call sheet, shooting schedule a2 alternate hidden

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The Data Protection Act requires us to manage personal data responsibly and to adhere to a governing Data Protection Policy (DPP). Our call sheets contain some personal data, such as mobile phone numbers. With this in mind and in accordance with the DPP, we ask that you keep your call sheet safe when it's in your possession and to hand it back or destroy it when you no longer need it. The inclusion of the limited personal data contained within this call sheet is done so with the agreement of the individuals concerned. DATE: FRIDAY 31 st JANUARY & SATURDAY 1 st FEBRUARY 2014 SHOOT: BASINGSTOKE HOUSE, BASING VIEW ROAD, BASINGSTOKE THIS CALLSHEET IS PRIVATE AND CONFIDENTIAL – PLEASE KEEP THIS ABOUT YOUR PERSON LOCATION TEAM CONTACTS Producer/ Director Raymond Sloan M: 00000000001 E: [email protected] Director of Photography Raymond Sloan M: 00000000001 E: [email protected] FILMING SCHEDULE: FRIDAY 31 st JANUARY & SATURDAY 1 st FEBRUARY 2014 FRIDAY 31 st JANUARY TIME SCHEDULE 18:50 Ray picks up camera equipment and walks down road 19:00 Ray puts camera equipment in car and leaves 19:30 Ray arrives in Basingstoke (10 minutes added in case of traffic) and unloads camera equipment in house 20:00 Ray meets up with actor 20:10 Ray sets up camera equipment for “Night” Scenes on Storyboard 20:20 Use Storyboard to film scenes 21:00 Wrap up filming and pack away equipment 21:10 Finish until tomorrow SATURDAY 1 st FEBRUARY TIME SCHEDULE 09:00 Ray meets Actor 09:15 Ray sets up camera equipment 09:20 Filming for “Day 1” and “Day 2” Storyboard scenes at house and driveway starts 12:20 Filming wraps for scenes in house and driveway, equipment packed up 12:30 Ray and actor takes equipment to Bridge

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Page 1: Call Sheet, Shooting Schedule A2 ALTERNATE HIDDEN

The Data Protection Act requires us to manage personal data responsibly and to adhere to a governing Data Protection Policy (DPP).

Our call sheets contain some personal data, such as mobile phone numbers.  With this in mind and in accordance with the DPP, we ask that you keep your call sheet safe when it's in

your possession and to hand it back or destroy it when you no longer need it.

The inclusion of the limited personal data contained within this call sheet is done so with the agreement of the individuals concerned. 

DATE: FRIDAY 31st JANUARY & SATURDAY 1st FEBRUARY 2014SHOOT: BASINGSTOKE HOUSE, BASING VIEW ROAD, BASINGSTOKE

THIS CALLSHEET IS PRIVATE AND CONFIDENTIAL – PLEASE KEEP THIS ABOUT YOUR PERSON

LOCATION TEAM CONTACTSProducer/ Director Raymond Sloan M: 00000000001

E: [email protected]

Director of Photography Raymond Sloan M: 00000000001E: [email protected]

FILMING SCHEDULE: FRIDAY 31 st JANUARY & SATURDAY 1 st FEBRUARY 2014

FRIDAY 31st JANUARYTIME SCHEDULE18:50 Ray picks up camera equipment and walks down road

19:00 Ray puts camera equipment in car and leaves19:30 Ray arrives in Basingstoke (10 minutes added in case of traffic) and unloads camera

equipment in house20:00 Ray meets up with actor20:10 Ray sets up camera equipment for “Night” Scenes on Storyboard20:20 Use Storyboard to film scenes

21:00 Wrap up filming and pack away equipment21:10 Finish until tomorrow

SATURDAY 1st FEBRUARYTIME SCHEDULE09:00 Ray meets Actor09:15 Ray sets up camera equipment09:20 Filming for “Day 1” and “Day 2” Storyboard scenes at house and driveway starts12:20 Filming wraps for scenes in house and driveway, equipment packed up12:30 Ray and actor takes equipment to Bridge12:45 Ray sets up camera equipment12:50 Ray starts filming bridge segment13:10 Filming wraps for bridge segment and equipment packed away 13:15 Ray and actor moves to tunnel/stairs13:20 Ray sets up camera equipment13:25 Ray starts filming tunnel/stair segment13:50 Filming wraps for tunnel/stair segment and equipment packed away13:55 Ray and actor moves to abandoned district road14:05 Camera equipment set up and Ray and actor wait for car and actress to arrive

