chapter 7.1 game production & management. 2 overview mainstream video games and computer games...
Post on 22-Dec-2015
214 views
TRANSCRIPT
Chapter 7.1Game Production & Management
2
Overview
Mainstream Video games and computer games are made by large teams of people.
– Big– Expensive– Time-consuming projects
Chapter 7 is from point of view of the Producer (a.k.a. director or project manager)
– Producers can work for game developers– Manage the developer’s team in fulfilling a game
development contract
3
Five Phases of Making a Game
1. Concept Phase
2. Preproduction
3. Production
4. Postproduction
5. AfterMarket
4
Concept Phase
Publisher has decided to pursue a game concept.– Producer usually first person assigned to work on new
project Game concepts usually not brainchild of game
designer Usually based on past successes or business deals Where concepts come from
– Sequels based on previous successful games– Film licenses – Technology re-use (characters, add new features inherent
in other games that are gaining wide consumer acceptance)– Occasionally, original concepts get greenlit
5
Concept Phase – cont.
Producing the conceptual design– Written by Producer or Game Designer– Producer can hire internal or external game designer (sworn to secrecy)
Requires several meetings Describes story and character developments to occur Outline improvements
– Game– UI– Level design
Address ways game will reclaim users If the game was a licensed concept…
– Producer would have to discuss concept with the licensor. Working Title (Important Marketing Tool) For Sequels you just need a subtitle Producer creates executive summary (just highlights)
– Concept Document needs to be brief, yet provide satisfactory answers to big questions
6
Concept Phase – cont.
Green Light Committee Producer supplies
– Printed copies of conceptual design– PowerPoint presentation– Games are installed in meeting room
Folks Present– Executives of Publisher’s studio, distribution, licensing, sales,
marketing, financial and international divisions (by teleconference or video conference)
The meeting could go smoothly or not . If all goes well the Producer will get approve the Green Light to
proceed and use the Publishing company’s resources:– Money, personnel, equipment, office space, and internal network
7
Pre-Production Phase
Producer needs GDD written by internal or freelance designer and and selects development team
GDD (Game Design Document)
Team Selection
Internal staffing plan (management challenge)– Existing employees (same roles)– Promotions, transfers (new roles)– Hire new employees
8
External Development
Selecting an external developer– Previously used developers
Other sources (e.g. IGDA and Gamasutra.com)– Referrals (producers, developers)– Non-Disclosure Agreement (NDA)
Bid package– Treatment or GDD to date– Publisher’s expectations for product
Developer needs to know Genre, Platform, Target Audience and Competition
– Bid format and due date Triple-A or budget title? How many levels, characters, or missions game entails? Special technology or features Demo? Specs? Demo Due date? Some developers ask for royalties on the game’s sales. Producer will
want lower upfront cost (advance) if royalties are a part of the picture.
9
The Development Agreement
Developer’s obligations Publisher’s obligations IP ownership Warranties Termination Milestones
10
Milestones
Highly detailed, specific Quantifiable, measurable Due dates Payment amounts (upon acceptance) Avoid terms like “alpha” and “beta” unless
clearly defined Milestone approval cycles
11
The TechnicalDesign Document
GDD is a statement of the problem; TDD is a statement of the solution
Foundation for the programming work Identify technical challenges Plan for technical solutions Set forth asset format guidelines
12
Scheduling
Generate task lists from GDD & TDD Plan everything
– Programming– Assets– Demos– Approvals– Green lights– Vacations, holidays– QA
Work backwards from completion
13
The Golden Spike
May 10, 1869 – Promontory, Utah Start at both ends, work towards the middle
(alpha and/or beta) The back end cannot be compressed Determine target beta date to achieve
desired ship date Can game achieve beta by target date?
14
Adjusting the Schedule
Add people to reduce development time? Deliver assets on time
– Don’t make programmers wait for assets
Prioritize feature set– Lower priority features to be done later if possible
Look for bottlenecks– (feature-technology interdependencies)
15
Budgeting
Personnel costs– Salary x time x involvement %
Developer/Contractor payments Equipment & software Supplies Travel & meals Shipments
16
Profit & Loss Analysis (P&L)
Costs– Production budget– Cost of goods (COGs)– Marketing– Licensor royalties– Developer royalties
Revenues– Projected Sales– Wholesale price– Ancillary sales (OEM, strategy guides)
17
Kickoff Green Light
Producer’s plan for the project– GDD– TDD– Schedule– Budget
Green light– Executives– IP owner (licensor)– Platform holder
18
Production Phase
Programming now underway Kicking off tasks – art creation
– Art lists– Art asset file naming conventions– Art asset tracking– Art asset approval cycles– Art asset delivery formats
19
Red Flag Spotting
The usual causes of red flags:– Team conflicts– Personnel issues– Design problems– Money troubles– Technical glitches– Change requests– Schedule delays
Take immediate action
20
Kicking Off Tasks - Audio
Sound list Music specification Story text Voice-over script Creation of sounds Creation or licensing of music Recording of voice-overs
21
First Playable – Proof of Concept
Keeping everyone on board– Licensor(s)– Platform holder(s)– Executives– The Team
The Cerny method Keeping the momentum going
22
Phases Within Phases
Pre-production Production
– Early production– Mid-production
Alpha
– Late production Beta
Post-production
23
The Multitasking Producer
Time management Managing mid-production Expecting the unexpected Red flags in mid-production Design by committee = consensus? Late production
24
Working with Marketing
Working title final title Screen shots E3 demo Magazine demo Platform holder promo
25
Post-Production
Personnel transfers Localizations ESRB rating Box & docs Strategy guide
26
Quality Assurance
Test plan The QA database QA – the view from inside The QA-producer relationship
27
The Light at the End of the Tunnel
Operations OEM & bundled versions Post mortem