cesaire a tempest optimized
TRANSCRIPT
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7/21/2019 Cesaire a Tempest Optimized
1/40
im
e C
es
air
e
T
M
P
S
T
Ba
sed
on
S
hak
esp
ea
re s
Th
e Te
mp
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he
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s
-
7/21/2019 Cesaire a Tempest Optimized
2/40
Co
pyri
ght
19
69,
Editi
ons
du
Seu
i
O
ri gin
all y
p
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Un
e Temp
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d it i
ons
du
Se
uil, P
aris ,
Fran
ce.
C o
pyr ig
h t E n
g li sh
tr
ansla
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19 85
, Ric
hard
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er.
C o
pyri
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1992,
ic
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A
Tem
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-
7/21/2019 Cesaire a Tempest Optimized
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7/21/2019 Cesaire a Tempest Optimized
4/40
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7/21/2019 Cesaire a Tempest Optimized
5/40
A
m
b
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r
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A
S
T
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R
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o
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mask.You,
Prospero?
Whynot?
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ll
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ri
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u
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t
O
h
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Christ Iwas
forgetting
the
G
o
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s
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s
h
u
w
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i
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s
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u
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u
t
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a
r
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h
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e
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d
a
r
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l
l
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b
ig
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to
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o
t
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w
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n
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i
ll
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d
o
t
h
a
t
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i
n
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n
d
th
e
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r
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ip
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-
7/21/2019 Cesaire a Tempest Optimized
6/40
A
C
T
S C
E N
E 1
GO
NZ
AL
O:
O
f
c
ou
rse
, we
'r e
on
ly
stra
ws
tos
sed
on
th
e
ra
gi n
g
sea
..
bu
tall
's no
t l
ost
,
G
ent
lem
en
.
W
e
ju s
t
h
av
e
to
try
to
get
to
the
eye
of
the
storm.
AN
TO
NI
O:
We
mig
ht h a
v e
k
now
n th
is
o
ldfoo
l
wo
uld
nag
u
s to
dea
th
S
EB
AST
IA
N:
T o
t
he
bi
tt er
e
nd
G
ON
Z
AL
O:
Try
t
o
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nd
ers
tan
d w
ha
t
I 'm
t
elli
ng
y
ou:
im
agi
ne a
hug
ecy
lin
der
l
ik e
th
e
ch
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ney
o
fa l
am
p, fa
st a
s a
gallo pinghorse,
but
in
the cente r
as still
and unmoving
as
C
yc
lop
s e
ye.
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hat
's w
ha
t
we
're
tal
kin
g ab o
ut
w
he
n
w
e
say
"
the
e
ye
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f t
he
sto
rm"
an
d
tha
t's
w
he
re
w
e h
ave
to
get
.
AN
TO
NI
O:
Oh
,g re
a t
D
o
you
r
ea ll
y
m
ean
tha
t
the
cy
clo
ne
or
C
ycl o
ps,
i
fh
eca n
't
s
ee
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b
eam
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h i
s o w
n
ey e
, w
ill
let
us
esca
p e
Oh,
t
hat
's v
ery
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mi
nat
ing
G
ON
ZA
LO
: It '
s a
c
lev
er w
ay
of
p
ut
tin
g
it,
at
an
yra t
e.
L ite ra l ly fal se,
but
yet
quit e
true. Butwhat's
th e
fus s
going
on
up
the
re?
The
C
apt
ain
se
em
sw
orr
ied
. Ca
lling
.)
C
apt
ain
CA
PTA
IN
:
wit
h a
sh r
ug )
Boa
ts w
ai n
B
OA
TS
W A
IN
: A
ye,
si r
C
AP
TA
IN :
W
e'
re
co
min
gro u
nd
win
dw
ard
of
th e
i
s lan
d .
A
t
th
is
s
pee
d
w
e'l
l
ru
n a
gr
oun
d.W e
'v e
got
totu
rn
he
ra
rou
nd
.
H
eav
e to
Ex i
ts.)
BO
AT
SW
AI
N :
C
om
e
on
, m
en
Hea
ve
to
To
the
t
ops
ai l
;
m
an th
er
ope
s.Pul
l
H
eav
e
ho,
hea
veho
AL
ON
SO
: a
pp r
oa c
hi ng
) W
ell
,
Bo
ats
wai
n,
ho
war
e t
hin
gs
go
in g
?
W
he
re ar
ewe?
B
OA
TS
WA
IN :
f y o
u a
sk
me
,
y
ou
'd al
l
be
bet
ter
off
b
el o
w,
in
y
our
c
ab i
ns.
A N
T O
N I
O :
e d
oes
n' t
s
eem
too
h
app
y .
We
'd be
tte
rask
t
he
C
ap
tain
.
Wh
ere
's
th
e Ca
ptai
n, B
oats
w a
in ?
H
ewa
s h
ere
jus
t a
m
om
en
t
a
go ,
an
d
now
he
's
gon
e of
f.
BO A
TS
WA
IN
:
G
et ba
ck
b
elow
w
he
re yo
u
belo
ng
W
e'
ve
go
t
w o
rk t
o do
G O
NZ
AL
O :
M
y
de
ar fe l
lo w
, I
can
qu
it e
u
nd e
rs t
and
yo
ur
be
ing
ne
rvo
us, b
ut
a
m
an
sh
ou
ld
bea
ble
to
c
ont
ro lhi
mse
lf
in a
ny
s i tu
ati
o n ,
eve
n t
he
mo
st up
set
tin
g.
B
OA
TS W
AI
N:
S h
ove
it
f
yo
uwa
nt
t
o
s
av e
you
r
s
kin
s,
yo
u'd
bett er
get
y o u
rse
lv e
s
ba
ck
do
wn
b
elo
w t
o
th
ose
fi
rs t-
cl as
s
ca
b in
s
of yo
urs
.
G
O N
Z A
L O
: N
ow
, n
ow ,
my
go
odfe
llow
,
you
do
n't
see
m t
o
k
now
to
w
ho
m
y
ou '
re
s
p ea
k in
g .
M
aki
ng
intr
od u
ctio
ns .
) Th
e
K
in
g' s
bro
th
er,
t
he
Ki
ng '
s
son
an
d m
yse
lf ,
th
e
Kin
g's
cou
nse
ll o
r.
