cameron mackintosh’s production of boublil and...
TRANSCRIPT
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P I A N O C O N D U C T O R A C T 1
A musical by Alain Boublil and Claude-Michel SchnbergBased on the novel by Victor Hugo
Music by Claude-Michel Schnberg
Lyrics by Herbert KretzmerOriginal French Lyrics by Alain Boublil and Jean-Marc Natel
English Lyrics by Herbert KretzmerAdditional Material by James Fenton
Orchestrations by John CameronOriginal London Production by
Cameron Mackintosh and The Royal Shakespeare Company
Music and Lyrics Copyright 1980 by Editions Musicales Alain Boublil,English Lyrics Copyright 1985 by Alain Boublil Music Ltd.
C/O: Joel Fadden and Company 1775 Broadway New York NY 10019
CAMERON MACKINTOSHS Production of BOUBLIL and SCHNBERGS
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LES MISERABLES
PROLOGUE.............................................................................................................................1
1.AT THE END OF THE DAY............................................................................................31
2.I DREAMED A DREAM(E)...............................................................................................52
2.I DREAMED A DREAM(Eb major) ..................................................................................60
3.THE DOCKS ......................................................................................................................68
4.CART CRASH.....................................................................................................................89
5.FANTINES DEATH........................................................................................................104
6.LITTLE COSETTE...........................................................................................................118
7.THE INNKEEPERS SONG............................................................................................127
8.THE BARGAIN ................................................................................................................145
9.THE BEGGARS................................................................................................................161
10.ROBBERY .......................................................................................................................171
11.STARS..............................................................................................................................186
12.A B C CAF.....................................................................................................................197
13.PEOPLES SONG ...........................................................................................................213
14.RUE PLUMMET ............................................................................................................218
15.HEART FULL OF LOVE...............................................................................................230
16.ATTACK PLUMMET ....................................................................................................238
17.ONE DAY MORE ..........................................................................................................253
18.BUILDING THE BARRICADE....................................................................................266
19.JAVERT AT THE BARRICADE ...................................................................................290
20.FIRST ATTACK .............................................................................................................309
21.THE NIGHT...................................................................................................................318
22.SECOND ATTACK .......................................................................................................332
23.FINAL BATTLE..............................................................................................................337
24.THE SEWERS.................................................................................................................342
25.JAVERTS SUICIDE.......................................................................................................352
26.CAF SONG(Bb minor).................................................................................................366
26.CAF SONG(A minor)...................................................................................................372
27.MARIUS AND COSETTE.............................................................................................378
28.THE WEDDING............................................................................................................392
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29.EPILOGUE......................................................................................................................411
30.BOWS ..............................................................................................................................428
31.PLAYOUT .......................................................................................................................429
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P I A N O C O N D U C T O R 1 LES MISRABLES
P r o l o g u e
(12/7/01)
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(CONVICT 1)
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P I A N O C O N D U C T O R 2 Prologue
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(CONVICT 1)
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done no wrong, Sweet
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Je-sus, hear my prayer.
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P I A N O C O N D U C T O R 3 Prologue
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all for - got - ten you.
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P I A N O C O N D U C T O R 4 Prologue
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Now bring me pri - son - er 2 - 4 - 6 - 0 - 1.
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(VALJEAN).
Yes, it means Im
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You know what that means?
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free.
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No!
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P I A N O C O N D U C T O R 5 Prologue
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(JAVERT)
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It means you get your yel - low tick - et of leave.
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I stole a loaf of bread.
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You will starve a - gain Un -
61
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P I A N O C O N D U C T O R 6 Prologue
-
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(JAVERT)
less you learn the mean - ing of the law.
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(VALJEAN)
3
I know the mean - ing of those nine - teen years.
63
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A slave of the
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law.
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Five
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F (JAVERT)
years for what you did, the rest be -
Hns, Gtr
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cause you tried to run. Yes, 2 - 4 -
.
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P I A N O C O N D U C T O R 7 Prologue
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V
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.
(VALJEAN)
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My name is Jean Val -(JAVERT)
6 - 0 - 1.
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jean.
And I'm
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(JAVERT)
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Ja - vert, Do not for - get my
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70
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name. Do not for -
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get me, 2 - 4 - 6 - 0 -
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(THE CHAIN GANG)
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down, look down, Youll
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74
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al - ways be a slave, Look
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75
P I A N O C O N D U C T O R 8 Prologue
-
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b
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GPoco pi mosso
VALJEAN is released.{q = 90}
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(VALJEAN) 3
Free - dom is mine,
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83
P I A N O C O N D U C T O R 9 Prologue
-
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b
b
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.
The earth is still,
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I feel the wind,
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I breathe a - gain
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And the sky clears,
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poco rall.
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wak - ing.
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a tempo
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Drink from the pool, how clean the
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taste.
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92
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waste.
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P I A N O C O N D U C T O R 10 Prologue
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b
b
b
b
4
2
4
2
4
2
4
2
4
4
4
4
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(VALJEAN)
Nor for - give them for what theyve
.
