clarinet fingerings

8/12/2019 clarinet fingerings

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Table des matires

Chalumeau Register: E3 to B4....................................................................................................1Clarion Register: B4 to C6..........................................................................................................3

Lower Altissimo Register: C6 to G6...........................................................................................5

Upper Altissimo Register: G6 to A...........................................................................................6Alternate !ingering Chart "or Boehm#$%stem Clarinet.................................................................1&

Chalumeau Register: E3 to B4..................................................................................................1&Clarion Register: B4 to C6........................................................................................................15

Upper Altissimo Register: G6 to A.........................................................................................&1

'ultiphoni( !ingering Chart "or Boehm#$%stem $oprano Clarinet..............................................&Arrange) *% lowest note o" multiphoni(s.................................................................................&

+rill !ingering Chart "or Boehm#$%stem Clarinet.........................................................................&,+rill "ingering : Chalumeau Register: E3 to B4........................................................................&,

+rill "ingering : Clarion Register: B4 to C6..............................................................................3&

+rill "ingering : Altissimo Register: C6 to C...........................................................................35

Chalumeau Register: E3to B

4

This fingering chart includes the primary fingerings learned by all clarinetists.These fingerings are the same on all sizes of Boehm-system clarinets unlessspecified otherwise.

Note Written Fingering Description

E3F3

T 123E|

123

Use in combination with fingerings usingright little finger or no little fingers.

T 123|

123E

Use in combination with fingerings usingleft little finger or no little fingers.

T 123E|

123F

Use in combination with F3or C5.

E3F3

T 123|

123F


T 123F|

123


F3G3

T 123F#|

123


T 123|

123F#


T 123F#|

123F


G3 T 123|123 Basic.
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G 3A3

T 123|

123G#

Basic.

T 123G#|

123

For models with ! "# $ey% use incombination with fingerings using rightlittle finger or no little fingers.

A3 T 123|12- Basic.

A3B 3 T 123|1-- Basic.

B3C 4 T 123|-2- Basic.

B 3C4 T 123|--- Basic.

C 4D 4

T

123C#|---Basic.

D4 T 12-|--- Basic.

D 4E 4

T 12-|4--- Basic.

T 12Eb-|---Chromatic and trill fingering% use incombination with &'and (5.

T 1--|1--)harp% use in combination with fingeringsin*ol*ing +! ,.

E4F 4 T 1--|--- Basic.

E 4F4 T ---|--- Basic.

F 4G 4

1--|--- Basic.

T ---|34

--- Chromatic% use in combination with F'.

G4

---|--- Basic.


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G 4A4

G#---|--- Basic.

A4 A---|--- Basic.

A4B 4

R A---|--- Basic.

A---|2--- Trill fingering with ('.

Clarion Register: B4to C6

This fingering chart includes the primary fingerings learned by all clarinetists.

These fingerings are the same on all sizes of Boehm-system clarinets unlessspecified otherwise.


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E 5 RT 123G#|

123

For models with ! "# $ey% use incombination with fingerings using rightlittle finger or no little fingers.

E5F 5

RT 123|

12-Basic.

E 5F5

RT 123|

1--Basic.

F 5G 5

RT 123|-

2-Basic.

RT 123|1-

B-

Chromatic% use in combination with Bb'or

F5.

G5 RT 123|--- Basic.

G 5A5

RT

123C#|---Basic.

RT 12-|

12-

Use in combination with fingeringsin*ol*ing the right hand fingers.

A5 RT 12-|--- Basic.

A5B 5

RT 12-|

4--- Basic.

RT

12Eb-|---

Chromatic and trill fingering% use incombination with &'and (5.

RT 1--|1--Use in combination with fingeringsin*ol*ing +! ,.

RT 1--|-2-)harp% use for facility in combination withfingerings in*ol*ing +! .

B5

C RT 1--|--- Basic.

B 5C RT ---|--- Basic.

Lower Altissimo Register: C 6to G6This fingering chart includes the primary fingerings learned by all clarinetists.These fingerings are the same on all sizes of Boehm-system clarinets unless


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specified otherwise.

Note Written Fingering Description

C D RT -23|12- Basic.

D

RT -23|1--G# Basic.