-
7/21/2019 Cesaire a Tempest Optimized
7/40
B
O A
T S
W A
IN
:
K in
g
K i
n g
W
ell
, th
er
e's
s
om
eo
ne
w
ho
BO
AT
SW
AI
N:
W i
nd w
ar
d W
in
d w
ard
H
ea
v e
in to
th
ew
ind
d
oe
sn't
g
iv e
a f
uck
m
ore
ab
out
th
eki
nd
t
hat
h
e
d
oe
s a
bou
t
y
ou
or
m
e,
an
d he
's
ca l
led
the
G
ale
. H
is M
aj
est
y th
e
G al
e
Thu
nde
r, l
ig h
tn in
g.
A
nd
rig
ht
n
ow
, he '
s in
con
tro
l a
nd
we
're
a
ll h
is s
ub
je ct
s .
G
O N
ZA
L
O :
H
e m
igh
tj
us
t as
we
ll b
epi
lot
o
n the
fe
rry
t
o
he l
l .. h
is m
ou
th's
f
oul
e
no
ugh
A
NT
ON
IO
: I
n
a
sen
se , th
e
fe
llow
re
ga
le s m
e,
as
yo
u
mig
ht
say
W
e'l
l pu
ll
thr
ou
gh,
yo
u'l l
se
e, b
eca
us
e
he
loo
k s to
m
e
m
or
e
li
ke s
om
eo
ne
w
ho'
ll
en
du
p
on
th
e
ga
llo
ws
, no
t
b
en
eat
h
the
bi
llow
s.
S
EB
AS
TIA
N: T
he
e
nd
resu
lt
is th
e
sa
m e.
T
hef
is h
wil
l ge
tu
s
an
d
the
cr
ow
s w
illg
et h
im.
G O N Z A LO :
He
did
irritateme, ra the r . How ever, I ta
ke
the
att
en
uat
in g
ci
rcu
ms
tan
ce
s in
to
ac c
ou
nt.
.. an
d,
yo
u
mu
st
ad
mi
t,
he
la c
ks
ne
ith
er
c
ou
rag
e
no
rw
it.
BO
AT
SW
AI
N:
(r e
tur
nin
g)
Pu l
l in
th
e
stu
d sa
ils . H
elm
sm
an
,
int
ot
he
win
d I
nto
t
he
w in
d
En
te r
Seb
asti
an,
An
to n
io ,
Gon
zal
o.
B O
A T
SW
A I
N :
Y
ou
aga
in
f
y
ou
ke
ep
b
oth
er i
ng
u
s an
d
don
't
g
et b
elo w
an d
say
y
our
p ra
y e r
s I '
l lg
iv e
u
p a
nd le t
y
ou
sa
il t
he
shi
p
You
c
an '
t ex
pe
ct m
et
o
be
the
go
-b e
tw e
en
for
yo
ur
so
u ls
and
B
eel
zeb
ub
A
N
TO
NI
O: It
's
r
ea
lly
to o
m
uc
h T
he
f
el l
ow
is
ta k
in g
ad
v an
tag
eof
th
es
itua
tio
n
..
S
EB
AS
TIA
N: H
ot
Ho
t
GO
NZ
AL
O:
D
id
yo
u s
ee
th
at?
T
he
re
,
at th
e
to
p of
th
e
m asts ,
in
the
rigging,
that
glitt er
of
blu e
fi re, flash ing ,
fla
sh in
g?
Th
ey
're
rig
ht
wh
ent
hey
ca
ll th
ese
m
ag
ic
lan
d s,
so
di
ff e
re n
t
fr o
m ou
r h
om
es
in Eu
ro
pe
.
. Lo
ok
, ev
en
th
e
l ig
h tn
in g
is
d if
fer
en t
A
N
TO
N IO
:
M a
ybe
its
af
o re
ta s
te of
th
eh
ell
th a
t a
wa
its
us .
G O
NZ
A L
O:
Y
o u '
re to
o
pe
ssim
ist
ic .
An
ywa
y, I
'v e
alw
ay
s ke
pt
m
ys
elf i
na
s t
a te of
g
rac
e, r
ead
y t
o
m
eet
m
y
m ak
er
.
Sa
ilors
en
ter.
SA
IL
OR
S:
Shi
t We
're
s
in k
in g
The
pa
sse
ng e
rs c
an
be
hea
rd
sin
in
Nea
rer
,
yG
od
to
The
e ..
BOATSWAIN: To leew ard Toleew ard
F
ER
DI
NA
ND
: (
ente
rin
g)A
las
Th
ere
's
no
o
ne
in
h
ell
..al
l th
e
dev
ilsa
re
h er
e
The
shi
psi
nks
.
-
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8/40
SCENE 2
MIRANDA: Oh God Oh God A sinking ship Father, help
PROSPERO: enters hurriedly carrying a megaphone.)
Come
daughter,
calm yourself
It's only a play. There's
really
nothing
wrong.
Anyway, everything that
happens
s for our
own
good. Trust me,
I
won't
say any
more.
MIRANDA:
But such a
fine
ship, and
so many fine,
brave lives sunk, drowned,
laid
waste to wrack and ruin .. A
person would have to
have
a
heart
of stone
not
to be
moved ..
PROSPERO:
Drowned
..hmmm.
That remains
to
be
seen.
But
draw
near, dear
Princess.
The time has come.
MIRANDA:
You're making fun of me,
father.
Wild
as I am,
you know I
am happy
- like a
queen
of
the
wildflowers,
of
the streams and paths, running barefoot
through
thorns
and
flowers,
spared
by
one,
caressed by
the other.
PROSPERO: But
you
are
a
Princess
..
for
how else
does one
address
the daughter of
a
Prince?
I
cannot
leave
you
in
ignorance any
longer. Milan
s
the
city
of
your birth,
and
the
city
where for
many years I was
the
Duke.
MIRANDA:
Then
how
did
we
come here? And
tell me, too,
by
what
ill fortune did a prince turn into the reclusive
hermit
you
are
now,
here, on
this
desert
isle? Was it because
you found the world distasteful, or through
the
perfidy of
some enemy?
Is our island a
prison or
a
hermitage?
You've
hinted at some
mystery
so many
times
and aroused my
curiosity,
and today you
shall tell
me
all.
PROSPERO:
In
a way, it is
because
of all
the things you
mention.
First,
it
is
because
of political
disagreements,
because of the intrigues of
my
ambitious younger brother.
Antonio is his
name,
your uncle, and
Alonso
the
name of
the
envious King
of
Naples.
