CENTERARTS/UNIVERSITY CENTER/fflJMBOLDT STATE UNTVERSITY/A.S.PERFORMANCE RIDER

THIS AGREEMENT is hereby made a part of the attached contract.

1. rNDEMNIFICATI0Ns. Artist(s) and Artist’s Representatives shall hold harmless, indemnify, anddefend the State of California, the Trustees of the California State University, Humboldt State University,CenterArts, University Center, HSU Associated Students, and the officers, employees, volunteers andagents of each of them from and against any and all liability, loss, damage, expenses, costs of everynature, and causes or actions arising out of or in connection with the Artist’s use or occupancy of thepremises, provided that such claims, demands, losses, liabilities, Costs or expenses are due or are claimedto be due to the willful or negligent acts or omissions of Artist or Artist’s personnel.

2. EXCLUSIVE PERFORMANCE(S). Artist(s) will not accept any other engagement for a performanceof any kind prior to, or 90 days following the performance(s) hereinabove described within a radius of150 miles from the location(s) of the performance(s) hereinabove described, or of any portion or portionsthereof, without express writtenpermission of CenterArts. In the event of any such unauthorizedperformance or announcement, the performance(s) described hereinabove, or any portion or portionsthereof, may be cancelled by CenterArts, and such cancellations shall be without prejudice to CenterArtsother rights and remedies hereunder.

3. AGENTS WARRANTY. ARTIST warrants that AGENT has full and current legal authority to act onbehalf of Artist.

4. COMPLIMENTARy TICKETS. CenterArts shall be the only party authorized to issuecomplimentary tickets to the performance(s) described hereinabove. A maximum of 10 complimentarytickets shall be given to Artist. All complimentary tickets shall be appropriately distinguished and shallnot be counted in determining gross receipts.

5. NON-PERFORM~CE NOT A DEFAULT. Neither Artist nor CenterArts shall be liable for failureto appear, present, or perform if such failure is caused by, or due to, acts or regulations of public orUniversity authorities, labor difficulties, civil tumult, strike, epidemic, interruption or delay oftransportation service, interruptions of electrical power, other acts of God, or any cause beyond thecontrol of Artist and CenterArts.

6. ANTICIPATORY BREACH. In the event that, after the execution of this Agreement, Artist’s agent,or Artists Designated Representative indicates or states that Artist is unwilling or will be unable to appearor present the performance(s) hereinabove defined, and such failure is not excusable under Paragraph 5hereinabove; or in the event that Artist or any member of Artist’s traveling component deemed byCenterArts in its sole discretion to be material to the performance(s) hereinabove defined, or to anyportion or portions thereof, or any authorized agent of Artist takes any voluntary affirmative action which,in CenterArts sole discretion, renders substantial performance of Artist’s contractual duties hereunderimpossible, CenterArts may cancel the performance(s) hereinabove defined, or any portion or portionsthereof, and in addition, Artist shall be responsible for payment of any and all costs, expenses, damages(including CenterArts’ actual expenses incurred in preparation for the performance(s) hereunder) andclaims from such cancellation. Any breach or anticipatory breach of this Agreement by Artist shall bedeemed a material breach.

7. MERCHANDISING PERCENTAGE. CenterArts takes 20% of gross merchandising receipts for thisengagement.

8. UNIVERSITY POLICY PROHIBiTS ALCOHOLIC BEVERAGES OR CONTROLLEDSUBSTANC~ES ON CAMPUS.

9. Total catering budget shall not exceed the amount budgeted and accepted by the performer’srepresentative in the original offer.

10. ORAL REPRESENTATION AND AlNv~~’s No representation warranty, condiUon, oragreement of any kind or nature whatsoever shall be binding upon the parties hereto unless incorporatedinto attached Contract and this RIDER. CenterAr~s recoo-nizes Artist’s contract/rider oni as modified bthis rider AND ThCB~ICAL SPECIFICATIONS OUTLINED IN THE ATTACHED VAN DUZER

2~JcAL.~ifOR1vL4TION PACKET. This rider is made an integral part of all agreements.