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94
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done.
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They are the guilt - y, Ev - ry -
w
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96
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b
b
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2
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4
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poco rall.
one.
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.
97
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.
a tempo
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.
The day be - gins And now lets
+ Str
.
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.
.
p
98
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see What this new world will do for
.
99
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.
me.
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100
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H Moderato
Flutej
Kbds, Str
w
w
101
He finds work on a farm.
.j
.j
j
.
102
j
103
.j
.j
.
ww
w
104
&
&
?
b
b
b
n
105
n
.j
.j
j
.
106
j
n
107
.j
.j
.
ww
w
108
"
"
"
j
n
J
b
109
n
J
j
P I A N O C O N D U C T O R 11 Prologue
-
V
&
?
b
b
b
I Recitative (Not too slow like speech)
.
(FARMER)r
b
Youll have to go, Ill pay you off for the day.
U
110
U
.r
b b n b
3
b
n
Col - lect your bits and piec - es there and be on your way.
U
111
V
&
?
b
b
b
4
4
4
4
4
4
(VALJEAN)
3
3
3
b n
You have giv - en me half what the o - ther men get.
J
b
U
U
112
j
U
U
j
b
3
3
b
This hand - ful of tin would - nt buy my sweat.
j
b
n
U
U
113
j
U
U
V
&
?
b
b
b
4
4
4
4
4
4
#
#
#
C
C
C
.
(LABOURER)r
b
b
n
b
n b
You broke the law, its there for peo - ple to see,
j
b
>
U
114
j
>
U
.r
#
n # n # # n # n #
Why should you get the same as ho - nest men like me?
U
115
U
P I A N O C O N D U C T O R 12 Prologue
-
V
&
&
?
#
#
#
#
C
C
C
C
4
2
4
2
4
2
4
2
J Allegro {h = 88}
F
Kbds, Str
116
w
w
Kbd2
117
w
w
(VALJEAN)
Now ev - ry door is closed to
118
w
w
me, A - noth - er jail, a - noth - er
119
w
w
V
&
&
?
#
#
#
#
4
2
4
2
4
2
4
2
C
C
C
C
4
2
4
2
4
2
4
2
key, a - noth - er
120
j
.
chain.
121
.
For when I come to a - ny
122w
town they check my pa - pers and they
123w
V
&
?
#
#
#
4
2
4
2
4
2
C
C
C
find the mark of
124
j
.
Cain. In their
Kbds, Str
n
125
wn
j
eyes I
ww
w
gggg
126
(Str.)
.
.
n
j
see their
ww
w
ngggg n
127
w
w
V
&
?
#
#
#
n
n
n
4
4
4
4
4
4
rall.
>
fear. We
w
ww
gggg
128
.
.
n>
>
>
>
do not want you
n
n
129
wn
.n
.
here.
#
w
130
w
P I A N O C O N D U C T O R 13 Prologue
-
&
&
?
4
4
4
4
4
4
Andante {q = 88}
WWs, Tptsj
..
f
Kbds, Str
b
.
.
J
.
.
.
J
131
He comes to an inn...
b
--j
n
..
.
.
b
--j
n
..
b
.
.
J
.
.
.
J
132
b
--
#
--
b
--
--
--
j
n
..
b
.
.
J
.
.
.
J
133
&
&
?
4
2
4
2
4
2
4
4
4
4
4
4
.
.
b
--j
n
..
.
.
b
--j
n
..
b
.
.
J
.
.
.
J
134
b
--
..
--
n
b
..
b
.
.
J
.
.
.
J
.
135
b
b
.
.
J
.
136
&
&
?
4
4
4
4
4
4
KRecitative
.
(INNKEEPERS WIFE)r
b
My rooms are full. And Ive no sup - per to spare.
J
b
>
U
137 J
>
U
.
r
b b # b
#
Id like to help a stran - ger, All we want is to be fair.
V
U
138
U
V
&
?
4
4
4
4
4
4
(VALJEAN)
3
3
b #
I can pay in ad - vance, I will sleep in a barn;
j
#
b
>
U
139
j
>
U
b #
You see how dark it is, Im not some kind of dog.
j
b
#
>
U
140
j
>
U
V
&
?
4
3
4
3
4
3
.
(INNKEEPER)
R
b
#
You leave my house! Or feel the weight of my rod.
+Brassj
b
>
U
141 J
>
U
.
R
b
# # n # # n # # #
Were law a - bid - ing peo - ple here, thanks be to God.
J
b>
U
142 J
>
U
P I A N O C O N D U C T O R 14 Prologue
-
&
?
4
3
4
3
4
2
4
2
4
4
4
4
K2Allegro {q = 170}
f
WWs, Kbd1, Vln
.
.
.
143Bs.
Brass
J
#
>
J
>
.
.
.
144 J
#
>
J
>
.
.
.
.
J
.
145 J
#
>
J
>
J
>
.