RT G#---|4--- ess flat% trill fingering with C5.

RT G#---|--- Trill fingering with C5.

D E

RT -23|1-B-

G#

Basic.

RT -23|--3G#

Use in combination with lower clarionnotes.

RT -23|-2-G#

Flat% use for facility% trill fingering withC#5.

EF

RT -23|---G# Basic.

E F

RT -23C#|---

G#Basic.

RT 123C#|

123

Use for slurring with lower registers andforpp.

F G

RT -2-|---G# Basic.

RT 12-|4---

G#

(ccurate pitch. )pea$s easily in alldynamics. "ood for wide s$ips.

RT 12-|

123G#

Use for slurs with lower registers% morestable% good forppandff.

G

RT -2-|12-G# Basic.

RT 1--|12-G# Use for slurs from clarion notes.

RT --3C#|---

F#

Trill fingering with F5.

RT -2-|4---G# Trill fingering with F#5.
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Upper Altissimo Register: G6to A

7

This fingering chart includes both basic fingerings and alternati*es that aremore appropriate in some passages. )ome alternate fingerings are designed for

fast passages% while others modify the tone% color% or pitch at normal andetreme dynamic le*els. These fingerings apply to all sizes of Boehm-systemclarinet unless specified otherwise. There is also an alternate fingering chart forBoehm-system alto% bass% and contrabass clarinet% which includes additionalalternate chalumeau and altissimo fingerings for those models.

Note Written Fingering Description!rc"

G A

RT -23F#|

1-3

RT -23|1-3

F#

RT ---|4---

G#

+esponds well at all dynamics withaccurate pitch.

"/

RT ---|1--

G#

0asy to finger in all contets withecellent tuning. Top note of (barpeggio with basic 0b1fingering.

"/

R 1--|12-

G#

"ood response atffand accuratepitch.

"/

RT -23|-2-

F

RT -23F|-

2-

RT -23|1-

B-G#

RT -23|1--

F#

RT -23F#|

1--

RT -2-|-2-

G#

RT -2-|

34---

RT --3C#|

12---

RT --3C#|

12---

G#
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RT --3|1--

G# &"

RT --3|1--

F#)harper. &"

RTG#1--|--

3G#

RT C#|

3-

G#

Use for fast chromatic passagesbetween 01and "#1.

2C

A

RT -23|---

F

RT

-23F|---

RT -23|---

F#

RT

-23F#|---

RT -23|

4---

F#

RT -23F#|

4---

RT G#-

23C#|-

23F#

RT G#-23|

12-2-

F#

R -23|1-

3F#

+esponds uic$ly and in tune. "/

R ---|12-

F#


AB

RT G#-

23C#|---G#

RT G#-

23C#|---F#

RT G#-

23|---F#

RT G#-

23C#|34

--- "ood intonation% easy response. 4
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RT G#---|

1--G#

RT 1--C#|

1--G#

0

RT 1--|1--F

RT 1--F|

1--

RT 1--F|

1--F#

(B

RT 1-Eb-|

1-B

-G#

RT 1--|1--G#

4)

RT A1--|--

G#

Better response than RT 1--|1--G#

. 4)

RT A1--|

1--G#

RT A1--|

12-G#

C #D #

RT 123|

123G#

RT 1--|

2341--

F

RT 1--F|

2341--

RT G#1--|

2341--

F#

RT G#1--F#|

2341--

RT -23|-

23G#

D# RT --3|--3

G#

RT --3|

34---

RT -23|---

RT -23|---
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G#

RT 123|

12-E

D #

E #

RT 123E|

123F

RT -23|1-

3

E#F #

RT 12-|

123G#

RT 1--|

123G#

R+ G#1--1&3

G#

+esponds well with a clear sound.For all dynamics.