Page 2: Call Sheet, Shooting Schedule A2 ALTERNATE HIDDEN

14:20 Ray begins filming abandoned district road sequence15:20 Filming wraps for abandoned district road15:25 Camera equipment packed away15:30 Analysis of progress, decision made if any extra scenes required and filmed (Optional17:30 Short Film filming wraps completely

IMPORTANT NOTES:

*Camera Kit must never be left out of sight

*Confidentiality/Release forms must be signed by all key contributors and crew

LOCAL A&E & POLICE:

A & E POLICE

Aldermaston RdBasingstoke HampshireRG24 9NA hampshirehospitals.nhs.uk

Castle StReading RG1 7TH T: 999/101http://www.hampshire.police.uk/internet

CAMERA KIT & STOCK

KIT HIRE COMPANY Z1 EQUIPMENT LIST X1 / STOCKJohn Madejski Academy Tripod

Should MountXF 100 Camera

FINANCE & RELEASE FORMS:

RELEASE FORMS:

Ray has a release form for the actors to sign.

SAFETY DETAILS:

HEALTH & SAFETY / RISK ASSESSMENT:

A copy of the risk assessment will be supplied with this document

INSURANCE:

John Madejski AcademyPublic Liability InsuranceKeith Eldridge

MAPS:

Page 3: Call Sheet, Shooting Schedule A2 ALTERNATE HIDDEN

Basing View Road, Basing View Tunnel, Norn Hill Bridge

LOCATIONSFriday 31st January & Saturday 1st February 2014Loc 1Basingstoke House N/a N/a

Loc 2Basing View Road (And Surrounding Bridge/Tunnel)

Garrard StreetReading RG1 1NR

T: 0845 050 7080W: ncp.co.uk

SHOT LIST

These are the shots that will be used throughout the scenes.

Shot Type Where Why Medium Close up Bedroom To introduce character to

audience and show that he is looking at something interesting.

Over the shoulder/Zoom Bedroom To show the door and sounds coming from behind it taht Ails is looking at

Eye Level Living Room To show Ails as main focus as life rushes around him

Medium Close up Living Room To continue on from previous shot and give greater focus to Ails loneliness

Medium Close up Bedroom To highlight emptiness of room with Ails in it

Medium Close up Bedroom To show the darkness of the room behind Ails with the TV light hitting his face

Medium Close up Bedroom To show Ails has noticed something on the floor as he looks down

Low Angle Bedroom To show that a glass has been knocked over

Medium Close up Bedroom Ails looks at the puddle of juice on the floor

Over the Shoulder Shot Bedroom To show TV going offClose up Bedroom To show the juice spilt on the

console

Page 4: Call Sheet, Shooting Schedule A2 ALTERNATE HIDDEN

Close up Bedroom To show Ails turning on the lightClose up Bedroom To show Ails mopping up the

juiceMedium shot Bedroom To show Ails put down the cloth

and pick up the controller againClose up Bedroom To show hands tapping

unresponsive buttons on controller

Medium close up Bedroom To show Ails throwing controller in frustration

Close up Bedroom To show controller hitting FloorClose up Bedroom Ro show lamp moving across

floorExtreme Close up/Depth of Field Bedroom To show Ails noticing something

in the corner of his eyeClose up/Depth of Field Bedroom To show Ails turning his head

towards the lampClose up/Depth of Field Bedroom To show Ails moving towards

the lampOver the Shoulder Bedroom To show Ails adjusting the lampClose up Bedroom To show Ails confused aceClose up Bedroom To show Ails grabbing the

controllerDepth of Field/POV Bedroom To show ails pushing buttons

and the lamp movingMedium Shot Bedroom To show Ails looking back at

where the controller hit the floorMedium Close up Bedroom To show Ails looking confusedExtreme Close up/Depth of Field Bedroom To show Ails staring at lampClose up Bedroom To show Ails pushing the “Up”

buttonBirds Eye View Bedroom To show the lamp move forwardExtreme Close up Bedroom To show Ails look of shockMedium Close up Bedroom To show Ails looking at the

powerful controller in his handsClose up Bedroom To show Ails putting the

controller downLong Shot Bedroom To show Ails going to bedMedium Close up Bedroom To show Ails waking up and

looking at cameraLong Shot Bedroom To show the morning light

through the window and Ails getting out of bed

Over the Shoulder Bedroom To show Ails watching TV and eating cereal

Medium Close up Bedroom To show Ails turning head and noticing something

Depth of Field Bedroom To show Ails looking at the controller from across the room

