capítulo 4a ¿adónde vas? where are you going? (to where do you go?)

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Capítulo 4A Capítulo 4A ¿Adónde vas? ¿Adónde vas? Where are you Where are you going? going? (To where do you go?) (To where do you go?)

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Page 1: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Capítulo 4ACapítulo 4A¿Adónde vas?¿Adónde vas?

Where are you Where are you going?going?

(To where do you go?)(To where do you go?)

Page 2: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Chapter ObjectivesChapter Objectives

Talk about locations in your communityTalk about locations in your community Discuss leisure activitiesDiscuss leisure activities Talk about where you go and with whomTalk about where you go and with whom Learn how to ask questionsLearn how to ask questions Understand cultural perspectives on Understand cultural perspectives on

leisure activitiesleisure activities

Page 3: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Francisco de GoyaFrancisco de Goya(1746-1828)(1746-1828)

Francisco José de GoyaFrancisco José de Goya was a Spanish was a Spanish romantic painter and printmaker regarded both romantic painter and printmaker regarded both as the last of the Old Masters and as the first of as the last of the Old Masters and as the first of the moderns. the moderns.

Goya was a court painter to the Spanish Goya was a court painter to the Spanish Crown. The imaginative element in his art, as Crown. The imaginative element in his art, as well as his bold handling of paint, was well as his bold handling of paint, was influential in the work of later artists, like influential in the work of later artists, like Édouard Manet and Pablo Picasso.Édouard Manet and Pablo Picasso.

Page 4: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Painting Painting of Goya of Goya by by another another painter, painter, Vicente Vicente López López (circa (circa 1826)1826)

Page 5: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Goya was famous for painting portraits – Goya was famous for painting portraits – especially of royalty. especially of royalty.

Turn to your shoulder partner and answer this Turn to your shoulder partner and answer this question: Why do you think people paid him question: Why do you think people paid him money for painting their portrait?money for painting their portrait?

Old-fashioned photography didn’t really start Old-fashioned photography didn’t really start until around 1840 and modern photography until around 1840 and modern photography until 1885.until 1885.

Page 6: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Carlos IV (Charles IV) who was king of Spain from 1788 – 1808.

Jeffery Jones in the movie “Amadeus” (he was the principal in Ferris Bueller’s Day Off).

Page 7: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

His portraits are notable for their lack of flattery. In His portraits are notable for their lack of flattery. In the case of the case of Charles IV of Spain and His FamilyCharles IV of Spain and His Family, , some Modern interpreters feel that this portrait some Modern interpreters feel that this portrait (next slide) is a satire; it is thought to reveal the (next slide) is a satire; it is thought to reveal the corruption present under Carlos IV. corruption present under Carlos IV.

Turn to your shoulder partner and discuss what is Turn to your shoulder partner and discuss what is meant by “satire”?meant by “satire”?

Satire: a work that holds up human vices and Satire: a work that holds up human vices and follies to ridicule or scorn.follies to ridicule or scorn.

Under his reign, his wife Louisa was thought to Under his reign, his wife Louisa was thought to have had the real power, which is why she is have had the real power, which is why she is placed at the center of the group portrait. From placed at the center of the group portrait. From the back left of the painting you can see the artist the back left of the painting you can see the artist himself looking out at the viewer – the first “selfie!”himself looking out at the viewer – the first “selfie!”

Page 8: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)
Page 9: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

In his painting, “El tres de mayo 1808” Goya sought In his painting, “El tres de mayo 1808” Goya sought to commemorate Spanish resistance to Napoleon's to commemorate Spanish resistance to Napoleon's armies during the occupation of 1808. armies during the occupation of 1808.

The painting's content, presentation, and emotional The painting's content, presentation, and emotional force secure its status as groundbreaking. Before force secure its status as groundbreaking. Before this, such paintings were not done. this, such paintings were not done.

According to the art historian Kenneth Clark, According to the art historian Kenneth Clark, The The Third of May 1808Third of May 1808 is "the first great picture which can is "the first great picture which can be called revolutionary in every sense of the word, in be called revolutionary in every sense of the word, in style, in subject, and in intention.”style, in subject, and in intention.”

Page 10: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)
Page 11: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Turn to your partner and discuss why this Turn to your partner and discuss why this painting was “groundbreaking” and perhaps painting was “groundbreaking” and perhaps different from previous ones? different from previous ones?

Goya was a soulful and intense artist that Goya was a soulful and intense artist that created art in many mediums and despite his created art in many mediums and despite his own physical and mental health issues, own physical and mental health issues, continued painting up until his death in 1828.continued painting up until his death in 1828.

Some of his later works were considered very Some of his later works were considered very dark and may have reflected his own mental dark and may have reflected his own mental state. state.

