chapter 11 film criticism
TRANSCRIPT
By: Olivia Adamovich, Joaquin Puente, and Matt Kmiecik
What do film critics do?
Describe
Analyze
Interpret
Evaluate
His Girl Friday
Cause and effect chains
North by Northwest
Building suspense
Do The Right Thing
Setting and deviation
Hitchcock made thrillers, not mystery films Suspense
Conventional patterns
Motifs
Restricted knowledge
Search pattern
Journey pattern
Romance
http://www.youtube.com/watch?v=2KAjkS3RD9Y
Rodger Thornhill is constantly in DANGER
Growing suspicion of Eve
http://www.youtube.com/watch?v=g458w2X9uHc
Does Rodger Thornhill know…
less than every character?
the same as every character?
more than every character?
Point of View shots
Directed by Jean-Luc Godard
Contrasts norms of classical style narrative Clarity and Unity
Ambiguity of narrative
Crucial action▪ Brief and Confusing
Jump Cuts
http://www.youtube.com/watch?v=1KUVwKp6MDI
Violation of continuity
Elliptical Editing
Jump Cuts
Other alternative styles of narration
Avoidance of match on action
Violation of 180 degree rule
https://www.youtube.com/watch?v=ATqTWlxDuGY
Web-of-Life plot▪ Many Characters
▪ Brought together by a single common event
Crash directed by Paul Haggis▪ Different stories
▪ Paths cross
https://www.youtube.com/watch?v=dEQ_ftkpb18
Man with a Movie Camera (1929)Directed by Dziga Vertov
Normally technique of editing but in this film is the filmmakers power to control our perception by editing and special effects Double exposure effect
Pixilation
“Kino eye”- Russian for cinema
Important genre of documentaries in the 1920’s called the city symphony
Travelogue
Candid scenes (sometimes staged)
Explicit and implicit meanings
Missed by people who do not read Russian
Explicit- to praise and criticize parts of the Soviet society after the revolution
Has machines and human labor - push towards industrialization
Crosscutting – leisure and hard work
Implicit – argument for Vertov’s approach to film making
Opposed narrative form and professional actors so that techniques of camera and editing use would have an effect on the audience, but wanted to control the mise-en-scene
Wanted viewers to see a product of specific labor
Same shots in different context – difficult film
Thin Blue LineDirected by Errol Morris
Narrative form of documentary
Shapes our attitude toward the character by the play of narration and knowledge
Takes us through step by step of the criminal case with details and stories events
Denies viewers scenes for determining what happened the night of the murder so you can concentrate on the details given
They want us to be jurors and decide what the final decision should be The play with narration shapes our attitudes toward the characters
who we want to like and who we dislike
Understanding ideology involves analyzing for and style to create meaning
Chapter 2 types: Explicit
Implicit
Symptomatic
Referential
Meet me in St. Louisby Vincente Minnelli
Musical with family and future creates ideological framework to have meaning and impact
Motifs stress the family's comfortable life
Light, eating, and singing can be seen as reassuring to the viewer
American ideology Family and future to gain meaning and impact
Doesn't change peoples way of thinking, but reinforces aspects of dominant social ideology
American values of how at home life is supposed to be
Raging Bull By Martin Scorsese
Is violent, but no one dies
Other then murders, this film draws conventions of cinematic realism to make it disturbing and violent
The use of narrative and style help the ideology of the “American life”
Plot structure of rise-and-fall