CHAINSACouSTiC

Photospy Danny Clinch

62. GUITAR NOTATION LEGEND

6; NUTSHELL

53. OVER NOW

30. ROOSTER

16. SLUDGE FACToRy

45. WOULD?

ISBN 0-7.935-7240-1

27. ANGRyCHAIR

10. BRotHER

22. DOWN iN A HOLE48. FROGS,

36. GoT ME ~~5~6.40. HEAV~Ii'~E;$i))E¥6ti59. KILLER:ES~.

14. ,NO EXCUSES<~. . . ,. , .. , .' '.; ...... '. ...... .,

118HAL-LEONARD"~co R po RAT 10 N,,"77 w. BLVEMOUNO·RO' P.O:BOX 13.81£1 M·IL;,y.l\UKEE, WI 532'13 ..

, , . "_, por ~lw6rksc.ontain~·d '~~r~i'n: .~. ':,' ,-,> , <: .. '"'Una'4lhon.,~d c,opying, arranging,.:a,dapting(recor~ing ..or pUblic'pert0llTlance is; an,infringement of copyright. ..

.. :,.-r, .L:"P Inf~l'l~ers"a~,liable under the law;," ~

ALICE. IN

nscrib.d byE BILLMANN

NneYIIAIdCItIPno...Ions AND YOLAND

NutshellWords by Layne Staley

Music by Jerry Cantrell, Mike Inez and sean Kinney

Cadd9Rhy Fig 1

DGIB

Gtr. 1 (acous.)~,. ~

:<i

~f'i

:::::;::1~ ~ -r ~

simile011 repeats

let ring throughout

Tune Down 1/2 Step:

(j).Eb G).Db®.Bb @.Ab@.Ob @.Eb

Intro

Slowly J =58

E

Em7 G Dplay 4 times

End Rhy. Fig.!

•• J - ~

:v .. ~ .. ~ ~ ~ L :~ ~ ~ ~ ~ ~~ ~ ~

DGEm7

~:

VerseGtr. I: wI Rhy. Fig. 1,32/3 times, simile

Cadd9

------­~ ~.~I

1. We _ chase mis - print-ed lies. _

Cadd9 Em7 G D

'I

We _~-- ~~~~~~~ E==~~~ E:~~~w ~ J s===¥J===

--------­face the path of time. __

Cadd9

And.; yet I fight, _

'1 J~rp Jand yet fight

Em7,

)1 F

this bat - tie all a - lone. __

G D

Cadd9 Em7

~. j§¥4 J $3 J ~. J J J J ~-..... - -------No one to cry to. no place to call home._

6Copyright© 1993 Jack LordMusic, Buttnugget Publishing, Michael Inez Music and Lungclaw Music

International Copyright Secured All Rights Reserved

DGEm7

InterludeCadd9----D5

•• eo-----~

~. -~~.,.. '.,..I" ~

00,- 00.

Gtr. 1 !:.,.. i'/\ f:~ !:.,..• • """',......................... i'/\.;" -j :;t :;t:;t --- , - -_"

1~ ,"""'....""".... 1~ 1~

,

Gtr. 2 (acous.)Rhy. Fig. lA

'-FEnd Rhy. Fig. lA

• u Ri !"""'ill"! r--=:. ~ r-Fi ~F==;- A

I oJ~ i • -lI

: ... -lI .-lI'-lI -lI -lI ~i~:;t ~ ~ti ~ ~- =-mf

let ring throughout

Ott. 2: wi Rhy. Fig. lA, simile

Cadd9 Em7 G D..~ n- =::::::::- ~~~~.,.. h

" 00, 00.

Gtr.l~ f: ~•• ~ . ~ A I.

oJ ~3~ :;t :;t ~ ~ 1f~

. ~ 1~

VerseGtrs. 1 & 2: w/Rhy. Fig. 1,3 times, simile

Cadd9 Em7 G D

2. My _ gift of self is raped. __

Em7 G D

t•My~_---'---------~-- pri - va - cy is raked. _

Cadd9

~Em7

~# ¥ ~O tU J ¥ J ]i r r U£jdlf !~ •And yet I find,_ and yet find re - peat - ing in my head, __

G D

7

Cadd9 Em? G D••

oJ-----

'-?- "----'if 1_ can't be L, my _ own I'd feel bet-tee dead._

Gtr.l ~=,- - r== !:.__•• r-x>.

'" -e-:::::::::::: =::::::== ~

~~" , ~ ~ -I~

Gtr.2 ~~•• 0

'" -e-::::::::= =::=::==-6 ~ ~~:;t :;t ~ ~ ~ ==-

D

I~

GEm?

I~

00. _00. _

InterludeGtr.2: w/Rhy. Fig. 1,2 times, simile

Cadd9

oui••

8

Cadd9 Em? G D

.. (':.-----." f?' -~ f:- .__ ---}rf>- ~,..--___ Jr___~___ .__-.-

oJ00, 00, 00.

••f:- ___

I'" •

I~ I~

I'"

;'"

Outro-Guitar SoloCadd9 Cmaj7 Cadd9 Cmaj7 Cadd9 Em? G D

ee.t ,.......:; =;- ;::;- ....,....,· " .oJ •• • .. • • • .. • .... = •

~ ~~ • v >;>..

I~ I~~

Rhy. Fig. 2

~fTEnd Rhy. Fig. 2

Ott. 2 "... F==;- ro-• u,

~

oJ .. • ..... .. .. .. • .. ••• '0:;0 oj '-:i = --:== ~ :0 ==L~.. -..:.... .

Ott. 2: w/Rhy. Fig. 2, simile

Cadd9 Cmaj7 Cadd9 Cmaj7 Cadd9 Em? G DOtt. 1

~ ~•

., - _.. • • = ':J =~~ ...-.. ..

Ott. 2: w/Rhy. Fig. I, simile

Cadd9

." ~ •Em?

--G D

-"'

full

• I~

Em?D5Cadd9Cadd9 Cmaj7Cmaj7Ott 1 Cadd9. " ... ,--.,

'"oJ

f~ll

Ott. 2F'""" F ..... =;-·"

., l '"I oJ .. .. • ••• • .. .::::;. .. • ~ j ::::=::::0:

.~U

9

BrotherBy Jerry cantrell

A7 A7sus4'13 A7play 4 times

E dRh

A7sus4b 13

A

II123

AS GS G/A

118m2 2 34

A7sus4-2 4

A7F

flU134211 23Tune Down 1/2 Step:

<D.Eb ®=Db

@.Bb ®=Ab

@'Gb ®=EbIntro

Moderately Slow J =80A7

Gtt. 1 (acous.) Rhy. Fig.! ---- n y.Fig.!

~ .' l - :

'" ;:/ " " " ": :~ ~ " " -" " '"let ring throughout

" Key signaturedenotesA Mixolydian.

" Gtr. 2: wI Rhy. Fig. 1,4 times, simile

A7 A7sus4'13 A7 A7sus4,13 A7".u. Voc. Fig.} I

A7sus4,13 A7 A7sus4' 13A7End vee. FIg.]

I '" ~ 'ii- ~.... '"'~Mm,

oe.i RlItA

• lOA

I'" ~ 'ii- 9.... • ~~ -l~ l~

mm. _

I'- r>, End RUT A..-

l~

" Gtr. 2 (acous.)

w/Voc.Fig,l

A7 A7sus4b13 A7 A7sus4b13 A7/l>A ~

A7sus4b 13 A7 A7sus4b13 A7

l~ l~

VerseGtrs. 1 & 2: wI Rhy. Fig. 1.3 1/2 times

A7 A7sus4'13A7 A7sus4,13A7 A7sus4,13A7 A7sus4,13A7

~~j~f~~:~

Copynght © 1992 Buttnugget PublishingInternational Copyright Secured All Rights Reserved10

l.Fro-zenio_ a2.Ros - es in_ a

place _ I _ hide,_~_vase _ of _ white,~_

not a - fraid _ to paint _ my _ sky _blood-ied by _ the thorns _ be - side _

with some_.the leaves;

A7sus4b 13 A7 A7sus4b 13 A7

Gtrs. 1 & 2: w/Rhy. Fillt

A7sus4b13 A7 A7sus4bl3

'who say _ I've lost _ my _ mind.__that fall _ be - cause _ my _ hand __ is

Broth-er, try _ and hope_ to _ find._pull-ing theme hard as_ 1_ cau._

A7sus4 A7A7

)

F F®If'

simileon repeats

Rhy.Fig. 2

0.') J---))A. ~"- ~ "- .------1

OJ Y r Y I ~

You were al - ways so far_ a - way._

Otr.l I IlA " ..--.. I

I " \~~. 1 ~ \~ '~ ~ ~ ~ ~ ~ ~ • ~~

~

simile on repeats

$S ChorusF

A5 A7sus4 A7 F

) ) } )

E®open

A u

I OJ I I y I r I .1___· know that pain._ 1.,3. so

3rd time: I ___ know the way,__ 2. and

i=:l-- I r-- ;--A. - ~..--.. F==

I" :.. ~ .. ~ :ii ~ ~ 9\~ ~ 1 ---- \~~ ~ ~ ~----

Rhy.FiU 1Gtrs.l&2

A. - u

OJ - .. ~ ~ ~ ~ ~ ~-

11

05

) )

o®3ft

05

)

o®3.

05

, r:O/A

End Rhy. Fig. 2

rrr:• u, --- -.

I" I

don't you ruu a - way like you used to do.I won't run a - way like I used to do.

,. ... J.....----..J ::

IOJ i: , ::; ~ 'ii ~ ~

.

To Coda-$-

Orr. I: wi Riff A, 2 timeswI Voc. Fig. 1,2 times

InterludeOtt. 1:wi Rhy.Fig. 1,2 times,simileOrr. 2: wiRhy.Fig. 1,6 times,1st time,simileOrr. 2: wiRhy.Fig. 1,4 times,2ndtime,simile

A7

~12.