Turn to your shoulder partner and before seeing it, what do Turn to your shoulder partner and before seeing it, what do you think you think “Los disastres de la guerra” “Los disastres de la guerra” means? means? If you do If you do know, don’t tell anyone around you! know, don’t tell anyone around you!

Page 12: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)
Page 13: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

In closing…In closing…

Why do you think so many painters have Why do you think so many painters have come from Latin America?come from Latin America?

Can you name one or more famous Can you name one or more famous painter we have studied from any of our painter we have studied from any of our previous chapters?previous chapters?

Can you name one famous painter from Can you name one famous painter from the United States?the United States?

Page 14: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Vocabulario del capítulo 4AVocabulario del capítulo 4A

la biblioteca - library el café - café el campo - countryside

la casa – house

en casa – at home

el centro comercial - mall el cine – movie theater

Page 15: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

el gimansio - gym las montañas - mountains el parque - park

la piscina – pool

el alberca - pool

la playa - beach el restaurante - restaurant

Page 16: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

la iglesia - church la mezquita - mosque la sinagoga - synagogue

el templo - temple el trabajo - work

Page 17: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

To tell where you go…To tell where you go… a – to (preposition)a – to (preposition) aa la la, , alal (a+ (a+elel) to the…) to the…

Vamos aVamos a la la playa (playa (femininefeminine noun). noun). Vamos Vamos alal cine ( cine (masculinemasculine noun). noun). What other preposition have we learned What other preposition have we learned

already where the masculine version has a already where the masculine version has a contraction and the feminine one does not? contraction and the feminine one does not?

¿Adónde? – (to) Where?¿Adónde? – (to) Where? a casa – (to) homea casa – (to) home en casa – at homeen casa – at home

Page 18: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

To tell with whom you To tell with whom you go…go…

¿Con quién? – With whom?¿Con quién? – With whom? con mis / tus amigos – with con mis / tus amigos – with

my/your friendsmy/your friends solo, a – alonesolo, a – alone sólo – onlysólo – only solamentesolamente

Page 19: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

To talk about when things To talk about when things are doneare done

¿Cuándo? – When?¿Cuándo? – When? después – afterwardsdespués – afterwards después de – afterdespués de – after los fines de semana – on weekendslos fines de semana – on weekends los lunes, los martes… - on los lunes, los martes… - on

Mondays, on Tuesdays…Mondays, on Tuesdays… tiempo libre – free timetiempo libre – free time

Page 20: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Ways to remember…Ways to remember… los días de los días de la semanala semana

LLazyazy llunesunes MondayMonday MMonkeysonkeys mmartesartes TuesdayTuesday MMakeake mmiércolesiércoles WednesdayWednesday JJokesokes jjuevesueves ThursdayThursday VVeryery vviernesiernes FridayFriday SSilly andilly and ssábadoábado SaturdaySaturday DDumbumb ddomingoomingo SundaySunday

¡OJO! ¡OJO! The days of the week in Spanish are Monday The days of the week in Spanish are Monday through Sunday and are NOT capitalized unless at through Sunday and are NOT capitalized unless at the beginning of a sentence!the beginning of a sentence!

Page 21: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

To talk about leisure To talk about leisure activitiesactivities

ir de compras – to go shoppingir de compras – to go shopping ver una película – to see a moviever una película – to see a movie la lección de piano – piano lessonla lección de piano – piano lesson Me quedo en casa – I stay at homeMe quedo en casa – I stay at home

Page 22: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Más vocabulario…Más vocabulario…

¿De dónde eres? – Where are you ¿De dónde eres? – Where are you from?from?

de – from / ofde – from / of generalmente – generallygeneralmente – generally normalmente – normallynormalmente – normally ¡No me digas! – You don’t say!¡No me digas! – You don’t say! para + infinitive – in order to + para + infinitive – in order to +

infinitiveinfinitive

Page 23: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

IR – it’s not just an IR – it’s not just an ending… but a VERB too!ending… but a VERB too!

irir – to go – to go

yo yo voyvoy nosotros nosotros vamosvamos tú tú vasvas vosotros vosotros vaisvais Ud.Ud. vava Uds. Uds. vanvan

él / ellaél / ella ellos / ellasellos / ellas

Page 24: Capítulo 4A ¿Adónde vas? Where are you going? (To where do you go?)

Little reminder…Little reminder…

When you use the verb “deber” you When you use the verb “deber” you must use an infinitive after it- just like must use an infinitive after it- just like “para.”“para.”

Debes Debes comercomer buena comida para buena comida para mantener la salud.mantener la salud.

Debo caminarDebo caminar para estarpara estar saludable. saludable.