ch 8.1 gardiners art through the ages concise

8/13/2019 Ch 8.1 Gardiners art through the ages concise

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1

Art Through the Ages

Chapter 8 (Part 1)

15th

Century EuropeOf Piety, Passion, and Politics


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Political, Social, & Economic Developments of

the 15thCentury

A new taste in art innorthern Europe and Spain.

The Black Death and the

Hundred Years' War Consolidating Political

Power

Emerging Capitalism

Divisiveness in the

Church

The Roots of theRenaissance

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Northern Europe & Spain in the 15thCentury

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Flemish Art in the 15thCentury

Flemish sculpture intense observation of natural appearances.

Flemish painting the new oil technique naturalistic representation

meticulous detail

In both textures are minutely differentiated. Figures are lifelike heavy draperies with voluminous folds.

Religious events are often shown incontemporary settings everyday objects function as religious symbols.

Portraiture emerges as an independent genre. 4


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The Artist's Profession in Flanders

A Flemish artist's profession controlled by guilds.

Painters applied to the Guild of SaintLuke.

Commissions for paintings were

obtained through the guild

Flemish Female Artists:

Little is known about the training of

women artists no apprenticeship with a male master.

received tutoring from artist fathersand husbands.

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Public Devotional Imagery:Altarpieces

Philip the Bold

Politicization of the Church

Devotional practices increasedamong the populace.

Increased production ofreligious art, especially ofaltarpieces

Polyptychs

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Ghent Altarpiece

(closed)

JAN VAN EYCK Saint Bavo Cathedral Ghent, Belgium,

completed 1432. Tempera and oil on wood,

height 11' 5 ".

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Ghent Altarpiece(open)

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The

Developing

Use of OilPaints:

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Deposition

Rogier Van Der Weyden, ca. 1435. Tempera and oil on wood, approx. 7' 3" x 8' 7" 10

(Descent from the

Cross)


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Last Judgment Altarpiece ROGIER VAN DER WEYDEN ca. 14441448. Panel, 7 4 5/8" x 17' 11".

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Last Supper

DIRK BOUTS central panel of the

Altarpiece of the HolySacrament

Saint Peter's,Louvain, Belgium

14641468.

Tempera and oil on

wood, approx. 6' x 5'.

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The Portinari

Altarpiece Hugo van der Goes Florence, Italy, ca.

1476-1478 Tempera & oil on

wood.


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The Portinari

Altarpiece

Adoration of the Shepherds(central panel) Hugo van der Goes Florence, Italy, ca. 1476-1478, Tempera & oil on wood.

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Private Devotional Imagery

In the Privacy of the Home

The Symbolic and the Secular

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Mrode Altarpiece(open)

MASTER OF FLMALLE, ca. 1425-1428 Tempera and oil on wood, center panel approx. 25" x 25 Metropolitan Museum of Art, New York

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Mrode

Altarpiece

(detail)


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Giovanni Arnolfini

and His Bride

JAN VAN EYCK 1434. Tempera and oil on

wood, approx. 32.423.6


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Giovanni

Arnolfini

and HisBride

(detail)


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Giovanni Arnolfini and His Bride (details)


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Man In A Red

Turban

JAN VAN EYCK Man in a Red Turban 1433. Tempera and oil on

wood, approx. 10 "x 7 ".

Meeting theViewer's Gaze

a secular portrait.

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Portrait of a Lady

ROGIER VAN DER WEYDEN ca. 1460. Oil on wood, 14 x10 " National Gallery, Washington,

D.C. (Andrew W. MellonCollection).

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24

1505-1510. Oilon wood,

center panel 865/8" x 76 ".

