carl friedrich abel

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Carl Friedrich Abel Portrait of Carl Friedrich Abel by Thomas Gainsborough, 1777 Carl Friedrich Abel (December 22, 1723 – June 20, 1787) was a German composer of the Classical era. (The Chambers Biographical Dictionary gives his year of birth as 1725.) He was a fine player on the viola da gamba, and composed important music for that instrument. Abel was born in Cöthen, the son of Christian Ferdinand Abel, the principal viola da gamba and cello player in the court orchestra of Johann Sebastian Bach. There is no proof that Abel studied at Thomasschule Leipzig, but it was on Bach's recommendation that in 1748 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for ten years. In 1759 (or 1758 according to Chambers), he went to England and became chamber- musician to Queen Charlotte. He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin. In 1762, Johann Christian Bach, the eleventh son of Johann Sebastian Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and the works of Haydn received their first English performance.

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Carl Friedrich AbelPortrait of Carl Friedrich Abel by Thomas Gainsborough, 1777Carl FriedrichAbel(December 22,172!"une2#,17$7% &as aGermancom'oser of theClassical era( (The Chambers )iogra'hical Dictionarygi*es his year of birth as 172+(% ,e &as afine 'layer on the *iola da gamba, and com'osed im'ortant music for that instrument(Abel &as born in C-then, the son ofChristian Ferdinand Abel, the 'rinci'al*iola da gambaandcello 'layer in the court orchestra of "ohann .ebastian )ach( There is no 'roof that Abel studied atThomasschule/ei'0ig, but it &ason)ach1srecommendationthat in172$he&asableto3oin"ohann Adol'h ,asse1s court orchestra atDresden&here he remained for ten years( 4n 17+5 (or17+$accordingtoChambers%, he &ent to6nglandandbecame chamber7musicianto8ueenCharlotte( ,e ga*e a concert of his o&n com'ositions in /ondon, 'erforming on *ariousinstruments, one of &hich &as a fi*e7string cello 9no&n as a 'entachord, &hich had been recentlyin*ented by "ohn "ose'h :erlin( 4n 17;2, "ohann Christian )ach, the ele*enth son of "ohann .ebastian )ach, 3oined him in /ondon,and the friendshi' bet&een him and Abel led, in 17;2 or 17;+, to the establishment of the famous)ach7Abel concerts, 6ngland1s first subscri'tion concerts( 4n those concerts, many celebrated guestartists a''eared, and the &or9s of ,aydn recei*ed their first 6nglish 'erformance(For ten years the concerts &ere organi0ed by :rs( Teresa Cornelys, a retired ooms in.oho( Throughout his life he had en3oyed e?cessi*e li*ing, and his drin9ing 'robably hastened hisdeath, &hich occurred in /ondon on "une 2#, 17$7(@ne of the most &idely 9no&n &or9s of Abel became famous due to a misattributionA in the 15thcentury, a manuscri't sym'hony in the hand of Bolfgang Amadeus :o0art, &as catalogued as hisSymphony no. 3 in E flat, C( 1$, and &as 'ublished as such in the first com'lete edition of :o0art1s&or9s by )reit9o'f D ,Ertel( /ater, it &as disco*ered that this sym'hony &as actually the &or9 ofAbel, co'ied by the boy :o0art77e*idently for study 'ur'oses77&hile he &as *isiting /ondon in17;2( That sym'hony &as originally 'ublished as the concluding &or9 in Abel1s Six Symphonies,Op. 7. Edit Selected works by opus number @'( 1A ; @*ertures or .infonias (17;1% @'( 2A ; .onatas for Ceyboard and