11. CenterArts/TJnjversity Center will not pay for hotel, any services (including but not limited to groundtransportation, the cost of backline equipment), or any equipment not listed as available in the Van DuzerTheater technical specifications packet, regardless of whether or not they are listed as requirements in theArtist’s rider, unless these requirements are specifically written into the payment section of the contractface for this engagement, as well as the deal memo for this engagement, if a deal memo has been issued.

12. CenterAJts/TJniversjty Center will withhold appropriate California State Franchise Tax in accordancewith the laws of the State of California, as directed by the California State Franchise Tax Board. Suchwithholding tax, if required, shall be deducted from the artist’s guarantee.

13. AGREEMPNT CONSTRUED This Agreement shall be construed and endorsed according to thelaws of the State of California. Waiver of any default shall not constitute waiver of any subsequent orother default. All rights of the parties hereto shall insure to the benefit of their successors and assigns,and all obligations of any of the parties hereto shall bind his, her, or its heirs, executors, personalrepresentatives successors and assigns. A fully executed contract for this engagement shall be deemed anacceptance of the terms in this rider, regardless of whether or not this rider has been countersjgned by theartist or an authorized representative of the artist.

14. IN WITNESS WHEREOF, the parties hereto ha’and year hereinabove mentioned in the attached

Tax ID/Sociai Security ~

this Agreement to be executed as of the day

For University Center

Updated: April, 2009

GQNDWANA RIDER1. All basic and correct specifications annexed to this Rider are indispensable for the show tobe successful and run smoothly.

This RIDER is an “Annex of the Contract”, therefore any change, omission or non-compliance ofthis Annex, shall be considered as “Breach of Contract”.

Some of the technical specifications may be adapted to each different Venue, however,reasonable changes may be considered if notified in advanced (at least five days prior toshow date), suggested changes should be made in only writing

STAFF FOR THE ARRIVAL AT THE VENUE:

The PROMOTER will make sure that everything is ready at the venue when Artist staffarrives in order to begin setting up the equipment on stage without delay. There must be 3carpeted pallets located as per stage plot which is being sent with the RIDER. The lightingplant must be ready and working properly. Backline should be mounted per RIDER. Soundalso should be working at this time with every channel ready per RIDER.At this time each person who is responsible for the Venues electric plant, audio equipment,lighting equipment, backline, production manager and stage manager, should be present atthis time.

LIGHTING AND MONITOR TECHS:The PROMOTER shall provide a lighting tech and monitor tech for the show ofGONDWANA, he shall be responsible for the costs of both. They should be present upon ~Q~1 ~v”staff arrival to the Venue.

EL~ST ICITY:There shoul stribution network of 2 or stage and console. All electricity forequipmentandstages hay dwiring.

STAGE~ ctOprt,v~ yThe PROMOTER shall provide a~p~cr~structestage wit~ if imum measurements for 10meters for the front and 8 m~tef~deep by a minimum of eters in height. Also, it should havean access ramp for the~qti1pment and a stair case Artist access.

STAGE RQ.~—~flThe ~tisfdoes not perf without roof ov stage.

Workin~~s where tr consoles an~~l beshould be protected with acontainment fence. If the sh will be h outdoors, these areas should be perfectlycontained with a roof to prote the ipment in case of rain or to protect from sun light.

CONTAINMENT FENCES:

The PROM ~be located one and a h&fmeter~rtne front of stage.

RISERS:The PROMOTER shall pre~rid~ three risers and should be ocat~d per stage plot.these risers can be~a~1ollows:3 Msers of 2.4Qi~ x 2.40mtx and 0, 50 o, 60 mtspfheightAlso, oneIe~r can be 8 mts of length x 2,4O~{~bf deep and 0. 50 o 0.height~

ARTIST ACCESS AT VENUE:The Artist must have access to the dressing room from the exterior of the venue and not thruthe main floor thru the public.

RECORDING OR FILMING THE SHOW:lt will be strictly prohibited the recording or filming of the show as well as being broadcastedlive, unless an agreement has been previously reached with management.

