& b c

√

w œ œ œ œ œœ œ ˙ Uw

,w œ œ œ œ œ œ œ œ ˙

Uw

,

& b

9 w œ œœœœœœœ œœœœ œœ œœ

Uœ œ œ œ ˙

,w œ œœ œ œ œ œœ œœœ œœœœœ

Uœ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Piccolo(Soprano Voice)

& b c

w œ œ œ œ œœ œ ˙ Uw

,w œ œ œ œ œ œ œ œ ˙

Uw

,

& b

9 w œ œœœœœœœ œœœœ œœ œœ

Uœ œ œ œ ˙

,w œ œœ œ œ œ œœ œœœ œœœœœ

Uœ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Flute(Soprano Voice)

& b c w œ œ œ œ œœ œ ˙

U

w

,w œ œ œ œ œ œ œ œ ˙

U

w

,

& b

9

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

,

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Oboe(Soprano Voice)

?b c

w œ œ œ œ œ œ œ œ œ œ œUw,w œ œ œ œ œ œ œ œ Uw

,

?b

9 w œ œ œœœœœœ œœœœœœœœ

Uœ œ œ œ ˙

,

w œœœœ œœ œœ œ œ œ œ œ œœœU

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Bassoon 1(Tenor Voice)

?b cw œ

œ œ œœœ œ ˙

Uw,w œ œ œ œ œ œ œ œ ˙

Uw

?b

9

w œœœœœœœœ

œœœœœœœœ

U

œ œ œ œ ˙,w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Bassoon 2(Bass Voice)

&

#c w œ œ œ œ œ

œ œ ˙

U

w,w œ œ œ œ œ

&

#7

œ œ œ ˙

U

w

,w œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ

U

œ œ œ œ ˙,

&

#13

w œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Clarinet in Bb 1(Soprano Voice)

&

#c w œ œ œ œ œ

œ œ œ

U

w

,

w œ œ œ œ œ œ œ œ œ œ

U

w

,

&

#9

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

,

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Clarinet in Bb 2(Alto Voice)

&

#cw œ œ œ œ œ œ œ œ œ œ œ

U

w w œ œ œ œ œ œ œ œ

U

w

&

#9

w œœœœ œ œ œ œ œ œ œ œ œ œ œ œ

U

œ œ œ œ ˙ w œœœœœœœœ œœœœœœœ œ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Clarinet in Bb 3(Tenor Voice)

&

#c w œ

œ œ œœœ œ ˙

U

w

,

w œ œ œ œ œ œ œ œ ˙

U

w

,

&

#9

w œœœœœœœœ

œœœ œ œœœœ

U

œ œ œ œ ˙

,

w œœœœœœœœ œ œ œ œœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Bass Clarinet(Bass Voice)

&

## cw œ œ œ œ œ

œ œ ˙Uw,w œ œ œ œ œ œ œ œ ˙

U

w

,

&

##

9w œœœœœœœœ œ

œ œ œ œœœœ

U

œ œ œ œ ˙, w œ œœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesiveThe ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Alto Sax. 1(Soprano Voice)

&

## c w œ œ œ œ œ

œ œ œ

Uw,w œ œ œ œ œ œ œ œ œœ

U

w

,

&

##

9

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙,w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesiveThe ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Alto Sax. 2(Alto Voice)

&

#c w œ œ œ œ œ œ œ œ œ œ œ

Uw,w œ œ œ œ œ œ œ œ

Uw

,

&

#9

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙,w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Tenor Sax.(Tenor Voice)

&

## c w œ

œ œ œœœ œ ˙

Uw,

w œ œ œ œ œ œ œ œ ˙

Uw

,

&

##

9

w œœœœœœœœ

œœœœœœœœ

U

œ œ œ œ ˙,w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Baritone Sax.(Bass Voice)