A7sus4~13 A7A7sus4b13 A7 A7sus4bI3A7A7sus4b 13 A78

I :~

A7sus4b13 A7 A7sus4b13A7

Gtr.l:w/Rhy.FiIl2Otr. 2: w/Rhy. FiliI

A7sus4b13A7A7sus4b13 A7

Guitar SoloOtt.2: w/Rhy. Fig. 2, simileF

Ott. 1,. . 10./\

-A7..~.. A7sus4

!'~~ .

AS Asus410./\

I~

A7

- - F

I~ 1/2r---

3

I~

Rhy.FiI12

~"-.........--" ·'·'-J'v~~ ~ ~~.. Co'

I~ I~

12

Otr.l -,. r---

" ::~ :<i • :0 L..--J

G5~ »/\'~'~~~~""" ,

Gtr. 2: w/Rhy. Fig. 1,2 times,simileGIA A7

""'" " .............""

., - --..

--..... """ ...""""3

l~ l~_~

.,

Verse

AGtr. 2 !f

••

A7sus4b13 A7 A7sus4b13 A7

!'JL~ ~ _ r-.. +-- f'- f'- ~ ...~. ..------.

full

.r>,

oe.2 meet

N.C.

I

l~

Gtr.1 tacet

A7sus4b13 A7 A7sus4b13 A7

11\A _

3

s..

1

.,3. Pic-tures

Gtr.l."

in __ a~

bux _ at __ home.c, yel- low - ing_ andI "-J

green _ with mold_ so 1_

D.S. alCoda

_ can bare

-$-Codaw/Voc.Fig.1

GEr. 1

•

ly see __ your_ face. _ Won-der how _ that col

A7sus4b13 A7/C- ____________

l~

or_ taste.c,

A7sus4b13 A7~

l~

A7sus4b13 A7 A7sus4b13 A7 A7

'"Orr.2f'

f'~t:\.~

.~l~ full

13

No ExcusesWords and Music by Jeny Cantrell

G6 Aadd9 Baddll E

II liS. II'·.1342 1342 1342 342

play 4 timesEnd Rhy. Fig-I

Aadd9Aadd9 Baddll

I & 2Rhy.Fig. 1"0

Tune Down 1/2 Step:

CD="' G)=D,®=Bb ®=Ab

®=Ob ®=Eb

IntroModerately J = 121

A ~ #trs. ,..-

(drums) 4, (acous.) I:

OJ ~_-.J ~ ~ ~ ~ ~ • ~ ~

mflet ring throughout

'" Key segnature denotesB MIXolydian.**compositearrangement

~Verse

Aadd9

time..__day. __line. __

a __bad __

the

comesa

down

therehad

Walk

BaddllAadd9

~~;,~Igf~~~;,~right. __kay, __fine. __

1. It's al2. It's 0

3. Yeah, it's

Gtrs. 1 & 2: wi Rhy. Fig. 1,8 times, simile

Aadd9 Baddll

~#b~: \~

Baddll Aadd9

Got noHands areLeave our

tience _

Baddll

4#11#1 \~ ~:--------Lay 8 in' low,__

Drained and bluet __You, my friend,_

Baddll111]#1 \~ ~:No more hid

You think it's fonBot if we change, _

Aadd9 Baddll Aadd9

t I t \0 ~" twan - na take it __ slow._

I bleed for __ you.__I will de fend.__

Aadd9 Baddll Aadd9

'ffi ~ f ~ II~0-in' __ or dis - guis in' troths I've told.ny, __ well you're drown in' in it too.

well. I'll love you an - y way.

14Copyright© 1993 ButtnuggetPublishing

Intemational Copyright Secured All Rights Reserved

ChorusG6Rhy.Flg.2

G".~ )

Aadd9 Baddll Aadd9

'" ~l Ev-'ry

Go. 2 ="." - ,

r

r I r r I r r r I

day .L, it's some - thin', bits_ me alI_ so cold. _

~ ~ ---. ....... ~ ~ A/'..

-- (cont. i~ash)l~ -----.. l~

G6 Aadd9 E Aadd9

?~2) ) JTT)~JTT) JTT) )) )) )~)) )~rffJ2~#II1] ~ - ~

Find roe sit - tin' by __ my self, _ no ex - cus - es, _ then I know. _

InterludeGtrs. 1 & 2: wI Rhy. Fig. 1.4 times, simile

To Coda -$-

Guitar Solo. Gtr. 2: w/Rhy. Fig. 2, simile

G6

Gtr~1 .II-

Aadd9

In.. -.. -,

Baddll

~"''''~....~~..- Ii)....,..:""

l~

Aadd9

G6 Aad~ ED.S. a/Cada

Aadd9

". ~ " /i'- r>~ ... ...... ...,*~1',..----;' ~.. .. I,.. .. ,.. .. ,...J. .'" In In 1~4 l~

~

•

-$-CodaGtrsv I & 2: wI Rhy. Fig. 1. 3 times, simile

Baddll . Aadd9ru. pocoa poco

Rhy, Fill I

'"Gtrs.l &1".

'" :<i~ .;! 1<:

Gtrs.l &2:w/Rhy.Filll

A B Baddll

'"

15

DropD Tuning, Tune Down Itl Step:

CD·E~ G) ·D~

®.B~ ® .A~

®.G~ ® .D~

IntroModerately Slow J =82

E~5 Ebsus2 Dsus2

Sludge FactoryLyrics by Layne Staley

Music by Jeny Cantrell and Sean Kinney

E~S E~sus2 Dsus2•

u

'OJAh.

Gtr. 1 (aeous.) Rhy.Fig.l End Rby. Fig.l• ~ r l -

IOJ 't,;'''",gh'", ~::::~ ~ . ==-..i~ ~ ~ ~II>~~ ~ ~::::f •

Gtr.2 (acous.)Rhy.Fig.lA End Rhy. Fig.lA

•

IOJ

'~ ~ ~ ---::~ --- ~ ~=~ ~ ~ ~ '~ ~ ~~f . --::~ 'O:::;

let ring throughout ----- ---

Gtrs. 1 & 2; wI Rhy. Figs. 1 & lA, 3 times, simile

VerseDsus2

Eb5 Ebsus2 Dsus2

Ebs Ebsus2 Dsus2

Ab, yeah.L, Ah. __

BbS Ebsus2 Dsus2

•OJ

1. You in - sult in home; you're for giv - en time._ Things go well, yourme my __ . this eyea.,3. Now the bod - y of ooe__ soul I a . dore wants to die. __ You have al - ways told ..,

Otr. I Rh Fi 2" y. g.

OJ :~: ~' ~ ~ ~ ~=~ ~ ~~ l~ ~ ~:::::~ ~ ~.

~. = •

mf: . •

G:.2 Rby. Fig. 2A

OJ~ 'Ii: ~;~~

mf:~ ~~-~...

16Copyright © 1995 Jack Lord Music, Buttnugget Publishing and Lungclam Music

International Copyright Secured All Rights Reserved

Ebsus2 Dsus2Gtt.l;w/Rhy.Filll,2nddme

• ----------10) I i

-- di - late, you shake, and I'm high. __ Look in my eyes deep __-- me you'd not live past twen-ty five._

End Rhy. Fig. 2

• ----- ----------10) ~ ~ '~ ~ -----:e.--- -

------e----- -~

---------- ---- -

End Rhy. Fig. 2A

• - ----------10)

'~ ~ l~-----~-- -------&---- ----------- ---- -

To Codal-$-

EbS Ebsus2 Dsus2 ms E,sus2 Dsus2

•

0) ~

-- and watch the clouds change with time._ Twen - ty Hours _ won't print __ my pic - ture milk car - ton size, _I say stay long e - nough. _

*Gtrs.l&2

• -o)~

'~ ~ ; ------:::~ ~ ::::~ f .,~~

~

:~ :i ::=::~ . ------- -----::1 f **:::::

------- -----

*composite arrangement

Gtrs. I & 2; w/Rhy. Figs. I & lA, 4 times, simile

Eb 5 Eb sus2 Dsus2

~t' fJ.i~ ¥

** Gtr. 1 plays lowest three notesonly.

Ebs Ebsus2 Dsus2

car ton__ size, _ car - too __ size, _

Rhy.FiIIlGtt.l

1 1..----•

0) ::::; ;~

1 j j j ~t'~ ~ r:~:. ~

17

VerseGtrs. 1 & 2: wI Rhy. Figs. 2 & 2A, simile

EbS E~sus2 Dsus2, if J.1 g§f" €~r-----tR¥ i

car ton__ size.

E~5 Ebsus2 Dsus2

2. Call me up, con grat-

Ebs Ebsus2 Dsus2 EbS Ebsus2 Dsus2

'/

u - la - dons ain't the real why. _

~~JThere's no pres - sure be - sides _ bril-liance, let's say by day nine. _

Eb5 E~ sus2 Dsus2 Eb5E~sus2Dsus2

.~ , I ,

., • .... *:;;1 U- Cor-p'rate ig - nor - anee lets me con-trol time.L, By the way, by the way... _

Gtr.l - ...- ~"'I I""""' ...-=~

O)~:

~ ~; ~ ..~ ~ rg ; ; ~ ~ ~ ; ; ; ; ~ .~ ~ ~:::- -- ~ 'i ~ ~ ~ ~ 'i ;0 ~ ~ ~ ~ ..- --

ce.z r--: ---- --oJ~_ --:::; : ;ti .~ ~ ~ ~-e-------- g .~ ~ ~::::~::: --::~ " .--- "'-'~---

p'9

---------

AS

---------

p'9

• • .., ...- .0) -

Oncc L a v gain ; you see_ an__ in,_ dis-col - ored ; skin; gives _ you

r==iRierA End Riff A

• .If. . rFiI ., :::~ .~. ~ •

1/2,

•Rhy.Fig.3 -

:0) :::~ ~. ~'* :;t~:;t ~~~ ~ ~ ~. ~'* :;t~:;t ~~~ ~ ~

~ •

~~ Chorus

'AS

*Chord symbols reflect implied tonality.

18

AS F 69

To Coda2-$­

F69

D.S. al Coda 1

E~5 E~sus2 Dsus2., ~ '"' ... ::. -,~ .. .;._. 1_

"""Va - way._ 50_ a - fraid, _ you kind - ly gur - gle out c, a date , for me.c.,

--;=; k ... R;';"; -If...EndRiffB

. - - ."""V;j ..~..

