busby - the-saleroom
TRANSCRIPT
Busby
Fine Art & Antiques
Fine Art & Antiques
Started 17 Sep 2020 10:00 BST
Bridport Salerooms, The
Old Hemp Store
North Mills
Bridport
Dorset
DT6 3BE
United Kingdom
Lot Description
1 A pair of Victorian silver fiddle pattern tablespoons by William Eaton, London 1846, 4.5oz
2 A set of six Victorian silver dessert spoons by Elizabeth Eaton, London 1846, 8.2oz
3 A set of six silver fiddle pattern teaspoons by John Round & Son Ltd, Sheffield 1895, 4.2oz
4 A set of six Irish silver fiddle pattern forks, by Charles Marsh, Dublin 1827 and 1829, 12oz
5 A set of six Victorian silver fiddle pattern dessert forks, by Elizabeth Eaton, London 1856, 9.4oz
6A set of twelve fiddle pattern tablespoons; six by Richard Britton, London 1814; and six by John & Henry Lias, and John, Henry &
Charles Lias, 1821 and 1824 (12), 26oz
7A set of six Georgian fiddle pattern forks, various makers including William Eaton, Richard Crossley & George Smith IV, etc, several
quite worn (6), 13.1oz
8 A set of six Victorian fruit forks, five by Charles Wallis, and one by, Chawner & Co, London 1854, 8.7oz
9A set of six Victorian Old English pattern silver table forks and six dessert forks by Samuel Hayne & Dudley Cater, London 1849 and
1850; together with one other Georgian table fork, 22.8oz
10 A set of six large and six smaller Victorian Old English pattern forks by Chawner & Co (George William Adams), London 1854, 25oz (6)
11 A set of seven Old English pattern table spoons, the terminals monogrammed 'JEPC', by Garrard & Co Ltd, London 1967, 17.5oz
12 A mixed set of eight Old English pattern tablespoons, at least four by Thomas Chawner, London 1775, other marks rubbed, 17oz
14A small collection of silver teaspoons and sugar tongs, to include a William Bateman I George III teaspoon; several Victorian teaspoons;
a set of five 20th century coffee spoons with pierced terminals; a large Victorian set of sugar tongs by Robert Williams, etc, 6.3oz
15Two silver tablespoons by William Woodman, Exeter, one 1830; an old English pattern tablespoon by Richard Poulden, London 1820;
three old English tablespoons by Josiah Williams & Co, London 1923; and two others (8), 17.6oz
16Five Victorian and Georgian silver fiddle pattern teaspoons, various makers; together with a set of five Edwardian silver handled butter
knives by John Biggin, 1924, together with a silver knife (af), and a bone handled slice
17A pair of Victorian silver salad servers by John Grinsell & Sons, Birmingham 1890, of shell form, having turned wood handles, each
26cm
18 A Chinese export silver part canteen of fruit knives and forks, Cutshing, Canton, currently complete for 12 place settings