&2

E #F#

RT 123|

123

RT A1--|

12--3

G#

F #G #

RT 123|

123G#

RT -23|1-

3G#

G#RT 12-|123

RT -2-E|-

2-G#

G #A#

RT G#2E|2

G#

+euires much effort. (C

A#

R+ -&3---

G#)lightly flat. "ood forff. 6C

R+ -

&3C#---

G#

)lightly sharp. "ood for mp. 6C

B$# Submit a fingering for this note or for ahigher note.
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Alternate Fingering Chart for Boehm!"stem Clarinet

Chalumeau Register: E3to B

4

This fingering chart includes both basic fingerings and alternati*es that aremore appropriate in some passages. )ome alternate fingerings are designed forfast passages% while others modify the tone% color% or pitch at normal andetreme dynamic le*els. These fingerings apply to all sizes of Boehm-systemclarinet unless specified otherwise. There is also an alternate fingering chart forBoehm-system alto% bass% and contrabass clarinet% which includes additionalalternate chalumeau and altissimo fingerings for those models.


E3F 3

T 123E|

123

Use in combination with fingeringsusing right little finger or no littlefingers.

T 123|

123E

Use in combination with fingeringsusing left little finger or no littlefingers.

T 123E|

123F


E 3F3

T 123|

123F

Use in combination with fingerings

using left little finger or no littlefingers.

T 123F|

123


F 3G 3

T 123F#|

123


T 123|

123F#

Use in combination with fingeringsusing left little finger or no little

fingers.

T 123F#|

123F


G3 T 123|123

Basic.

G 3A

3

T 123|

123G#

Basic.

T 123G#|123

For models with ! " $ey% use incombination with fingerings usingright little finger or no little fingers.
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A3 T 123|12- Basic.

A3B 3 T 123|1--

Basic.

B3C 4

T 123|-2- Basic.

T 123|1-

B-

Chromatic% use in combination withBb3or F'.

B 3C4 T 123|--- Basic.

C 4D 4

T

123C#|---Basic.

D4 T 12-|--- Basic.

D 4E 4

T 12-|4--- Basic.

T

12

Eb

-|---

Chromatic and trill fingering% use incombination with &

'

and (5

.

T 1--|1--)harp% use for facility incombination with fingeringsin*ol*ing +! ,.

T 1--|-2-)harp% use for facility incombination with fingeringsin*ol*ing +! .

T 1-3|---For 7-ring models% use incombination with C'.

E4F 4

T 1--|--- Basic.

T 1-Eb-|

4--3

F

+ounder and lower in pitch thanbasic fingering.

/C

T 1-Eb-C#|

4123

F

8roduces louder% clear sound%especially useful for long notes.

)C

E 4F4 T ---|--- Basic.

F 4 1--|--- Basic.
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G 4

T ---|34

---Chromatic% use in combination withF'.

1--|123Try different +! combinations for

better intonation and tone.

T ---|

34123

Try different +! combinations for


G4---|--- Basic.

---|123Try different +! combinations for


G 4A4

G#---|--- Basic.

T G#---|

34---

Use in combination with F '.

G#-23|

41--

Flatter.

G#---|123Try different +! combinations for


T G#---|

34123

Try different +! combinations forbetter intonation and tone.

+ 1--

2---

Use in combination with 0'. " 'is

sharp.6

A4

A---|--- Basic.

A---|-23F Fuller sound without sounding airy.

44E%&

A-23|-

23F

Flatter.

A---|123Try different +! combinations for


A4

B 4

R A---|--- Basic.

A---|2--- Trill fingering with ('.

R A--3|1-

3F

Better in tune and clearer than basicfingering.

&+

R A--3F|

1-3

Better in tune and clearer than basicfingering.

&+

R A---|

123

Try different +! combinations forbetter intonation and tone.

A---|2123

Try different +! combinations for


R A123|- "ood intonation and smooth
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23 transitions with other notes.

R A-23|-

23F

Fuller sound9 in tune9 less aw$ward.44E%&

R A--3|--

3F

:n tune and fuller% less airy sound.&"'B

Clarion Register: B4to C

6


B4C 5

R+ 1&3E

1&3

Use in combination with fingeringsusing right little finger or no little

fingers.R+ 1&3

1&3E


R+ 1&3E

1&3!

Use in combination with C5.

A###1### Trill fingering with ('.

R A##### Trill fingering with Bb'.

R+ A1&3E1&3

)uitable for sustained notes. "i*esa more open sound than basicfingering.

+T6+

R+ A1&3

1&3E


+T6+

R+ A1&3E

1&3!


+T6+

B 4C5

R+ 1&31&3

!