.
.
.
.
.
#.
.
146 J
#
>
J
>
J
>
&
?
4
3
4
3
4
2
4
2
4
4
4
4
.
#
..
.
#.
147
J
#
>
>
>
>
>
.
b
.
.
J
b
.
148 J
b
>
J
>
.
b
.
.
149 J
b
>
J
>
&
?
4
4
4
4
#
#
C
C
b
.
.
b.
.
J
.
150 J
b
>
J
>
J
>
b.
.
b.
b.
.
b.
.
b.
151
J
b
>
J
>
J
>
.
b.
.
U
152
J
b
>
.
.
.
n
#
U
&
&
?
#
#
#
C
C
C
AllegroK3 {h = 88}
F
Kbd 1
Kbd3, Str
j
j
j
j
153
w
j
j
j
j
154
.
j
j
j
j
155
w
j
j
j
j
156
.
V
&
&
?
#
#
#
#
4
2
4
2
4
2
4
2
C
C
C
C
(VALJEAN)
And now I know how free - dom
j
j
j
j
157
w
feels, the jail - er al - ways at your
j
j
j
j
158
heels, It is the
159
P I A N O C O N D U C T O R 15 Prologue
-
V
&
&
?
#
#
#
#
C
C
C
C
4
2
4
2
4
2
4
2
(VALJEAN)j
.
law!
j
j
j
j
160
This piece of pa - per in my
j
j
J
j
161
w
hand That makes me cursed through - out the
J
j
J
j
162
V
&
&
?
#
#
#
#
4
2
4
2
4
2
4
2
C
C
C
C
land, It is the
163
j
.
law! Like a
j
n
j
.
.
j
164wn
cur I
Gtr
.
.
165 w
n
walk the
n
n ..
166 w
V
&
&
?
#
#
#
#
n
n
n
n
4
4
4
4
4
4
4
4
street, The
.
.
167 w
rall.
n
dirt be - neath their
n
n
n
168
n
.
feet.
#
w
169
w
V
&
&
?
4
4
4
4
4
4
4
4
L {q = 100}Andante con rubato
p
Oboe solo
Kbds
w
www
ggggggg
p
www
170
colla voce
(BISHOP)p
Come in, sir, for you are
w
www
www
171
a temporitard(poco accel.)
j
.
wear - y,
172w
colla voce
And the night is cold out
.
ww
w
173w
P I A N O C O N D U C T O R 16 Prologue
-
V
&
&
?
a temporitard(poco accel.)
(BISHOP)j
.
there.
174
w
colla voce
Though our lives are ver - y
.
ww
w
175
w
a temporitard(poco accel.)
j
.
hum - ble, What we
176
w
colla voce
.
j
have, we have to
.
J
.
.
# .
177
w
V
&
&
?
a temporitard
(poco accel.)
share.
178w
a tempo (non colla voce)
F
There is wine here to re -
ww
w
179w
(poco accel.)
j
.
vive you.
p
180w
There is bread to make you
.
ww
w
181w
V
&
&
?
j
.
strong,
182
w
Theres a bed to rest till
.
ww
w
183
w
j
.
morn - ing. Rest from
184
w
poco rall.
.
j
pain and rest from
.
J
.
.
# .
185
w
V
&
&
?
a tempo
wrong.
+Str
#
#
186
w#
accel.
#
#
#
#
187
w
M Poco pi mosso {q = 120} poco rall.
(VALJEAN)
# #
He let me eat my fill, IOboe
j
.#
Gtr, Vlns #
#
#
Kbd3, Str
#
#
#
#
188 #
#
P I A N O C O N D U C T O R 17 Prologue
-
V
&
&
?
accel.(VALJEAN)
# #
had the li - ons share.
# #
#
#
w
w
189
# .
j
#
a tempo poco rall.
# #
The sil - ver in my hand cost
j
#
.
#
#
#
#
#
#
#
190 w
poco accel.
# #
twice what I had earned.
#
#
#
w
w
191 w
V
&
&
?
poco rall.
# #
In all those nine - teen years, that
j
#.#
#
#
#
#
#
192w#
poco rall.
# #
life - time of des - pair.
#
#
.
.
193w
a tempo
j
# .
j
#
And yet he trust - ed
.#
#
#
j
#
.
.
##
194w#
poco accel.
n
me.
b
n
nn
195 wn
V
&
&
?
N poco rall.
The old fool trust - ed me, hed
j
b.
196 w
poco accel.
done his bit of good.
b
.
w
ww
197 . .
j
poco rall.
I played the grate - ful serf and
j
.
198w
P I A N O C O N D U C T O R 18 Prologue
-
V
&
&
?
poco accel.(VALJEAN)
thanked him, like I should.
b
.
w
ww
199
w
poco rall.
But when the house was still, I
j
.
b
b...
200w
rall.
got up in the night,
b
b
.
ww
w
201w
V
&
&
?
8
12
8
12
8
12
8
12
a tempo rall.