19 A 12 place setting canteen of fruit knives and forks, by Martin, Hall & Co.
20A cased set of originally 12 silver coffee spoons and sugar tongs, now containing 10 spoons, by Goldsmiths & Silversmiths Co., in red
velvet and leather case; together with two cased sets of coffee spoons; and a silver christening set
21Three large Armada/alms dishes by Solomon Joel Phillips, London 1996 and 2007, awarded as trophies for the Tattersall Stakes 1999,
2000, and 2009, each 21cm diameter, 38oz
22 Two large Armada/alms dishes by Solomon Joel Phillips, London 2010, awarded as racing trophies, each 18.5cm diameter, 20.3oz
23 Two large Armada/alms dishes by Solomon Joel Phillips, London 2010, awarded as racing trophies, each 18.5cm diameter, 20.3oz
24Two large Armada/alms dishes by Solomon Joel Phillips, London 2009 and 2011, awarded as racing trophies, each 18.5cm diameter,
20.3oz
25Three small Armada/alms dishes by Mappin & Webb, London 2008 and 2009, boxed, awarded as racing trophies at Royal Ascot, 2008
and 2009, each 10.8cm diameter, 8.3oz; together with two larger Royal Ascot trophy presentation boxes
26Two silver Armada/alms dishes by Richard Lawton Ltd, London 1990 and 1993, the larger 20cm diameter, awarded as a trophy for the
Fillies Stakes, Epsom 1990, the smaller 10.8cm diameter, awarded 1996, 15.5oz
27Two Armada dishes by Carr's of Sheffield Ltd, awarded as racing trophies 2001 and 2003, together with one other by Solomon Joel
Phillips, awarded 1996, 17.5, 12.5, and 13.5cm diameter, 16.1oz
28 A very large silver Armada/alms dish by Deakin & Francis Ltd, Birmingham 2012, 35.5cm diameter, 32.4oz
29 A pair of cased Armada/alms dishes, each Sheffield 2019, 14.5cm diameter, 10oz
30 A silver trophy cup with twin scrolling handles, 13.5cm high excluding handles, 8.3oz
31A very large twin handled silver trophy cup by Harrison Brothers & Howson (George Howson), Sheffield, 1908, on ebonised plinth base,
inscribed 'Behar Golf Clubs, The Kellner Challenge Cup, Open Men's Singles', approximately 21cm high excluding base, 37.4oz
32
A small lot of silver to include a pair of Victorian silver sugar tongs by John Stone, Exeter 1847; a silver teaspoon by William M Traies,
London 1824, together with another 20th century teaspoon; and a Danish .830 silver stirring spoon with engraved bowl, marked H.O for
Henning Oddershede, Copenhag ...[more]
33
A mixed lot of silver, to include a number of napkin rings, a cased set of Victorian apostle spoons by Sibray, Hall & Co. (one missing),
cased set of coffee bean terminal coffee spoons, cigarette box, Georgian tablespoon, Victorian King's Pattern sugar sifter c.1891; a set
of four George III tea ...[more]
34
A William IV/Victorian five piece tea service by Edward, Edward junior, John & William Barnard, London 1836 and 1839, comprising
teapot, coffee pot, burner, milk jug, and sugar bowl, all chased with all over floral and foliate decoration, with scrolling handles, the
teapot and coffee pot with iv ...[more]
35 A silver teapot of compressed cylindrical form by Thomas Ducrow & Sons, Birmingham 1946, 19oz
36A silver three piece teaset, by James Deakin & Sons, Sheffield 1908 and 1909, of rectangular form with gadrooned edge on four hoof
feet, the teapot with ebonised harp handle and finial, the milk jug and sugar bowl with acanthus capped handles, 46.3oz
37
A four piece silver teaset by Goldsmiths & Silversmiths Co., London 1911, comprising coffee pot, teapot, milk jug, and sugar bowl, of
compressed circular form, the pots with pineapple finials and acanthus capped wood handles, egg and dart edges, on spreading circular
feet, 49.2oz
38 A George III silver teapot by Crispin Fuller, London 1801, of oblong octagonal form, having harp handle, bright cut decoration, 13.8oz
39A Dutch silver tea caddy, bearing mark of Willem Diemont, Amsterdam 1843, of oval form with pineapple finial on hinged lid, raised on a
