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Chapter Fourteen Design and Production

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Page 1: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Chapter Fourteen

Design and Production

Page 2: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-2

The Facets Model of Effects is a useful way to view visual communication.

a) True

b) False

Page 3: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-3

The Facets Model of Effects is a useful way to view visual communication.

a) True

b) False

Page 4: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-4

In general, print designers have found that a picture in a print ad:

a) Captures more than twice as many readers as a headline does

b) Becomes more interesting as it gets smaller

c) Enhances interest-building impactd) Both a and c

Page 5: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-5

In general, print designers have found that a picture in a print ad:

a) Captures more than twice as many readers as a headline does

b) Becomes more interesting as it gets smaller

c) Enhances interest-building impactd) Both a and c

Page 6: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-6

Is the visual’s primary function in an advertisement to connect the reader with the copy?

a) Yes

b) No

Page 7: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-7

Is the visual’s primary function in an advertisement to connect the reader with the copy?

a) Yes

b) No

Page 8: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-8

What is most true of visual storytelling?

a) The visual sets up a narrative for the reader

b) It is more important for print than broadcast

c) It is less important for abstract concepts

d) Use it sparingly; some readers prefer text

Page 9: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-9

What is most true of visual storytelling?

a) The visual sets up a narrative for the reader

b) It is more important for print than broadcast

c) It is less important for abstract concepts

d) Use it sparingly; some readers prefer text

Page 10: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-10

The person who is responsible for creating visual impact is called the:

a) Media directorb) Account plannerc) Copywriterd) Art director

Page 11: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-11

The person who is responsible for creating visual impact is called the:

a) Media directorb) Account plannerc) Copywriterd) Art director

Page 12: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-12

Is design generally improved by increasing the number of elements in the layout?

a) Yes

b) No

Page 13: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-13

Is design generally improved by increasing the number of elements in the layout?

a) Yes

b) No

Page 14: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-14

Magazines have led the way in graphic print production because their paper is better than newsprint.

a) True

b) False

Page 15: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-15

Magazines have led the way in graphic print production because their paper is better than newsprint.

a) True

b) False

Page 16: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-16

Art directors who do not choose to arrange for filming video graphics can choose:

a) Film-to-tape transfer b) Dubbingc) Stock footaged) Click art

Page 17: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-17

Art directors who do not choose to arrange for filming video graphics can choose:

a) Film-to-tape transfer b) Dubbingc) Stock footaged) Click art

Page 18: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-18

Visual storytelling in TV requires careful design of images and sequences.

a) True

b) False

Page 19: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-19

Visual storytelling in TV requires careful design of images and sequences.

a) True

b) False

Page 20: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-20

Is the Pillsbury Doughboy a good example of the “morphing” technique?

a) Yes

b) No

Page 21: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-21

Is the Pillsbury Doughboy a good example of the “morphing” technique?

a) Yes

b) No

Page 22: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-22

Post-production for film and video is when the commercial is:

a) Conceptualized by the art directorb) Planned and produced by the video

crewc) Edited and assembled into a

sequence that follows a storyboard d) Introduced as part of the media

campaign

Page 23: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-23

Post-production for film and video is when the commercial is:

a) Conceptualized by the art directorb) Planned and produced by the video

crewc) Edited and assembled into a

sequence that follows a storyboard d) Introduced as part of the media

campaign

Page 24: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-24

The result of the editor’s initial work in post-production is called:

a) Dubbingb) Release printsc) Rushesd) A rough cut

Page 25: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-25

The result of the editor’s initial work in post-production is called:

a) Dubbingb) Release printsc) Rushesd) A rough cut

Page 26: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-26

The primary goal of Web designers is to:

a) Ensure their sites have clear navigation

b) Ensure their sites have the most banners

c) Manage the image of the host page

d) Prevent too much customization and interaction from customers

Page 27: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-27

The primary goal of Web designers is to:

a) Ensure their sites have clear navigation

b) Ensure their sites have the most banners

c) Manage the image of the host page

d) Prevent too much customization and interaction from customers

Page 28: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-28

Although Web banner ads are small, they are relatively easy to design.

a) True

b) False

Page 29: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-29

Although Web banner ads are small, they are relatively easy to design.

a) True

b) False

Page 30: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-30

In general, should Web pages follow the same design rules as posters?

a) Yes

b) No

Page 31: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-31

In general, should Web pages follow the same design rules as posters?

a) Yes

b) No

Page 32: Chapter Fourteen Design and Production. Prentice Hall, © 2009 14-2 The Facets Model of Effects is a useful way to view visual communication. a) True b)

Prentice Hall, © 2009 14-32

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic,

mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Printed in the United States of America.

Copyright © 2009 Pearson Education, Inc.  Copyright © 2009 Pearson Education, Inc.  Publishing as Prentice HallPublishing as Prentice Hall