captioning digital multimedia

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Captioning Digital Multimedia Geoff Freed Carl and Ruth Shapiro Family National Center for Accessible Media (NCAM) WGBH Educational Foundation http://ncam.wgbh.org

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Captioning Digital Multimedia. Geoff Freed Carl and Ruth Shapiro Family National Center for Accessible Media (NCAM) WGBH Educational Foundation http://ncam.wgbh.org. What to expect. Part I: Brief history; current state Part II: How it ’ s done editors style - PowerPoint PPT Presentation

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Page 1: Captioning Digital Multimedia

Captioning Digital Multimedia

Geoff FreedCarl and Ruth Shapiro Family National Center

for Accessible Media (NCAM)WGBH Educational Foundation

http://ncam.wgbh.org

Page 2: Captioning Digital Multimedia

What to expect

Part I: Brief history; current state Part II: How it’s done

— editors— style

speed; convenience; quality Part III: What’s next

— formats— standards— recommendations— regulations

Page 3: Captioning Digital Multimedia

3About NCAM

Carl and Ruth Shapiro Family National Center for Accessible Media Carl and Ruth Shapiro Family National Center for Accessible Media at the WGBH Educational Foundation (NCAM); at the WGBH Educational Foundation (NCAM); http://ncam.wgbh.org

Part of the Part of the Media Access Group The Caption Center (1972)The Caption Center (1972)Descriptive Video Service (1990)Descriptive Video Service (1990)NCAM (1991)NCAM (1991)

Page 4: Captioning Digital Multimedia

4About NCAM

R&D facility with the mission to make electronic media of all types accessible R&D facility with the mission to make electronic media of all types accessible

to people with sensory impairmentsto people with sensory impairments Work funded by federal grants, private foundations and strategic partners Work funded by federal grants, private foundations and strategic partners

large and smalllarge and small Expertise in on-line accessibility of all kinds (Web, multimedia, PDF, Expertise in on-line accessibility of all kinds (Web, multimedia, PDF,

captioning, description, etc.)captioning, description, etc.) Expertise in standards and guidelines (Section 508, WCAG, SMIL, ATSC, Expertise in standards and guidelines (Section 508, WCAG, SMIL, ATSC,

SMPTE, TTML, PDF, Flash, e-books/textbooks, image description, etc.)SMPTE, TTML, PDF, Flash, e-books/textbooks, image description, etc.)

Page 5: Captioning Digital Multimedia

Part I:General Information

Page 6: Captioning Digital Multimedia

What are captions?

Page 7: Captioning Digital Multimedia

What are captions?

Page 8: Captioning Digital Multimedia

What are captions?

Page 9: Captioning Digital Multimedia

What are captions?

A visual representation of spoken narration or dialogue Indicate important non-speech information:

— sound effects, music, laughter— speaker identification

Synchronized to appear simultaneously with audio Displayed in either pop-on or roll-up styles In some countries, captions are called subtitles

Page 10: Captioning Digital Multimedia

What are captions?

Captions and foreign-language subtitles are not the same thing— captions contain information in addition to narration and dialog;

subtitles do not— captions are frequently positioned on the screen to indicate who is

speaking; subtitles are not

Page 11: Captioning Digital Multimedia

What are captions?

Captions can be closed or open:— closed captions can be turned on and off by the user— open captions are visible to everyone and cannot be turned off

QuickTime Player, iTunes, Apple mobile devices, RealPlayer, Flash, Silverlight and Windows Media Player all provide caption controls

— some are custom, some are not HTML5 introduces browser playback and control

Page 12: Captioning Digital Multimedia

What about transcripts?

A transcript provides a text version of the audio track— a transcript is useful for creating captions— a transcript is a by-product of the captioning process

Transcripts should be considered a supplement to, not a replacement for, synchronized captions

Page 13: Captioning Digital Multimedia

Captions can be displayed by allmajor multimedia players

QuickTime (embedded or external track/QTtext format)

below the video regionbelow the video region translucent overlaytranslucent overlay transparent overlaytransparent overlay

Page 14: Captioning Digital Multimedia

Captions can be displayed by allmajor multimedia players QuickTime or iTunes (embedded track/SCC)

Page 15: Captioning Digital Multimedia

Apple devices: iTunes

Page 16: Captioning Digital Multimedia

Apple devices: iTunes

Page 17: Captioning Digital Multimedia

RealPlayer (external track; RealText)

Captions can be displayed by allmajor multimedia players

below the video regionbelow the video region transparent overlaytransparent overlay

Page 18: Captioning Digital Multimedia

Captions can be displayed by allmajor multimedia players

Windows Media Player (external track; SAMI)

Page 19: Captioning Digital Multimedia

Captions can be displayed by allmajor multimedia players

Flash (ccPlayer; TTML)

Page 20: Captioning Digital Multimedia

Apple devices/SCC captions

iPod nanoiPod nanoiPhone/iPod touch/iPadiPhone/iPod touch/iPad

Page 21: Captioning Digital Multimedia

Captions can be displayed by allmajor multimedia players

Some BlackBerry smartphones

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Page 23: Captioning Digital Multimedia

More and more on-line programming is captioned

ABC.com Hulu.com Hulu desktop MTV NBC.com Netflix Instant Play YouTube others

Page 24: Captioning Digital Multimedia

On-line customization

Some players allow customized views— YouTube (no account required)— Hulu (account required to save preferences)

Page 25: Captioning Digital Multimedia

Part IIa:How It’s Done/General Rules

CC University (the abbreviated course)

