camile pissarro(1830 1903)french painter (a c )
TRANSCRIPT
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06.12.13 10:31 PM
The Road to l'Hermitage in the
Snow
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Road, Winter Sun and Snow
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Fox Hill, Upper Norwood
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Snow at Louveciennes
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Louveciennes
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Street in Pontoise, Winter
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Street in Pontoise, Winter
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Snow at Montfoucault
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Farm at Montfoucault
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Snow at l'Hermitage, Pontoise
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Snow Effect at l'Hermitage, Pontoise
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The Red Roofs, View of a Village in Winter
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Rabbit Warren at Pontoise, Snow
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Snow Effect at Eragny, Road to Gisors
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The Road From Gisors To Pontoise
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" La Route de Versailles à Louveciennes "
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Pontoise, snow effect
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Horsechestnut Trees at Louveciennes
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Road at Eragny, Winter
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Entering the Forest of Marly
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Pontoise the Road to Gisors in Winter
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The Road from Versailles to Saint Germain,
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Louveciennes Road: Snow Effect
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The Versalles Road At Louvecienne
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Snow house
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Chestnut Orchard in Winter
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Snowy Landscape at South Norwood
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Winter scenery
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Snowy Landscape, Eragny, Evening
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Paysage sous bois
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The Seine Viewed from the Pont Neuf, Winter
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Boulevard de Clichy - Winter Sunlight Effect
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Avenue de l'Opera - Snow Effect
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Camille Pissarro (French 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean- Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Cezanne said "he was a father for me. A man to consult and a little like the good Lord," and he was also one of Gauguin's masters.Renoir referred to his work as "revolutionary", through his artistic portrayals of the "common man", as Pissarro insisted on painting individuals in natural settings without "artifice or grandeur".Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He "acted as a father figure not only to the Impressionists" but to all four of the major Post-Impressionists, including Georges Seurat, Paul Cézanne, Vincent van Gogh and Paul Gauguin
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"Effet de neige
à Montfoucault”