camera work[2]

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Learning Objectives: • Revise camera angles. • Understand key camera movements. • Put knowledge into practise by producing an analysis of camera angles and movement. Success Criteria:

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Page 1: Camera work[2]

Learning Objectives:

• Revise camera angles.• Understand key camera movements.

• Put knowledge into practise by producing an analysis of camera angles and movement.

Success Criteria:

Page 2: Camera work[2]

As we watch the video, decide on definitions for the following:

• Framing

• Pan (panorama shot)

• Swish pan

• Tilt

• Tracking shot

Page 3: Camera work[2]

Camera Movement

• Framing:

Consider the edges/borders of the image. How are shots framed and what vantage point does that framing provide for the spectator? Are things framed frontally or centrally? Are they cropped and fragmented?

Page 4: Camera work[2]

Camera Movement

• Pan (panorama shot):

The camera rotates from a fixed position along a horizontal plane (pan right/left; 360 degree pan).

Page 5: Camera work[2]

Camera Movement

• Swish pan:

The camera moves very rapidly along the horizontal plane so that the action appears blurred.

Page 6: Camera work[2]

Camera Movement

• Tilt:

The camera tilts up or vertically (tilt up/tilt down).

Page 7: Camera work[2]

Camera Movement

• Tracking shot:

The camera travels in any direction (track backward, forward, left or right). The camera can be mounted on a truck or dolly to permit high-speed movement.

Page 8: Camera work[2]

Test: Camerawork

Page 9: Camera work[2]

1. A director would use a CLOSE UP to allow the audience to ….

Section 2 Chapter 2.2 Test: Camerawork

read actors’ facial expressions.

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

focus on key props or gestures.

Page 10: Camera work[2]

2. A director would use a MEDIUM SHOT (MID SHOT) to allow the audience to ….

Section 2 Chapter 2.2 Test: Camerawork

see a character’s dress code and some of the setting.

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

Page 11: Camera work[2]

3. A director would use a LONG SHOT to allow the audience to ….

Section 2 Chapter 2.2 Test: Camerawork

see the setting of the scene, to put the sequence into context.

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

Page 12: Camera work[2]

4. A director would use a HIGH ANGLE SHOT to allow the audience to ….

Section 2 Chapter 2.2 Test: Camerawork

look down on something or someone and see it or them as vulnerable or inferior.

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

Page 13: Camera work[2]

5. A director would use a LOW ANGLE SHOT to allow the audience to ….

Section 2 Chapter 2.2 Test: Camerawork

look up to something or someone to see it or them as imposing or superior.

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

Page 14: Camera work[2]

6. A director would use a POINT OF VIEW (PoV) SHOT to allow the audience to ….

Section 2 Chapter 2.2 Test: Camerawork

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

feel themselves to be in the shoes of a particular character, to connect with them, feel what they’re feeling.

Page 15: Camera work[2]

7. A director would use a SPECTATOR SHOT to allow the audience to ….

Section 2 Chapter 2.2 Test: Camerawork

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

have a privileged viewing position, to see the bigger picture and enjoy the spectacle.

Page 16: Camera work[2]

8. A director would use a TRACKING SHOT to allow the audience to ….

Section 2 Chapter 2.2 Test: Camerawork

follow the action, especially if it was moving.

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

Page 17: Camera work[2]

9. A director would use a TWO SHOT to allow the audience to ….

Section 2 Chapter 2.2 Test: Camerawork

see two characters at the same time, usually in conversation.

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

Page 18: Camera work[2]

10. A director would use an ESTABLISHING SHOT to allow the audience to ….

Section 2 Chapter 2.2 Test: Camerawork

see where the drama is set, usually by way of a long shot.

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

Page 19: Camera work[2]

SCORES:

Section 2 Chapter 2.2 Test: Camerawork

A: 8 – 10 B: 7 C: 6 D: 5 E: 4 U: 0 – 3

OCR Media Studies for AS Dynamic Learning Network Edition© Hodder Education 2008

Page 20: Camera work[2]

Hobo with a shotgunhttp://www.youtube.com/watch?v=ssHEAOrAdCU

First viewing:• Jot down each camera angle you notice.

Second viewing:• Write the effect of each camera angle.

Third viewing:• Make notes on camera movements and their

effects.

Page 21: Camera work[2]

Touch of Evil

• http://www.youtube.com/watch?v=Yg8MqjoFvy4

Page 22: Camera work[2]

Touch of Evil analysis

How are camera angles and movements used for effect in the opening sequence of ‘Touch of Evil’?

Use detailed, specific examples.

Aim to write about a page.