.
U
j
Took the sil - ver, took my
w
.
# b..
202w
Allegro Molto Taking the silver cup,he runs off
{qd = 138-144}(Scream)
.
.
flight!
.
.
f
Kbd1
.
.
f
Kbds, Str
. .
.
. .
. .
.
+Vlns
. .
203
>
>
>
>
&
&
?
#
#
#
4
4
4
4
4
4
..n .
b.
+WWs
.
. .
.
. .
.
b
.b
.
.
b
.
.
204
>
>
>
>
..b .
b.
.
.
. .
b
.
b
. .
b
.
b
. .
.
.
205
>
>
>
>
P I A N O C O N D U C T O R 19 Prologue
-
&
?
#
#
4
4
4
4
4
2
4
2
O{q = 112}Poco meno mosso (pesante)
f
Kbds, Xylo
.
.
.
.
.
.
.
.
206 Kbd1, Tbn, Bs
.
.
.
.
.
.
.
.
.
.
207
.
.
.
.
.
.
.
.
.
.
208
.
.
#
#
.
.
.
.
.
.
.
#
.
.
209
>
>
V
V
&
?
#
#
#
#
4
2
4
2
4
2
4
2
4
4
4
4
4
4
4
4
(CONSTABLE 1)
#
Tell his
.
.
.
.
210J
#
Rev - er - ence your sto - ry.
(CONSTABLE 2)
#
Let us
.
.
.
.
.
.
.
.
211
.
.
#
You were
#
see if hes im - pressed.
.
.
.
.
.
.
.
.
212
.
.
V
V
&
?
#
#
#
#
j
lodg - ing here last night.
You were the
.
.
.
.
.
.
.
.
213
.
.
#
#
>
.
#
ho - nest bi - shops guest. And then,
.
.
#
.
.
.
.
.
.
214
J
V
V
&
?
#
#
#
#
#
out of Christ - ian good - ness, When he
.
.
.
.
.
.
.
.
215+ Celli
.
.
#
You main -
#
learned a - bout your plight,
.
.
.
.
.
.
.
.
216
.
.
>
.
P I A N O C O N D U C T O R 20 Prologue
-
V
V
&
?
#
#
#
#
(CONSTABLE 1)
n
tain he made a pre - sent of this
217
#
#
j
.
.
n
n
>
ritard poco meno mosso
"
"
"
"
sil - ver.
(BISHOP)
b
That is right. But my
#
p subito
J
.
218 J
.
J
.
j
.
V
&
?
#
#
#
PPoco meno mosso
(BISHOP)
friend, you left so ear - ly, sure - ly
Kbd 1, 2
j
.
219
b
some - thing slipped your mind. You for -
.
220
n
The BISHOP gives VALJEAN two silver candlesticks.
got I gave these al - so, Would you
j
.
221
V
&
?
#
#
#
4
2
4
2
4
2
4
4
4
4
4
4
rall.
leave the best be - hind?
.
#
222
n
a tempo
#
So Mes -
223
#
sieurs, you may re - lease him, For this
j
j
j
j
224
w
#
man has spo - ken true. I com -
j
j
j
j
225
w
V
&
?
#
#
#
4
2
4
2
4
2
4
4
4
4
4
4
n
n
n
n
mend you for your du - ty, Now Gods
j
j
j
j
226
# n
rall.
bles - sing go with
#
227
The CONSTABLES leave.a tempo
you.
w
Gtr
#
.#
228
ww
#
P I A N O C O N D U C T O R 21 Prologue
-
V
&
?
Q colla voce
(BISHOP)
But re - mem - ber this, my
Kbd2, Gtr
w
ww
gggggggggggg
Kbd1
229
w
w
a tempo rall.
j
.
bro - ther.
Str
230 Bs
w
colla voce
See in this some high - er
.
.
U
.
u
231.
U
V
&
?
a temporall.(poco accel.)
j
.
plan.
232
w
colla voce
You must use this pre - cious
.
.
.
233
.
poco accel. poco rall.
j
.
sil - ver To be -
234
V
&
?
.
j
come an ho - nest
.
j
.#
235.
poco accel.
man.
236w
Pi mosso(non colla voce)
pi f
By the wit - ness of the
.
.
.
237.
V
&
&
?
poco accel.
j
.
mart - yrs,
+ Flute, Glock
238w
By the Pas - sion and the
.
.
w
239.
j
.
Blood
240
w
P I A N O C O N D U C T O R 22 Prologue
-
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
4
3
4
3
4
3
4
3
~~~~
pochiss. rall.
(BISHOP)
God has raised you out of
.
.
.
.
.
.
J
.
241
.
j
.
dark - ness, I have
.
.
dim.
.
J
242
w
rall.
.
j
,
-
bought your soul for
.
.
w
w#
.
243
w
VALJEAN is left alone.a tempo
w
God.
Glock.