spreading foot, approximately 13cm high, 11.2oz
40A late Victorian three piece silver teaset by George Nathan & Ridley Hayes, Chester 1899 and 1900, comprising teapot (af), milk jug,
and sugar bowl, each half fluted, the teapot with ebonised harp handle; together with a needle case and pair of sugar tongs, 13.2oz
41A late Victorian three piece tea set by Goldsmiths & Silversmiths Co., London 1899, the teapot with ebonised harp handle, all chased
with floral and scrolling decoration, 32.5oz
42 A modern silver coffee pot with wooden scroll handle by Francis Howard Ltd, Sheffield 1973, 27.5cm high, gross weight 24oz
43A modern three piece silver coffee set, by Roberts & Belk, Sheffield, 1973, in Queen Anne style, the pot approximately 25cm high,
38.9oz
44 A George II silver milk jug by Thomas Wallis II, London 1800, 3oz
45 A George III silver milk jug and sugar bowl by Alice & George Burrows II, London 1807, half fluted bodies on ball feet, 8.9oz
46An Edwardian silver milk jug and sugar bowl, Elkington & Co. Ltd, London 1910; together with a silver tray, W. Bruford & Son, London
1903, 20cm diameter; and a very small spill vase, 22.4oz
47A cased pair of Edwardian silver sugar bowls, maker's mark L&W, Birmingham 1904, of octagonal form with pierced decoration, each
with a small set of sugar tongs, 3.5oz
48A cased matched cruet set, various makers, comprising two salts and two lidded mustards with blue glass liners, two peppers, and four
spoons
49 A pair of George II silver salts, maker's mark rubbed, London 1738, silver gilt interior, bright cut decoration, on three hoof feet, 4.3oz
50A pair of pierced silver salts by Thomas Bradbury & Sons, London 1897, of pointed oval form with blue glass liners; together with two
small salt spoons, and a 20th century salt and pepper of turned baluster form (6)
51A lot of silver cruet items, to include a lidded drum mustard of oval form by Stokes & Ireland Ltd, Chester 1916; two other 20th century
lidded salts, all with blue glass liners; and a Queen Anne style sugar caster, London 1933, 10oz
52 A silver capstan pepper mill by Hukin & Heath, London 1896
53A pair of silver salts of canted rectangular form with blue glass liners, together with a pair of pepper shakers, Goldsmiths & Silversmiths
Co., London 1928
54A pair of Georgian style silver salts by E S Barnsley & Co. (Edward Souter Barnsley), Birmingham 1912, of oblong form, with hinged lid
and gadrooned edge, blue glass liner, on four paw feet, 5.3oz
55 A pair of pierced silver salts by William Hutton & Sons Ltd, London 1894, 3.1oz
56 A pair of probably Indian silver salts, lightly chased with Eastern motifs, each approximately 6cm high
57An Indian silver pedestal bowl bearing the mark of Grish Chunder Dutt, of Bhowanipore, Calcutta, circa 1900, the circular body finely
chased with Bengali village scenes, on a raised circular foot, 25.5cm diameter, 19.5cm high, 35.7oz
58 A silver fruit bowl by Wakely & Wheeler, London 1969, 21cm diameter, 15.4oz
60An Art Nouveau silver bonbon dish, London 1923, with swept twin handles, on pedestal base with spreading foot, diameter of bowl
approximately 14.8cm; together with a pierced silver bonbon dish by Joseph Gloster Ltd, Birmingham 1918 (2), 18.2oz
61A shaped circular salver by William Bush & Sons, Sheffield 1960, on three scroll feet, the top inscribed 'Presented by the Gentlemen
Cadets of the Second Course', awarded at the Abyssinian Officer Cadet School under Haillie Salessie, 30.5cm diameter, 25oz
62A small silver salver by Carr's of Sheffield Ltd, Sheffield 2006, 20.2cm diameter, together with another smaller by Wakely & Wheeler,
London 1965, 15.5cm diameter, 17.8oz
63 A modern silver salver on four scrolling feet, Sheffield 2015, 30cm diameter, 28.5oz
64A small colonial silver trinket box by Peter Nicholas Orr, 6.3cm wide x 3.8cm deep x 3.8cm high; together with an engine turned
