chapter 4 line varieties of line - hcc learning web
TRANSCRIPT
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Chapter 4 Line
Varieties of line
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Title: The Basket of Apples
Artist: Paul Cézanne
Date: c. 1895
Source/Museum: The Art Institute of Chicago. Helen Birch
Bartlett Memorial Collection. All rights reserved.
Medium: Oil on canvas
Size: 21 3/8 x 31 in. (65 x 80 cm)
Bringing a ―still life‖ back to life
1. Still life– Still life in French
Nature morte— ―dead nature‖
2. Cezanne’s Purpose
1. Animate the picture
plane: dynamic rather
than static.
2. Line, Space, Texture
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Title: Hazel leaves (each stitched to next with grass stalks/gently pulled by
the river/out of a rock pool/floating downstream/low water)
Artist: Andy Goldsworthy
Date: 1991
Source/Museum: Scaur Water, Dumfriesshire. From Andy
Goldsworthy, Time, Abrams, 2000.
Medium: n/a
Size: n/a
―Time Line‖1. Metaphor for human life and
history
1. Journey
2. Life and Death
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Title: A Line Made by Walking in England
Artist: Richard Long
Date: 1967
Source/Museum: Photographic documentation. © 2000 Richard
Long.
Medium: n/a
Size: n/a
1. Line and movement:
2. Landscape sculptures
3. Time recorded ―mark time‖
4. Presence of the artist in this
field
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Title: A Line Made in the Himalayas
Artist: Richard Long
Date: 1975
Source/Museum: Photographic documentation. © 2000 Richard
Long.
Medium: n/a
Size: n/a
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Title: Yellow Flowers on Rock
Artist: Andy Goldsworthy
Date: 1994
Dynamic Energetic Line
1. Imminent spring 1. Spine and Cycle of the tree
Title: Reconstructed Icicles Around a Tree
Artist: Andy Goldsworthy
Date: 1995
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Title: House
Artist: Jaune Quick-to-See Smith
Date: 1995
Source/Museum: Courtesy of the artist and Bernice Steinbaum
Gallery, Miami
Medium: Acrylic and mixed media on canvas
Size: 6 ft. 8 in. x 5 ft.
1. Outline: indicates the shape of an
object
2. Image of the house
1. Juxtaposed Representation of the
house
3. Cross Cultural Dialoged between
inheritance and experience
1. ―Remember How Much Easier a
Home Came together When You
Didn’t Have to Choose Carpet‖
2. ―All sunrooms are not created
equal‖
3. ―Tis a Gift to Be Simple‖
Outline
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Title: Standing Female from the Back
Artist: Henri Gaudier-Brzeska
Date: c. 1912
Source/Museum: Princeton University Art Museum. Bequest of Dan Fellows
Platt, Class of 1895. Acc#1948-137. Photo: Bruce M. White
Medium: Pen and blue ink on paper
Size: 14 5/8 x 10 in.
1. Contour Line: indicate a three
dimensional form
2. Leg elbow muscle structure and
volume
Contour Line
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Mastering Contour Line
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Implied Line: Activating Space
1. Human Condition:
1. Alone and isolated
2. Implied Line:
1. Figure Activating the Space around it
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Title: Assumption and Consecration of the Virgin
Artist: Titian
Date: c. 1516-1518
Source/Museum: Santa Maria Gloriosa dei Frari, Venice.
Scala/Art Resource, New York.
Medium: Oil on wood
Size: 22 ½ x 11 4/5 ft.
Implied Line:
Line of sight: 1. the way figures are
looking
1. 3 Registers:
1. Top
2. Middle
3. Bottom
2. Two Forces of Line of Sight
3. Symmetry
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Implied Line: Action
Title: Calvary
Artist: Cheri Samba
Date: 1992
1. Implied Line as
Action
2. ―The Calvary of the
painter in a country
where the rights of
man are practically
non-existing‖
3. ―the house of
painting‖
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Title: Untitled
Artist: Keith Haring
Date: March 24, 1982
Source/Museum: © The Estate of Keith Haring
Medium: Vinyl ink on vinyl tarp
Size: 12 x 12 ft.
1. Implied lines
2. Graffiti artist
3. Pop Shop
4. John Lennon Death
1. Heart and soul
Implied Lines: Movement
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Title: Sequential view of Dots and Dashes in motion
Artist: Alexander Calder
Date: 1959
Source/Museum: Reproduced from Alexander Calder and His Magical Mobiles by Jean
Lipman, Hudson Hills Press in Association with the Whitney Musuem of American Art. © 2003 Estate of Alexander Calder/Artists Rights Society (ARS), New York.
