chapter 5: conclusion: tricks, traps, and moving beyond
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Thomas, J. (Ed.). (1993).ᅠDoing critical ethnographyᅠ(Vol. 26). Sage. 61-71.TRANSCRIPT
Chapter 5: Conclusion: Tricks, Traps, and Moving BeyondThomas, J. (Ed.). (1993). Doing critical ethnography (Vol. 26). Sage. 61-71.
AITZA M. HADDAD NUNEZ, J.D., LL.M.
Ethnography Critical thinking means:
“taking the sociological imagination seriously by shifting from discrete instances of phenomena to their broader social context.” (p.62)
Is a way of life that attempts to provide clearer images of the larger picture we are all part. Two Main Questions: • How we remain scientific while simultaneously practicing critique? (p.61)• Why should we bother to be critical at all?• Knowledge is Power!
Traps and Tricks 8 Main Traps • Most likely to occur during the interpretation and writing phase.• Can doom a study as “simply another polemical exercise that
passionately rhetorical but scientifically unpersuasive.” (p.62)
Main Traps and Tricks1. Seeing only what serves our purpose2. Using Conceptual clichés3. Placing passion before science 4. Making claims beyond demonstrable evidence5. Replacing reason with stridency6. Writing to the already committed7. Forgetting the ethnographic project8. Taking ourselves as given
Trap and Trick 1: Seeing only what serves our
purpose Trick: Avoid imposing meaning on data.• Dishonest and unethical.
“If data contradicts or demonstrate processes counter to our expectations, we must then change our position to fit the data.” (p.62)• Never anticipate what will be found in a way that creates a built-in antagonism
prior to data gathering.
Trap and Trick 2: Using Conceptual clichés
Trick: Avoid buzzwords.• “jargon trap” – leads to exaggerated claims and distorted
conclusions.• “If a specific term […] is explicitly relevant to our analysis and discussion,
it is legitimate to use.” (p.63) “All ethnography should demonstrate, not assert.” • Effective critique should lead the reader by painting a picture of the
data, rather than by the passion of the researcher.
Trap and Trick 3: Placing passion before science
Trick: Avoid ax grinding.• Concluding section must be tight and with the goal of bringing data to bear
on a topic, and not to attack a favorite target. Goal of Critical ethnography is not to castigate a particular group as unjust and oppressive. • Self-righteous indignation is not only ineffective but it also diverts attention
away from empirically based conclusions. • Unless the materials speak to both the issues and the audience clearly, they are of no
substantive value and therefore should not be brought to the table.
KISKIF – Keep It Simple, Keep It Fun! • Avoid unnecessary preaching.
Trap and Trick 4: Making claims beyond
demonstrable evidence Trick: Avoid overgeneralizing.• Don’t speak beyond the data; the analysis should not exceed what
the data show. • “Don’t attribute political motives to individuals or groups when
looking instead to interactional processes that operate independently from political intentions.” (p64)
Trap and Trick 5: Replacing reason with
stridency Trick: Avoid sledgehammers.• Most common in studies that lack data and therefore have to rely
on simplified rhetoric. • Good ethnography illustrates rather than asserts – “If a point cannot be
asserted empirically, then it should not be asserted.” (p.65)• Empirical analysis should be thought as a scalpel, not a cudgel. And the metaphor of
incisiveness is more effective than the metaphor of battering.
or
Trap and Trick 6: Writing to the already committed
Trick: Remember the audience.• Don’t preach to those already convinced of your ideas, but instead
try to reach those who are not. • Who those “others” are?
“All ethnography is a dual translation process.” (p.66)• Best strategy: • Fluency in “three languages:” the subjects, yours, and the audiences.• Anticipate the strongest arguments that all type of critics might raise.• “Intellectual integrity is never sacrificed to expediency.” (p.66)
Trap and Trick 7: Forgetting the
ethnographic project Trick: Appreciate difference.• “Critical ethnography is emancipatory.” (p.67) • Goal of studying stigmatized populations should be to convey a common
humanity by comparing these with other populations juxtaposing the unfamiliar with what it is more familiar and place it in a new context.
“Writing is communication.” (p.67)• The use of a literary style is “more effective than a stream-of-
consciousness presentation of data.”
Trap and Trick 8: Taking ourselves as given
Trick: Discover reflexive who we are.• Ethnography is talk about data and analysis of the data. • “Requires that we reflect who are we and what we say,” “how we might
influence and shape the slice of culture we study,” and “how we ourselves are changed.” (p.67)
“If our views change the product of our study changes.” (p.67)• Applicable to both the researcher and the participants under study. • Avoid falling into the trap of creating a product of assertions rather
than a demonstrable claim.
Why be Critical? Partly normative and partly practical
A. Personal satisfaction • Integrates the private with the professional sphere of
existence • Becomes an exhilarating challenge.
B. Ethical Obligation • There is always something better, and the goals of knowledge
should include to work towards it.
Why be Critical?C. Intellectual responsibility• Tends to transform conflicts of interest into theoretical challenges.• Makes development of knowledge socially contingent in a
responsible way “because it provides a consumer warning while attempting to refine its product.” (p.69)
D. Emancipatory potential • “Free us from existing and unnecessary forms of cultural
domination” (p.69), and from ignorance, “by identifying and challenging them” (p.70)• “It requires continually questioning the limits of our certitude.” (p.70)
Conclusion Critical ethnography challenges the “primacy of professional technique and authority” by identifying “what oppresses and how it can be altered.” (p.71)• Invites to engage in social change by “breaking the chalk.”• “When done with subtlety and adherence to the data, it
becomes a powerful means both to understand other cultures and to think about our own in new ways.” (p.71)
• Why Critical Ethnography?