" '~ ~ ~~~

~End Rhy.Fig. 3

.

I oj :J- ~. ~~~" T'" -'"~.. .:;..~ ~ ~~, 9~ J: • ,~ ~ .~

,,~.~~

<::»

GuitarSoloDS,Eb5 Ebsus2.

loJ ~ ~

- to re - pay_ all who caused _ strife._

G~.l <";I.~'to~'\'to, ~~ ~ »<;

I oj --:: .~ ~ ~ ~ ~ ~:;

" ...."", ~

G~.2

I t..I -".g.__ :::::; ,~ ~ ; ~<>- --__-8-__

---- ~<>

-$-Coda1

19

E,S Ebsus2 Dsus2 DS.~ • • - ~ """""'"

oJ3

~

"''''''''''''1".0'4)0'

• I I

loJ~ ~

I ~~

~~

DSDsus2E,S Bbsusz-•oJ~

.¥J. ¥J ~.JJ------,]: ~ ~qU• • * .. * * ..---/ • .. .

PM._ --l InP.M.__ -l-- ..-

,.

•

oJ) ~~ ~ ~ -------~ ::::::. :~ ~ ~----- "------- - - '---.--

Ebs Ebstis2 Dsus2 DSD.S.S. al Coda 2

E,S E,sus2 AS

• ~ ~!'} *+JI-,

oJ - ·b~ ~ ~:::holdbend

full

" - --.----

•

loJ ) ~~ ~ ~~~ j j j ~=j j j .~ ~ ~:::

... Played ahead of thebeat.

20

-$-Coda2Ott. 1: wI Fill 1 Ott. 1: wI Riff A,3 timesOtt. 2: w/Rby. Fill 2 * Ott. 2: w/Rhy. Fig. 3, simile

~¥~ t tyou see_a - gain_

p'9

for me.__ Once_*The AS chord is struck, not tied, on beat 1.

date c,out __ a

p'9

! 'I ~$0_an__ in, __

AS F~ AS

~~.,~¥~~~dis ~ col ored _ skin gives _ you a - way._

Ott. 1: wi RiffBAS p' E,S Ebsus2 Dsus29

~ t==@t~ t ~. 1'0' @¥ ra - fraid,_ you kind ly gur gle out __ a date _ for me._

OutroGus. 1 & 2: w/Rhy. Figs. I & lA, 3 I/2 times, simile

Eb5 Ebsus2 Dsus2

Ah. _ Ab, yeahL; Ah. __

Eb5 Ebsus2 Dsus2 Eb5 Ebsus2 Dsus2

Ab, yeab. L;

Dsus2Ebsus2E,SGlr.l~ '"., • .~ ~ = ; --------:;;::

~ ~ ---------________-E>

Gtr.2

• '"

01 =~ .~ " --------:;;::.... ~ ---------________-E>

Fill IOtt. 1

•

1

01 .. ~...Rhy.FiII2Ott. 2

•

.'

21

Down in a HoleBy Jerry Cantrell

TuneDown 112 Step;

<D.Eb G).Db@.Eb @.Ab@.Ob @.Eb

IntroSlowly,J =47"Am G5 D Am G5 D

Orr. I (acous.). ------ I I ------ I I• A

'" ~f:0 'ii

~ .:0 • 'i

~ •

wIfingerslet ringthroughout

'" Key signature denotesA Dorian.** Chord symbolsreflectimplied tonality.

Am G5 D Am G5 D~

I I~

I I" ~ ~

oJ ;0 :0 'ii~ .

:0 ;0 'i~ •

~ Verse

Am G5Bkgd. Vae., w/Voc. Fig. 1,4 times, 2nd time

D Am G5 D

•• ~ ......., I --0 ..-,'" I

r ....... r I

1., 4.Bur - y~ meL, soft-Iy_ in_ this L, womb.

oe.t Riff AJ I•• ..J I I .,

I'" ,. :# 'ii • ;0 - COsimileon repeat

Riff AlOrr.2 (acous.)

•• . ~ . ~

loJ ;f - -simileon repeatletringthroughout

r j r r Irwan na be __ in - side _ of you. _

22Copyright © 1992 Buttnugget Publishing

International Copyright Secured AllRights Reserved

Am G5 D Am G5 D

•• ~ I

:ti , , - --__J. ..c---

I give_ this_ part of_ me_ for you.

EndRilTA

•• ..J I ~ ~ - ~

. ti • - ~ - ~ -

•• - - End Rift Al~ ~

1 ti ,. ,. • -

D Am

M I ~: ~:sit. __ hold jog __ rareheredown L; andrains Lc,Sand_

Gtrs. 1 & 2: wfRiffsA & AI, Isr 7 meas., simile

~r ~~~~

G5 D Am G5 D Am

flow - ers_ io __ a tomb. _ II. In2.

bloom,_Oh, I wan- na be_

G5 D

To Coda -$- Verse ..Gtr, 1: wfRhy. Fig. lA, 8 tunes, 2nd ume

A5 G D GID• u .. .. .. ,~ ~ r---

tiDown in a hole_ and I don't_ know if I __ can be saved. _

-- in - side. Down in a hole_ and they've put __ all the stones _ in their place_

Ocr. I Rhy.Fig.1 End Rhy. Fig. 1.. - ~ ~ ~

:ti '* '* ~ ~ ~ ~:::::~ ~ ~ ~

~. • • •wIpick

Rhy.Flg.1A End Rby. Flg.IA

ce.z - ...- I• ~I ~ ~

I" " ~ ~ I~ 1~.

23

a grave. __of the taste._

like _burned__

dec - 0 - rate ittongue _ has been

heartL,

sun_

G D GID

I ------_~'r== ~-==-and Iso my

See my_I've eat - en the

Ott. 1: w/Rhy. Fig. 1, 7 times, lst time

Ott. 2: w/Rhy. Fig. lA, 7 times

AS G D GIDAS

~ ~~~~# it ! E::=c ~

AS G D GID AS G

F i "t - r ~Oh, ynu don't un - der stand_ who they thought _

I have been guil ty of kick -

D GID AS G D GID

~ r gg r~ ~ tI was sup posed to be.

in' my self__ in the teeth.

GIDDGAS G D GIDAS

~!,~§~~~Look at me

I will_now,_bring _

I'm ano __

man __ who won't let __more _ of my feel

him - self be. _ings be - neath. __

ChorusDS Cadd9 G DS Cadd9 G.... ,.. ~ .. ,... fr.~ .

oJDown in a hole, _ 108- in' my soul. __

RiffB End RjffBOtr.2."

oJ .. , ~i.. i _i

, .

Rhy.Fig.2 End Rhy. Fig. 2Ott. 1

•• I ~ I ~

loJ - ~ ::;? 1 'I ~~ ~ If::?l 'I 1 ~~

Ott. 1: w/Rhy. Fig. 2

Gtr.2:w/RiffB

DS Cadd9 G DS Cadd9 G

Down in a hole,_ los - in' con - trol. _

24

N.C.F5N.C.C5 _---------'--~----- -F5E5D." Jr. ~ ...-- -n~-I h b...... . ~:

oJ --- -I'd like to fly, but my wings have been so de -

ecs. Rhy. Fig. 3 End Rhy. Fig. 31&2

• :

oJ > ~:, \~..... .................... .... , , , , , ,

-i~J \~ ~~~ ~ ~ ~

~~

Interlude'Gtrs. 1 & 2: wi Riffs A & AI, last 4 meas., simile

G5 D Am G5 D

liz.D.S. alCoda

G5 D

nied.~ _

-$-CodaChorus

Gtr.l:wfRhy.Fig.2,4timesCadd9 G Cadd9 G

oJ .Down m a hole, _ los-in' my soul._

End Riffe

-------It!

oe, 2: wi Riff C, 3 times, simile

D5 Cadd9 G D5 Cadd9 G

Down in a hole,~ feel - in' so srnall. _

GCadd9GCadd9D5 D5

~~~~~~1~:~~Down in a hole,_ los - in' my soul. _

D5 Cadd9 G D5 Cadd9 G

Down in a hole, _ out of con - trol. _

25

05 N.C. F5 N.C.

~. , h t# r~ ~but my wings have been c. so de _like _ to

Gtrs. 1 & 2: wI Rhy.Fig. 3

D E5 F5 C5 ~~~~~~~~i~;~I'd

~:--:fly,:==============-

OutroAm 05 D Am 05 D

A. -,; ~ - -IOJ

nied.

Ott. 1A. J J I I~

.., '* - 'i "t:::;. : • ~ 'ii " 'i r

Ott. 2~A " ~ - ~

oJ ~ r r L I I ~ ~~

~

Am 05 D Am 05 D A5

A. - r-; - J ~ '"OJ "

'ii 1 'ii " 'ii " 'ii 'i "~

'* ...rit.

A. ~I - ~ '"1 oJ ~ 'ii ~ '* L....I...J ...

rit.

26

Angry ChairBy Layne Staley

E5

~ )mf

End RierA

Gtr. 3 (acous.) ..-...

E5 E

alii2 23 I

RiffAOtt'S 1 & 2 (aeons)

(drums)

2••

I" ~ T ~v~' *-.J!" ~ T ~v~'I*~ ~ T ~v~'I*~ ~ T ~v~'I*~mf 112 112 1/2 1/2

+. •

Tune Down 1/2 Step:

<D=Eb (!)=Db

®=Bb ®=Ab

®=Gb ®=Eb

IntroModerate Rock J = 108

N.C.(E5)

Gtrs. 1 & 2: wIRiff A

E E E E E® ®,,,. ,,,.

J rr: ). );) ) J n~)) ) J r-: ) )~$ I II

~----.....steal_evwhere L,

An - gryShad - owsField of

aa

gry1. Sit - ting2. Can - dIes3. Lone - Ii

~ VerseGtrs. 1,2 & 3: wI Riff A, I 1/2 times

N.C.(E5) ~