#
ww#
244
w
+Gtr, Tbn
.
w
F
ww#
245w
&
?
b
b
b
b
b
b
b
b
b
b
b
b
4
3
4
3
R Lento {q = 72} accel.
PKbds, Str
246
ritard
247
accel.
248
A
A
&
?
b
b
b
b
b
b
b
b
b
b
b
b
4
4
4
4
ritard
249
Pi Mosso
f
+Brass
-
-
250
-
-
-
b
-
251
-
-
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
Spoco meno mosso(VALJEAN)
What have I done, sweet Je - sus, what have I done? Be - come a
F
Kbds
252Kbd1, Bs
.
.
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
thief in the night, be - come a dog on the run And have I
253 .
.
P I A N O C O N D U C T O R 23 Prologue
-
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
(VALJEAN)
.
fal - len so far and is the hour so late That
254 .n
.
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
.
no - thing re - mains but the cry of my hate, The
.
.
J
J
255.
b
cries in the dark that no - bod - y hears.
.
.
J
J
256.
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
Here where I stand at the turn - ing of the years?
257.
.
(non pi mosso)
b
258.
.
>
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
T
.
If theres a - noth - er way to go
Kbds
259
>
>
>
>
Gtr, Bs
.
I missed it twen - ty long years a - go.
260
>
>
>
>
.
>
>
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
.
R
My life was a war that could ne - ver be won. They
261
>
>
>
>
.
>
P I A N O C O N D U C T O R 24 Prologue
-
V
&
?
b
b
b
b
b
b
b
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b
b
b
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4
2
4
2
4
2
4
4
4
4
4
4
(VALJEAN)
gave me a num - ber and mur - dered Val - jean When they
262
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>
>
>
.
>
>
3
3
b
chained me and left me for
b
b
263
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>
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>
V
&
&
?
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4
4
4
4
4
4
4
4
3
3
b
dead Just for steal - ing a mouth - ful of
>
b
>
264
>
>
>
>
bread.
.
+WWs, Brs
n
n
n
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n
n
>
>
265
.
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.
.
n
.
n
>
>
&
&
?
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w
w
w
n
n
n
>
w
w
w
n
n
n
>
266
wn
.n
>
.
w
w
w
>
267
p
w
U
p
w
U
P I A N O C O N D U C T O R 25 Prologue
-
V
&
?
b
b
b
Andante {q = 112}
F
Kbds, Str
268
w
w
269
w
w
U
(VALJEAN)
Yet why did I al - low this
psub.
270
w
man
b
271
b
w
V
&
?
b
b
b
b
.
To touch my soul and teach me
b
272
b
w
love?
273
n
He treat - ed me like a - ny
n
274
w
w
J
#.
j
o - ther, He
#
#
275
# n
w
V
&
&
?
b
b
b
b
3
gave me his trust, he called
276
.
.
j
me bro - ther.
n
277
w
w
.
My life he claims for God a -
P
Acc Gtr
.
b
278
w
w
b
bove.
279
w
V
&
&
?
b
b
b
b
j
Can such things
n
n
280
w
be?
j
.
281
j
.
For I had come to hate the
282
j
.
P I A N O C O N D U C T O R 26 Prologue
-
V
&
&
?
b
b
b
b
(VALJEAN)
world.
b
j
.
b
283
bj
.
rall.
This world that al - ways hat - ed
w
284
w
w
a tempo e accel.
me.
J
Brass
.
.
.
f
?
285
Str
V
?
?
b
b
b
V Poco pi mosso
b .
Take an eye for an
F
WWs, Brs
b
b
>
b
.
.
>
.
.
>
.
286
wb
Bs
b
>
>
J
b
>
b
eye,
b
.
b
>
.
b.
>
.
.
>
287
.b
j
J
b
>
>
b
>
b .
Turn your heart in - to
b
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.
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>
.
.
.
>
.
.
288
wb
J
b
>
J
>
V
?
?
b
b
b
b
stone.
b
>b
.
.
b>
.
.
>
b
.
289
b
b
>
>
J
>
.
This is all I have
>
.
.
>
.
.
>
.
290
w
>
>
J
>
J
.
lived for,
.
n#
>
.n
.
>
#
.
.
>
291
.
j
J
>
>
>
V
?
?
b
b
b
This is all I have
.
.
>
.
.
>
.
>
&
292
w
J
>
J
>
w
known.
F
Brass
.
j
.
.
j
293w
w
+Kbd 1
.
.
j
.
.
b
j
.
.
J
.
.
b
J
294
w
cresc.
.
.
j
.
.
j
.
.
J
.
.
J
295w
w
rall.w
.
.
.
n
#
j
.
.
.
b
b
j
..
.
n
#
J
.
.
.
b
b
J
296w
w
P I A N O C O N D U C T O R 27 Prologue
-
V
&
&
?
b
b
b
b
W {q = 120}A tempo ma poco pi mosso
(VALJEAN)
One word from him and Id be
P
Gtr
Psub.Kbds, Str
297
back
sim.
B bm/F
b
298
b
b
.