Medium: Painted sheet metal wire
Size: n/a
1. Kinetic work with implied line
1. Works that move in 2d or 3d
2. Mobiles: Wind chimes
3. Reminiscent of a Dancer in space
Kinetic Line
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Qualities of Line
• Intellectual
• Emotional
• Expressive
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Title: Drawing Lesson, Part I, Line #1
Artist: Pat Steir
Date: 1978
Source/Museum: From a portfolio of 7 etchings, edition of 25.
Courtesy of Crown Point Press, San Francisco.
Medium: Drypoint with aquatint
Size: Each 16 x 16 in.
1. Density and Scarcity
1. Give light and Shadows
2. As it gets darker in
Rembrandts picture the
line becomes more
emotional charged
Dictionary of Lines
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Title: The Three Crosses
Artist: Rembrandt van Rijn
Date: 1653
Source/Museum: © The British Museum, London.
Medium: Etching
Size: 15 ¼ x 17 ¾ in.
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Title: Drawing Lesson, Part I, Line #5
Artist: Pat Steir
Date: 1978
Source/Museum: From a portfolio of 7 etchings, edition of 25.
Courtesy of Crown Point Press, San Francisco.
Medium: Sugar lift aquatint with soft ground etching
Size: Each 16 x 16 in.
1. Van Gogh's line is autographic:
1. easy recognizable as his
2. Emotional:
1. expressive line: expresses
feelings for nature:
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Title: The Starry Night
Artist: Vincent van Gogh
Date: 1889
Source/Museum: The Museum of Modern Art, New York. Acquired through
the Lillie P. Bliss Bequest. Photo © The Museum of Modern Art/Licensed by Scala/Art Resource, New York.
Medium: Oil on canvas
Size: 29 x 36 ¼ in.
1. Van Gogh’s line is
autographic: easy
recognizable as his
2. ―cry of anguish‖
1. Imprecise
2. Emotionally charged
3. Chaotic
3. Cypress tree: grave
marker
4. Died age 37: Shot himself
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Title: Letter to John Peter Russell
Artist: Vincent van Gogh
Date: 1888
Source/Museum: Solomon R. Guggenheim Museum, New York. Thannhauser
Collection, Gift, Justin K. Thannhauser, 1978. 78.2514.18. Photo by Robert E. Mates. © The Solomon R. Guggenheim Foundation, New York.
Medium: Ink on laid paper
Size: 8 x 10 ¼ in.
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Title: The Sower
Artist: Vincent van Gogh
Date: 1888
Source/Museum: Kröller-Müller Museum, Otterlo, The
Netherlands
Medium: Oil on canvas
Size: 25 ¼ x 31 ¾ in.
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Title: The Sower
Artist: Vincent van Gogh
Date: 1888
Source/Museum: Van Gogh Museum, Amsterdam (Vincent van
Gogh Foundation)
Medium: Drawing, pencil, reed pen, and brown and black ink on wove paper
Size: 9 5/8 x 12 ½ in.
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Title: Wall Drawing No. 681 C, A wall divided vertically into four equal squares
separated and bordered by black bands. Within each square, bands in one of
four directions, each with color ink washes superimposed
Artist: Sol LeWitt
Date: 1993
Source/Museum: The National Gallery of Art, Washington, D.C. The Dorothy and
Herbert Vogel Collection, Gift of Dorothy and Herbert Vogel, Trustees 1993.41.1.
Medium: Colored ink washes
Size: Image: 120 x 444 in.
1. Precise , controlled, mathematically, rigorous, logical and rational.
2. Removed from expression most often not even done by him
3. Museum own instructions not actual work
4. Grid pattern. Instructions are made with some outside influence
Analytical and classical line:
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Title: Installation of Wall Drawing No. 681 C
Artist: n/a
Date: August 25, 1993
Source/Museum: National Gallery of Art. Courtesy The National
Gallery of Art, Washington, D.C.
Medium: n/a
Size: n/a
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Title: Numbers in Color
Artist: Jasper Johns
Date: 1958-1959
Source/Museum: Albright-Knox Art Gallery, Buffalo, New York. Gift of
Seymour H. Knox. © Jasper Johns/Licensed by VAGA, New York.
Medium: Encaustic and collage on canvas
Size: 67 x 49 ½ in.
Grid
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Title: No Sign of the World
Artist: Matthew Ritchie
Date: 2004
Source/Museum: Photo: Oren Stor. © Matthew Ritchie,
courtesy Andrea Rosen Gallery, New York.
Medium: Oil and marker on canvas
Size: 99 x 154 in.