R+ 1&3!

1&3


R A###1### Trill fingering with Bb'.

R A###

1##

Trill fingering with Bb'% more in

tune than pre*ious fingering.0
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C 5D 5

R+ 1&3!/

1&3


R+ 1&3

1&3!/


R+ 1&3!/1&3

!

Use in combination with C5.

D5 R+ 1&31&3

Basic.

D 5E 5

R+ 1&31&3

G/ Basic.

R+ 1&3G/

1&3

For models with ! "# $ey% use in

combination with fingerings usingright little finger or no little fingers.

E5F 5

R+ 1&3

1Basic.

E 5F5 R+ 1&31## Basic.

F 5G 5

R+ 1&3# Basic.

R+ 1&31#

B#

Chromatic% use in combination withBb'or F5.

R+ 1&3##3 Use in combination with &5.

G5 R+ 1&3### Basic.

G 5A5

R+

1&3C/### Basic.

R+ 1Use in combination with fingeringsin*ol*ing the right hand fingers.

A5 R+ 1### Basic.

A5B 5

R+ 1### Basic.

R+

1&E*####

Chromatic and trill fingering% use in

combination with &'and (5.


16/36

R+

#&3C/###Trill fingering with (b5.

R+ 1##1##Use in combination with fingeringsin*ol*ing +! ,.

R+ 1###

)harp% use for facility in

combination with fingeringsin*ol*ing +! .

R+ 1#3###For 7-ring models. Use incombination with "5.

R+ 1-31&3

! Forpppentrances. "/

B5C

R+ 1##### Basic.

R+ -&3!/

1&3

Use in combination with lower

altissimo notes.

B 5C

R+ ###### Basic.

R+ ##3

41&3

Useful forppattac$s and upwards$ips from &5.

"/

R+ ---1&3

)uitable for large inter*al s$ips%such as with &5% and forpp.

T8

R+ 1&E*-

34

---)lightly sharp. "ood forff. Usefulin combination with Bb5.

T8

R+ 1&3

1&3G/

For legato slurring from &1. "/

R+ -&3

1&3"ood intonation and good forff. 4

R+ -&31&3

G/ "ood intonation and good forff. 4

R+ 0&31&3

G/

For bass clarinet. Use in

combination with C 1% &1% and 0 1.(+


C D

RT -23|12- Basic.

RT ---|34

--- Trill fingering with C1.

RT 1--|4--- Trill fingering with B5.
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1--|--- !armonic ;F#'


18/36

F

RT 123C#|

123

Use for slurring with lowerregisters and forpp.

RT 123C#|

2---

G#

Useful for wide inter*al s$ipswith any !-only fingering.=uic$ response.

"/

RTA123C#|---

0asy to finger ;! only


19/36

RT 1--|---

G#

For uic$ slurs with &1. 2"

RT

--3C#|---F#

Trill fingering with F1.

RT -23|12-

G#!armonic ;C#1


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G#

ecellent tuning. Top note of (barpeggio with basic 0b1fingering.

R 1--|12-

G#

"ood response atffand accuratepitch.

"/

RT -23|-2-

F

RT -23F|-

2-

RT -23|1-

B-G#

RT -23|1--

F#

RT -23F#|

1--

RT -2-|-2-

G#

RT -2-|

34---

RT --3C#|

12---

RT --3C#|

12---G#

RT --3|1--

G# &"

RT --3|1--

F#)harper. &"

RTG#1--|--

3G#

RT C#|

3-

G#

Use for fast chromatic passagesbetween 01and "#1.

2C

A RT -23|---

F

RT

-23F|---

RT -23|---

F#

RT-23F#|---


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RT -23|

4---

F#

RT -23F#|

4---

RT

G#

-23C#|-

23F#

RT G#-23|

12-2-

F#

R -23|1-

3F#


R ---|12-

F#+esponds uic$ly and in tune. "/

AB

RT G#-

23C#|---G#

RT G#-

23C#|---F#

RT G#-

23|---F#

RT G#-

23C#|34---"ood intonation% easy response. 4

RT 123C#|

123F

RT 123C#|

123G#

RT 123F|

123G#

&"

RT

G#123F|

123G#

)harper. &"