Be - neath the lash, u - pon the
b
299
b
V
&
&
?
b
b
b
b
rack,
B bm/F F F /E
300
In - stead he of - fers me my
Dm
n
301 wn
#
j
free - dom. I
A7
#
n
302
#
j
.
w
V
&
&
?
b
b
b
b
j
.
feel my shame in - side me
B b
303
w
3
like a knife.
F
304
w
j
He told me that I have a
F7
305
b j
.w
P I A N O C O N D U C T O R 28 Prologue
-
V
&
&
?
b
b
b
b
(VALJEAN)
soul,
B b
J
j
306
w
j
. J
How does he
C
307
w
w
know?
F
308
j
.w
V
&
&
?
b
b
b
b
What spi - rit comes to move my
F
309w
life,
b
B b/F
b
310
w
rall.
.
Is there a - noth - er way to
.
|
C
ww
311
w
w
P I A N O C O N D U C T O R 29 Prologue
-
V
&
?
b
b
b
Lento - recitative (not too slow)(VALJEAN)
#
go? I am
p
Gtr, Kbds
w
ww
312 w
w
#
reach - ing but I fall and the
cresc. poco a poco
J
-...
-
313 w
w
#
night is clos - ing in And I
J
-...
-
314 w
w
V
&
?
b
b
b
#
stare in - to the void, to the
J
-.
.
.
-
315 w
w
#
whirl - pool of my sin, Ill es -
www
316 w
w
accel.
#
cape now from the world, from the
F
J
-
cresc. sempre
.
.
.
-
317Bsw
w
V
&
?
b
b
b
4
2
4
2
4
2
4
4
4
4
4
4
#
world of Jean Val - jean. Jean Val -
J
-..
.
-
-
318 w
w
#
jean is no - thing now, a - noth - er
f
+Brass
J
-..
.
-
-
319 w
wb
b
molto rall. #
sto - ry must be -
#
320
V
&
?
b
b
b
4
4
4
4
4
4
Pi mosso (in tempo)
gin.
WWs, Brs
b J
b
.
321
b
b
j
.
b J
b
.
322
b
b
j
.
Segue
b J
b
.
323
b
b
j
.
P I A N O C O N D U C T O R 30 Prologue
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&
?
b
b
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b
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b
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b
4
4
4
4
Moderato, maestoso {q = 80-84}
f Strings, WWs, Kbds (+8va)
1w
w
2 Hns, Tbn, Chimes
-
-
3
-
-
&
?
b
b
b
b
b
b
b
b
4
2
4
2
8
12
8
12
4
-
-
5
-
-
6
-
-
rall.
7
-
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
8
12
8
12
8
12
8
6
8
6
8
6
8
12
8
12
8
12
Molto Allegro {qd = 126}
. .
WW
J
fBrs, Kbds
b
b
b
-
j
.
-
j
.
8
.
Bs
.
>
.J
.
. .
J
b
b
b
.
.
.
.
9
+Gtr 8va
-J
.
.
.
-
.
.
.
.
.
b
b
b
10
-J
.
.
.
&
?
b
b
b
b
b
b
b
b
8
12
8
12
8
6
8
6
8
12
8
12
+WWs
b
b
b
-
J
.
-
J
.
11
j
j
-J
.
.
.
-
.
.
.
.
.
b
b
b
.
.
-
J
12
j
j
j
j
.
.
-
.
.
-J
.
.
.
.
b
.
.
.
b
b
.
.
.
13
j
-J
.
.
.
&
?
b
b
b
b
b
b
b
b
8
12
8
12
8
9
8
9
8
12
8
12
Fl, Vlns.
.
.
w
ww
.
.
.
.
.
.
.
.
n
.
.
14
dim..
.
w
w
.
.
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.
n
.
.
n
.
.
15
.
.
.
.
P I A N O C O N D U C T O R 31 LES MISRABLES
1
A t t h e E n d o f t h e D a y
(12/7/01)
-
&
?
b
b
b
b
b
b
b
b
8
12
8
12
.
.
w
w
.
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16
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w
w
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17
.
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.
.
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
A (CHORUSTHE POOR)unis.
F
At the end of the day you're a - noth - er day
F
Kbd1
J
J
18Kbd3, Vc
-
.
. .
-
-
j
. .
old - er,
J
J
19-
.
. .
-
-
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
And that's all you can say for the life of the
J
J
20
.
. .
poor. It's a
n
j
J
j
21
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
J
.
strug - gle, it's a war, And there's
J
J
22
J
no - thing that an - y - one's giv - ing, One more
J
J
23
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
8
6
8
6
8
6
J
.
day stand - ing a - bout, What is it
J
n
J
24
.
. .
for?
J
J
25 . . . .
P I A N O C O N D U C T O R 32 #1At the End of the Day
-
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
8
6
8
6
8
6
8
6
8
12
8
12
8
12
8
12
(CHORUS)
One day less to be
Drs
J
.