cigarette case, 13.8cm wide, 8.3oz
65An engine turned silver and silver gilt cigarette case, together with a silver compact, by Garrard & Co. Ltd, Birmingham 1957 and 1958;
together with a cut glass scent bottle with silver top
66A silver cigarette case by Munsey & Co. Ltd, Birmingham 1909; another by Deakin & Francis Ltd; silver belt buckle by Charles Stuart
Harris; button hook; loaded spill vase (af), etc
67An Edwardian silver cigarette box, London 1907; together with and engine turned cigarette case by Frederick Field, Birmingham 1935;
and a silver lidded pot, Birmingham 1933
68A Victorian silver spirit tot, by Hilliard & Thomason, Birmingham 1876, modelled as an oversized thimble with the applied motif 'Just a
Thimbleful' and vacant plaque, 5.6cm high, 1.2oz
69 Two modern silver shot glasses, the smaller 7.5cm high, Birmingham 1971 and 1984, 4oz
70 A pair of early 20th century .925 silver grape scissors, bearing import marks for Adolph Barsach Davis, 16.5cm long, 3oz
71 A silver figure of a kingfisher by Edward Barnard & Sons Ltd, London 1991, on wooden plinth with vacant plaque, 11.5oz (AF)
72A 1950s silver and guilloche enamel nine piece dressing table set by Garrard & Co., with applied garnet and marcasite cluster,
comprising two pairs of brushes, hand mirror, cut glass powder bowl, lidded trinket box, perfume bottle, and comb (9)
73 WITHDRAWN
74 A scalloped silver bonbon dish, by Frank Cobb, Sheffield, 1930, 4.4oz
75 A silver bonbon dish by D & J Wellby Ltd, London 1913, 21cm diameter; together with a small Gorham silver dish, 14cm diameter, 18oz
76 WITHDRAWN
77An 18th century white metal toddy ladle, with twisted horn handle, the bowl inset with Queen Anne half crown and chased with foliage
and bird of paradise, 32.5cm long; together with one other, also with twisted white metal and horn handle (2)
78Two Victorian silver dressing hand mirrors: one by Henry Matthews, Birmingham 1898, bevelled oval plate, the back chased with five
cherubs among scrolling decoration; the other London 1882, scrolling handle, the bevelled shaped plate within a pierced frame (2)
79 A pair of early 20th century silver mounted spherical glass match-strikers, marks rubbed, 5.5cm high
80A silver repousse address book, marked William Comyns & Sons, London, 1905; together with a small leather folder with silver mounts,
makers mark rubbed, London, 1891
81A silver and silver gilt egg cup and saucer by Asprey & Co., London 1990, the egg cup 6cm high, supported on three seated Disney
Mickey Mouse figures, the dish 14cm diameter with Mickey Mouse characters to rim, 13oz
82
A mixed lot of silver items: a pair of scallop shell trinket dishes by Albert Edward Jones, Birmingham 1970; a small milk jug by Bishton's
Ltd, Birmingham 1970; chased trinket dish by Cooper Brothers & Sons Ltd; hip flask with silver top and cup; hip flask cup; an .800 silver
salt in the form of ...[more]
83A pair of silver candlesticks by William Hutton & Sons Ltd, London 1908, in the Adam style, having detachable sconce, oval tapering
fluted and knopped column to a loaded base, 29cm high
84A pair of unusual silver candlesticks, Birmingham 1929, hemispherical bobeches on square taped columns and square bases, 20cm
high, loaded, both with repairs
85 A very large silver plated meat cloche with armorial crest bearing motto 'Omnia Pro Bono Tendit Ad Astra Fides', 50cm long, 40cm deep
86 9ct gold and jade long necklace with small pendant depicting a Kiwi bird in a green Garrard & Co. box
87 Silver Art Nouveau style posy brooch, with a cherub playing a horn, 5.5cm high together with a silver propelling tooth pick, approx 6cm
88 A 9ct gold Victorian brooch, makers mark B&W, in a box from GE Searle & Sons, Plymouth, gross weight 2.6g
89 A 9ct gold muff chain, with gold propelling pencil fob set with amethyst, approximately 153cmL, 29g
