Carlos Ginzburg

Carlos Ginzburg is a conceptual artist and theoreti-cian born in 1946 in La Plata, Argentina. He studiedphilosophy and social theory.

1 BiographyGermanoCelant, whenwriting about Arte Povera, invitedGinzburg by letter to join his movement.As a conceptual artist interested in digital art, fractalschaos and fractal art, Ginzburg created what he callshomo fractalus a concept about microcosm totality.[1]

He has worked with the art critic Pierre Restany (withwhom he developed the concept of Political Ecology)[2] and with Severo Sarduy who put him near Hokusai inBarroco, one of the references books to Le Pli of GillesDeleuze.He lives in Paris and works, since 2005, with the art crit-icism and french artist KolbaSha/Tschann on chaoss de-struction and advent paradise.

2 ExhibitionPersonal exhibition

2004 Susan Conde Gallery, New York 2002 Galerie Lina Davidov, Paris, France 1999 Galerie Lina Davidov, Paris, France 1997 Galerie Mabel Semmler, Paris, France 1980 I.C.C, Antwerpen, Belgium 1978 Galerie Studio 16, Turin, Italy 1977 Ecole sociologique interrogative, Paris, France

Collectival exhibition

September 2010 Henrique Faria Fine Art, NewYork

October 2009Museo Nacional Reina Soa, Madrid,Spain

MayAugust 2009 Wrttembergischer Kun-stvereim, Stuttgart, Germany

2005 Slought Fondation, Philadelphie, USA 2002 J. Wayne Stark Galleries, University CenterGalleries, Texas A&M University

2001 White Box Gallery, New York 1999 Espace Electra, Paris, France 1999 Abbeye de Roncereis, Angers, France 1997 Espace Paul Ricard, Paris, France 1996 Gallery of Art, University of Georgia, Athens,Georgia

1995 Galerie Arx, Turin, Italy 1994 Foundation, T.Z. Art & Co Gallery, Mai, NewYork

1993 Institut National des Sciences Appliques deLyon

1991 Foundation Battistoni, Paris, France 1990 Ezra and Cecile Zilka Gallery, Middletown 1989 Kaos Foundation, Chicago, Illinois 1987 Ocre d'art, Chteauroux, France 1983 Centre Georges Pompidou, Petit Forum, Paris,France

1980 Fashion Moda, New York 1975 Moderna Musee, Stockholm 1973 I.., Antwerpen, Belgium 1972 International Meeting of Arts, Pamplona,Spain

1971 Muse d'art moderne, Buenos Aires 1971 Camden Art Center, Londres ...

3 Ocial collection Reina Soa Museum. 2010 French national fonds of contemporary Art.1988&1990

1

2 6 PRESS

4 Conferences Universit Paris VIII Universit des Andes, Bogot, Colombia cole des Beaux-Arts d'Annecy cole des Beaux-Arts de Mulhouse Facult d'architecture de Venise, Italy Centre Georges Pompidou, Paris School of Visual Arts, New York cole des Beaux-Arts de Caen

5 BibliographyPascale LE THOREL-DAVIOT

Nouveau dictionnaire des artistes contemporains,Larousse.

Gillo Dores

1976Ultima Tendenze dell'Arte d'Oggi, Milano, Italy 1975 Del Signicado a las Opciones, Madrid, Spain Dall Signicado alle Scelte, Turin, Italy 1972 Corriere de la Sera, Milano, Italy

Pierre Restany

1996 Journal of Contemporary Art, Vol. 7-2, NewYork

1990 Arte e Produzione, Italy 1990 60/90, Ed. De la Dierence, Paris, France 1989, Revue Kanal, Paris, France ... 1980, Voyages de Ginzburg, Paris, France

Severo Sarduy

1992 Revue Art Press, Paris, France 1991 Barroco Ed. du Seuil, Paris, France 1989 Journal El Colombiano, Colombia 1984 Revue Artinf, Buenos Aires, Argentine 1983 Revue Art Press, Paris, France

Severo Sarduy et Klaus Ottman

1990 Revue Art Press, Paris, France

Tim Jacobs

1989, Journal New City, Chicago, Illinois

Jean-Claude Chirollet (philosophe, esthticien, spcial-iste de l'art fractaliste, Universit de Strasbourg):

1992, Images fractales : biogntique des imagesen restructuration continue, in Les Figures de

la Forme, d. L'Harmattan, Paris, p. 283-295

1994, En quel sens peut-on parler d'une Esthtiquefractaliste?", in Littrature et Thorie du Chaos, d.Presses Universitaires de Vincenne, Universit ParisVIII, France, p. 115-140

1998, Carlos Ginzburg La complexit autorfren-tielle du Sujet fractal, revue La Mazarine,

d. du Treize Mars, Paris, septembre 1998, p. 112-114

2002, LApproche de l'art d'un point de vue frac-taliste, in Revue Tangence, numro 69, t 2002,

Universit du Qubec, p. 103-132.

2005, Art fractaliste - La Complexit du Re-gard, ditions L'Harmattan, coll. Champs Vi-suels (www.librairieharmattan.com), Paris, France(Livre-synthse sur les arts fractalistes depuis les an-nes 1980. Nombreuses rfrences l'oeuvre et laconception fractaliste de Carlos Ginzburg)

Paul Ardenne

1997, Art, l'Age Contemporain, Ed. du Regard,France

6 Press 1999

1. Figaro magazine, 24 avril, France2. Journal le Monde, 16 mars, France3. Revue Beaux Arts Magazine, Identits, Mars, Paris,

France4. Revue TechniArt, Mai, Paris, France

35. Revue Cimaise, Mars, Paris, France

1998

1. Revue Paris Match, Janvier, France

2. Revue Science et Avenir, Janvier, France

1997

1. Le Monde, 29 Nov, France

2. Revue TechniArt, n17, France

7 Articles and text of CarlosGinzburg

1999 Revue Art Press, n244, Mars, Paris, France 1997 Revue Art Press, n229, Nov, Paris, France 1995 Revue Archipielago, Madrid, Spain 1993 Art Forum, Mars, New York Revue Ometeca, New Mexico, USA Revue Histoire et anthropologie, Strasbourg, France 1992 Revue Ligeia, n10, Paris, France 1987 Pour la Photographie, Univ. Paris VIII 1986 Revue Leonardo, USA 1969 Revue Pages, London, Great Britain 1967 Revue Approches, Paris, France

8 Notes and references[1] http://muse.jhu.edu/journals/leonardo/v034/34.

1ginzburg.html The Leonardo Gallery : Carlos Ginzburg

[2] Curator Pierre Restany, Political Ecology, White Box,New York, 2001

4 9 TEXT AND IMAGE SOURCES, CONTRIBUTORS, AND LICENSES

9 Text and image sources, contributors, and licenses9.1 Text

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