RT 123|

123F

RT 123F|

123

RT -23C#|

123F

-2-|--- )


22/36

R -2-|--- )harper than pre*ious fingering. )

BC #

RT G#12-|

12-

RT 12-|

12-F#

RT 12-F|

12-F#

(B

RT G#12-|

12-F#

RT G#12-F#|12-

G#

RT G#12-

C#|12-G#

RT -2-F#|

12-G#

B C#

RT G#1--|

1--F#

RT G#1--F#|1--

RT

G#

1--C#|1--

RT G#---|

1--G#

RT 1--C#|

1--G#

0

RT 1--|1--

F

RT 1--F

|1--

RT 1--F|

1--F#

(B

RT 1-Eb-|

1-B

-G#

RT 1--|1--

G# 4)

RT A1--|--

G#Better response than RT 1--|1--G#. 4)


23/36

RT A1--|

1--G#

RT A1--|

12-G#

C #D #

RT 123|

123G#

RT 1--|

2341--

F

RT 1--F|

2341--

RT G#1--|

2341--

F#

RT G#1--F#|

2341--

RT -23|-

23G#

D#

RT --3|--

3G#

RT --3|

34---

RT -23|---

RT -23|---

G#

RT 123|

12-E

D #E #

RT 123E|

123F

RT -23|1-

3

E#F #

RT 12-|

123G#

RT 1--|

123G#

R+ G#1--

1&3G#

+esponds well with a clear sound.For all dynamics.

&2

E #

F#

RT 123|

123

RT A1--|

12--3

G#
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl


24/36

F #G #

RT 123|

123G#

RT -23|1-

3G#

G#

RT 12-|

123

RT -2-E|-

2-G#

G #A#

RT G#2E|2

G#

+euires much effort. (C

A#

R+ -

&3---G# )lightly flat. "ood forff. 6C

R+ -

&3C#---

G#

)lightly sharp. "ood for mp. 6C

B$# Submit a fingering for this note or for ahigher note.
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/submit.html


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#ultiphoni$ Fingering Chart for Boehm!"stem!oprano Clarinet

Arrange% &" lowest note of multiphoni$s

This fingering chart includes multiphonics fingerings% which are fingeringssuited for playing two or more notes simultaneously. These fingerings apply tosoprano Boehm-system clarinets. (ll notes are specified to the nearest uarter

tone in terms of naturals ;no symbol


26/36

'rill Fingering Chart for Boehm!"stem Clarinet

'rill fingering : Chalumeau Register: E3to B

4

This fingering chart includes trill fingerings% which are fingerings designed for

rapid alternation between two notes at an inter*al of a minor second ;semitoneor second ;whole tone< apart. any of these fingerings can also be usedas alternate fingerings for some fast passages. /eys to be trilled are indicated inre). 6hen more than one $ey is to be trilled% the $eys should be simultaneouslypressed and simultaneously released% unless the description says to alternatepressing and releasing the $eys. These fingerings apply to all sizes of Boehm-system clarinet unless specified otherwise.

*rill Written Fingering Description !rc"

E3+F3T 123E|123

F

T 123F|123E

E3+F 3F 3+G 3

T 123E|123F#

T 123F#|123E

E 3+F 3F3+G 3

T 123F#

|123F

T 123F|123F#

F3+G3T 123|123

F

T 123F|123

F 3+G3T 123F#|123

T 123|123F#

F 3+G 3G 3+A3

T 123F#|123G#

G3+A3 T 123|123G#

G3+A3 T 123|123
http://www.wfg.woodwind.org/clarinet/cl_tr2_1.html#fhttp://www.wfg.woodwind.org/clarinet/cl_tr2_1.html#f