CREDENTIALS: ~The PROMOTER shall provid~edentials ALL ACCESS for Artist use.

COURTESY TICKETS: — __

The PROMOTER shall provide ~ courtesy tickets for Artist guest during the show.if there are any questions regarding this RIDER, position of equipment on stage. logisticcoordination security cuestions. inteR’iews, please contact

GONDWANASOUND REQUIERMENTS /‘ —~ /FRO~T OF HOUSE (F.O.H.) 701 Dig~ai Yamaha Console ~CL, DIGIDESING VENUE D-SHOW DIGITAL M1XER(ANALO~CONSOLE OPJ~ION is the Midas Heritage 3000, 4000 with the followingperipheral~\01 Kiark Tek~k DN460 Stereo02 Dual Comp~~or Drawnter DL-241, BSS 6 Klark Teknik04 Quad Ga,~e Dr~er DS 404 (8 Oh)01 TO - ~l&tronics~WQNE02 Ya7~ha SPX-990 ~

Electronics D-TWO~ø1 Professional CD reproducer

AUDIO SYSTEMPA system (PUBLIC ADRESS) should operate in stereo and comply with the originalsettings from the manufacturer, no artisan speakers or equipment in bad state will beaccepted

NOTEEquipment needs may change depending on the size of the venue and the acousticneeds for the venue. Notifications of any changes need to be informed so adjustments can bemade if needed

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OBSERVATIONSThe PA system that is chosen should be installed, tested and ready to function atleast two hours prior to sound check time.After the sound check the system may not be moved, disconnected or readjustedwithout previous approval from the band sound engineer, road manager or artistmanager.The system must have sound amplification (Crown, Crest or similar), AC cables (live,neutral and ground), electricity and light plant of 100KW at 220 Volts. Our techs shallhave complete access to processors and amplification systems.If the technical specifications that the artists require are not complied with, forobvious reasons the artist and will not be able to perform and the agreement shall bein Breach of Contract.All the required equipment is indispensable for the perfect development of the show,therefore it is a must to send any changes or adjustments to be made to the rider onfor approval or correction in advance.

MINIMUM REQUIR~~TS04 Systems per~~for up tol 50~~sona~~~05 System~,p4 side for up tg,~o0 persgp~s.12 SystgRis per side for yp-t’o 5000 p9F≤’onas.18 Sysfems per sidej~üp to 8000~ersonas.

MONITORS(The group shall not perform un~r any circumstance or condition if there isn’t a ~monitor console, side fill or dr~i~ fill.01 Console Digital Yamaha,,f~7 CL10 Floor monitors /02 Shure PSM 600 in ea/E4 6 ES.02 Side Fill y Drum Fill~hould be stereo 3 waysAll floor monitors hav~’to be of the SAME BRAND and model, there p9siti’ón should be asspecified on the state plot. ._—

/ .1MICROFOPH, ESMicrophones,f’or the concert should be in perfect~pdf~ditions, with the canonconnectors c’apsules in perfect condition, ally.e~models~ series and specifications Jmust comp{”y with rider as follows: / /10 Cajas1~irect with Ground - Lift (Activp~504 Bas~ recta s //10 Bases with boo / L.,~MONI~OR MIXERS / “\~ cMIX,bESCRIPTION MONI~ j ~

Mi~’1 Bass Floor MonitoV . /Mix 2 Lead Vocal In Earl Floor Monitor /

/ . /~ix 3 Keyboard Flopr Momtor /~ix 4 Guitar Flo9r’Monitor /~t ix 5 Percus~i6n Floor Monitor //

Mix 6 Dr~m~6Floor MonitorMi,~-~fass Floor MonitorMix 8 Sidefill left ~Mix 9 Sidefill right

~GONDWANA - INPUT LIST

LIGHTING PLOT ~7t~?fl~

STAGE PLOTThe production shall provide 3 ~er~of 2,44p2ç~4 and 060 mt ofheight. This riser has ~~pafpeted an~,~aped with bI ck fabric in

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GONDWANA Back Line Needed.