How
their
ambitions were
joined, how my
brother became the
accomplice of my rival,
how
the latter promised
the former
his
protection and
my
throne
..the devil
alone
knows how all that
came about. In
any event,
when they learned
that
through
my
studies and
experiments I
had
managed to discover
the exact
location
of
these
lands for which many had
sought
for centuries and
that I
was making preparat ions to
set forth to
take
possession
of
them, they
hatched
a
scheme to
steal my as
yet-unborn
empire
from me. They bribed
my
people, they
stole my charts and
documents and,
to
get rid of me, they
denounced
me to the
Inquisition
as
a
magician and
sorcerer. To
be
brief,
one
day I saw arriving
at the
palace
men
to
whom
I
had never granted audience: the
priests
of
the Holy Office.
Flashback: tanding
before
Prospero, who
is
wearing his
ducal
robes
we
see
a friar reading from a parchment
scroll.
THE FRIAR:
The
Holy
Inquisition for
the
preservation and
integrity of the Faith and the pursuit of heretical
perversion,
acting through the
special
powers
entrusted
to
it by
the
Holy Apostolic See,
informed
of the
errors you
profess,
insinuate
and
publish
against
God and
his
Creation
with regard to
the shape
of
the Earth and the
possibility of
-
7/21/2019 Cesaire a Tempest Optimized
9/40
-
7/21/2019 Cesaire a Tempest Optimized
10/40
a
nd
yo
u
ca
n
k
e
ep
y
o
ur
d
o
ub
t
s.
A
gr
ee
d
?
E
n
te
r
Ca
li
ba
n.
A
R
I
EL
:
M
a
st
e r
,
I
m
us
t
be
g
y
o
u
t
o s
p
ar
e
m
e
th
is
k
i
nd
o
f
C
A
L
IB
A
N
: U
h
u
ru
l
ab
o
ur
.
P
RO
S
P
E
R
O
:
sh
o
ut
in
g)
L
is
te
n
,a
nd
l
is
te
n
g
o
od
T
he
r
e'
s
a
ta
sk
to
b
e
p
er
fo
r
m
ed
,
an
d
I
do
n
't
ca
r
e h
o
w
i
t
g
et
sd
o
ne
AR
I
E
L:
Y o
u
'v
e p
ro
m
is
e
d
m
e
m
y f
re
ed
o
m
a
th
o
us
a
nd
t i
m
es
,
a
nd
I'm
sti
ll
w
ai
ti
ng
.
P
R
O
SP
E
R
O
:
I
ng
r
at
e
A
n
d
w
h
o
fr
ee
d
y
ou
f
ro
m
S
y
co
ra
x
,
m
ay
I
a
s
k?
W
h
o
r
e
n
t
th
e
p
in
e
i
n
w
h
ic
h
y
o
u
ha
d
be
e
n
i
m
p
ri
so
n
ed
a
n
d
br
o
ug
h
t
y
o
u
f
or
th
?
A
R
IE
L
:
So
m
e
ti
m
e
s
I
al
m
o
st
r
eg
r
et
it
.. .
A
f
te
r
a
ll,
I
m
i
g
ht
ha
v
e tu
r
n
ed
i
nt
o
a
re a l
tree
in
the
end
..
Tree:
that' s
a
word
th
at
re
al
ly
g
iv
es
m
e
a
th
ri
ll
I
t
o
ft
en
sp
r
in
gs
to
m
in
d
:
p
al
m
tr
e
e
-
sp
r
in
g
in
g
in
to
t
he
s
k
y l
ik
e
a f
o
un
t
ai
n
e
n
d
in
g
i
n
n
on
c
h
al
an
t
,
s
qu
id
-
lik
e
el
eg
a
nc
e
. T
h
e
b
ao
b
a
b
-
t
w i
st
ed
l
ik
e
t
h
e
so
ft
e
nt
ra
il
s
of
so
m
e
m
on
s
te
r.
A
sk
th
e
ca
la
o
b
i
rd
th
a
t
li
ve
s
a c
lo
is
te
r
ed
se
a
so
n
in
i
ts
br
an
c
he
s
.
O
r t
he
C
e
ib
a
tr
ee
-
s
p
re
a
d
o
u
t
be
n
e
at
h
th
e
p
r
o
u
d
s
un
.
0
b
ir
d
,
o
gr
e
en
m
a
n
si
o
ns
s
et
in
th
e
li
v
in
ge
ar
th
P
R O
S
P
E
R
O
:
St
uf
f
i
t
I
d
on't
l
ik e
talking
tre es. As
foryour
f
re
e
do
m
,
y
ou
'l
l
h
av
e
it
w
h
en
I'm
g
o
o
d
a
nd
re
a
dy
. In
th
e
m
e
a
nw
h
il
e,
s
ee
t
o t
h
e
s
h
ip
. I'
m
g
oi
n
g
to
h a
v
e
a
fe
w
w
o
r
ds
w
it
h
M
a
st
e r
C
a
lib
a
n.
I
'v
e be
e
n
k
ee
p
in
g
m
y
e
ye
on
h
im
,
an
d
h
e
's
g
e
tt
in
g
a l
it
tl
e t
o
o
e
m
a
n
ci
p
at
e
d.
C
al
li
ng
)
C
al
ib
a
n
C
a
li
ba
n
H
e
s
ig
hs
.)
P
R
O
S
P E
R
O
: W
ha
t
d
id
yo
u
say
C
A
L
IB
A
N
:
I
sa
id
, U
h
ur
u
P
R
O
S
P
ER
O
:
M
u
m
b
li
n
g
y
ou
r
n
at
iv
e
l
an
g
ua
g
e
a
ga
in
I
'v
e
a
lr
ea
d
y t
o
ld
y
o
u,
I
d
on
't
l
ik
e
it
. Y
o
u
c
ou
l
d
b
e
po
li
te
, a
t
le
a
st;
a
s i
m
p l
e
"h
e
llo
"
w
o
u
ld
n
't
k
il
l y
o
u
.
C
A
L
IB
A
N
: O
h
,
I
f
o
rg
o t
.. .
B
ut
m
ak
e
t
ha
t
a
s
fr
og
gy
,
w
as
p
is
h ,
pu
s
tu
la
r
a
n
ddu
n
g
-f
il
le
d
"
he
ll
o
"
a
s p
o
ss
ib
le
.
M
a
y t
od
a
y
h
as
te
n
by
a
d
e
ca
d
e
t
he
d
ay
w
he
n
al
l t
he
bi
rd
s
o
f t
he
sk
y
a
n
d
be
as
ts
o
f
t
he
e
a
rt
h
w
i
ll
fe
as
t u
p
on
y
o
ur
c
or
ps
e
P
R
O
SP
E
R
O
:
G
r
ac
i
ou
s
as
al
wa
y
s, y
o
u
u
gl
ya
p
e
H
ow
ca
n
an
y
on
e
be
so
u
gl
y?