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G 3+A3 T 123|123G#

G 3+A3A

3+B

3

T 123|123G#

T 123|123G#

A3+B 3 T 123|12-

A3+B3 T 123|12-

A3+B3

B 3+C 4T 123|1-

B

-

A3+B 3B 3+C4

T 123|1--

B3+C4 T 123|-2-

B3+C 4C 4+D 4

T 123C#|-2-

T 123C#|1-B

-

T 123C#|--3

B 3+C 4C4+D 4 T 123

C#|---

C4

+D4

T 123|---

T 123|4---

C 4+D4T 123C#|---

T 123C#|---

C 4+D 4D 4+E 4

T 123C#|4---

D4+E 4 T 12-|4---


28/36

T 12Eb-|---

D4+E4 T 12-|---

D 4+E4E 4+F 4

T 12-|4---

T 12Eb-|---

T 1--|1--

D 4+E 4E 4+F4

T 12-|4---

T 12Eb-|34

---

E4+F4 T 1--|---

E4+F 4F 4+G 4

T1--|---

T 1--|34

---

E 4+F 4F4+G 4

T ---|34

---

F4+G4T G#---|---

T---|---

F 4+G4 1--|---

F 4+G 4G 4+A4

T G#---|34

---

G#2--|--- ! closes ! , hole while! , trills. &?

G4+A4 G#---|---

G4+A4A---|---

G 4+A4 G#---|2---


29/36

G 4+A4A4+B 4

G#---|1---

A4+B 4 A---|2---

A4+B4 A---|1---

A4+B4B 4+C 5

R A---|2---

A4+B 4

B 4+C5

R A---|1---

R A---|12

--- ore in tune than pre*iousfingering.

0


32/36

RT 123|4---

A5 RT

123C#|---

RT

123C#|---

RT 12-|12-

A5+B

5RT

123C#|---

RT 123C#|

4---

RT1

2-|12- 5

RT 12Eb-|---

RT 12-|4---

RT 12-|---

RT 12-|--- B 5+C

RT 12-|4---

RT 1--|1--

B 5+

CRT 12-|

4---

RT 12Eb-|

34---

B5+C RT 1--|---

C +D

RT1--|---

RT 1--|34

---

RT 1--|4---

RT 1-3|123


33/36

B 5+C

C+D

RT ---|34

---

C+D

RT G#---|---

RT ---|2---

RT G#---|

4---

For soprano models. (6

R+ -&3

1&3G#

"ood intonation and response.6or$s well at mftoffdynamics.

4

'rill fingering : Altissimo Register: C6to C

7

*rill Written Fingering Description!rc"

C +

D

RT -23|12-

RT G#-23|12Full tone and ecellent pitchon &1.

"/

RT1

--|2---

C +D

D +E

RT -23|12-

RT -23|12-G#

RT A-23|12-

D+E

RT -23|1-B

-G#

RT G#-23|1--G# "reat for rapid trills. "/

D+E RT -23|1--G#

D +

EE +F

RT -23|--3G#

RT -23|-2-G#

RT -23C#|1-B

-G#
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/clarinet/cl_tr2_3.html#fhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/clarinet/cl_tr2_3.html#fhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#cl


35/36

RT --3C#|4---

G#

RT -2-|123F

G+A

RT -23|12-G#

RT -2-|12-G#

RT 1--|12-G#

G +A

RT -23|-2-F

RT -23|-2-G#

RT -23|1--F#

RT -23|1-3F#

RT --3|1--F#

RT -23|--3F

RT -2-|-2-G#

G +A

A+B

RT A-23|34

---G#

RT-23|-2-G#

A+B

RT G#-23C#|---F#0cellent pitch9 some left handcoordination needed.

"/

RT -23|---F# )lightly flat Bb. "/

A+B

RT A-23|123F# "/

RT A-23|12-F# )lightly sharper B. "/

A+

BB +C

#

RT AG#-23C#|---

RT 123C#|123F

A+B RTG#123C#|123

F


36/36

B +

C#RT G#123C#|123F

B+C#

RTG#

12-|12-G#

RT 12-|12- )harp B. ?/

R A-23C#|12-G# "/

B+C

#

C #+D

#

RT 12|12BG#)li*er $ey $eeps pitch of C#from going flat.

&"

B +C

#

C#+D

#

RT G#1--|234

1--F#

RT 1--|234

1--F

C#+D# R+ 1-31-3G#(lternate pressing both inde

fingers and both ring fingers.

2

C #+

D#

Submit a fingering for this trill orfor a higher trill.
http://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/sources.html#clhttp://www.wfg.woodwind.org/submit.htmlhttp://www.wfg.woodwind.org/submit.html

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