Page 26: Captioning Digital Multimedia

Authoring captions

The most important aspect of caption writing is not…— software— technical format— delivery— UI

Page 27: Captioning Digital Multimedia

Authoring captions

The most important aspect of caption writing is… accuracy— accurate transcription— accurate spelling— accurate editing— accurate formatting— accurate timing— accurate reviewing

Speed, convenience/quality

Page 28: Captioning Digital Multimedia

Authoring captions

Example 1 Example 2

Page 29: Captioning Digital Multimedia

Authoring captions

Most caption-authoring applications follow the same basic procedure

— transcribe audio external transcription/import is usually easier (if permitted)

— format and edit the text divide text into discrete captions divide rows within captions edit if/as necessary

— time the captions verbatim vs edited

— review; export

Page 30: Captioning Digital Multimedia

Authoring captions: transcription

Accurately represent what is spoken— spelling, spelling, spelling— don’t add information— don’t edit unless there is reason to do so

reading level; special vocabulary “there’s three things…” vs “going to/gonna” fillers don’t censor

— indicate different speakers when necessary— indicate sound effects when necessary

Generally speaking, it’s faster to transcribe into a text editor and import the text into the caption editor

Page 31: Captioning Digital Multimedia

Authoring captions: formatting

Make the captions easy to read— use appropriately sized fonts— use fonts that are easy to read

sans serif vs serif open characteristics

— break rows in logical places— break captions in logical places

end punctuation natural pauses

Formatting is especially important for small-screen readability

Page 32: Captioning Digital Multimedia

Authoring captions: timing

Time the captions to appear when corresponding words are spoken

— lead/lag +/- one second if it is appropriate for speed— take advantage of pauses (to an extent)— align with shot changes (+/- one second) for a cleaner appearance

Verbatim timing is expected unless there is a reason to do otherwise

— language level/comprehension

Page 33: Captioning Digital Multimedia

Authoring captions: timing

Timing example 1 Timing example 2

Page 34: Captioning Digital Multimedia

Authoring captions: reviewing and exporting

Always review carefully— correct/edit/re-time as necessary— if a long video has been captioned by multiple authors, ensure that

everyone has followed the same style rules spelling, timing, editing, presentation conventions

Export to the appropriate target format

Page 35: Captioning Digital Multimedia

Part IIb:How It’s Done/Caption Editors

Page 36: Captioning Digital Multimedia

Various editors

Annotation Edit CapScribe Open CPC DIVX Gnome Subtitles Jubler MAGpie MovieCaptioner Subtitle Workshop vSync format converter SubPLY, Subtitle Horse (on-line editors; export captions in various

formats)

Page 37: Captioning Digital Multimedia

(Cautiously) Using YouTube

YouTube can generate a complete caption file (transcribed and timed) for you (aka auto-caption)

— upload video; wait for caption file to be generated— download caption file, clean up and re-upload

edit with a text editor use a caption editor (required if re-timing is necessary)

— demo: not bad but still requires clean-up and correction You don’t have to do any clean-up, but… In most cases, you must correct the auto-generated file

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Other YouTube options

Upload a plain-text transcript— YouTube will generate a timed script (movie)— download caption file; correct timing; re-upload

Upload your own complete caption file (movie)— in most cases, this is the most accurate option— TTML, SRT formats; others

File-creation guidelines for YouTube caption files

Page 39: Captioning Digital Multimedia

Let others write captions for you

Professional captioning agency, such as the Media Access Group at WGBH

Crowdsourcing— free labor— loss of quality control

YouTube Subtitler CaptionTube Universal Subtitles Overstream dotSUB

Page 40: Captioning Digital Multimedia

Part III:What’s Next?

Page 41: Captioning Digital Multimedia

New rules

21st Century Video Communications and Video Accessibility Act— programs that were originally captioned for broadcast must retain

captions when distributed over IP does not govern mobile television

— FCC now considering final rules— distribution format for captions/subtitles under consideration (or not)

Page 42: Captioning Digital Multimedia

Formats

Old way— each multimedia player/device used its own text-display format

New way— all players and devices use a single non-proprietary format (e.g.,

TTML) The real way…

— no single format will be used by all devices FCC ruling on formats for IP distribution will have big impact

–VPAAC working-group recommendation is SMPTE-TT

Page 43: Captioning Digital Multimedia

Formats

Existing open formats— TTML

BBC, Netflix, Flash video, others TTML community group at the W3C

— SMPTE-TT convert broadcast captions for IP delivery UltraViolet

Coming soon— WebVTT (WHAT-WG)— WebVTT (W3C)— WebVTT (W3C community group)

Prediction— no agreement on a single contribution format— TTML, SMPTE-TT and WebVTT will be the primary contribution formats

Page 44: Captioning Digital Multimedia

Viewing captions the new way: Web

HTML5 makes it much easier to embed video/audio into Web pages

— <video>, <audio>; no plug-ins— <track> to identify and synchronize external caption/subtitle file(s)

currently no agreed-upon baseline format (no agreed-upon video format, for that matter)

— no public <track> support today, but soon What it might look like

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Viewing captions the new way: mobile

Apple, BlackBerry devices Mobile TV (OTA)

— ATSC M/H (A/153) supports CC carriage— some LG and RCA receivers decode captions if available— receivers also available to build into cars/buses

watch television while traveling at speeds up to 120 mph— currently no regulations mandating ATSC M/H captions

Page 46: Captioning Digital Multimedia

Resources

List available at http://tinyurl.com/coa9ykk