Catalogue of works

TOBIASPM

SCHNEID

PEERMUSIC CLASSICAL GMBHwww.peermusic-c lass ica l .de

Catalogue of works

TOBIAS PM SCHNEID

“…and above all, I believe that art must

inevitably represent a state of intellectual freedom…”

Tobias PM Schneid

TOBIAS PM SCHNEID

SOLO PIANO

15,50BAGATELLEN (2011), SECHS [0:11:54] Order-No. 3874 €

13,50CATHEDRAL I - III (2002) [0:11:00] Order-No. 3552 €

WHAT WONDERFUL WORLD, MR. ARMSTRONG? (2002) [0:01:00]

12,50Order-No. 3553 €

SOLO VIOLIN

14,00

PORTRAITS (2011), FIVE - Capriccios for violin solo [0:19:42]Order-No. 3871 €

SOLO VIOLONCELLO

ARIA FOR VIOLONCELLO SOLO (2012) [0:07:00]9,50Order-No. 3873 €

CADENZA I (2015) - zu: Joseph Haydn, Konzert C-Dur, Hob. VIIb: 1 <PH> [0:06:00]

11,00Order-No. 4094 €

SONATA FOR CELLO SOLO (2011/12) [0:13:13]13,00Order-No. 3872 €

9,50

SUITE FOR CELLO SOLO (2014) [0:12:00]Order-No. 3999 €

STRING TRIO

37,00 €STRING TRIO NO. 1 (2011) [0:18:00]

Order-No. 3875

STRING QUARTET

2 Violins, Viola and Violoncello

ENTREZ! (1991) - Fragment for String Quartet (sc) [0:07:00]

21,00Order-No. 3476 €

ENTREZ! (1991) - Fragment for String Quartet (pts) Order-No. 3477 33,50 €

STRING QUARTET

SACRED LANDSCAPES (2001 / rev. 2008) - ritual fragments for cello and string quartet [0:13:00]

26,50In Memory of the Year 2001

Order-No. 3755 €

MIXED STRING INSTRUMENTS AND PIANO

Piano Trio - Violin, Violoncello and Piano

PIANO TRIO NO. 1 (2002/2008) - … towards the abstract seas … [0:17:00]

29,50Order-No. 3776 €

PIANO TRIO NO. 2 (2006) - Three Farewells and Intermezzo for L [0:18:00]

29,00Order-No. 3576 €

SOLO FLUTE

13,50 €VERTICAL HORIZON II (2003) [0:10:00]

Order-No. 3575

SOLO OBOE

11,00 €VERTICAL HORIZON III (2008) [0:12:00]

Order-No. 3775

SOLO CLARINET

15,50VERTICAL HORIZON I (1999) [0:13:00] Order-No. 3455 €

VERTICAL HORIZON IV (2015) - (Mozart-)Concert Variations for Clarinet in A [0:08:00]

9,50Order-No. 4070 €

CLARINET AND PIANO

BEAUTIFUL HARMONIZER (2009) - Rhapsodic

20,50

Variations for Clarinet and Piano [0:13:00] This version cannot be used as piano reduction for the version with orchestra.

Order-No. 3705 €

SOLO SAXOPHONE

Solo Tenor Saxophone

VERTICAL HORIZON V (2015) [0:07:00]i.p.

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TOBIAS PM SCHNEID

4 SAXOPHONE

MADRIGALI ASTRALIS (2014) [0:13:00]

37,00

{S sax, A sax, T sax, Bar sax}This score is written in C.

Order-No. 4080 €

MADRIGALI ASTRALIS (2014) (sc) <PH> [0:13:00]

17,00

{S sax, A sax, T sax, Bar sax} Transposed score.

