chartgÇöcurriculum tonal

Tonal

Level Ears (Aural) Eyes (Reading) Melodic (tonal + rhythm)

Major Minor Major Minor Major Minor

1

Pentachord (D-‐S)

Steps and Skips Tonic Triad (DMS)

D-‐F/F-‐D R-‐S/S-‐R (Dominant intervals within pentachord)

Audiation Chord Tones

Pentachord (L-‐M)

Steps and Skips Tonic Triad (LDM)

T-‐M/M-‐T L-‐R/R-‐L (Dominant intervals within pentachord)

Audiation Chord Tones

2 Add La and Ti S-‐D1 /D-‐S1

Natural Minor Add Fa and So M-‐L1 /L-‐M1

Pentachord (D-‐S)

Steps and Skips Tonic Triad

(DMS) D-‐F/F-‐D R-‐S/S-‐R

(Dominant intervals within pentachord)

Pentachord (L-‐M)

Steps and Skips Tonic Triad

(LDM) T-‐M/M-‐T L-‐R/R-‐L

(Dominant intervals within pentachord)

3 Dominant Triad (STR)

V, V6, V64

Dominant Triad (MST)

V, V6, V64

Add La and Ti S-‐D1 /D-‐S1

Add Fa and So M-‐L1 /L-‐M1

Pentachord, Tonic Triad, other skips -‐ Undivided beat in 2/4, 3/4, 4/4

Key Signature find do

Accidentals Sharp and Flat

Pentachord, Tonic Triad, other skips -‐Undivided beat in 2/4, 3/4, 4/4

Key Signature find do

Accidentals Sharp and Flat

4 V7 Chord (STRF) in multiple inversions

V7 Chord (MSTR) in multiple inversions

Dominant Triad (STR)

V, V6, V64

Dominant Triad (MST)

V, V6, V64

Full Scale, Tonic -‐Undivided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8

Full Scale, Tonic -‐Undivided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8

5 IV Subdominant (FLD)

iv Subdominant (RFL)

V7 Chord (STRF) V7 Chord (MSTR)

Full Scale, Tonic Skips -‐ Divided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8 repeated eighths

Dominant Skips-‐Undivided Beat in 2/4, ¾, 4/4

Full Scale, Tonic Skips -‐ Divided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8

repeated eighths

Dominant Skips-‐Undivided Beat in 2/4, ¾, 4/4

6

Harmonic and Melodic Minor

Natural Accidental

IV Subdominant (FLD)

iv Subdominant (RFL)

Full Scale, Tonic Skips, Dominant Skips -‐ Divided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8 moving eighth notes

Full Scale, Tonic Skips, Dominant Skips -‐ Divided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8

moving eighth notes

7

Harmonic and Melodic Minor

Natural Accidental

Dominant Chord (M Si T)

Full Scale, Tonic Skips, Dominant Skips -‐ Divided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8 moving eighth notes and

and


moving eighth notes and

and

8


and

Dominant 7 skips Undivided beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8



and

Dominant 7 skips Undivided beat

in 2/4, ¾, 4/4, 6/8, 9/8, 12/8

9


and

Dominant 7 skips Divided beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8 -‐ moving eighths



and

Dominant 7 skips Divided beat in

2/4, ¾, 4/4, 6/8, 9/8, 12/8 -‐ moving eighths

10

Full Scale, Tonic Skips, Dominant 7 Skips -‐ Divided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8 moving eighth notes and

and

Subdominant skips Undivided beat in 2/4, ¾, 4/4, 6/8, 9/8. 12/8

Full Scale, Tonic Skips, Dominant 7 Skips -‐ Divided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8


and

Subdominant skips Undivided beat in 2/4, ¾, 4/4, 6/8, 9/8. 12/8

11

Full Scale, Tonic Skips, Dominant 7 Skips -‐ Divided Beat in 2/4, ¾, 4/4 moving eighth notes and

and

Subdominant skips Divided beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8 -‐ moving eighths

Full Scale, Tonic Skips, Dominant 7 Skips -‐ Divided Beat in 2/4, ¾, 4/4 moving eighth notes and

and

Subdominant skips Divided beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8 -‐ moving eighths

12

Full Scale, Tonic Skips, Dominant 7 Skips, Subdominant Skips -‐ Divided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8 moving eighth notes and

and

Full Scale, Tonic Skips, Dominant 7 Skips, Subdominant Skips -‐ Divided Beat in 2/4, ¾, 4/4, 6/8, 9/8, 12/8


and

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