Museo delPrado, Madrid

Hieronymus Bosch,

Garden of Earthly

Delights


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Hieronymus Bosch, Garden of Earthly Delights

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Hieronymus Bosch, Garden of Earthly

Delights - Creation of Eve (left wing)


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Garden of

Earthly

Delights -

(central

panel

detail)


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Hieronymus Bosch, Garden of

Earthly Delights - Hell (right wing)
http://upload.wikimedia.org/wikipedia/commons/9/91/Bosch_Jardin_des_delices_detail.jpg


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Hell (detail)
http://upload.wikimedia.org/wikipedia/commons/9/91/Bosch_Jardin_des_delices_detail.jpghttp://upload.wikimedia.org/wikipedia/commons/9/91/Bosch_Jardin_des_delices_detail.jpghttp://upload.wikimedia.org/wikipedia/en/8/8b/Bosch_bird-headed_monster.jpg


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Hell (detail)
http://upload.wikimedia.org/wikipedia/en/8/8b/Bosch_bird-headed_monster.jpghttp://upload.wikimedia.org/wikipedia/en/8/8b/Bosch_bird-headed_monster.jpg


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Art in 15thCentury France, Germany, and Spain

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Well of Moses

CLAUS SLUTER Chartreuse de

Champmol

Dijon, France

1395-1406

Stone, figuresapprox. 6' high.

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R t bl d Ch p l MELCHIOR BROEDERLAM,


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Retable de Champmol.,

outer wings of theAnnunciationand Visitation (left)andPresentation and Flight intoEgypt (right)

installed 1399.

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Portrait of

Etienne

Chevalier withSaint Stephen

JEAN FOUQUET tienne Chevalier

and Saint Stephen from a diptych now

divided

ca. 1450. Tempera on wood, 36 " x 33 ".

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The Etienne Chevalier Diptych

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Avignon Piet Attributed to Enguerrand Quartonca. 1455

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Madonna in the

Rose Garden

Stephen

Lochner 1400-1451 Tempera on

wood, approx.20" x 16"

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Madonna and Child in

a Rose Arbor

Martin Schongauer

Saint Martin church,

Colmar, 1473. Panel, 78 " x 45

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M l D h f F h Konrad Witz

from the Altarpiece of Saint Peter


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Miraculous Draught of Fish from the Altarpiece of Saint Peter 1444. Tempera on wood, approx. 51" x 61

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The Death and Assumption of the Virgin

Veit Stoss The Death and Assumption ofthe Virgintriptych (central

panel), from the altar of the Virgin

Mary

Saint Mary church, Krakw,Poland, 14771489

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http://upload.wikimedia.org/wikipedia/commons/7/7e/Gothic_altar_veit_stoss_bordercropped.jpg


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Creglingen Altarpiece

TILMAN RIEMENSCHNEIDER

The Assumption of the Virgin center panel of the Creglingen

Altarpiece

Parish church, Creglingen,Germany

ca. 14951499.

Carved lindenwood, 6' 1" wide

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Graphic Art


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Graphic Art

Michel Wolgemut page from the so-calledNuremberg Chronicle, 1493. Printed by Anton Koberger.

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Saint Anthony

Tormented by

Demons

MARTIN SCHONGAUER Saint Anthony Tormented by

Demons ca. 14801490. Engraving, approx. 13"x 11". Metropolitan Museum of Art,

New York

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Christ Crucified GIL DE SILO, Christ Crucified, center detail of altarpiece

Carthusian monastery Miraflores Spain 1496 1499


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Christ Crucified Carthusian monastery, Miraflores, Spain, 14961499.

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REVIEW

Identify the following work What is the subject?

What style, region or period does it belong to?

Who is a possible artist? What clues support your analysis?

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The Madonna with Canon van der Paele

Van Eyck, Jan 1436 Oil on panel 122 x 157 cm Het Groeninge

Museum,Brugge

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St. Christophorus

Konrad Witz. 1435 Tempera on wood. Kunstmuseum Basel,

Basel, Switzerland

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Goals

Discuss the effects of consolidated political power

Discuss the effects of the advent of European capitalism

Discuss the cultural effects of the divisiveness in the Church

Cite artistic terminology relating to the period Comprehend the variety and types of media used in art from this

period

Identify specific artists, their respective styles, and their works

Understand the role of the Church and civic government in the

development of art during this period

ch 8.1 gardiners art through the ages concise

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