case study working title films
TRANSCRIPT
![Page 1: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/1.jpg)
Case Study
Working Title FilmsWorking Title Films
![Page 2: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/2.jpg)
Section B
• Candidates should be prepared to demonstrate understanding of contemporary institutional processes of production, distribution, marketing and exchange/exhibition at a local, national or international level as well as British audiences’ reception and consumption.
• There should also be some emphasis on the students’ own experiences of being audiences of a particular medium.
![Page 3: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/3.jpg)
Film – Case Study Requirements
• A study of a specific studio or production company within a contemporary film industry that targets a British audience (eg Hollywood, Bollywood, UK film) including its patterns of production, distribution, exhibition and consumption by audiences.
• This should be accompanied by study of contemporary film distribution practices (digital cinemas, DVD, HD-DVD, downloads, etc) and their impact upon production, marketing and consumption.
![Page 4: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/4.jpg)
Independent?
• WTF (Working Title Films) has the appearance of being independent but is owned by Universal Pictures – they are the distributor!
• WT2 is their smaller subsidiary company and they make small budget films.
![Page 5: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/5.jpg)
In 1999 Working Title signed a
reported $600m deal with Universal.
• Eric Fellner and Tim Bevan co-owners of WTF (1984), a very small company in industry terms, 42 staff!
![Page 6: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/6.jpg)
![Page 7: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/7.jpg)
Atonement• Sole production credits are held by WTF,
however it was distributed by 8 companies!
• The film was shot in England, adopted from a British novel, with a British screenplay and had mainly a British cast – however WTF is owned by Universal is
it a British film?
![Page 8: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/8.jpg)
Brit or not Brit?
• The idea that Working Title are a British company in some ways belies the financial reality - that of a company bankrolled by a Hollywood studio (Universal) and a European media conglomerate (Canal Plus), working in the heart of LA (they have a full time office on Wilshire Boulevard).
• But it is this willingness to deal with Hollywood on its own terms that has led to 'WT's' unique position in Hollywood - a British-run company with the power to green-light any film it chooses.
![Page 9: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/9.jpg)
Your Task
• You need to begin your case study for the exam
• You have to complete the research and you are responsible for gathering info!
• You need to look at interviews, facts and figures, the website, articles etc
• WORKING TITLE FILMS – go get it!
![Page 10: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/10.jpg)
In addition, candidates should be familiar with:
• the issues raised by media ownership in contemporary media practice;
• the importance of cross media convergence and synergy in production, distribution and marketing;
• the technologies that have been introduced in recent years at the levels of production, distribution, marketing and exchange;
![Page 11: Case study working title films](https://reader034.vdocuments.us/reader034/viewer/2022052619/5556bd9ad8b42abb428b4ab5/html5/thumbnails/11.jpg)
• the significance of proliferation in hardware and content for institutions and audiences;
• the importance of technological convergence for institutions and audiences;
• the issues raised in the targeting of national and local audiences (specifically, British) by international or global institutions;
• the ways in which the candidates’ own experiences of media consumption illustrate wider patterns and trends of audience behaviour.