~~~~~~~~§~on __ an an chair. _ walls _ thatred, __ I have __ pair. _ dan cin'

o ness _ is not __ phase. _ pain _ is

~~~care._chair. _way._

~ ~ ~"----' ----.....

Stom - ach hnrts_ and I don'tBurn - ing on __ the an gry

Se 0 ren 0 i ry-- is far ___ a

~~t=@~~the air. __

'ry where.L,I graze.L,

Gtrs. 1.2 & 3: wfRhy. Fig. 1, 3 limes

F EN.C.

/---r='E

Pre-Chorus

F

•• ,-., 1 > . c »<; ----OJ

~ =-- ~

What do I see __ 'cross the way. (Hey. ) See my - self mold 0 ed in clay. _Lit - tie boy made L, a mis 0 take. Pink cloud bas now_ tnmed to gray. _

Saw my re 0 flee 0 tion and cried. So lit - tie hope_ that I died. _*Gtrs.l, Rhy. Fig.l End Rhy. Fig. 12:3

LL "'"....'";;...."''''0:..... ''''''

OJ\~ ~ ~ ~ ~~7J

l~"~"""""".,.",,....

"compcsire arrangement

Copyright © 1992 Jack Lord MusicIntemational Copyright Secured All Rights Reserved 27

N.C.--..

4* ~ r

-----

F E N.C.

(Oh. l

(Oh. 1(Oh. )

Stares atAll that

Feed me

me,I

your

yeah,_want L;

lies,_

I'm a-is too - pen

fraid. _play. _wide. _

11.Interlude

Gtrs. 1,2 & 3: wi Riff A

yeah.)

F(Oh, _

(Oh.)(Oh.)

shape_knees,_heart,_

theyourmy

Chang - ingGet on

Weight of

F E ~

~~?~~~Ld~·~II~~~,:~~

of his face. _time to pray. _not the size. _

NCEB5AS05F#5B5Chorus

AS ..• ~-

<,

oJ ......I don't _ mind, yeah.

Gtrs.l,End Rhy. Fig. 22&3 -1\..lIo Rhy.Fig.2 ~3~

OJ ~ ~ 7ftj 7ft 7ft~~~~~~ ~ ~:::;; ~ ~ ~~ ~ ~ " 7ft~~ ~ ~ ,~ ~ , "~~ *-:1 *-:11/2 1/2 1/2

[2.

Gtrs. 1,2 & 3: wfRhy. Fig. 2, 3 times

A5 B5 B5 E N.C.

don't_ mind, _ yeah. _

AS B5='-

F#5 05 A5 B5 E N.C.

Lost my _ ntind, _ yeah._

AS

~.B5 F#5 05 A5 B5 E N.C.

F~ J J 'I IICan't find _ it an y - where.L,

BridgeGtrs. 1,2 & 3: w/Rhy. Fig. 1, 4 timesF E N.C.

f ,I

1. Cor - por - ate pri son we stay. _2. Pink cloud has now _ turned to gray. _

I'm a dull boy, _ work all day. _All that I want _ is to play. _

So, I'm strung out _ an - y - way._~_

28

Guitar SoloGtrs, 1 & 2: wI Rhy.Fig. 1,4 timesF E N.C. - E

full•

N.C .....-. "".....

P.M. -;

F- ...."0..-/

E N.C.

..,F E N.C.

,~"'''''

""-"" holdbend

-D.S, alCoda

(take 2nd ending)"""~,~"

3 3 ='i'-..

N.C.E. ~ --- --- '"01 1...---1 "I

Get on yonr knees.c.. time to pray. boy.

OU'S.l &3. " '"Iv q ~ ; ~ ~ ~-----.I

'~

G:: , '"101

~, ,

.-" .._~~

",.- ~,.,...,,

-$-CodaF

RoosterBy Jeny cantrell

F~7addll/E

TuneDown IJ2Step:

(j)=E, @)=D,0=", ®=A'0=o, ®=E'

IntrcSlowly J = 69

F~Rhy. Fig. 1

B

II"134211

D~

'ElOff

134211

E F# F#5

Ii.m342 134211 13

A

Brr

II1333

Aadd9/EEnd Rby. Fig. 1

GIr. 1 (acous.)r--I - ~ -" " 0

oJ~ ':=::i i i i Iii ~ =~:....

• ~ ~mf

CO ________..

let ringthroughout

GIr. 1:w/Rhy. Fig. 1,7 times

F~ F~7addll/E A Aadd9/E F~ F~7addll/E A Aadd9/E F~ F~7addll/E A Aadd9/EGIr. 2 (~OUS.) .... ~' '~ ~ (

,

" "OJ mp Harm. _ -IHarm. _ -l

letring ________ -lletring _____

F~ F~7addll/E A Aadd9/E F~ F~7addll/E A Aadd9/E

" "0 ~ {IL ~r--~ -ff:' {IL~{IL ~{IL ~' ~, - -OJ 1 r 1

00, 00, 00,

""Or); .... ~'

oJ Harm. ___ -Ilet ring -l letting ____________ --l

F~ F~7addll/E A Aadd9/E F~ F#7addll/E A Aadd9/E

" "0 ~u. {IL ~~~ C ' {IL~{IL~~' ~ ...- ... ~,OJ "-"-J I

" "'" 100, 00, 00, ___ 00.

"" " ~ ~ ~

OJ Harm. __ -Ilet ring _ _ _ _ _ _ _ _ --l

30Oopyrtqht © 1992 Buttnugget Publishing

International Copyright Secured AllRights Reserved

VerseGtr. I: w/Rhy. Fig. 1,8 times

F# F#7addllfE

." . ,

1. Ain't found a way to

A

---......-­kill__ me

Aadd9fE

yet.

F# F#7addllfE- --Eyes_ bum _ with

." . A Aadd9fE F# F#7addllfE A Aadd9fE - F# F#7addllfE

.".'--'

sting-in' sweat. ;

r I

Seems ev , 'ryI

path _ leads me to no where.

Harm. __let ring__

A Aadd9fE F# F#7addllfE-Wife and kids,

A

--------­house hold

Aadd9fE

pet. __

oJ Harm, _ "~ri~ ~

F# F#7addllfE A Aadd9fE F# F#7addllfE

.". ....., - ".-------., - ........ "--'

Ar - my green ___ was no safe bet.c., The bul- lets scream,

.".oJ

~: ~::.---~ ~ ~ ~'-.-/~ ~~ :0 :0'-.-/~let ring _ _ _ _ _ _ _ _ _ _______ ~

31

A Aadd91E F# F#7addlllE A Aadd91E

" 11 ollo ,...

oj r ><. ----- to me __ from some - where. Mm.

••• I

:oj ~. ----= ~: ~~~

~. cr-c--'~~~ ~~

~ ChorusB

-rrt:• ••

D EEF#F#5 F# E®'P"

fTJl---J)T) n rr r: m-r: })))I

I

Here

. .

-- I::Jthey come to snuff the roost - er.__

Ott. 2

• ••T T T T T T T T ,. . . .

F# Brr F# B D

rr: rr-r: rr fTJl rrn.. J)T) JTTJ·" .

32

- ~ "yeah, here come the roost· er.__

T T T T T T T T ,-

(cont. in notation)

yeah._

..

E F#7addll Aadd9 E F#S F#7addll A... ~ ~ r-. r>; --:;;~~---------.. -------.,

You know- he ain't- gon-na die.

Rhy. Fig. 2 End Rhy. Fig. 2

oe.tI r- -"" ~ - r-F=;

.- ,...••• ",,,............ • ~.

.,~ ~ ~3 ~ ~ ~F'i ~ ~

...... '1* -.I .,,~ :1?1 ~ ~ ~ • ;;t< •f

>~

simile011repeat "4;0""

Gtr.2 •Rby.Fig.2A

~End Rhy. Fig. 2A

•• - ~ '""- -:.,

,'~ i3 ~. '0 ~ ~ ~:::;; ~::::::~ ~~ ,'~ P '0 '0 ;;t.Ji ~ ~ ~

fsimileon repeat

Gtr. 2: w/Rhy. FiIll

ASF#7addll

To Codal-$­

To Coda 2 -$-F#SE

Gtr. 1:wI Rhy.Fig. 2, simileGtr. 2: wIRhy.Fig. 2A, simile

E F#7addll Aadd9

~~q~~t~~No, __ no, _ no. _ You know..he.; ain't gon-na die. _

Guitar SoloGtr. 2: w/Rhy. Fig. I, 6 times

Gtr. I F# F#7addll/E A. . ~

Aadd91E F# F#7addlllE

p ~ ~letting --l

A Aadd91E F# F#7addlllE A Aadd91E

••• '""" I I , -""

.,~ ~

-.I,jl<O -,j 7~-.....--..9-...

T~T T/'"hold bend ----"} __--.---.... '""'"

Rhy.FiIIIGtt.2

"='~•••.,

~. 'OJ

33

F# F#7addlllE A Aadd91E F# F#7addlllE.. ~ - I ====;

OJ .. ~ } ~ ~ T ~ .. ~d",--,,,,. ~--:./

let ring ________ --l

A Aadd91E F# F#7addlllE A Aadd91E D.S. al Coda 1

1...----.... ft . r--, n'"~''''''~''''''''''''''''Ilo'''''''.. ~

:OJ ------bd-J I I r I ~ r ~ \ ..

letring ______ -I

"'Ilo'llo"",'Ilo" .....""" .........." ....., .....,,,....................

in

F#7addlllE

Aadd91E

They spit on me ~

F#

A

Aadd91E

F#7addlllE

A

F#

2. Walk·in' tall, rna - chine _ gun man._

VerseGtr.l:w/Rhy.Fig.l,StimesGtr.2 tacet

F# F#7addlllE

Aadd91EA

.e-Coda 1Gtr.l:w/Rhy,FilllGtr. 2: w/Rhy. Fill 2

A

1#b.J

., .OJ '--...'

my horne land.c, Glor.i ~ a __ sent me pic turesL, of__ my_ boy._

Gtt.2 ..•• •

OJ .

'~

•••F# F#7addlllE A Aadd91E F# F#7addlllE A Aadd91E

---­Mm. Got my pills 'gainst mas - qui - to death.

~

OJ

'~

Rhy.Fill2Gtt.2

•••:

OJ ~~~'--'~~

.34

F#· " . ,

F#7addlllE A Aadd91E F# F#7addlllE>< ~

I

My bud-dy's breath - in' _ his'--'

dy - in' breath., Oh, God, please _

,.

---won't you help me make it through._~

Mm. _

A· " .~

·" .

Aadd91E - F# F#7addlllE A Aadd91ED.S. al Coda 2

-$-Coda2Ott. 1:w/Rhy. Fill I

AS

OutroOtt. 1:w/Rhy. Fig. 1, 3 1/2times