C
A
L
IB
A
N
:
Y
ou
th
i
nk
I
'm
u
g
ly
..
w
el
l,
I
do
n
't
th
in
k
y
ou
'r
e
so
h
an
d
s
om
e
y
ou
r
se
lf
. W
i
th
t
h
at
b
ig
ho
o
k
ed
n
o
se
,
yo
u
l
oo
k
j
u
st
li
ke
s
om
e
o
ld
v
u
lt
ur
e.
L
a
ug
hi
ng
)
n
o
ld
vu
lt
ur
e
w
ith
a
s
c
ra
w
ny
n
ec
k
PR O SPER O : S ince
you're
so
fond
of
invecti ve,
you
couldat
le
as
t th
a
nk
m
e
fo
r
h
av
in
g
t
au
g
h
ty
o
u
t
o
sp
e
ak
a
t
a
ll
.
Yo
u
,
a
sa
va
g
e..
. a
d
u
m
b
a
n
im
a
l,
a
b
e
as
t
I ed
u
c
at
ed
,
t
ra
in
e
d,
dr
a
gg
e
d
u
p
f
ro
m
t
he
be
s
tia
li
ty
th
a
t
st
ill
c
li
ng
s
to
y
o
u.
C
A
L
IB
A
N
:
I
n
th
e
f
irs
t
pl
ac
e
, th
a
t'
s
n
o
ttr
u
e.
Yo
u
di
d
n'
t
te
ac
h m
e
a
th
i
ng
E
xc
e
pt
to
ja
b
b
er
i
n
y
o
u
r
ow
n
la
n
gu
a
g
e
so
-
7/21/2019 Cesaire a Tempest Optimized
11/40
-
7/21/2019 Cesaire a Tempest Optimized
12/40
Yo
u
r f
e
et
s
ti
nk
P
R
O
S
PE
R
O
:
I
d
id
n
o
t
s
u
m
m
o
n
y
o
u
h
e
re
t
o
a
rg
u
e
. O
ut
B
ac
k
to
w
o
r
k
W
oo
d
,w
a
te
r,
a
nd
lo
t
s
o
f
b
ot
h
I
'm
e
x
pe
c
ti
ng
co
m
p
a
ny
t
od
a
y.
C
A
L
I
B
A
N:
W
e
ll
,
be
c
a
us
e
C
al
ib
a
n
i
sn
t
m
y
n
a
m
e.
I
t'
sa
s
si
m
p
le
a
s
th
a
t.
P
R
O
S
P
ER
O
:
O
h
,I
s
u
pp
o
s
eit
's
m
i
n
e
C
A
L
IB
A
N
:
It
's
th
e
n
a
m
e
gi
v
en
m
e b
y
yo
u
r
h
at
re
d
, a
n
d
CALIB
A
N
:
I
'v
e
h
a
d
j
us
t
a
b
ou
t
e
n
ou
g
h
. T
h
er
e
's
al
re
a
dy
a
e
v
er
y
tim
e
it
'ss
p
ok
e
n
i
t's
an
in
su
l
t .
p
ile
of
w
o
od
t
ha
t
h
i
gh
..
P
R
O
S
PE
R
O
:
M
y
a
r
en
'
t w
e
g
et
ti
n
g
se
n
si
ti
ve
A
l
l
r
ig
h
t,
P
R
O
S
P
E
R
O
:
E
n
ou
g
h
C
a
re
f
ul
,
C
al
ib
a
n
f y
o
u
k
e
ep
su
g
g
es
t
so
m
e
th
i
ng
el
se
..
I'
ve
g
o
tto
c
a
ll
y
ou
s
o
m
e
th
in
g
.
gr
u
m
b
lin
g
y
o
u
'l l
b
e
w
h
ip
p
ed
.
A
n
d
if
yo
u
d
o
n'
t
s
te
p
l
iv
el
y,
i
f
W
h
a
t
wi
ll
it b
e
?
C
an
n
ib
a
l
w
o
u
ld
s
ui
ty
o
u ,
b
ut
I
'm
s
ur
e
y
ou
y
o
.u
k
e
e
p
dr
a
gg
i
ng
y
ou
r
f
ee
t
o
r
tr
y
to
st
ri
ke
o
r
s
ab
o
ta
g
e
,
w
o
u
ld
n
't
l
ik
e
t
ha
t
, w
o
u
ld
y
o
u?
Le
t
's
s
ee
..
.w
h
a
t
a
b
o
u
t
th
m
g
s,
I'
ll
be
a
t yo
u
.
B
e
at
in
g
is t
h
eo
n
ly
la
n
g
ua
g
e
y
o
u
re
al
ly
:
H
a
n
n
ib
a
l?
T
h
at
f
it s
.
A
n
d
w
h
y
n
o
t. .
th
ey
a
ll
s
ee
m
t
o
li
ke
un
d
e
rs
ta
n
d.
S
o
m
u
ch
t
h
ew
o
rs
e
fo
ry
o
u:
I'
ll
s
p
ea
k
it,
lo
u
d
h
is
to
r
ic
al
n
am
es
.
an
d
c
le
ar
.
G
et
a
m
o
ve
o
n
C
A
LI
B
A
N
:
A
ll
r
ig
h
t,
I
'm
g
o
in
g
..
b
u
t th
is
i
s
th
e
la
s
tt
im
e
.
th
e
la
s
t t
im
e
,
d
o
y
ou
h
ea
r
m
e?
O
h
..
I
f
o
rg
o
t:
I
'v
e
s
o
m
et
h
in
g
im
p
o
rt
an
t
t
o
te
ll
yo
u
.
P
R
O
S
P
ER
O
:
Im
p
o
rt
a
nt
?W
el
l,
o
u
t
w
it
h
it
.
C
A
L
IB
A
N
:
I
t's
t
h
is:
I
'v
e
d
e
c
id
ed
I
d
o
n
't
w
a
nt
t
o
b
e
C
a
l
ib
an
an
y
l
on
g
er
.
P
RO
S
P
E
R
O
:
W
ha
t
ki
n
d
o
f
ro
t
is
t
h a
t?
Id
o
n
't
u
n
d
er
st
an
d
.