Order-No. 4080A €

STRING-WIND-PIANO TRIO

45,00

CASCANDO II (1994) [0:20:00]{cl, vc, pfo with amplifier ad lib} Order-No. 3478 €

STRING-WIND-PIANO SEXTET

I'M DANCING ON THE EDGE OF TIME I (2001) (PM) [0:07:00]{fl, cl, vn, va, vc, pf}R

OTHER MIXED SEPTETS

I'M DANCING ON THE EDGE OF TIME II (2002) (PM) [0:07:00]{fl, ob, cl, vib/octoban, pf, vn, vc}R

PRELUDE I: HARMONIC ENCOUNTERS (2000) (PM) [0:09:00]{fl, B cl, perc (gran cassa), pf, vn, va, vc}R

UMBRELLAS & SEWING MACHINES (1999/2000) (PM) [0:18:00]{fl, ob, cl, pf, perc, vn, vc}R

WEIRD SCENES INSIDE THE MIRROR CAGES I (2000) (PM) [0:09:00]{fl, B cl, perc, pf, vn, va, vc}R

OTHER MIXED ENSEMBLES - 8 AND MORE MUSICIANS

CATHEDRAL I - III (2004 / 2008) - Version for Ensemble (PM) [0:13:15]{fl, ob, cl, vn, va, vc, perc, pf/hp} R

STRING ORCHESTRA

ICONOCLASTIC REPRODUCTION OF 19 RAINBOW PLAYERS (1998), AN (PM) [0:20:00]{11 vn, 4 va, 3 vc, db}R

SYMPHONY ORCHESTRA

A CITY'S SYMPHONY (2016) - For the Silent Film "Berlin. Symphony of a Metropolis" (1927) by Walter Ruttmann (PM) [1:08:00]{2-1-2-1, 2-1-1-0, perc (1), pf, str (min. 6-5-4- 3-2)}R

EINKLANG Op. 1 (PM) [0:23:00]{3-3-3-T sax-2, 4-4-3-1, timp, perc (4), pf, str} R

NACHT (2012) - Prelude (before Mahler) for large orchestra (PM) [0:12:00]

It's composed as prelude to Gustav Mahler's Symphony No. 7, but it's also suitable as prelude to other symphonies.

{5-4-5-4, 4-3-3-1, T hn (ad lib), perc (3), 2 hp, str (min. 14-12-12-8-6)}

R

ORCHESTRAL ESSAY NO. 1 (2004) (PM) [0:14:42]{2-2-2-2, 2-2-2-1, timp, perc (3), pf, hp, str} The movements "Run" and "Adagio" could also be ordered and performend seperately.

R

SYMPHONY NO. 2 (2012) - Version for Chamber Orchestra (PM) [0:05:30]{1-1-2-1, 1-1-1-0, perc (1), pf, str} R

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TOBIAS PM SCHNEID

SYMPHONY NO. 2 (2010) - Time Lapse on Slow Motion Grounds (PM) [0:05:30]{3-2-2-2, 2-2-3-0, perc (2), timp, str}R

SYMPHONY OF CHANGES (2001), A (PM) [0:23:00]{2-2-2-2, 2-2-1-0, perc, pf, str}R

CONCERTOS FOR KEYBOARD INSTRUMENTS

Piano Concertos

LONELY MONK'S REFLECTIONS ON REPROCREATIONAL ASPECTS IN FRACTAL ORGANISATIONS I (1999), THE (PM) [0:15:00]{solo of; 1-1-1-1, 1-1-1-0, db/elec bass}R

LONELY MONK'S REFLECTIONS ON REPROCREATIONAL ASPECTS IN FRACTAL ORGANISATIONS II (2001), THE (PM) [0:15:00]{solo pf; 1-1-1-0, 0-1-0-0, perc, vn, va, vc, db} R

CONCERTOS FOR STRING INSTRUMENTS

Violoncello Concertos

CONCERTO FOR CELLO AND ORCHESTRA (2006) (PM) [0:24:00]{solo vc; 2-2-3-2, 4-2-3-1, timp, perc (3), hp, str}R

CONCERTOS FOR WOODWIND INSTRUMENTS

Clarinet Concertos

BEAUTIFUL HARMONIZER (2009) - Rhapsodic Variations for Clarinet and Orchestra (PM) [0:13:00]{solo cl; 3-3-3-3, 4-3-3-0, perc (2), hp, pf, str} R

Saxophone Concertos

ASTRAL VOYAGER (2009-2013) - Concerto for Saxophone and Orchestra (PM) [0:15:00]{solo S sax (A sax, S sax); 2-2-3-2, 4-2-2-1, perc (2), hp, str (min. 12-10-8-6-4)}R

MIXED CHORUS A CAPPELLA - SATB (IF NOT INDICATED DIFFERENTLY)

XXI (2010) - Symphony No. 3 for 28 vocalists [0:16:00]Need of 7 solo voices.