F# F#7addlllE A Aadd91E F# F#7addlllE

." ." ;-~ It- ~~e ir It-~It-~~' ~ :tr~

OJ "--i I- 00, 00, 00, ___ 00. __

G~.:, ~

-OJ--e- ~: ~J

"'1'

AF#7addlllEF#Ott. 2 tacet

A Aadd91E~

F#7addlllEF#Aadd91EA

·" .~ ~ ii' It-~It- i~ ~ ..~ '"OJ ......... I I

-- 00, 00, 00, ___ 00. ___

· " . oe.i'"

It!~'~J ~- ~ ~~~ -e-

35

Got Me WrongBy Jerry CanIreII

D.'.1333

F

II134211

A~

Ill'"134211

E F#

lI.342 134211

~

WI"1 3411

F#EG#F#E

Tune Down 1/2Step:

G).E~ @.D~

®=B~ ®=A~

®=G~ ®=E~

IntroModerately Slow J = 80

ce, 2 (acous.) G#.".I " f

'" Rhy. Fig. I

Gtr.I (accus.) .. .....,."'. ~

I" , 'tr ~ l ~ ~.~.~ ~. '~ . l ~~~~:H:;:"'P f

F#EG# 'F#EG#~." . > > > > >

" > ,."1I"~il

1~4 1/4..- •

End Rby. Fig. 1.". ...... lv

} ~ ~ ~ ~ ~ ~t3 ~ " 11 1 ' ~ ~ ~[~ ~ ~ "

~ VerseGtrs. 1 & 2: w/Rhy. Fig. 1,2 times

mE" m E'l\b(~, t y #ffi1'8=GJ, t

l.Yeah,_ it goes a c wey.;2.1__ cen't.; let__ go._3. See Additional Lyrics

F# G# E F#

Y'#~.11__ this and more, _ and DOth - ing in __

Thread ~ bare tap· es - try _ un - wind-

in - di - vid-u-al _ i - ty_Show your bel - ly like _ you want c,

F# G# E F# G# E F#

~~Y'I~~-col - ored clay,_tor - tured brain. _

F# G# E

~. tNo_Feel_

my life._io' slow.L,

36Copyright © 1992 Buttnugget Publishing

International Copyright Secured All Rights Beserved

G# E

wrong.__

Gtrs. 1 &2: w/Rhy. Fig. I,lst 2 meas.

A G# E F#End Rhy. Fig. 2

got me

c#

bet you've

) J7)}).

~ ij~~t~now, Iof

F# D FRhy. Fig. 2

0"01&') ) }).

Assafe. _Ito._

notme

~.

F#

InterludeOtt. I: w/Rhy. Fig. 1Ott. 2: w/Rhy. Fig. I, Ist meas.

A G# E

f~~i~c#

Gtm.l &2:w/Rhy.Fig.2D FF#EG#

So un - sure, we run from some-thin' strong. _

G# E F# G# E F# G# E

Ott;'" • ~ ==loJ ...... • "*..).~ T "*T ~ ~ ~ ~ •• i \~~: ~t ~. ~ ·v~T:J:J

~ ':.z

12. ChorusGus. 1 & 2: w/Rhy. Fig. 2

D F c# A E F#Rhy. Fig. 3

?~\) rn})

'jjl~'I~f f ~: ij~: ---- ]~rIf f ~So un sure, we Ir~~hl for some - thin' strong.

AAsus4AGtrs. 1 & 2: w/Rby. Fig. 3, 21/2 times, simile

E F#

'I

Asus4A AEnd Rhy.Flg. 3

-rr: rnrri ))))

-r¥M~~_.~.~J.~~ -.J---'::::::' ---=:strong. _ have - n't felt like _ this in so long.

E F# A Asus4 A E F#

~J§J""---"""

love.c,too far gone fromsense,ain

~~.~~~~~:~~~~~Wrong. _

37

A

To Coda-$-

E F#®orec

A

Rhy. Fig. 4

<r» rr: m J7TI rn rn rr: rn ) nrn J))) r»(Gtr. 2 cont. in notation, 2nd time)

'I ~ d F fThat don't last for ev-er. _

!

InterludeOtt. 1: w/Rhy. Fig. 1

G# EEnd Rhy. Fig. 4

(Gtr. 2 COllI. in notation)

F# G# E F#

AJl. 4+ ~. ~

V

- Some-thing's got-ta tum out L; right. _

• • Otr.2 i'1 rnoj ; ~ Ii ~ ~ ~ ~t:': ~ ~ ; ~. ~·~.~g~h0> '~ >

..J.~ .... .. .... .1 oJ ~ oJ

~~ 1:

• •G# E F#

.G# E

D.S. alCoda(take 2nd ending)

F#

-$-CodaChorus

ERhy.Fig.5

G"') )F#

H )1 )A

)End Rhy. Fig. 5

H• • -- jr ---.- - -------- :

IVIStrong.

IHave 0 n't

Ott. 2 r-- i'l ~ if••• - - -IV

. ~ ~ ~ I~: :~

'0

38

E F# A---------=-F# AGtt. 1: w/Rhy. Fig. 5, 3 times, simile

E

" . I,. ----

., "--' ~v~ - =- \vrong. I

felt like this in so long.

••• l""- n ~

OJ

" ~ i ~ ~ ~~ ~~ ~ ~ ~ ~ ~~ ::::

AF#E" .Ilo r-:... ,,-.....

OJ - - ...J--c:::.... - ;::::-in a sense, too far gone from love.

••• ~ •••••••• ir -., ~ rnOJ :~ ~ ~ , ~~~~ '~~~~

Some-thing's got - ta tum out_ev - er. _for

Gus. 1 & 2: w/Rhy. Fig. 4

F# A ---,lIb'l J d++F~e~I~;CThat don't last

OutroG# E F# G# E F# G# E F# G#.. "

OJ -right._

0:.1 ~ -= I" =1" -Fi =1"= r"-= 1";== ~

OJ '0 'i ~~ ~f, ·.. f,f".. ·~ .., , i ~'~I~~t:~~ ~. ~ ii i ~~ ~r~ ~,~ ii i~

Gtt.2 -=; I -rI 1";==••• •OJ ~ 'i ~~ ~r~~rg~;t; ~ 'i ~f::' .....")~ ;t ~ ~ "'-.T. ./

~t1~4

Additional Lyrics

3. You, sugar taste, sweetness doesn't often touch my face.Stay if you please.You may not be here when I leave.

39

Heaven Beside YouLyrics by Jerry cantrell

Music by Jerry cantrell and Mike Inez

Aadd9 G6 Cmaj7 Baddl l.

Ds• Ii D8

• D7•

1342 1342 1342 1342

Em

Ii23

•

Tune Down 112Step:

<D=Eb ®=Db

®=ab ®=Ab

@=Gb ®=Eb

IntroModerately J = lIO

N.C.(E)Gtr. 1 (acous.)

Riff A

(AS) (05) (E) (AS) (05)

End Rill'A

oJ ~ <:> <;>

mf let ring throughout

1/2s:-~

• ~ :;t ••

•

Gtr. 1: wI Riff A(E) (AS) (05) (E) (AS) (05)

v •1. Be what you

mf

(05)(AS)(E)(05)A.

Vbe. See what you Been what youwau-na came to see.

wan-na do. Go out and seekyour truth. WhenI'm-RiffB (.) i::-:-:: (.) i::-:-:: End RiffB

A.

:V

~ ring throughout

»:» '* -:; ~ '*~'*• '* -:;

f~~ f~~

~ VerseGtr. 1: wIRiff A, 1 3/4 times, 1st timeGtr. 1: wI Riff A, 2 times, 2nd time

N.C.(E) (AS)

40Copyright © 1995 Buttnugget Publishing and Michael Inez:Music.

International Copyright Secured All Rights Reserved

Ott. 2: wI RiffB, 1st 3 mees., Isr timeOtt. 2: wI Riff B, 2nd time(E) (AS)

~ iwan - na be.

down and blue,I don't like what I see.

rath - er be me than you.

Aadd9\:is \:is Chorus

A®Sf,

'?~i7'"FI•.•n~rTTJ

G6 Cmaj7

)simileon repeats

Like the __ cold est win - ter chill; __ heav - en be _ side_* composite arrangement

.---..

f \~ ~est win . ter chill; _coldthe __Likehell__ with - in.__you,

BaddllGus. 1 & 2: wlRhy. Fig. 1,2314 times, simile

Aadd9 G6End Rhy. Fig. 1

) ri-rrr;~~:~~i }, ~~~

Aadd9BaddllCmaj7

~)~~~:~~~~heav - en be - side __ you, hell__ with - in. __ Like the __

G6 Baddll

cold est win _ ter will; __ heav - en' be - side __ you, hell __ with _ in._

Aadd9 G6 Cmaj7 Baddll

Gtrs. )1&2

D5 E®open

n JTT1(cent. in notation)

And still; _ heav - en in - side _ you.

Fill.Gtrs. 1 & 2"

A"

41

BA

Bridge

G#•• ......

OJ I I - ----So, there's prob - lems in_ your _ life. _ That's fucked up, and I'm not blind.,3rd time: but you're not blind;

Ott. 1 Rifte End Riff C•

'" #:;1 - -#:;1 - 41- :i-~4I- 4I-:i-4I- - .... • T • ~... ~ . ...,

Otr.2 Rhy.Fig.2 End Rby. Fig. 2•

'" ##••••••• :J: *......................... ~~................

Ott. 1:wI Riff COtt. 2: w/Rhy. Fig.2

G#

~ll ~#..£A

Ott. 2: w/Rhy. nu i

B

I'm justYou're just

see _ through fadsee _ through fad

ed,ed,

su per jadover - rat

ed,ed,

outout

of_ my__of_ your __

InterludeEm N.C. (G) (F#+)

To Codal-$­

To Coda2-$­

Em N.C.••

OJ I

mind.L,mind.L,

Gtrs. RiffD EndRiffDt&2

••

'" ~ i~

~ ~.:!J~~ :;I ~... 'iii: #~ "- ~ ~ • i~ i ~.:!J~

l~ l~

Rhy. Fill 1Ott. 2

•• -'" ... .. .. .. .. .. 1

~ ~

42

Em(F#+)(G)NCEm(F#+)(G) ..· ..

-or~~ ~ I-.F ~#,i-~: : ~~

i~!/J~4i- ~ IT • ~ #~ X# ~ ~

l~

...-

(AS)

InterludeGtr. 1:wIRiffA, 2 timesN.C.(E)(F#+)(G)N.C.

.. Gtr.2

1iJ~ .::l ~

~ .!/J----~ ~ IT ~ #~X#

~ ~...l~

-wr-

(G5) (E) (AS) (G5) (E) (AS)

,i-'f: "..--~

· (G5) (E) (A5)D.S. al ce« 1

(G5)

3. Do what you

· ..

I .:r

-$-Coda1GuitarSolo