C
AL
I
B
A
N:
P
ut
it
t
h i
s
w
ay
:
I'
m
te
ll
in
gy
o
u
th
at
fr
om
n
o
w
o
n
w
o
n'
t a
ns
w
er
to
th
e
n
am
e
C
al
ib
a
n.
PR
O
S
P
E
RO
:
W
h
e
re
d
id
yo
u
g
e
t t
h
at
id
ea
?
C
A
L
IB
A
N
:
C
a
ll
m
eX
.
T
h
a
t
w
o
u
ld
b
e
b
e
st
. L
ik
e
a
m
a
n
w
i
th
ou
t
a
n
a
m
e.
O
r,
t
o
b
e
m
o
re
p
re
c
is
e,
a man
whose
name
ha
s
b
e
en
s
to
le
n
.
Yo
u
t
al
k
ab
o
u
t h
is
to
r
y..
w
el
l,
th
a
t'
s
hi
s t
o r
y
,
an
d
ev
e
ry
o
n
e k
n
ow
s
i
t
E
ve
r
y
ti
m
e
yo
u
su
m
m
o
n
m
e
i
t
re
m
i
n
ds
m
e
o
fa
b
a
si
cf
a
ct
,
t
he
f
a
ct
th
a
t
y
o
u
'v
e s
to
l
en
e
v
er
y
th
in
g
f
ro
m
m
e
, ev
e
n
m
y
id
e
nt
ity
U
hu
r
u
H
e
ex
it
s. )
E
nt
er
A
ri
el
a
s a
s
ea
-
ny
m
ph
.
PROSPERO:
My
dear
Ari el
,
d
id
y
o
u
se
e
h
o
w
h
elo
o
k
ed
at
m
e,
t
h
at
gl
in
t
in
h
is
ey
e
?
T
h
a
t' s
s
om
e
th
i
ng
n
e
w
.W
ell
,
l
et
m
e
te
ll
y
o
u ,
Ca
l
ib
an
i
s
th
e
e
ne
m
y
.
A
s
fo
r
th
o
se
p
e
o
pl
e
o
n
th
e
bo
a
t,
I
'v
e
c
ha
n
ge
d
m
y
m
in
d
a
b
o
ut
t
he
m
.
G
iv
e
th
e
m
a
sc
a
re
,
b
u
tf
or
G
o
d
's
s
ak
e
d
on
'
t to
u
c
ha
h
a
ir
o
ft
h
ei
rh
e
ad
s
Y
ou
'l
l
a
n
sw
e
r t
o
m
e
i
f
yo
u
d
o
.
AR
I
E
L:
I'
ve
su
ff
e
re
d
t
oo
m
uc
h
m
y
se
lf
fo
r
h
a
vi
ng
m
a
de
-
7/21/2019 Cesaire a Tempest Optimized
13/40
th
em
s
uff
er n
ot
to b
e p
lea
sed
a
t
yo
ur
m e
rc y.
Yo
u ca
n c
ou
nt
on
m
e,
M
aste
r.
PR
O S
PER
O :
Yes
how
ev
er
g
rea
t th
ei r
cr
im e
s, if
th
ey
re p
en
t
y
ou
c
an
a
ssu
re the
m
of m
y f
org
iv en
ess
.
T
he
y
are
me
n
o
f my
ra
ce ,
a
n?
of hi
gh
ran
k. As
fo
r
me
, at
m
y
age
o
ne
m
us
t
ri
se
abo
ve
dis
pu
tes a
nd
q
uar
re l
s a
nd
th i
nk
a
bou
t the
fu
tu re
.
I
h
ave a daughter. Alonso has a son
f
theywere to fal l in
l
o:e
I wo
ul d
gi
ve
~
Let
Fe
rd
ina
nd
m
ar
ry
M
ira
nd
a,
a
n?
m
ay
th e
ir
m
arri
age
br
ing
us ha
rmo
ny
and
pe
ace
. Th
at
is
m y
pl
an .
I w
ant
it
exe
cut
ed.
As
for
C
ali
ban
.it m
at
te r
wh
at
th
at
v
il la
in pl
ots
ag
ain
st
me
?
All
of
It
al y
, Na
ple
s a
nd
M
il a
n he n
ce
for
th co
mb
in
ed ,
wi
ll
p
ro te
ct
m
e
bo
di ly
. G
o
A
RI
EL
: Y
es
M as
te r
. Yo
ur ord
ers
wi
ll
b
e
fu
llyca
rrie
d
out
.
A
rie
l sin
gs:
Sa
ndy
sea
sho
re,
deep
bl
ue
sky
Su
rf s
ris
ing,
sea
bir
ds f
ly
He
re
the l
ove
rfi
nds
deli
ght ,
Su
n
at
n
oon
tim
e, m
oon
at
nig
ht.
J
oin
ha
nds
lov
ers,
jo
inth
ed
anc
e,
Fi
ndco
nte
ntm
ent ,
fi n
dr
oma
nce
.
Sa
ndy
sea
sho
re,
de
ep bl
ue
sky
Car
es w
ill v
ani
sh
.. so
ca
n/
F
ER J
?IN
AN
D:
Wh
at
is
th i
s m
us
ic ? It
has
l
ed
me
he
re
an
d
no
w
it s
top
s ..
N o
,
th
ere
it
i
s a
gain
..
16
AR
IEL
: si
ngin
g)
W
ate
rs m
ov
e, t
he o
cea
nflo
ws,
N o
th i
ng
com
es
an
d
n
oth
ing
go
es ..
Stra
nge
da
ys a
re up
on
u
s ..
Oys
ters
sta
re t
hro u
gh
pea
rly ey
es
Hear t-s hape d coralsg ently beat
In
the
cry s
tal
und
ers
ea
Wa
ters
mo
ve a
nd
oce
an
flow
s,
N
oth
ing
co
mes
and
no
thin
g g
oes
..
St
ran
ge d
ays
are
u
po
n u
s .
.
F
ER
DI
NA
ND
:
W
ha
t
is
th i
s th
at
I se
e bef
ore
m e?
A
g od
de
ss?
A
m o
rta l
?
M
IR
AN
DA
: I
kno
ww
ha
t I m
seei
ng:
a f
la t
te re
r. Y
ou
ngma
n,
yo
ur a
bil i
ty t
o p
ayco
mp
lim
en
ts
in the
si tu
ati
on
in
whi
ch
you
f
in d
y o
urse
lf
a
t
le
ast
p ro
ve
s
y
ou
rc
ou
rag
e. Wh
o a
re
y
ou
?
F
ER
DIN
AN
D:
As
yo
u s
ee,
a po o
r
sh
ipw
rec
ked
so
ul.