Medium Shot Bedroom To show Ails grabbing the controller

Medium Shot Bedroom To show Ails staring at the controller

Over the Shoulder Bedroom To show Ails directing the controller towards the lamp

Extreme Close up Bedroom To show Ails pressing the buttons on the controller

Close up Bedroom To show Ails confusion and turns around to see bowl of cereal has moved

Depth of Field Bedroom To show Ails moving the bowl with the controller in his hands across the room

Medium Shot Bedroom To show Ails leaving the roomLow Angle Shot Stairs To show Ails running down the

Page 5: Call Sheet, Shooting Schedule A2 ALTERNATE HIDDEN

stairs from belowMedium Shot Driveway To show Ails emerging from

houseDepth of Field Driveway To show Ails tapping controller

Start buttonLong Shot Driveway To show vehicle engine turning

onClose up Driveway To show Ails pushing the “Up”

buttonLong Shot Driveway To show Ails looking at the car

as it move forward from behindDepth of Field Driveway To show Ails on the other side of

the car as it moves backward when pressing buttons on the controller

Over the Shoulder/Low Angle Driveway To show Ails parents mention hearing a noise from outside

Medium Shot Driveway To show Ails turning off the car engine

Long Shot/Low Angle Stairs To show Ails running back to his bedroom

POV Bedroom To show Ails looking up at controller in his hands

Long Shot Bedroom To show Ails getting out of bedClose up Bedroom To show Ails has an idea and

smilesLong Shot Bedroom To show Ails leaving room with

controllerHigh Angle Bedroom To show Ails running out of

house from bedroom windowLong Shot Bridge To show Ails walking towards

townHigh Angle Tunnel Access To show Ails walking down to

the tunnelsLow Angle Tunnel To show Ails walking through

the tunnels on his ownLow Angle Tunnel Exit Stairs To show Ails leaving the tunnels

and walking up stairs and over the camera

Depth of Field Road To show Ails walking along with woman seen on the other side of the road

Close up Road To show Ails noticing the woman as he turns his head

Close up Road To show Ails pulling out controller

Over the Shoulder Road To show Ails pointing the controller at the woman

Medium Shot Road To show Ails controlling the woman’s movements with his controller

Close up Road To show the woman’s horror and worried expression

Medium Close up Road To show Ails laughing at the woman who has no control and his ability to control her movements

Extreme Close up Road To show Ails tapping the buttons randomly

High Angle/Medium Shot Road To show woman being controlled walking off path and onto street

Long Shot/Eye Level Shot Road To show oncoming car from around corner

Extreme Close up Road To show the shocked and horror

Page 6: Call Sheet, Shooting Schedule A2 ALTERNATE HIDDEN

expression on the woman’s face after realising she is in front of a car

Close up Road To show Ails still laughing with eyes closed

Close up Road To show Ails open eyes and stop laughing instantly as soon as he hears a bang

Long Shot Road To show woman’s body lying in the street

Long Shot Road To show driver speeding off with no concern

Close up Road To show Ails shocked expression of what he has done

Medium Shot Road To show Ails kneeling next to wounded woman

Over the Shoulder Road To show Ails looking down on wounded woman

POV/Low Angle Road To show from the woman’s perspective, Ails horrified face filled with grief

POV/High Angle Road To show from Ails perspective, the woman beginning to cry in pain

Close up Road To show Ails holding the woman’s hand to comfort her

POV/High Angle Road To show from Ails perspective, the woman dying with a smile on her face

Long Shot Road To show Ails standing up over the body

Medium Close up Road To show Ails has an ideaLong shot/Tracking Shot Road To show Ails running down the

streetMedium Shot Road To show Ails desperately

running homeLong Shot Tunnel Exit Stairs To show Ails running down

stairs to the tunnelsLong Shot Tunnel To show Ails running down the

tunnelTracking Shot Bridge To show Ails running across the

bridgeLong Shot Bedroom To show Ails exhaustedly

walking into his roomExtreme Close up Bedroom To show Ails pressing the reset

button on the Mega Drive Console