26
j
.
j
. .
liv - ing.
.
Ob, Hnj
.
+Fl
.
-
Kbd1
-
J
.
.
.
-
j
.
.
27
f
Kbd2
j
.
>
.
.
>
.
>
.
.w
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
At the end of the day you're a - noth - er day
-
.
. .
F
-
J
.
.
.
-
J
.
.
.
28
j
n
. .
cold - er.
f
Obj
-
.
-
.
-
.
-
Kbd1, Str
-
J
.
.
.
-
J
.
.
.
29
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
And the shirt on your back does - n't keep out the
j
.
-
J
.
.
.
-
J
.
.
.
30
.
. .
chill. And the
+Clarj
-
.
-
.
-
j
.
n
.
-
-
-
.
.
31
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
J
.
right - eous hur - ry past, They don't
-
J
.
.
.
-
J
.
.
.
32
J
J
hear the lit - tle ones cry - ing, And the
-
J
.
.
.
-
J
.
.
.
33
P I A N O C O N D U C T O R 33 #1At the End of the Day
-
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
8
6
8
6
8
6
(CHORUS)
.
win - ter is com - ing on fast. Read - y to
-
J
.
.
.
n
-
J
.
.
.
34
.
. .
kill.
-
J
.
.
.
-
J
.
.
.
35
&
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
8
6
8
6
8
6
8
6
8
12
8
12
8
12
8
12
b
b
b
b
One day near - er to
J
.
36
j
j
. .
dy - ing.
.
Ob, Hnj
.
+Fl
.
-
Kbd1
-
J
.
.
.
-
j
.
.
37
f
Kbd2
j
.
>
.
.
>
.
>
.
.w
&
&
&
?
b
b
b
b
B
At the end of the day there's a - noth - er day
WWsj
-
. .
.
Kbd3, Vln
.n
.
f
J
J
38
J
J
j
. .
dawn - ing,
.n
J
.
J
J
39
J
J
&
&
&
?
b
b
b
b
And the sun in the morn - ing is wait - ing to
.
.
J
J
40
J
J
.
. .
rise. Like the
b>
.
>
.
>
.
>
.
b>
.
>
.
>
.
>
.
41
>
j
.
>
j
.
>
j
.
>
j
.
P I A N O C O N D U C T O R 34 #1At the End of the Day
-
&
&
&
&
?
b
b
b
b
b
(SOPRANOS + TENOR 1)
J
.
J
waves' crash on the sand, like a
(THE REST: ALTOS, TENOR 2, BARI)
j
.
waves' crash on the sand, Like a
.-
.
-
.
-
J
.
J
J
42
Gtr.
..
.
.
.
.
.
.
.
.
.
J
.
storm that - 'll break an - y se - cond.
j
storm that - 'll break an - y se - cond. There's a
.-
.
-
.
-
J
.
J
J
43
..
.
.
.
.
.
.
.
.
.
.
&
&
&
&
?
b
b
b
b
b
8
6
8
6
8
6
8
6
8
6
.b
.b ..
There's a hun - ger
J
b b .
hun - ger in the land, There's a
b
b
b
b-
--
b
b
b
J
b
J
44
.b. .b
.b
.
.
b
b
.
.
.
.
b
b
.
.
.b
.b .
J
in the land, There's
b b
j
reck - on - ing still to be reck - oned, And there's
b
b
b
b-
-
-
b
b
b
J
b
J
45
.b. .b
.b
.
.
b
b
.
.
.
.
b
b
.
.
&
&
&
&
?
b
b
b
b
b
8
6
8
6
8
6
8
6
8
6
8
12
8
12
8
12
8
12
8
12
8
6
8
6
8
6
8
6
8
6
b b
gon - na be hell to
b
gon - na be hell to
b
b
b
b
b
b
J
46
.
.
b
b
.
.
div..b
Sop 1 + Ten 1.
pay.P
sub.
.b
Sop 2
.
.
Ten 2
Alto and Bari.
.
.
b
pay.
Psub.
-
b-
-
-
-
-
.
.
.
.
b
b
-.
.
.
.
- ..
.
.
-..
.
.
-
47
.
.
b
b-
.
.
-
.
.
-
.
.
-
P I A N O C O N D U C T O R 35 #1At the End of the Day
-
&
&
&
&
?
b
b
b
b
b
8
6
8
6
8
6
8
6
8
6
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
8
12
8
12
8
12
8
12
8
12
f
(CHORUS)
b
At the end of the
b
At the end of the
f
J
.
f
J
N
.
48
j
fl
.
. .
day!
V
. .
day!
V
f
Kbd1 solob
- j
.
j
.
- j
.
j
.
b
-
J
.
.
n
.
-
J
.
.
.
f
Kbd3
-
j
.
j
.
-J
.
J
n
.
-
J
.
J
.
49
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
C
(FOREMAN)
At the end of the day you get no - thing for
F
-
J
.
.
.-
J
.
.
.
-
j
.
-
j
.
