composition 4 | experiments with scale

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All artwork is copyright of the artist. Where possible all artists have been named and all artwork dated. is document should be used for educational purposes only. Composition 4: Experiments with Scale Edward Weston Cracked Earth, Borrego Desert 1938

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This presentation is about photographer's experiments with scale as artistic method. Topics covered are, for instance, the work of Karl Blossfeldt, Aaron Siskind and Minor White, who used extreme closeup to achieve a surrealist and disorienting effect with their photographs. Other photographers such as Edward Burtynsky used the opposite, extreme distance, to achieve a similar effect. The presentation also covers difference in scale as used by Julia Fullerton-Batten, Tim Walker or Marc Da Cunha Lopes. Tilt-Shift photography makes landscape photographs look like miniatures, for instance in the work of Vincent Laforet, while other artists use real miniatures to deconstruct the viewer's sense of what is real.

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Page 1: Composition 4 | Experiments with scale

All artwork is copyright of the artist. Where possible all artists have been named

and all artwork dated. This document should be used for educational purposes only.

Composition 4:Experiments with

Scale

Edward WestonCracked Earth, Borrego Desert

1938

Page 2: Composition 4 | Experiments with scale

One of the main effects of scale in photography is that it can render the subject abstract and unrecognizable.

Familiar objects become strange and mysterious, and the viewer must ask him- or herself: “What am I looking at?”

Photographers can use both extreme proximity and extreme distance to achieve this effect.

Page 3: Composition 4 | Experiments with scale

Karl BlossfeldtBeckmannia cruciformis, Slough grass, fruiting spikelets c. 1928-32

Page 4: Composition 4 | Experiments with scale

Karl BlossfeldtCephalaria, Scabious family c. 1928-32

Page 5: Composition 4 | Experiments with scale

Karl BlossfeldtChestnut branchesc. 1928-32

Page 6: Composition 4 | Experiments with scale

Karl BlossfeldtHorsetail shootsc. 1928-32

Page 7: Composition 4 | Experiments with scale

Susannah HaysSmilax Root2000

Page 8: Composition 4 | Experiments with scale

Edward Burtynsky Rice Terraces #2, Western Yunnan Province, China, 2012

Page 9: Composition 4 | Experiments with scale

Edward Burtynsky Glacial Runoff #1 2012

Page 10: Composition 4 | Experiments with scale

Edward Burtynsky Pivot Irrigation #12012

Page 11: Composition 4 | Experiments with scale

Edward Burtynsky Xiaolangdi Dam #3, Yellow River, Henan Province, China, 2011

Page 12: Composition 4 | Experiments with scale

Experiments with scale can result in the emergence of undiscovered elements in every-day objects, such as textures and other details which are otherwise overlooked. Artists may use such images to contemplate the archival layering age lends to objects, and the impact of age and environment on man-made or natural objects.

Such images are often timeless - could you say whether the image was taken in the 1930s or yesterday?

Page 13: Composition 4 | Experiments with scale

Aaron Siskind, San Luis Potosi 16

1961

Page 14: Composition 4 | Experiments with scale

Aaron SiskindVolcano 541980

Page 15: Composition 4 | Experiments with scale

Minor WhiteRoot and Frost1958

Page 16: Composition 4 | Experiments with scale

Minor WhitePeeled paint1959

Page 17: Composition 4 | Experiments with scale

Minor WhiteSound of one hand clapping1957

Page 18: Composition 4 | Experiments with scale

Unexpected difference in scale lends photographs, collages or photomontages a surreal aspect, as in the following photographs. In some photos it suggests a misfit, a break in the normality of things, as in a weird dream. In other photographs it reinforces the intended focus of the scene, for instance the teenage girls in the following photographs. It can also serve as a metaphor, for instance in the work of Marc Da Cunha Lopes, in which giant cockroaches operate machinery.

Page 19: Composition 4 | Experiments with scale

Julia Fullerton-BattenTeenage stories, Milk Bottle

2005

Page 20: Composition 4 | Experiments with scale

Julia Fullerton-BattenTeenage stories,Broken Eggs, 2005

Page 21: Composition 4 | Experiments with scale

Tim WalkerEagle owl and hatched eggs 2010

Page 22: Composition 4 | Experiments with scale

Tim WalkerLily Cole 2004

Page 23: Composition 4 | Experiments with scale

Marc Da Cunha LopesCockroaches at work2010

Page 24: Composition 4 | Experiments with scale

Marc Da Cunha LopesCockroaches at work

2010

Page 25: Composition 4 | Experiments with scale

The technique known as tilt-shift photography turns photographs of real scenes into seeming miniatures:

“Tilt–shift” encompasses two different types of movements: rotation of the lens plane relative to the image plane, called tilt, and movement of the lens parallel to the image plane, called shift. Tilt is used to control the orientation of the plane of focus (PoF), and hence the part of an image that appears sharp. Shift is used to adjust the position of the subject in the image area without moving the camera back; this is often helpful in avoiding the convergence of parallel lines, as when photographing tall buildings.

Other photographers working with scale use real installations to confuse the viewer.

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Vincent LaforetTeterboro Airport2006

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Vincent LaforetMaria Sharapova, U.S. Open 2007

Page 28: Composition 4 | Experiments with scale

Vincent LaforetKentucky Derby, Churchill Downs2007

Page 29: Composition 4 | Experiments with scale

Daniel MennerichNiagara Falls N.Y. - Maid of the Mist 022010

Page 30: Composition 4 | Experiments with scale

Olivio BarbieriTilt-Shift Rome Coliseum2011

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SlinkachuBank Balance2014

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SlinkachuAlpining, Fulham, London2014

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SlinkachuFaded Grandeur, Lalla Hasna Park, Marrakech, Morocco2013