M
IR
AN
DA
: Bu
t o
ne
of
h
igh
deg
ree
FER D INA N D :
In
oth er
surro undin gs
I
migh t b e cal led
"Pr
in ce
,"
"s o
n of
t
he
K
in g
" .
. B
ut, no
,
I w
as
fo rg
ett
ing
..n
ot
"P
ri n
ce"
bu
t
"K
in
g, "
ala
s .."
Kin
g" b
eca
us
e m
yfa t
he r
h
as
ju
st
p
eri
she
din t
he
ship
w r
eck
.
M
IR
AN
DA :
P
oo r
y
ou
ng
m
an H
ere
,
yo
u ll
b
e
re
ce i
ved
wi
th
ho
sp it
ali t
y an
dw
e'l
l
su
ppo
rt
you
i
n y
our
m
is
fort
une
.
17
-
7/21/2019 Cesaire a Tempest Optimized
14/40
F
ERDIN
AND: A la
s , my fath
er .. C
an i
t
be
tha t
I
am
an
un
natural
son?
Y our pi
ty w
ould
m
ake the
greates
t of s
orrow s
seem
sw eet .
M IR AN
DA: I ho
pe
you'll li ke
it he re
wi th us .
The
island is
prett
y. I' l
l
sh
ow
you
the
beac
hes and
thefo
rests,
I'll tell you
th e n
ames
of frui ts
and flowe
rs, I'
ll introd
uce yo
u
t
o a w hole
world
of
insects ,
of
l iza rds
of
every
hue,
of
birds
..
Oh ,
you
c
an not
imagine
The
bi
rds . ..
PRO S PE
RO : That's
enou
gh, da
ughter
I find y
ourch
atter
i
rr itating
..an
d let m
e assure
you, it 's
not
at
all fit t in
g.
ou
are
doing
to
o muc
h
ho
nor
to an
imposto
r. Y oung
man, yo
u
are a trai
tor , a sp
y,
a
nd a
wom
an-cha
ser to bo
ot No soo
ner
h
ashe
escaped
th
ep
erils of
the sea
th
an he's
sw eet-
talking
th e
f i rs t g
irl he m
eets You
won't
get round
me
that way.
Yo
ur arr iv
al
is
conve
nient,
because I
nee dmore
manpower:
yo
u
sha
ll be m y
hous
e servant
.
FE
RDINA
ND: Seein
g th
e young
lady, more
beauti
fu l tha
n
any w
ood-ny
mph, I might
have
bee n U
lysses
on N aus
icaa 's
is le. B
ut hearing
you
, Sir, I
now
unders
tand
m y fate
a little
bette
r . .
see I hav
e com
e
a
shore
on th e Bar
bary
Coas
t
an
d
am in
t
he ha
nds o
f
a
crue
l
pir
ate . D
rawing
hissw o
rd
Ho
wever, a gentle
man
pr efers
de
ath
to dishon
or
I sh all
defend
m y
life w it h
my
freedom
PR
OSPER
O:
Po or
fo
ol : your
a
rm i
s grow
ing weak
; you
r
kn
ees ar e tr
embling
Traito
r I coul
d kill
you now
.. bu
t I
ne e
d
the
manpow
er. Follow
me.
ARIE
L: It's no
us
e tryi
ng to resist,
young m
an. My
m
ster
8
is a
sorcer
er: neithe
r
y
our
pa ssio
n no
r
yo
ur youth
can
p
revail
against
him.
Y ou r
bestcour
se woul
d be
to follow
and
obey
him.
FE
RDINA
ND: Oh
G od
What sorce
ryis
this?
Vanquis
hed, a
ca
ptive
- yet
far from
rebel
ling agains
t my f
ate,
I
am
f inding
m y servitu
desw
eet. Oh,
I
would be
impriso
ned for
life if on ly
heaven
will
gr ant me
a glimpse
of
m y
sun each
day
the fa c
e of m
y o w n su
n. Farewe
ll, N aus
icaa.
heyexit.
9
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A C T
II
S
CEN E 1
Caliban'
s cave. C
al iban is
singi,ng
ashe wo
rks when
Ariel
e
nters.
e lis tens to
him
or a momen
t.
CALIB
AN: (sin
gi,ng)
May
he who ea
ts his co
rn heedles
s o
f
Shan
go
Be a
ccursed
Ma
y
Sha
ng o c
reep beneath
is n
ails and
ea t into
hi sflesh
S
ha ngo, S
ha ngo ho
F
orget to
gi ve him
room i f o
u dare
e
w
il lmake
him self a
t home on
your no
se
Refuse
to
have him
un der
yo ur ro of at
own ri
sk
He'll
tea r offy
ourroofan
dwear
it as a ha
t
W
ho ever tr
iesto mi
slead Sha
ng o
Wil l s
uf er o
r it
S
ha ngo, S
hango ho
A
RIEL:
G reet in
gs , Cal ib
an. I kn
owyou don
't
thin
k much
m
e, bu t
after all we
are
brothers
,
br
others in
sufferin
g
s lavery,
but
br others inhope
as well . W e
both want
freed
om.
We just
have
differen
t metho
ds.
CA L
IBAN: G
reetings
to you
. Bu
t
you
didn'
t come
to
see
j
ust to
make
that profess
ion of f
ait h. C
ome on,
A
lastor
old
ma
n sent you, d
id n't he
? A gre
at job:
carry
ing out
2
Mast
er's f ine
id eas , h
is great
plans .
A
RIEL: N
o,
I've co
me
on
my o
w n. I ca
me to
war
n
yo
u.
Prosp
ero is p
lanning
horrible
acts o
f
r
evenge
against
you. I
thoug
ht
i
t my duty
to ale
rt you.
CALIB
AN : I'm
ready
fo rhim.
ARIEL:
Poor C aliban,
you're
d
oomed.
You kno
w
that you
a
re n't the
s tronger
, y ou 'l l
nev
er be the s tr
o nger.
Wh at
good
w
ill it
do
y
outo str
uggle?
CALIB
AN : A
nd wha
t about
yo
u?
Wh
at g
ood
has
y
our
obedien
ce done y
ou , your
Uncle
Tom
pa t
ience and yo u
r
sucking
u
p
to him
. Th e
m
an's just
getting
more
demand
ing
and
d
espot ic
day by da
y.
ARIEL: Well, I've
at
le as tachieved
on e
th ing:
he 's promised
m e
myfreed
om.