50
. .
no - thing.
-
J
.
.
.
-
J
.
.
.
-
j
.
.
j
-
51
V
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
(FOREMAN)
Sit - ting flat on your bum does - n't buy an - y
-
J
.
.
.-
J
.
.
.
-
j
.
-
j
.
52
. .
bread.
. .
(WORKER 1)
There are
n
-
J
.
.
.
-
J
.
.
.
n
-
j
.
-
j
.
53
P I A N O C O N D U C T O R 36 #1At the End of the Day
-
V
&
&
?
b
b
b
b
b
b
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(WORKER 1)
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.
(1 & 2)
child - ren back at home, And the
-
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54
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(WORKER 2)
child - ren have got to be fed, And you're
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8
6
8
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. .
(WOMAN)
And in a(WORKER 2)
. .
luck - y to be in a job.
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56
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bed.
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Drs
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8
6
8
6
8
6
8
6
8
6
8
12
8
12
8
12
8
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8
12
(WOMAN)
And we're count - ing our
(1 & 2)
And we're count - ing our
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P I A N O C O N D U C T O R 37 #1At the End of the Day
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&
&
?
b
b
b
b
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b
b
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F
Tutti
.
.
.
.
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60
.
.
.
.
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.
.
.
(GIRL 1)
Have you seen how the fore - man is fum - ing to -
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day?
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62
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With his ter - ri - ble breath and his wan - der - ing
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63
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(GIRL 1)
. .
hands?
J
-
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.
-
.
-
.
-
64
J
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.
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.
-
(GIRL 2)
It's be - cause lit - tle Fan - tine won't give him hisj
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65 J
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(GIRL 1)
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Take a look at his trous - ers, you see where he
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66
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stands.
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(GIRL 4)
And the
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67
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P I A N O C O N D U C T O R 38 #1At the End of the Day
-
&
&
?
b
b
b
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b
b
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(GIRL 4)
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boss, he ne - ver knows That the
KBd1, 3
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68.
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(GIRL 2)
fore - man is al - ways on heat. If Fan -
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8
6
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6
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. .
tine does - n't look out, Watch how she
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70.
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goes:
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71
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8
6
8
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8
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She'll be out on the
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P I A N O C O N D U C T O R 39 #1At the End of the Day
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&
&
&
?
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C2 (CHORUSThe Workers)
At the end of the day it's a - noth - er day
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With e - nough in your pock - et to last for a
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week. Pay the
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(SOPRANOS + TENOR 1)
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land - lord, pay the shop, Keep on
(THE REST: ALTOS, TENOR 2, BARI)
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land - lord, pay the shop, Keep on
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graft - ing as long as you're a - ble,
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graft - ing as long as you're a - ble, Keep on
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79
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P I A N O C O N D U C T O R 40 #1At the End of the Day
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&
&
&
&
?
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b
b
b
b
8
6
8
6
8
6
8
6
8
6
(SOPRANOS).b
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Keep on graft - ing
(THE REST)
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graft - ing till you drop, Or it's
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80
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till you drop, You've
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back to the crumbs off the tab - le, Well, You've
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81
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6
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8
12
8
12
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8
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8
6
8
6
8
6
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6
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6
b
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got to pay your
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got to pay your
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82
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P I A N O C O N D U C T O R 41 #1At the End of the Day
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&
&
&
&
?
b
b
b
b
b
8
6
8
6
8
6
8
6
8
6
b
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b
b
b
b
b
b
b
b
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8
12
8
12
8
12
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12
(CHORUS)
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86
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(GIRL 5) (grabbing a letter from FANTINE)
J
And what have we here, lit - tle in - no - cent
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(reading the letter)
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"Dear Fan - tine, you must send us more
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P I A N O C O N D U C T O R 42 #1At the End of the Day
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&
&
?
b
b
b
b
b
b
b
b
b
8
6
8
6
8
6
8
12
8
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8
12
(GIRL 5)
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mo - ney, your child needs a doc - tor, there's no time to
92
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lose."
+Strings
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F
(FANTINE)
Give that let - ter to me, it is none of your
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94
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With a hus - band at home and a bit on the
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Is there an - y - one here who can swear be - fore
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P I A N O C O N D U C T O R 43 #1At the End of the Day
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b
b
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2
3
2
3
2
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103
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(VALJEAN)
What is this fight - ing all a -
F
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104
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b
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bout, will some - one tear these two a -
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105
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part, This is a fact - 'ry, not a
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106
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107
w
V
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b
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4
2
4
2
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2
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2
Now, come on, lad - ies, set - tle
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109
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I run a bus - 'ness of re -
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110
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P I A N O C O N D U C T O R 44 #1At the End of the Day
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b
b
b
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4
2
4
2
4
2
4
2
4
4
4
4
4
4
4
4
(VALJEAN)
pute, I am the
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111
b
May - or of this town.
j
j
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j
112J
J
J
J
(To the FOREMAN)
I look to you to sort this
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113J
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