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Color Theory & Symbolism in Art & Design

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Page 1: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Color Theory & Symbolism

in Art & Design

Page 2: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

ColorWhat the eye sees when light is

reflected off of an object

LIGHT – Subtractive

WHITE = ALL COLORS PRESENT

BLACK = NO COLOR PRESENT

PAINTS – Additive

WHITE = No Color

BLACK = ALL COLORS

Page 3: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

HUE

Any colors name. Hue is the quality that differentiates colors from one another.

RED BLUE YELLOW

ORANGE GREEN VIOLET

Page 4: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

COLOR WHEEL

Visual representation of the primary, secondary and intermediate colors.

Page 5: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Primary Colors

• RED

• BLUE

• YELLOW

Primary colors CANNOT by mixing any other colors – but by mixing the primary colors together in different amounts, you can make every other color.

You cannot MAKE the primary colors, but you can make everything FROM them.

Page 6: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Secondary Colors

• Orange

• Violet

• Green

Secondary colors are made by mixing equal parts of 2 primary colors together. They lie in-between primary colors on the color wheel.

Page 7: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Intermediate Colors

• Yellow-Orange

• Red-Orange

• Red-Violet

• Blue-Violet

• Blue-Green

• Yellow-Green

Intermediate colors are created by mixing secondary colors together – they go in-between secondary and primary colors on the color wheel.

Page 8: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

VALUE• SHADES

- When a color

has BLACK

added to it

- Darker

- Low Value

• TINTS

- When a color

has WHITE

added to it

- Lighter

- High Value

Page 9: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

CHROMA• Level of SATURATION in a color• Saturation is the INTENSITY of a color• TONE – Made by adding GRAY to a color

HIGH CHROMA

(Pure Hue – Very Intense Color)

LOW CHROMA

(Gray added, Duller Intensity)

Page 10: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 11: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 12: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Color SchemeA Planned Combination of Colors

Color schemes are harmonious color combinations.

Traditionally, there are 6 different kinds of color schemes:

- Monochromatic - Analagous

- Complimentary - Split-Complimentary

- Triad - Tetrad

Page 13: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Complimentary Colors

• Red & Green

• Blue & Orange

• Yellow & Violet

Complimentary colors lie directly ACROSS from each other on the color wheel.

Complimentary colors really do compliment each other – placing complimentary colors next to each other helps to make areas of emphasis and make things “pop.”

Page 14: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 15: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Monochromatic

Using ONE HUE in varying tints, tones & shades

Life, Pablo Picasso, 1903

Part of his Blue Period where he painted everything in tints, tones & shades of blue

Page 16: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Warm Colors POP

COOL COLORS RECEDE BACKWARDS

Yellows, Oranges, Reds Red-Violets

Greens Blues Blue-Violets

You can use all warm colors or all cool colors as a color scheme

Page 17: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Analagous Colors

Red through Yellow

Yellow through Blue-Green

Red through Blue-Violet

Red-Violet through Blue-Green

Any 3-5 colors that are next to each other on the color wheel

Page 18: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Split Complimentary Red, Blue-Green and Yellow-Green

Blue, Red-Orange and Yellow-Orange

Yellow, Red-Violet and Blue-Violet

Etc…..

Page 19: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

TriadAny 3 colors that form a triangle on the color wheel

Ex. Primary Colors: Red, Yellow & Blue

OR

Secondary Colors: Violet, Green & Orange

Page 20: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

TetradAny 4 colors that form a triangle on the color wheel

Ex. Red-Violet, Red-Orange, Blue-Green & Yellow-Green

Page 21: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 22: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Colors can also symbolize emotions or behaviors:

Red – anger, wrath, lust, passion

Green – envy

Purple – royalty, decadence

Yellow – coward

Pink – love

Blue – sadness, tranquility, peace

Page 23: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Good vs. Evil• Abstitence• Chastity• Temperance• Diligence• Patience• Kindness• Humility• Truthfulness• Pursuit of Knowledge• Honesty• Integrity

• Lust• Wrath• Gluttony• Greed• Sloth• Pride• Wrath• Betrayal• Decadence / Excess

Page 24: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

You can use color as way to create EMPHASIS

OR

You can use color to convey an emotion / behavior

Page 25: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 26: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 27: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 28: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 29: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 30: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 31: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

The Old Guitarist, Pablo Picasso, 1903

Page 32: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 33: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 34: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

You can use color as way to create EMPHASIS

OR

You can use color to convey an emotion / behavior

Page 35: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Anger / Wrath

Page 36: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Sadness / Longing / Betrayal

Page 37: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT
Page 38: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Sadness

Page 39: Color Theory & Symbolism in Art & Design. Color What the eye sees when light is reflected off of an object LIGHT – Subtractive WHITE = ALL COLORS PRESENT

Assignment: Create a short series of photographs which have specific color choices to produce

desired results.

Example 1: using a warm, highly saturated colored object to be emphasized to the viewer.

Example 2: Create a specific mood - like blue tones or dull tones (low saturation) for sadness

Example 3: compose a photograph that has a specific olor scheme (cool colors, warm colors, complimentary colors, etc.)30 Photographs, Due Tuesday December 15th.