. V.. "AComputer
Vol. 2, 1972, P 1382-6.
mputer Animation Techniques",
Real TimeFilm Animatiun",IEEEonDigest, NewYork.
mputer Art", 196E IEEE Intl. Conven-C, N. V., 18-21 March, 1968 (N.V.al & ElectronicEngineers68)
all", Info. Proc. 71, Proc.of IFIP971, Vol. 2, Ljubljana, Yugoslavia,t. 1971 (Amsterdam, Netherlands,
uchman, M., "ThreeBehaviorsfor theParti-fSpace: Harold Cohen: Machinewingsand Paintings", Art h-6, May, 1972, PPT24-5,we, R. J.,"Simulati0n of SeaShell Pigmentng an InteractiveGraphicSystem",ulletin, Vol. 15, #8, August,1971,
tiveData", Proc. 1974 IFIP Conf.,0.
Computer Generated Overshot
97 . vp. 10-11-
ration of 3-DPictures". @@-Bulletin., Vol. 15, #3, Aug., 1972,
n, B.R. andLohmann, A. bI.. "ComputerHolograms", IBM J. R. andD.,
Roger, "Computer Aided Sculpture",@Automation, Vol. 18, #9, Aug,,
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SENTED
uis- SPAINrence- USA_CE ,
Manuel - SPAIN_ERMANY7AUSTRIA-
Vladimir - ISRAEL "
eiro, Analivia- BRAZIL _RAZIL
neth - USAERANCE Q
ll - USA_ VVe- USAlbert - GERMANY'
David - USA_ _ S
JeanClaude- FRANCE - l AnalysisGroup - USA
ve- FRANCE _,_on, Sture- SNEDENjEDEN- A_j
Ruth- USA;FRANCE ACE
slav - YUGOSLAVIAl *lizabeth - CANADA, A
SUAL ARTS: Molnar, Vera- FRANCE , _ ; S
er - GERMANYe- USAA_ .
e- USA. .YUGOSLAVIA. . . ,USA. .
N{ ' Qd - SPAIN. .
E USA= -- - V
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z,Kentiein. EbyptianElizabeth Meyers,
y of Iowa,sareby
versek back-
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June,vpitersin theesChristianra-
uter gra-veree
nd con-
A, CHICK) AS ANORDERFORM.(ALLQW3 WEEKS FORD]gLI\vgRy_)
OFFERTORPREPAIDSUESCRIBERS ONLY.
or each set of threegraphics,echeckspayableto Berkeley Enterprises,
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t l it i t i .
ecalligraphy, to direct dmwing, with very
ght: Fiqure7, with brush-likecalligraphy patterns.eright, bottom: Figure3, formsresemblingrofessorsFritchieand rbrrissfor moredetails.)
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nd. rusnewperiodical is aimed er students,ons,orkingprofessionally in graphics.altstopical coveragetsbroad,ernbracing avariety of fields.by alt isuseful, informative. entertaining,and current. Out goalve. Weinviteourthemagazine, and to advancetr of computer graphicsby oommunlcation,nna. and
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aa, rr}
mputers, webelieve, will be
agazine
44-45; in
iba,
with emphasisonideas,cial
sand People- thenmation advance
guter field
tice
university
of information Tyrannyyman, Harvard LawSchool
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rKGIIr. DCF $v=tr=. Itof Computer Specialists
=r N=r Ar=v =r* r=r=r A=rt=tersandtheConsumerue, President, Personal DataServicesrl>tr *rf=*= Wtlrt Theirf"$ NW* B9 4Calif. at vBerkeley
UTERDIRECTORYUYERS GUIDE,
ar referenceissueof Computersand People,y Computersand Automation, published every1955, isaspecial 13th issue.It is abasicet o theorganizations, products, and servng, and using comng sysremgsuecontainsover 20 kinds of referenceinforma-
nizationsin t heComputer Field*r * "rr**S and SME?"'' PD'g'"*'Computersguages
n't thisinformation advanceyour goalsinvolution?Why not fill i nthecouponnd mail it novv?
feel that ComputersandPeopleisnomation and ideas, tell usmptly refund to you thevalueof thenrcription,
,e.....,,., - .. .E._. _ EiMpUi-ERS ANDpEOpi_E iNC. Ihington St.,Newtonville, MA02160 iS,start my subscription to COMPUTERS AND|LE according to theinstructions checkedbe|0w.|neyear lisissueswith t hecomputer Directoryana{Guidel $23-5U' iglthggt theComputer Directory inada, Edd$1003 Veg"mreign. and S6-00 Byear- In I
ing; areattached l - I
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