The Dawn of Life; Creation: Loose and Controlled Line act as a contrasting force
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Title: Relic 12
Artist: Hung Liu
Date: 2005
Source/Museum: Courtesy Nancy Hoffman Gallery, New York
Medium: Oil on canvas and lacquered wood
Size: 66 x 66 in.
The Dawn of Life; Creation: Loose and Controlled Line
1. Directly Addresses: women’s role in pre
and post revolutionary China
2. Pi: circle stands for the universe
3. Butterfly
1. Change
2. Joy
3. Love
4. Red Square: Female
1. Nu-Wa: Creation Goddess
1. Inventor of marriage
2. Made humans by slinging
a rope
1. Hand made: noble
2. Made with rope:
poor
3. Grants children
5. Image of uniformity and creation
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Title: Virgin/Vessel
Artist: Hung Liu
Date: 1990
Source/Museum: Collection Bernice and Harold Steinbaum. © Hung
Liu. Courtesy Bernice Steinbaum Gallery, Miami.
Medium: Oil on canvas, broom
Size: 72 x 48 in.
1. Confrontation between social conformity and
western and ancient Chinese tradition
2. Isolation and vulnerability
1. Cultural Revolution stripped all citizens of
the possessions. 1966
2. Sexual object
1. Chairman Mao official
portrait over Tiananmen
Square
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Title: Three Fujins
Artist: Hung Liu
Date: 1995
Source/Museum: Private collection, Washington, D.C. Photo: Ben
Blackwell. Courtesy of Bernice Steinbaum Gallery, Miami.
Medium: Oil on canvas, bird cages
Size: 96 x 126 x 12 in.
Controlled Line Vs. Liberated Line
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Classical line and the Grid
Title: Study for the Death of Socrates
Artist: Jacques-Louis David
Date: 1787
Source/Museum: Musée Bonnat, Bayonne, France. Art
Resource, New York.
Medium: Charcoal heightened in white on gray-brown paper
Size: 20 ½ x 17 in.
1. Classical line:
2. 5th Century BCE
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Title: The Death of Socrates
Artist: Jacques-Louis David
Date: 1787
Source/Museum: The Metropolitan Museum of Art, New York. Catherine Lorillard
Wolfe Collection, Wolfe Fund, 1931 (31.45). Photo © 1980 The Metropolitan Museum of Art.
Medium: Oil on canvas
Size: 51 x 77 ¼ in.
1. Calm like Socrates about to drink hemlock
2. Precise , controlled, mathematically, rigorous, logical and rational. Etc
3. Removed from expression
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Title: Study for the Death of Sardanapalus
Artist: Eugène Delacroix
Date: 1827-1828
Source/Museum: Cabinet des Dessins, Musée du Louvre, Paris.
Cliche des Musées Nationaux, Paris. Photo © R.M.N.-SPADEM.
Medium: Pen, watercolor, and pencil
Size: 10 ¼ x 12 ½ in.
Romantic line: 19th
Century art
1. Love, feeling, and passion
2. Assyrian King of Second
Dynasty (today north Iraq)
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Title: Death of Sardanapalus
Artist: Eugène Delacroix
Date: 1828
Source/Museum: Cabinet des Dessins, Musée du Louvre, Paris. Cliche
des Musées Nationaux, Paris. Photo © R.M.N.-SPADEM.
Medium: Oil on canvas
Size: 153 ½ x 195 in.
1. Emotional
2. Time is moving unlike David's where the scene is stopped and immovable
3. Curves, knots, and conglomerate of violent movement
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Title: Zeus, or Poseidon
Artist: n/a
Date: c. 460 BCE
Source/Museum: National Archeological Museum, Athens
Medium: Bronze
Size: Height 82 in.
Line and Cultural
Convention: of the Male
Body1. Classical line: logical, rational and
closely indentified with the male form
2. Form is rigid and muscular
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Title: Roman copy after Praxiteles, Aphrodite of Knidos
Artist: n/a
Date: 4th century BCE original
Source/Museum: Vatican Museums, Rome. © Alinari/Art
Resource, New York.
Medium: Marble
Size: Height 80 in.
Line and Cultural
Convention: of the
Female Body1. Expressive line: less logical, more
emotional, intuitive, and female form
2. Forms are fluid and soft
3. Weak and emotional
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Title: Lisa Lyon
Artist: Robert Mapplethorpe
Date: 1980
Source/Museum: © 1982 Estate of Robert Mapplethorpe
Medium: n/a
Size: n/a
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Title: The Turkish Bath
Artist: Jean-Auguste-Dominique Ingres
Date: 1862
Source/Museum: Musée du Louvre, Paris. Giraudon/Art
Resource, New York.
Medium: Oil on canvas
Size: Diameter 42 ½ in.