In th e d
istant
future,of cou
rse bu
t i t 's th e
fir st tim
e he's ac
tu ally c
ommitte
d himsel
f.
CALIBA
N:
Talk's
cheap
He'll
p
romise yo
u a thousa
nd
time
s and ta
keit back
a th o
usand t
im es. An
yway,
tomorr
ow
doesn't in
terest
me. Wha
t I wa
nt
i
s ( shou
ti ng )
"Freed
om
now
"
ARIEL: Okay.
But
you know
you're
not
going
to
ge t
t
out
of
him
"n ow", a
nd t
hat he's
strong
er th an
you
a
re. I
'm in
a
g
ood pos
it ion to
know j
ust w
hat he 's
got in his ars
enal .
CALIBAN
: Th
e
s
tronger
? Ho
w do you kn
ow th a
t? Weakn
ess
a
lwayslhas
athous
and m
eans an d
co ward
ic eis all
th
at
keeps
2
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us fr
om l is t ing them
.
AR
IEL: I
don't
bel
ieve in v iolence
.
CALIBAN: What
o you beli
eve in, th
en?
In
cowardice? In
givi
ng
up? In
kneeling and
grove
ling?
That's
it ,
someon
e
st
rikes
you
on
the
r
ight cheek and
yo u
offer the left.
So
meone kicks
you on the
left but
tock and yo u turn
the right..
.t hat way
there's no je
alousy. Well, that's
not
Caliban's w
ay ..
ARIEL
: You know ve
ry w ell
th at
that's
not
wh
at
I
mean.
No
violence ,no subm
ission either.
Lis ten to me:
Prospero is the
on
e we ve
got
to
change. Destroy
h
is serenity
so that he's
finall
y forced
to
ackno
wledge his ow
n injust i ce
an
d put an
en
d t
o
it.
CALIBA
N: Oh
sure ...
that 's
a
good one
Prospero'sl
consc
ience Prosp
ero is an old s
coundrel
w
ho has
n
o::
consc
ience.
ARIEL: Exac
tly - that's w h
y it s
u
p to us
to give him
o
ne.
I'm not fi
ghting just
for
y
freedo
m, for ur freedo
m, butj
for
Pr
ospero too, so that
Prospero can
acquir
e aconsc
ience.:
Help m
e, Cal iban.
CA LIBAN
: Listen, kid, sometim
esI wonde
r i you aren't
l i t t le
bit n
uts. So that
Pr o
spero ca
n acquirea cons
cience?
You migh
t as well ask
a stone
to
grow
flowers.
ARIEL: I don
't
know
what
to
do
with you. I v
e
often
had
this inspiring, uplifti
ng dream that one
day
Prospero,
you,
me,
we would all th
ree
set
ou
t, like bro thers
, t
o
build
a
w
onderful
world,
ea ch
one c
ontributing
his own spec
ial
thing:
patience, vitality, lov
e, will-pow er to
o ,
an
d rig or, not
to mention t
he dreams w
ithout which
mank
ind
wou ld
perish.
CALIBAN: Y
ou
don't
understand
a thing about P
rospero.
Hes not
the coll
aborating type. He's a
guy whoonly
feels
someth
ing wh
en he'swiped some
one
ou
t.
A
crusher,
a
pulve
riser, that 's w
hat he is
And you talk abou t
bro
therhood
ARIEL: So then w
hat s left? W
ar? An dyou know th a
t whe
n
it co
mes to that , P
rospero is invincib
le.
CALI
BAN:
Bet
ter death
t
ha n
h
umiliation
an d
injustice.
Anyhow,
I 'm going
to have
the
last
word.
Unless
no
thingness has
it.
Th
eday when
I
beg
in to feel
th
at
e
verything 's lost, just
let me get hold
of a few
barrels of your
infernal powder
and as you
fly
around
up there
in your bl
ue
skies you
'll see this isla
nd,
my
inheritance
,
my
wo
rk,
all
bl
own to smith
ereens .. and,I t rus
t , Prospero and
me with it.
I hope
you'll like the fi r
eworks display
-
it
'll be signed
Caliban
.
AR IEL:
Each
of
us
ma rches to
h is own
drum.
You fo l low
yours. I follow the beat
of mine.
I wish you
courage, broth
er.
CALIBAN
: Farewell , Ari
el, my broth
er,
and good
luck.
3
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SC
ENE 2
GONZA
LO: A
m
agnifi
cent country
B
read h
angs from
the
tree
s an d th
e apric
ots
are bigg
er than a
woma
n's
full
breast
.
SEB
ASTIA
N: A pi
ty
that i t ' s so w
ild an
d un
cultivat
ed
..
he
re
and
th
ere.
GONZ
ALO: Oh,
that
's noth i
ng.
f there
we
re
a
nythin
g
poison
ous, a
n a
ntidote wou
ld nev
er be far away
,
for
na ture
is intri
nsica l ly
harm
on ious
.
I've e
venr
ead s
omewhe
re
guano
is
exce
llent comp
ost f
or
s ter
i le
gr
ou nd.
SEB
ASTIAN
:
Guan
o? W
ha t kind
of
an i
ma l
is th
at?
re
sure youdon'
t m
ean iguana
?
GONZALO: Young
man, if
I say
guano,
I
mean
Guan
o
is
th
e
nam
e
for
bi rd- d
roppin g
s th at build up
cent
uries, and
t is by
far the
b
es t
fer t i l iz
er kno
wn. You
di
g
ou
tof cav
es ..
f you
wa nt
my op
inion, I
think
w e
i
nvest iga
te all
thecaves
on
this
islan
d o
ne
by
o
ne
to s
ee
f
ind
an
y, a
nd if we
do, this is l
and ,
if
w
isely
expl
oited,will
ri c
he rthan Egypt w i
th its N
il e.
ANT
ONIO:
L
et
me
un
de rstan
d: your guan
o
ca
ve
contai
ns
r iver
ofdr i
ed
b
ird-shit
.
G
ONZA
LO:
To
pick
u
p yo
ur image
,
al
l we
need
to d
o
chann
el thatriver,
use
it toir r
igate,
if
I
may
use the
thef ields
wi th th
is
wo
nderful
f
ecal
matter,
an d
w
ill
bloom
.
S
EBAST
IAN:
But
we'l
l still
need
ma npo
wer t
o fa
rm
it. Is
the is land
even
inhab
ited?
G O N Z
ALO:
That's
the proble
m,
o
f
course.