C~JTIDAD DESCRIPTION BRAND/MO EL OPTIONSKE?~OARDS02 M~I CONTROLLER K. KORG, OLAND OR SIMILAR(61 KE\S)01 KEY~QARD KORG SG PR , TRITON STUDIO, MOTIF8 STUDI~88 KEYS) W/ SU AIN PEDAL.01 DOUBLE.~STAND KEYB ARD TYPE X ULTIMATE, QUICK LOCK.02 DOUBLE ‘~TAND KEY OARD TYPE X(very importan~01 Shure Microp ne SM-57 for VoiceoverDRUMS YAMAHA CORDING CUSTOM.MAPEXSATUR01 TOM 10” D01 TOM 12”01 TOM 16”01 BOMB 22”01 SNA STAND01 HI- ATSTAND07 MBAL STANDS01 RUM THRONE

GUITAR AMPLIFIER FENDER ]‘MN REVER (ONLY)01 BASS AMPLIFIER AMPEG SVT 4 PRO (ONLY)01 BASS CABINET AMPEG 8 X 10 (ONLY)

GONDWANA ~ —

2. HOSPITALITY c7 \..~t1 ~S ~‘t~

LOCAL TRANSPORTAT ~The PROMOTER s provide cal transportation, an rop off,transportation m hotel to venu for sou c and show for the artist and staff.Arrival)~ t airport: _~‘ —

The PROMOTER shall provid portations. ~ /One 15 seat van for the nsportation o the musicians and tech staff a e cargo van forthe artist’s luggag d their 10 anvils co taming their instrumentIMPORTANT: e require full compliance f the transportati eeds, it is imperative thattransport nsn:edsarem:tand adequa upon arri in order to be able to meet the

** The PROMOTER must provide contact information, including cell phone and alternate

numbers, of the person who will greet us at the airport upon arrival. ~‘ )i_. ~

From Hotel to the Show: ..~., —~

T~hGPROMO~TPR shall~ ii-~ea~am d-s~attbw~vaft~ or-kl’te4~st-~t—----N~tmp1es during the spund check ~nd-show-tin~’

CATERING Y DRESSING ROOMS: — 1~’Y ~ ~The PROMOTER shall provide a dressing room for artist exçlusives use and shall have thefollowing items:• 14 chairs, I love seat couch• One large table with a tablecloth• Air conditioning or heater depending on the climate• One full body size mirror• 2 garbage bins• plates, cutlery, cups and glasses

• ice~ e~

Dressing room should have a private bathroom with toilet paper, soap, towels and be cleanand in excellent condition If a private bathroom is not available, the PROMOTER shall provide achemical bathroom with lighting and for artist use only. l1-e~-be-nvrtiei’-the2-t~ts_fti._,~-~, “—

the-~fes~g-~room.Dressing room shall have the following:

—~-.Whisk~’ hottle~— Ctiiv~ Regal 12 Yeers J.V~alker-btauk iii ied-le’eel----- a~-’--..,~ ‘*._ ~

-30-Boor cans or b~tties’ ~~~3(7

10 One liter bottles of soft drinks (Coca-Cola, Fanta, y Coca light)2 One liter Ginger Ale5Assorted Juices20 Red bull - Energy drinks36 Small bottled mineral water (for dressing room)36 Small bottled mineral water (for stage)1 Assorted cheese tray20 Chicken sandwiches20 Vegetarian sandwichesI Fresh fruit basket - clean12 cereal bars, and assorted snacks such as potato chips, assorted nutsHot water dispenser Coffee, Tea, Powdered Milk, Honey and fresh Lemons12 White hand towels IMPORTANT: All catering needs to be ready in the dressing rooman hour and a half prior to Showtime

INPUT UST

Canal . lrist~umentos M~crofonos / di !.

1 Beta-52 / a 602 H Largoc/bo Compieso ‘ga a2 ~ck2 ]se~~ Compresor/gate3 Snare top j Sm-57 Clamp4 Snare bottom Sm-57 --....