&

#c w œ œ œ œ œ

œ œ ˙

U

w

,w œ œ œ œ œ œ œ œ ˙

U

w

,

&

#9

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

,w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Trumpet in Bb 1(Soprano Voice)

&

#c w œ œ œ œ œ

œ œ œ

U

w

,

w œ œ œ œ œ œ œ œ œ œ

U

w

,

&

#9

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

,

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Trumpet in Bb 2(Alto Voice)

&

#cw œ œ œ œ œ œ œ œ œ œ œ

U

w

,

w œ œ œ œ œ œ œ œ

U

w

&

#9

w œœœœ œ œ œ œ œ œ œ œ œ œ œ œ

U

œ œ œ œ ˙

,

w œœœœœœœœ œœœœœœ œ œ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Trumpet in Bb 3(Tenor Voice)

& cw œ œ œ œ œ

œ œ œ

U

w

,

w œ œ œ œ œ œ œ œ œ œ

U

w

,

&

9

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

,w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

1st Horn in F(Alto Voice)

& c w œ œ œ œ œ œ œ œ œ œ œ

U

w w œ œ œ œ œ œ œ œ

U

w

&

9

w œœœœœœœœ œ œœœœ œ œœ

U

œ œ œ œ ˙ w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

2nd Horn in F(Tenor Voice)

?b c

w œ œ œ œ œ œ œ œ œ œ œUw

,

w œ œ œ œ œ œ œ œUw,

?b

9 w œ œ œ œœœœœ œœœœœœœœ

Uœ œ œ œ ˙

,

w œ œ œ œ œ œ œ œ œ œ œ œ œ œœœU

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Trombone 1(Tenor Voice)

?b cw œ

œ œ œœœ œ ˙

Uw

,

w œ œ œ œ œ œ œ œ ˙

Uw,

?b

9

w œœœœœœœœ

œœœœœœœœ

U

œ œ œ œ ˙

,

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Trombone 2(Bass Voice)

?b cw œ

œ œ œœœ œ ˙

Uw

,

w œ œ œ œ œ œ œ œ ˙

Uw

w

,

?b

9

w œœœœœœœœ

œœœœœœœœ

U

œ œ œ œ ˙

,

w œœœœœœœœ œœœœœœœœ

U

œ

œ

œ

œ

œ

œ

œ

œ

˙

˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Baritone BC(Bass Voice)

& b c w œœ œ œ

œœ œ ˙

U

w

,

w œ œ œ œ œ œ œ œ ˙

U

w

,

& b

9

w œœœœœœœœ

œœœœœœœœ

U

œ œ œ œ ˙

,

w œœœœœœœœ œœœœœœœœ

U

œ œ œ œ ˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Baritone TC(Bass Voice)

?b cw œ

œ œ œœœ œ ˙

Uw

,

w œ œ œ œ œ œ œ œ ˙

Uw

w

,

?b

9

w œœœœœœœœ

œœœœœœœœ

U

œ œ œ œ ˙

,

w œœœœœœœœ œœœœœœœœ

U

œ

œ

œ

œ

œ

œ

œ

œ

˙

˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to develop one cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Euphonium(Bass Voice)

?b cw œ

œ œ œœœ œ ˙

Uw

w

,

w œ œ œ œ œ œ œ œ ˙

Uw

w

,

?b

9

w œœœœœœœœ

œœœœœœœœ

U

œ

œ

œ

œ

œ

œ

œ

œ

˙

˙

,

w œœœœœœœœ œœœœœœœœ

U

œ

œ

œ

œ

œ

œ

œ

œ

˙

˙

Chorale arr. Patterson

©2007

This chorale will be a major portion of our warm-up process. It will give the ensemble a great chance to developone cohesive sound. The ensemble will play the chorale three times in this manner: Play: Focus: 1) As written - purity of sound with full block sounds 2) Subdivided - cohesive movement with matched, lifted articulations 3) As written - combination of full, pure sound of #1 and timing and movement of #2

Tuba(Bass Voice)