Ott.2: wI RiffD. 7 times

Em oN.".C,..••••Gtr~ 1.. ~~~'"

(G) (F#+) Em N.C.

- .!bi...--.......I.)t.. IA -

l~ -. --.-;

43

(G) (F#+) Em N.C. (G) (F#+) Em

• ~!" q.... e .... .. .... .'to. 1'.-----..-. , ....""" "er~"''''',"

OJ

-- '? -i.: , ....'00 .................... "v..~,ol"A

N.C. (G)It.. .. ..~..

(F#+) EmIt.. .. ..~...

N.C. (G) (F#+)It.. ..

Em

OJ r

D.S.S. al Coda 2(F#+)(G)NCEm(F#+)(G)NC ....'. It.. I I It)~.. It.. .~. It.. .. ..~.. It.. ..

OJ q'O

-$-Coda2Gutro

Ott. 2: wIRiffD. 3 times

Em N.C.

G"~'. ·1 I It)(G)..~.. Em N.C.

It.. ..

OJ i

(G) (F#+) Em N.C. (G) (F#+) Em

'"Gtr.2/J

OJ

44

BS

II134

A'~

Hi'"134211

Would?By Jerry cantrell

GS D D7#9

8 'II g4f'2 34 1:32 2134

GSffi G E5

illI.13 134211 2

E

1Ii231

TuneDown 1/2Step:

(j).E> @=Db

®=Bb ®=Ab

®=Gb ®=Eb

IntroModerately J = 100

N.C. (06) F#5 B51F# 0Rhy.Fig.l

F#5 B51F# 0

•• (bass) Ott. 1 (acous.) , I ~ 1"'""1 I I ~ 1"'""1 ,

It!mfletring_________ --l

N.C.(06) F#5 B51F# 0 F#5 B51F#0 N.C.(06)

•• I I ~ r--, I ~ ~ r--, I IEnd Rhy. Fig. 1

It! 3.8 ....letring____ -l letring ____ -l

VerseF#5 B51F# 0 F#5 B51F# G N.C.(06)

•• I ~ ,:

I It! I I ~

-------- -----I. Know , me, bro - ken L,by __ my mas - ter.

2. Drift - ing bod - y,- ils sole de - ser - tion,

Orr. I

••:

It! 7~: 7~~~ , _::=:::s: 7~: 7~~~ , _:-~=-----... 3.8 ....let ring___ --l

Ott.2 (acous.) Rhy.Flg.2 End Rhy. Fig.2••:

It! 7~: {,~~~ ~ _::=:::s: {,~: {,~~~ , _:-~::: :_ 3.8 -.t

mf- letring ____ -l

Copyright © 1992 Buttnugget PublishingIntemational Copyright Secured AllRights Reserved

oe. 2: w/Rhy. Fig. 2, Ist3 meas.

F#5 B51F# G F,#5 B51F# G

•• 'I .1""""'1 ~ I I

OJ I I - ~ --------Teach; me, young _ child, _ of love here - at - ter.Fly - ing, not c.., yet L,

quite __ the no - tion.

Ott. 1 ",,'"• u Otrs.1 &2 -F

oj-;I~: -;I~~~ , J:2:s: -;I~: -;I~~~ , J:2J: ~ I Ii Itt· I II

(cont. in slash)

End Rhy. Fig. 3

rr:~=

old trip it was__Same

H~H )r

)

gain. _

G5

) JF)~Ffl )­

&

~ ChorusB5Rhy.Flg.3

'G'"1&2) )

¥F r r §=rIn to the flood _ a

'"composite arrangement

::IG5

rc~~~

Otr. I: w/Rhy. Fig. 3, 21/2 times, simileOtt. 2: w/Rhy. Fi;:. 3, 3 times, simileB5 G5 B5

~'------~---;----'----~~Is==rback _ then. _ So made a big _ mis - take. _

B5

E r ~ @1l rTry to see it once_ my

G5

way, _

. \1.To Coda-$­

Interlude

I :~7

Gtr.I: w/Rhy. Fill 1, isttimeOtt. I: w/Rhy. Fill 2, 2nd time Otr. 1: w/Rhy. Fig. 1oe. 1: w/Rhy. Fill 3, 3rd time Gtr. 2: w/Rhy. Fig. 2, 2 times

F#5 B51F# G

'if[ ~~!~~~~~

.G5Rhy.FiIIl

~ B E®®4fr Sfr .,-n rnm n-

4J1!111

Rhy.FiII2G5 G A

®®3fr Sfr

Rhy. Flll3

46

GG(bs)F#SG(bS) G

~."~

v--

Ott.1 b ,,,,,......,,,,......,,T> ..-.. ~ •...--.. '""'""~. '", ~ .~ '""'""

V J 3

b " ......." .........",...." 11"-----

"""'" - I~

Otr.2 Rhy.Fig.4 End Rhy. Fig. 4~ u

oJ~ ~ ~ ~~v~-#~" ~ ~ ~ • <r »:« ~.~ ~ ~~~~~~~-#~ ,,: ~ ~ ~~. :;t:J:J:;t... ~

12.Guitar Solo

-:F#5

* Chord symbols reflect Implied tonality.

Gtr. 2: w/Rhy. Fig, 4, simile

F#S G(bS) G F#S G(bS) GD.S. alCoda

v

Ott. I

•• --Yeah.

-# f":t ~jJ!!L-;" -#

oJ '

..._I~ full full... -....---.-

07#9

-$-CodaBridge

DRhy.Fig.S

;~";) )))) ~ )

t D

AbS Ab

) ) )

Am*composite arrangement

wrong? _

Gtrs. 1 & 2: wI Rhy,Fig. 5

GSIII G ES E D D7#9 AbSEnd Rhy. Fig. 5n ) n1=;J )))) n ) n.m ))))

~ ~ ~~r w p~ t I~-~~Have run too far __ to get home? _ Have I gone,_

left you here _ a - lone? _

Ab GS G E5 EOutro

D7#9

cus )- ~ )-1&2

>0 >nt.

'Ur 'I e-If I

)- ~ )- ~ )-> > >

~ 'I f 'I rtwould.c, could you?

'I

47

FrogsLyrics by Layne Staley

Music by Jerry Cantrell, sean Kinney and Mike Inez

Ab G

tim21 21 3

(Abm.j7)(G5)End Riff A

(AOm.j7)(G5) (Em6)RilYA

Moderately J = 93

Tune Down 112Step:

G).E~ @=D~

®=B~ @=A~

®=G~ @=EbIntru

Freely

N.C.(Em6)Ott. 1 (acous.)

'"A.

:., !. i t*· ~ . if· ~f*· b4 .. ~tf* i· ~ . :0'*• b4 ..

let ring throughout

(Abmaj7) (G5)(Em6)(Abmaj7) (G5)

Half-TimeFeelOtt. I: wI RiffA(Em6)

Ott. 2(acous.)

A.

: :., i f*· ~

• i • ~I*· b+ .. i:*· i • i • ~*. b4 ..mflet ring throughout

(G5)(Abm.j7)A. ~ ..-- ---:., .>

1. What ___ does "friend" _ meao to you?2. The sound of si - lenee of - ten ___ soothe.3. Flow - ers watched through wide eyes __ blue.

8,. locoOtt. 1 RUTB End RiffB

•• I I .1

:1oJ = ~. ~ ~ ~ b+ ~ •

.~ H~.»: tl2+

~ VerseOtt. 2: wI RiffA, 1 314timesNC(Em6)

(Em6)

~-l

Ott. 1: wI RiffB, 2 1/2 times(Em6) (Abmaj7) (G5)

r~~~'~r tA word so wrong - ful - Iy a bused.__Shapes _ and col - ors shift with __ mood. _

Child _ sings an un - claimed _ tune. _

Are __

PuIn

you like _ me, con-pHs wid - en, change their c,

no - cence spins cold . co -

48Copyright© 1995 Jack Lord Music, Buttnugget Publishing, LungclamMusic and Michael Inez Music

International Copyright Secured All Rights Beeerved.....

Ott. 1: wlFilllOtt. 2: wIanz

(A,maj7) (05)

fused? _hue. _coon. _

(Em6)

All __

RapGrow __

in - dud edid brown, a voidto see the pain

but __clear __too__

(AOml\i7) (05)

you. -=======blue. _soon. _

(OC,5» (05) (0('5» (05) (OC'5» (05) (0(,5»

· .. ~ -- --- ~ -- --- .... -- --- ~ -- ---:..

rvA_

~.~, Riffe End Riff C

rv ~-.. ~--v ~~-.... ~,.. ~ ~ ,.

~

G~'~L RlfrCl EndRUtCl

loJ ~. v ~ 9' p~ 9' v ~ 9'

Interlude

Gtrs. 1 & 2: w/Riff A, 2 times

N.C.(Em6)

f-t=5 tIonc.L;

Filii 8" 10,0G"~l" I

OJ i :: ~ W'iH~.

7

Gtrs. I & 2: w/Rlffs C & Cl

:I

End Half-Time Feel

(05) (0(,5»

49

Cadd9End Rhy. Fig. 1

Gtr.2 Rhy.Fig.lA r-_""!'__.,.._E:;:n:::,dRhy. Fig.lA

Why's __ it have __

A~maj7 Cadd9

~ F' t

Gtr.l: w/Rhy. Fig. I, 3 limes. simileGtr. 2: w/Rhy. Fig. lA, 6 times, simile

wJ:aj7

~? d I]

A,maj7•

Cadd9

rCadd9

h- ~

F r g l'f f '[to be this __

Abmaj? Cadd9

Ihr- @ r prC'be this __ way,__

A~maj7 Cadd9

j'

way,_

be _be this c;a - way,_' _

=-this c, way._

~•• t: • I

112

.J112

.J3/4

j-

Abmaj? Cadd9

TQCoda-$-' A,-rrri· , --- --- u,

., =- r I

be this _ a - way, be this c; way?

• t: j~~t: f: t: .~.• • t: • , j ;. ------- ":.,112

.J~

50

D.S. alCoda(take 2nd ending)

OutroHalf-TimeFeel

Otr. I:wI Riff A, 2 timesGtr. 2:wI RiffA, 14times

N,C,(Em6)Ab G-rrr: fTI)~)~)-~. - 7,., ==-- I

be this_ a - way?

Gtr.l J;.~~ 7

0) '-"'-1 ---;:1 :------ :::::=::: .

-f\tCoda

7

ens. I & 2: wI RiffA, 2 times

N,C,(Em6)

InterludeHalf-TimeFeel

ym.

(Em6) (Ab maj7) (G5) (Em6) (Ab maj7) (G5) (Em6) (Abmaj7) (G5) (Em6)loco

(Ab maj7)(G5)

G~. ~ ~<--~:~:--:~ " ~.--~ -- ~:;-:-::~~...... __ ....00\)-

... ---- ..... --- lE-' '3>:<';><';>,.,..,." .....,...,."

--- --- --

tT~ -

Harm. _ - - - - - - - - - - - - - - - - - - - .- - - - ~H~, • Harm. 'c-

