chapter 13 jazz/rock fusion. © 2009 mcgraw-hill all rights reserved 2 early jazz rock the term...
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Chapter 13
Jazz/Rock
Fusion
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Early Jazz Rock
• The term fusion became associated with the jazz/rock crossover in the 1960s
• Miles Davis proved to be the central figure in the movement– Who’s who of fusion players were part of
Miles’s groups from this period
• Use of electronic instruments and intense rhythmic drive was typical
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Rhythm section developments
• Straight eighth note feel is often used• Electric bass guitar replaces acoustic bass
– Could play faster and use effects
• Time keeping responsibilities move from cymbals to bass and snare drum
• Guitar comps as piano• Multiple electronic keyboards provide new and
interesting textures
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Miles Davis: Bitches Brew
• Rhythm section is central as in rock– 3 drummers, 3 keyboard players, 2 bassists, and
one guitar
• Horn players sometimes used in support role
• Slow, modal harmonies• Collectively improvised
Listen to “Bitches Brew” CD 2, track 9
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1970s Fusion
• New groups spawned from Davis’s groups– Weather Report, Mahavishnu Orchestra, Return
to Forever
• Some preferred tighter compositional approach
• Melodic angularity• Highlighted individual virtuosity
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John McLaughlin(b. 1942)
• Began as British rock guitarist• Joined bands with Tony Williams and Miles
in 1969• Founded Mahavishnu Orchestra and
recorded several high energy albums• Also a master of acoustic guitar• Contributed the sound of rock to the jazz
idiom
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Chick Corea(b. 1941)
• Return to Forever most prominent and popular fusion band of the 1970s and 80s
• Virtuoso pianist and keyboard player
• Blends many styles– Latin, mainstream, rock, classical, even free
• Multi-Grammy winner
• Angular but accessible melodies
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Chick Corea-continued-
• Forays into more commercial music
• Music attempts to capture a live spontaneous sound
Listen to “Stretch It, Part 1” CD 2, track 10
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Weather Report• Founded by ex-Davis sidemen
– Joe Zawinul (1932-2007), keyboards
– Wayne Shorter – (b. 1933), saxophones
• Thematically complex rhythmic style
• The album “Heavy Weather” was a beacon of 1970s fusion
Listen to “Birdland” CD 2, track 11
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Others
• Michael Brecker (1945-2007) saxophone and wind synthesist– Diverse career from r&b and jazz rock, to mainstream
and free– Epitomized the Coltrane technical legacy
• David Sanborn (b. 1945)– Strong r&b influence– Widely imitated pop alto sax sound
Listen to Brecker on “Itsbynne Reel” CD 2, track 13
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Others-continued-
• Pat Metheny (b. 1954)– Eclectic jazz guitar– Collaborated with players
from many genres
• Spyro-Gyra, Yellowjackets– Popular jazz/rock Latin fusion Metheny
– Less complex than groups like Weather Reoprt
Listen to “Out of Town” CD 3, track 5
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Quincy Jones(b. 1933)
• At the forefront of jazz/pop, fusion
• Also performed and wrote for Basie, Ray Charles, Frank Sanatra,
• Multi Grammy winning producer
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Herbie Hancock(b. 1940)
• Diverse career from hard bop with Miles in the early 1960s, to breaker music in the mid-80s and beyond
• Multi-Grammy winner• Outstanding keyboard/pianist
and composer• 1970s group Headhunters
and the tune “Chameleon” were well known
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Jazz/Pop
• Some musicians have sought to blur the lines in order to garner commercial acceptance
• Popular crossover artists have included guitarist George Benson, trumpeter Chuck Mangione, Herbie Hancock, and Joe Zawinul
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Latin Jazz Fusion
• Latin percussionists have been featured in some mainstream groups since the 1940s
• Role became more prominent since the 70s fusion movement
• Irakere, Eddie Palmieri and others have fostered a return to a more authentic Afro-Cuban style - salsa
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Jazz in Rock
• Early rock shared some basic tendencies with jazz i.e. blues forms
• 1960s horn bands (Blood, Sweat and Tears, Chicago) began to consciously include jazz and classical idioms
• Other artists e.g. Sting, also began to import top jazz players into the rock medium
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Jam Bands
• Other groups attempted to borrow the concept of extended improvisation over rhythmic patterns– Jimi Hendrix, Grateful Dead, Cream etc.
• The similarity to jazz may end there• Though not from the jazz tradition, such
bands have obvious respect for the jazz tradition