B
ut
if
it
is,
it
m
ust
be
by
wonde
rful peopl
e. It's obvious
: a
wo
ndrous la nd
ca
n only
co
ntain w
onderf
ul
cre
atures.
A
N T O N
IO :
Yes
M
en whos
e bodies
are wiry
andstro
ng
nd
w
omen wh
ose y s
are open
and
frank ..
cre
atures in
it ..
GONZ
ALO:
Some
thing
like
th at
I
see you
kn o
w
your
l it
e rature.
But
in tha
t
ca
se, wa
tch ou
t: itwill al
l
mean new
res
ponsibil
it ies
for us
SEB
ASTIAN
: How
d
o you
get
that
?
GON
ZALO:
I
mean that
if t
he is l
and
is
in h
abited
,
as
I
belie
ve,
and if
we
coloniz
e it, as is
m y
h
op e, then we have
to
ta k
e every
precau
tion not to
im p
ort our s
hortcom
ings, yes,
what we
call .civ
ilization
.
They
must
st a
yas t
heyare : s
avages,
noble and
good
sa
vages, free,
witho
ut any com
plexes
or comp
lication
s. So
methin
g
l ike
a
pool
grantin
g eter
nal
youth
where
w e
per iodical ly come to
restore
our
ag ing,
ci t
ified sou
ls.
ALONS
O: Sir
Gonzal
o,
when
will yo
u s
hut
up
?
G
ON ZAL
O: Ah,
Y
our
Majes
ty , if
I
am b
oring y
ou, I
ap
ologize
. I was
only
speaki
ng
as
I
di
d
tod is
tract y
ou an d to
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tu
rn
our
sad th
oughts
t
osometh
ing more pleas
ant . There,
I ' l l
be
si lent
. Indeed, these ol
d bones hav
e ha dit. Oofl Le
t
m
esit down
.. wi th your permiss
ion, of cou
rse .
A LONSO: Noble
Old Man,
even though
younger than y
ou,
we are all i
n
the
same
fix.
G
ONZALO:
In
other
words, de
ad
ti r
ed
a
nd
dy
ing of
ALONSO:
Yes le tus p
artake ofthis feast
, even
though it
m
ay beour last.
They pr
epare
to
eat,
ut Elves enter
and
with much
gr i
macing and man
y contortions, ca
rry off he
tab/,e.
GON
ZALO: Ah
that's a f ine way to
behave
hung
er.
ALONSO:
I have th e
distinct feeling
that we have fal
len
under the
sway of pow
ers that are pla
ying at cat
and mouse
A
LO N SO: I ha
ve
nev
er pre
tendedto
be
abo
ve the hu
man with us. It's a
c
ruel way to mak
e us aware
of
our
depende
nt
condition.
statu
s.
A strange, so km
n m usic is heard
.
GONZALO:
The way things
ha
ve
been going
it 's not
... L i
sten, listen Did y
ou hear that?
G O
N Z A LO :
Yes
i
t 's an odd melo
dy
Pros
pero enters, invi
sible. Other stra
nge figures ente
r
well, b
earing a laden
table. They danc
e and
vn ' ' ' ''
invite
t
he K
ing
a
nd
his
co
mpany
to
eat, then
disappear.
A L O N
SO:
H
eaven
pro tect
us Live marionettes
GONZALO:
Such grace
Such
mu
sic Hum. The
thing
is
most peculiar .
SE B
ASTIAN: Gon
e Faded away
But what does
that
since they 'v
e lef t their food
behind N
o
meal
was ever
w elcome.
Gentlemen,
to t
able
surprising,
and it will
do
u
s no good to
protest
The Elvesr eturn, bringing
the
food with
them.
ALO NSO: Oh
no, this time
I
w
on 't bite
SEB
ASTIAN: I'm
so hu
ngry
that
I
do n
't care , I
' l l ab an
don
my
scruples
.
GONZALO: to Alo
nso) W
hy not try? Perhap
st
he
Pow
ers
contro ll ing us saw how
disappointed
we w ere
and
took pity
on us. After all, e
ven though
disappointed
a hu
ndred t imes,
Tantal
us stilltried a hund
red times.
A LONSO: Th at
was als
o
his
torture
. I
w
on 't touch
that
food.
PROSPE
RO: invisible)
Ariel, I don't
li ke his
refusing.
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Harass them
until
they
eat
.
A
RJEL:
W h y
sh
ould
we
go
to
any
tr o
uble
fo r th
em? f
they
won't
eat, th
ey
can
d
ie
o
f h
unger.
PR
O S P ER
O :
N
o,
I
w nt
them
to
eat.
ARJEL:
Th
at's
desp
ot ism.
A w
hile
ago you
mad
e
me sn
atch
i t a
way
ju s
t
w
hen
they
w
ere about
to gob
ble
i t
up,
a
nd
th
at t
hey
do
n't
wa n
t
i t
you
a
re r
eady to f
orce feed
them.
P
R O S P E
RO:
Enoug
h
h
airspl it
t ing
y
moo
d h
as
They
in
sult
m
e
by
not ea
ting. The
y mu
st be ma de
to ea t
o
f my han
d
li k
e chick
s. T
hat is a sig
n
of s
ubmiss
ion
I
th
ey
give
me
.
ARIEL: It 's ev il to
play with
their
hunger
asyou
do
their
anxieti
es and
th eir hopes
.
P R O
SPE R O
: Th
at is
howp
oweris
measur
ed.
I
am Powe
r.
Alonso
nd
his
group ea
t.
A
L O N S O
: Alas,
when
I
thin
k
..
G O N Z
AL O:
Th
at's yo
ur
trouble
,
Sir
e:
y
ou
think
too
much
.
A L O
N S O :
And thu
s
I s
hould n
ot
even
th ink
of
m
y los t
y th ron
e y
cou
ntry
G
ONZAL
O eatin
g) Your s
on
What
's to
s
ay we
wo
n't
him agai
n As
for the rest
of
it ..
.
Look
,
Sire,
th
is
filthy
hole
now ou
r entire
wor ld .
Why seek
fu r
ther? f
your
thoug
ht s
are t
oo
vast,
cut t
hem
do
wnto
size.
They ea
t.
AL O
NSO:
So
be
i
t
But
I
w
ouldpr
efer
to
s leep
.
To
sleep
and
to
forge
t.
G O N Z
ALO:
G
ood
ide
a
Let's put
up ou
r
hammo
cks
The
y
sleep
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S
C
E
N
E
3
A
N
T
O
N
I
O
:
L
o
o
k
a
t
th
o
s
e
le
e
c