n fdbk.<';>''''l:l'''l:l''''''

pitches: D. G*Playharmonicsat5thfretandopen® simultaneously.

**Feedback causes ® tovibrate, creating crescendo.

(Em6) (Abmaj7) (GS) (Em6) (Abmaj7) (G5)·"

0) •It's sev - en A._ M, on a Tnes -

8va ___-------~-~--- ----~-- ~ --------- _._---------------_.---- -- --- --_._---- ----- --------~-------------------- ----_.--- ---------

• II,--- .. .--- , ~ I .I r ,~--, ~ ,'.'.

loT 'aH~_ - - - - - .- - - - - - - .- - - - - - - - - .- - - - - - .- .- - - - - - - - - - - .- - - - - - - - - - - - - - - - - - - - - -

pitch: G

(Em6) (Abmaj7) (G5) (Em6) (Abmaj7) (G5)

· " -,.,day in Au-gust.--8" ________________________________ ~------------------_________________________________________________~--------------._._----~.:.::

· ,', r I .---. .---. I J I .---.

10) --. , ~, 'a • 'a ~,.- -Harm.L - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - .- - - - - - - - - - - - - - - - - - - -

51

I~ ~,_--------------~

(Em6)

Next8va ~

.:~

week

(Abmaj7)(G5) (Em6)-1__ tum

rtwen - ty eight._

(Abmaj7)(G5)

oJH"""

Harm. :- _ -l

(Em6) (Abmaj7) (G5) (Em6) (Abmaj7) (G5)•• -

oJ -../ ......I'm still young. It - 'II be me, -

8," --------------------------------------------------------------------------------------------------~------------------------,

•• A A '--'A ;, A A '--'A I I .--, A

, '" H"""-. -. -. ~.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -;

pitch. Gw/Voc. ad Iib., till end

(Em6)II Jl; loco

(Abmaj7) (G5) (Em6) (Abmaj7)(G5)play 7 times

I I

1/2

" - - --------

r

I~

'(Abm'\i7)(G5) (Em6) (Abmaj7)(G5)Bva . __. __v _. • •• __ • • • __ • ._._. __ • • •• __ • • • • _

(Em6)- - - - - -

• a I .I 1---. A ,.-', A A ,'-', A A ,....

oJ #-,rV ii, )i Harm.c,l~ _____ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

(Em6)

pitch: G

(Abmaj7) (G5) (Em6)Gtt.2: wi Fill 3

(Abmaj7)(G5) (Em6)8W>

'"-+3>:

.; Harm.__ - _ _ - - - _ - _ - _ - - - - _ - _ - _ - _ - - _ - _ - _ - _ - - - - - - -l

pitches: B, E jll.tches:B,E

Fill3ce.z•• '"

oJ~

~. - '-'~

52

Over NowLyrics by Jerry Cantrell

Music by Jerry Cantrell and sean Kinney

AS B5m9 fr

111

GIDD GIDDEnd Rhy Fig 1

DBIF# F# BIF#Gtrsl&2

Open D Tuning, TuneDown 1/2 Step:

G)=D' 0=0.®=A' ®=A'®=F ®=D'

lotroModerately J = 112

* F#Rhy. FIg. 1

(a:o~~,) Jl. II<. I

:Of ~ ~ 1 • ~ 1-~ ~ ~ -~ ~ -~~~-~ .~ ~' ~ t~~ ~ ~ ~:~f P.M. -I P.M. P.M.

P.M. ---IP.M._ --I P.M. _ --I P.M. P.M.

.. Chord symbols reflect implied tonality.

BIF# F# BIF# F#BIF# F# BIF# F#%Verse

F#·" .:

oj rI. Yeah,_ it's 0 - ver now,_2. weu; it's 0 - ver now.L,3. Guess ; it's 0 - ver now,_

Rhy.Fig.2

· ... -;; - ..

Of: ~

-~ ~ ~ ~ ~ ~ ~ ~ ~ "~ ~~~~~~~~ ~~~~~.~~~ .~

P.M._ -I P.M._ --I P.M. P.M. P.M'_--1 P.M._ --I P.M. P.M.

BIF# F# BIF#F#F#GID DGIDDD· ...r'oJ ,.

~

but I can breathe some - how.L,yet I can see some - how.L,I seem a - live some - how.L,

End Rhy. Fig.

· " . r I>

loJ~[ ::

-~, •~ t~:~ : ~ ~ ~ ~ ~ ~ ~ ~ ; ~~~:~-~;;q .;; • P.M._ --I P.M._ -I P.M. p.M.

P.M. .~ P,M. -I P.M. P.M.

Copyright© 1995 ButtnuggetPubHshing and Lungclam MusicInternationalCopyrightSecured All RightsBeaervad s:

Ii,

, I\". ii

Gtrs.l &2: w/Rhy. Fig. 2 BIF# F# BIF# F# BIF# F# BIF# F#

~;;~

qJ:j?\ *j tJWhen_ it's all __ wnrn out, __When_ it's alI_'_ gone wrong,_When_ it's oUl_ of sight,_

D GID D GID D F# BIF# F# ' BIF# F#

~lIbjl~ t'l J II§ t ~II •

I'd rath - er go with out.__it's hard to be so strong._just wait and do your time.__

ChorusAS

oe.i ~P.M. ....l· " . , ------- >< ------

-.T1.,2. You know it's been on my mind._ Could yon stand_

3. You know it's been on my mind._ Could I stand _

Gtr.~. !.I -;:

------V ~ ~ ~ ;i :l :l :l :l ~ :l "~ -~ ,.

~ ------P.M. ___ --t P.M.

G#S BS

~JTn JTn~ n JTn f7TI fTT)· " . ~ I r---. I -

loJ I ~

- right here, look me straight_ in the eye_ and say __ that it's 0 - ver now?.,

- right here, look my - self __ in the eye_ and say __ that it's 0 - ver nowj ,

- ....-· " . .. ..-----. .. . . ..-----..~

liT --s: -c: -c: -c: 'i ~ 'i 't ---:.', 'a , 't , ....--..::-' '

, 'a-, , -, ,

,

54

Gus. 1 & 2: wIRhy.Fig. 1,2 times

F#

;i:# #. I'!!jl II .(} i

BIF# F# BIF#F# D

We pay_ our debt~ some ~ time._

BIF#F#BIF#F# D GIDD GIDD D GID D GIDD

We pay __ our debt_ some - time.c,

InterludeHalf-TimeFeelF#m7 Dmaj7

•• * ~

OJ r- We pay_ our debt ., some- time.;

•• *OJ

let ringthroughoutsimileon repeat

Gtr.2

•••OJ

let ringthroughoutsimileon repeat

To Coda -$-Dmaj7F#m7•• * ~

OJ rsome - time.;- We pay_ our debt_

EndRHrARiIIA

•••OJ -

•••OJ - - - -

.

Guitar Soloce. 1: wI Riff A, zemesF#m7

, .. " ..loJ

-

Gtr. I: wI Fill I

F#m7

A" •

.

3

Gtr. 1: wI Riff A.last 3 meas.

Dmaj7

Dmaj7

Dmaj7

Gtr. 1: wI Riff A

F#m7A .,: JI.'

-oj

Dmaj7

1/2.--.-----.

D.S. alCoda(take 2nd ending)

End Half-Time Feel

~"'~~""~~~~""

56

3/4-~

FlU1Gtr. I

iltCodaOutro

Gtt. 1: wI Riff A, 2 times

F~m7.".oe.z." .

F~m7

Dmaj7

Dmaj7A'-

full

•

Dmaj7

~~.OJ

~ ::•

Gtr.l1'"'"'"1 ......, 1'"'"'"1." .

OJ~ ~~

F~m7

• •

=•

I·

Dmaj7

57

Dmaj7F#m7G 1&2:"" -;.-

0)~ ~

F#m7 Dmaj7

G~.~, • ~~:::::::::::::~+

- - - --0)~ - -:e: :e:

Harm~

G~.l.•

V :: ~- ~

" :e:::::::::::=:::::e:

F#m7 Dmaj7

G~..~~2

[OJ~

-~

"

Dmaj7Gtr 2

F#m7

.. " . ----- ~ --- .- --- --------r-; jr

------- '"0)

1~ f~l___________________ --.. f~__...--.-

G~.~, • .,e......----------~

0) ; H~.

-

58

Killer Is MeBy Jeny Cantrell

TuneDown 1/2 Step:

CD=E~ GJ=D~

®=B~ ®=A~

®=G~ ®=EOIntro

Slowly J = S9

A7/ERhy Fig 1

G6 F#7 Fmaj7.gmTJ21 T32! T32l

B,maj7sus4#11

A7

A7/E B,maj7sus4#11

* T=Thumb 00 ®

Gtt:1 (acous.) "J. J.

Vmf 1 ;i

~ = 1>;; ... .... .... • ~ ~ = 1>;; ... .... ....:; ...- •'T T T T T Tletringthroughout

,

A7/E B,maj7sus4#11 A7/E B~maj7sus4#11

EndRh Fl 1r. g.

.. J. "J L I

V~ ~ 1 . ~ 1>;; ... ;i~ • ~ ~ ~ ~

1>; ... ;; ;;T T T T T T

Gtr. 1:wI RhY. Fig. 1, simileA7/E Bbmaj7sus4# 11 A7/E B,maj7sus4#11

Gtr. 2 (acous.)'*- I 1-1 ~

I" ;i • Harm. _ .;mf Harm.

letringthroughout

A7/E B>maj7sus4# 11 A7/E Bbmaj7sus4# 11

I. I

RlffA

Harm. _ -l

Copyright © 1996 Buttnugget PublishingInternational Copyright Secured AllRights Reserved

EndRilTA

VerseOtr. 2: w/Rhy. Fig. 1,2 times,simileGtr, 2: wI RiffA, 8 times, simile

A7/E B,maj7sus4# II A7/E

4#II~Y ~B,maj7sus4#1l A7/E Bbmaj7sus4#11

need a gun.c, point - ed at_ me L, for me to run.L, The

A7/E B,maj7sus4#1l A7/E B,maj7sus4#ll A7/E B,maj7sus4#11

kil - ler is __ me._

B,maj7sus4#11A7/E B,maj7sus4#11 A7/E

~verseoe, 1: wfRhy. Fig. 1, simileOtt. 2: wI RiffA, 4 times,simile

B,maj7sus4# II A7/E Bbmaj7sus4#11 A71E