5 Drum pad ~.l. Gate6 Tom 1 S~M-98/57/e604 Clamp Gate7 Tom 2 SM-SB / 57 / e 604 Clamp Gate8 Tom 3 SM-SB / 57 / e 604 Clamp Gate9 Hi-hat Akg-451 / SM-si . Recto10 Overhead L Al~g-414 451 / SM-81 ~g~g/bomm11 Overhead R Ak~-414 451 1 SM-Si Largo c/bomm12 Bass Guitar mic Srr~-58 Largo c/bornm —-___________

13 Bass Guitar line D.lt14 Electric. Guitar L Bet~ 57sm-57 Largoc/bomm15 Electric. Guitar R Bet4 57sm-57 Largo c/bomrn16 Tumbadora Beta 57sm-57 Clamp17 Conga 1 Beta~57sm-57 Clamp18 Conga 2 Beta~57,sm-57 Clamp19 Timbaleta top Beta~7sm-57 Clamp —~

20 Tim baleta bottom Beta 57sm-57 Clamp21 Oh percusiOn Sm-Stl Large c/bomrn22 ~yj (Piano) —— D..__________________

23 Key2(Bubble) D. .________________

24 Key 3 (Phantom) L D..__________________25 Key 3 (Phantom) R D.~.26 Key 4 (Korg Module) L Dl.27 Key4 (Korg Module) R Di.28 Coro (key 1.) Sm-57~ ~~~gocibomm2930 Coro ( trumpet) Sm-58 Largo c/bomm31 Voz (Lead) Beta 87 ~hf/ srn-58 ~g~c/bo~m Compresor32 Voz Beta 87 utif I sm-58 Largo c/bomm Comp~esor33 Saxo Mic. GondWana . —

34 Trumpet Mb. Gondiwana35 lnvitado36 Ewi Dl.37 Drum pad electronic (L) Dl.38 Drum pad electronic (R) Dl. —

39 Key (saxo) Dl.40 Spare Voz Principal Beta 87 uhf /srn-58 Larg~p/bomrn

(LJ~.• ~ ~ ~~ ç

Back Line

KEYBOARDS . .

1 TECLADO 61 teclas I Keys YAMAHA MOTIF KORG TRITON, ROLANDFANTOM CON PED,~L DE SUSTAIN.

i \ç,ECLADO 88 teclas I Keys KORG SG PRO X /KORG TF~TONSTUDI~s MOTIF XS, XF 8,’~LAVIA NORD STAGE 88

\ CON PEDAL~SUSTAIN.:1 TE~ADO 61 teclas YAMAHA MOTIF ES, XS XF modelo 6 o 7 ô

. KORG T~TON. CON PEDAL DE SUSTAIN.\

3 STAND D~ TECLADO SIMPLE TIPO X QU~K LOCK.2 STAND D~TECLADO DOBLE TIPO X

~ ( m.~v~po~ntes)I M.TCROFONO~FII~RE SM-57 PARA VOCOVERJ___________________________________

\ /. BATERIA . . YAMAHA RECORDING CUSTOM.

\ 7 MAPEXSATURNO.1 TOM 10’ \ / DW.

1 TOM 12’ / ~.

1 TOM 16” \1 BOMBO 22” \ I____________________________________1 PEDESTAL DESNARE\ / j____________________________~1______ PEDESTAL DEHI-HAT \ /0 PEDESTALES PARA PLAi~.OS (8 para bateria y 2 para percusiOn eIectron~ca)

1 SILLIN DE BATER1A /

- -.________________

PERCUSION

:2 CONGAS LP CO~ATRIL

1 TUMBADORA C~’N ATRIL

1 — TIMBAL LP ( f3~14 6 14-15)

1 ATRIL BOOM~tON PLATILLO CRASH 136

1 ATRIL BOO~

I BAR CHIMES—~

:1 AMPLIF)CADOR GE GUITARRA FEt~.ER TWIN REVER, BLACKFAGE/ (UMC)~ENTE)

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1 AMI~JFICADOR DE.BAJO :~E . AMPEG SVT 4 PRO ( UNICAMEN]~II G~INETE DE BAJO AMPEG SVT- 8*IOE ( UNICAMENTE) -—

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