R

OPERA

81,00

SWIN SWIN (1996/97) - Music Theatre in 10 Scenes (sc) <PH> [1:50:00]{soli 3 S, M, 2 A, 2 CounterT/2 M; 3 narr, background actor; 1-0-2-1, 1-1-1-0, perc (2), pf, str} lib: Elisabeth GutjahrOrder-No. 3480 €

SWIN SWIN (1996/97) - Music Theatre in 10 Scenes (PM)R

BALLET

PICTURE OF DORIAN GRAY (2013), THE - Ballet Music in 2 Acts after the roman by Oscar Wilde (PM) [1:30:00]{3-3-3-3, 4-3-3-1, perc (3), hp, pf/cel, str (min. 12-10-8-6-4)}Narrator isn't obligate.

R

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Tobias PM Schneid ranks among the leading composers of his generation, whose works have found a wide audience and an established place in concert life. His extensive catalogue also includes important commissions and has been distinguished with many international prizes. In his compositions, he focuses on a wide palette of musical idioms that extend from classical and contemporary European music to influences from the areas of free jazz and rock music.

Born in 1963, he studied composition from 1985 to 1992 with Prof. Bertold Hummel and with Prof. Heinz Winbeck at the Hochschule for Music in Würzburg; he completed his studies there with the Masterclass Diploma in 1994. In 1996, Schneid was composer in residence at Manchester University where performances of his works met with excited interest. Since 1997 he holds a teaching position in the department of music theory at the Hochschule for Music in Würzburg. Today, Tobias PM Schneid lives with his family in Neuburg/Donau and dedicates himself primarily to composing.

Besides exploring the possibilities of serial, electronic and free tonal techniques, his analyses of Boulez and Ligeti, as well as the music of Gustav Mahler and Maurice Ravel, have importantly influenced his approach to musical parameters. Schneid is also intensely engaged with contemporary literature. His preferences here lean in particular toward Thomas Bernhard and Samuel Beckett, but also to works by Friedrich Hölderlin and Walter Benjamin.

The orchestral work Einklang Op. 1 from 1989/91 (rev. 2004) may be seen as a kind of summation of the early years, while the much admired music theater piece Swin Swin (1996/97) introduced a new creative phase. His involvement with contemporary English music and contact with important British and Danish composers and musicians continue to be important sources of inspiration.

Schneid works with the leading orchestras of Europe, including, for example, the BBC Symphony Orchestra London, the radio orchestras of BR, SWR, SR and WDR, the DSO Berlin, as well as the Munich Chamber Orchestra and the Musikfabrik NRW. Among the important conductors, who performed his music, are Sylvain Cambreling, Dennis Russell Davies, Johannes Kalitzcke, Brad Lubman, Andris Nelsons and Peter Rundel. The soloists for whom Schneid has composed include Jörg Widmann, Alban Gerhardt, Carin Levine, Siegfried Palm and Stefan Schilli.

Schneid composed the music for the new ballet production The Picture of Dorian Gray. The premiere took place at the Augsburg Theater in December 2013. His new saxophone concerto astral voyager, which he composed for the soloist Jan Schulte-Bunert commissioned by the New Westphalian Philharmonic, is being premiered in January 2014. In October 2015 his work madrigali astralis for saxophone quartet was premiered by Raschèr Saxophone Quartet.

The international documentary film festival DOK.fest will open May 5, 2016 in Munich with the film concert Berlin – Symphony of a Great City. The documentation from 1927 by Walter Ruttmann will be presented with the new film music A City's Symphony by Schneid - live with the Munich Chamber Orchestra under the direction of Jonathan Stockhammer.

This catalogue refers to works published by Peermusic Classical.

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