by: taryn schreiner jessa southland josh musick shelby baxley
TRANSCRIPT
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Through The Looking Glass: The role of memory in the
Glass MenagerieBy:
Taryn SchreinerJessa Southland
Josh MusickShelby Baxley
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Thesis: “..Tom would have become a protagonist whose remembrance of familial things past was truly subjective, distorted, dreamlike or even nightmarish, and totally self-generated, a fantastic journey through the minds inner reaches as well as the world’s outer ones.”
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Yes, it helps show the audience that the play is based on Tom’s memory and is subjective to Tom’s view point.
Should this play include the screen projections when staged?
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The play is Impressionistic (not expressionistic)
The truth is never directly questioned during the play.
The play relies on realism.
Main Claims
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“Expressionism and all other unconventional techniques in drama have only one valid aim, and that is a closer approach to the truth.”
“As it stands, however, Tom’s memories are not expressionistic but impressionistic.”
Impressionism
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“The Glass Menagerie may be a memory play… but it does not question the reliability of memory..”
“Like undisguised realism and naturalism The Glass Menagerie never questions its own.”
Questioning The Truth
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The Glass Menagerie is “a straight realistic play with its genuine Frigidaire and authentic ice-cubes, its characters who speak exactly as its audience speaks.”
“The actions may appear to be impressionistic or ‘non-realistic’ (though hardly expressionistic) but this is realism by any other name.”
Realism In The Play
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“The projections and lighting keep the effect slightly stylized during the scenes, the fragmented structure blocks us from too long an absorption in the action, and the re-appearance of Tom as a narrator forces us back to the present.”
Family, Drama, and American DreamsBy Tom Scanlan
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http://www.youtube.com/watch?v=GFeQbEUjHVk (3:30)
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The End