~~~2" 3. So the sun c, shines up - on _ me._

Otr. 1: w/Rhy. Fig. I, simileGrr.2: wI Riff A, 4 times, simile

A7/E

4i'l~B,maj7sus4#1l A7/E B,maj7sus4# 11 A7/E

t ¥~.B' maj7sus4#11

t ¥ mHav-in' fun, kil-fer is_ me. !1., 2. In - sane the mind,_

3. The kil - ler is _ me,_in the

A7/E

4ill~ y

name of me.L, Can't find the time __the kil - ler is _ me,_

11.To CodaI-$-

B,maj7sus4#1l A7/E

t y' M&¥d~to let things be.

B,maj7sus4#11

t y M2. In -

A7/E

4i il ~:B,maj7sus4#11

Interludeoe. I: w/Rhy. Fig. 1,simileGtr. 2: wI Riff A, 4 times,simile

A7/E Bbmaj7sus4#113

let things be, to let things be.

Oh, _

rri r:startcau

G6

,

G®3[,

..yeah. _

)) n=--..

G6~~ Bridge

G®3[,

Otr.In

. "

~'7simileon repeats

60

G6

------F#7 G G6 G

® ®3ft 3fr

n rnr: J7) n rnr: rm n) nn rr:~

F#®2[,

••I

••

o - ver?- IOh, _

-==yeah,_

G G6 F#® ®3f' 2[,

n rr rn r: n.. ~ ~

I" I

can I start o - ver,

F#7 Fmaj7

and get 0

~...._. ~-~ver it? _

To COda2-$-

••

InterludeOtt. I: w/Rhy. Fig. 1,simileGtr, 2: wIRiff A, 4 limes, simile

A71E

D.S. al Coda 1

Bbmaj7sus4#1l

-$-Coda 1

A71E

D.S.S. al Coda 2

Bbmaj7sus4# 11

-$-Coda2Outro

Ott. 1:w/Rhy. Fig. 1,2 times, simile'Ott.2: wIRiffA. 8 times,simile

A7

'"01f.2 f8••

" ...--------- «:»

Let things_ be._

'"•• 8

Ott. 1 js-:

--I" ~

61

Guitar Notation LegendGuitarMusiccan be notated threedifferent ways:on a musical staff, in tablature, and in rhythmslashes;

RHYTHM SLASHES are written above thestaff. Strum chords in therhythm indicated.Use thechord diagrams found at thetopofthefirst page ofthetranscription for theappropriate chord volclngs. Roundnoteheads Indicate single notes.

THE MUSICAL STAFF shows pitches andrhythms and is divided bybarJines intomeasures. Pitches are named after thefirstseven letters of the alphabet.

TABLATURE graphically represents theguitar fingerboard. Each horizontal linerepresents aa string, and each numberrepresents afret 4th string, 2ndfret

D

1st & 2ndstrings open 0 chordopen, played together

A D E G®®open 3fr

n

Definitions for Special Guitar NotationHALF·STEP BEND: Strike thenote and bendup1/2step.

1/2

BEND AND RELEASE: Strike thenote andbend upas indicated, then release back totheoriginal note. Only thefirstnote Isstruck.

1/2

VIBRATO: The string Isvibrated byrapidlybending and releasing thenote withthefretting hand.

LEGATO SLIDE: Strike thefirstnote andthen slide thesame fret-hand finger upordown to thesecond note. The second noteis notstruck.

62

WHOLE·STEP BEND: Strike the note andbend upone step.

full

PRE·BEND: Bend thenote asindicated,then strike It.

full

WIDE VIBRATO: The pitch is varied to agreater degree,byvibrating withthefr~ttlng

hand.

SHIFT SLIDE: Same aslegato slide, exceptthesecond note is struck.

GRACE NOTE BEND: Strike thenote andbend upasIndicated. The first note doesnottake upany time.

t-;

1/2

PRE·BEND AND RELEASE: Bend thenoteas indicated. Strike it and release thebendback to theoriginal note.

full

HAMMER·ON: Strike thefirst ([ower) notewithone tlnuer.then sound thehigher note(onthesame string) withanother finger byfretting Itwithout picking.

TRILL: Very rapidly alternate between thenotes Indicated bycontinuously hammeringonand pulling off.

b

b

SLIGHT (MICRDTONE) BEND: Strike thenote and bend up1/4step.

1/4

UNISON BEND: Strike thetwonotessimultaneously and bend thelower note upto thepitch ofthehigher.

full

PULl·OFF: Place both fingers onthenotesto besounded. Strike thefirst note andwithout picking, pullthefinger off tosoundthesecond (lower) note.

TAPPING: Hammer ("tap") thefretIndicatedwiththepick-hand index or middle fingerand pulloff to thenote fretted bythefrethand.

T

NATURAL HARMONIC: Strike the note whUethe fret-hand lightly touches the stringdirectly over the fretIndicated.

PINCH HARMONIC: The note is frettednormally and aharmonic isproduced byadding the edge ofthe thumb orthe tipofthe index finger ofthe pick hand to thenormal pick attack.

HARP HARMONIC: The note isfretted normally PICK SCRAPE: The edge ofthe plck Isand aharmonic is produced bygently resting the rubbed down (orup) the string, producingpick hand's index finger directly above the ascratchy sound.indicated fret(inparentheses) while the pickhand's thumb orpick assists byplucking theappropriate string.

H~.

MUFFLED STRINGS: Apercussive sound isproduced bylaying the frethand across thestrlng{s) without depressing, and strikingthem with the pick hand.

ARPEGGIATE: Play the notes ofthe chordindicated byquickly rolling them frombottom to top.

P.H.

PALM MUTING: The note ispartially mutedbythe pick hand lightly touching thestring(s) justbefore the bridge.

P.M. --I

VIBRATO BAR DIVE AND RETURN: Thepitch ofthe note orchord Isdropped aspecified number ofsteps (inrhythm) thenreturned tothe original pitch.

H.H.

RAKE: Drag the pick across the stringsindicated with asingle motion.

rake __ -!

VIBRATO BAR SCOOP: Depress the bar Justbefore striking the note, then quicklyrelease the bar.

P.S.

TREMOLO PICKING: The note Ispicked asrapidly and continuously as possible.

VIBRATO BAR DIP: Strike the note and thenImmediately drop aspecified number ofsteps, then release back tothe originalpitch.

-112V

-112V

-112V

------ ------­wI bar

-I

wI bar ----IwI bar ---I

-1/2 -1/2 -1/2V V V

n

v

o.s. al Coda

o.s. al FIne

Additional Musical Definitions(accent) Accentuate note (play It louder) Rhy. Fig. Label used to recall a recurring

accompaniment pattern (usually chordal).

(accent) • Accentuate note withgreat intensity Riff Label used to recall composed, melodiclines (usually single notes) which recur.

(staccato) • Play thenote short Fill Label used to identify abriefmelodicfigure which isto be inserted intothearrangement.

• Downstroke Rhy. Fill A chordal version of aFill.

• Upstroke tacet • Instrument is silent (drops out).

Go back to thesign ( ~ ), then play until

~• Repeat measures between signs.. -

themeasure marked "ToCoda," then skipto thesection labelled"Coda."

Go back to thebeginning of thesong andrII~ When a repeated section has different

play untilthemeasure marked "Fine" (end). endings, play thefirst ending only thefirst

~timeand thesecond ending onlythe. - second time.

NOTE: Tablature numbers. inparentheses mean:1.The note Is being sustained over asystem (note in standard notation is tied), or2.The note is sustatnec, buta new articulation (such asa hammer-on, pUll-off, slide orvibrato begins, or3.The note is a barely audible "ghost" note (note in standard notation is also in parentheses).

63

u.s. $19.95

ISBN 0-7935-7240-1

IIII11111111111111111111111111o 73999 90178 8