90 Contemporary silver gilt pendant on chain, hallmarked 925 and with the makers name Antoine Sandoz. With box
91 Prosteel heavy link silver chain 43g together with 2 Prosteel dogtags on chain 16g, and a pair of small hoop earrings
92 1893 gold 10 dollar coin in 9ct gold holder and yellow metal chain
93An amber necklace (approx 169g) purchased in Jerusalem 1918, beads approx 2.5cm x 1.75cm with variations in shape in a Tiffany &
Co. bag
94A string of hardstone beads together with a further set of green agate stones (both need re-stringing)Provenance: purchased by a family
member on the Grand Tour in the Middle East, thence by descent
95 A Yard-o-Led 18ct gold propelling pencil
96 An 18ct gold ladies half hunter fob watch, 30mm diameter, attached by a gold swivel to a 14ct gold brooch
97 14ct gold ladies fob watch, the face marked C Lannier, Geneve, approximately 33m diameter, 27g
98A 9ct gold ladies open face top wind pocket watch, the engine turned case marked Dennison Watch Co., Roman numerals to white dial
with subsidiary seconds at six, 32g
99A Record Watch Co. gent's stainless steel wrist watch c.1960s, champagne dial with luminous Arabic numerals Movement: 30mm
diameter, 16J manual Case: screw back, marked Record Watch Co. Geneve Strap: metal, marked Kreisler Quality USA
100
A Rolex Oyster stainless steel gent's wrist watch c. 1940, silvered dial with Arabic and Roman numeral California style hour markers,
black outer minute track, and syringe hands with luminous inserts, with Jeffs & Son receipt from 2003 Movement: manual wind Case:
30mm diameter, cushion form, sna ...[more]
100A A 14ct gold ladies Rolex wrist watch, with mesh strap, the clip marked 'RW Co. 585', approximately 21mm diameter, in Rolex box
101A Tag Heuer Formula 1 Professional 200m stainless steel gentleman's wristwatchref. WAC1111-0, no. SJ0820, white dial with Arabic
numerals on quarters, black rotating bezelMovement: quartzCase: 40mm, screw backStrap: bracelet
101A
A Certina Argonaut 220 gents stainless steel wristwatch 1973, blue dial with two tone hour markers, purchased by the vendor in Saas
Fe, Switzerland. Fully serviced in 2017 Movement: 28J automatic, cal.25-651 Case: diameter approximately 33mm, Certina screw back
Strap: stainless steel bracelet
102
A Cartier 'Santos de Cartier' gent's stainless steel wristwatchref. 1564, square dial with Roman numerals, centre seconds, date aperture,
complete with box and papersMovement: quartz, 7 jewel Cartier quartzCase: two piece screw case, 30mm diameterStrap: stainless
steel bracelet
103An IWC Chronograph Rattrapante gent's stainless steel wrist watch Circa 2000s Movement: Manual wind Case: Diameter approx.
41mm, case back secured by four screws, signed International Watch Co, numbered Strap: Original IWC leather strap & pin buckle
104
A Girard Perregaux Ferrari 250 GT TdF limited edition automatic chronograph stainless steel gentleman's wristwatch Ref. 809, no.
1972, circular black dial with Arabic numerals, outer tachymeter scale, subsidiary constant seconds, hour and twenty-four hour dials,
chronograph centre seconds and minute ...[more]
105A Must de Cartier silver gilt ladies tank wristwatchBlued hands, black Arabic numerals, cream dial, sapphire set crown and quartz
movement, on brown leather strap, case diameter 22mm, serial number LMC10556With box, papers, and guarantee
105AAn Omega 9ct gold ladies cocktail watch, integral mesh bracelet, the silvered dial with baton hour markers, diameter approximately
16mm, gross weight 24g
106A 19th century French gilt metal ormolu style figural mantel clock, in the form of a reclining lady with cherub and lovebirds, the white
enamelled dial with Roman numerals, two train movement, 40cm high
106AA French bronze ormolu and porcelain clock, the 8cm white enamel dial signed 1 HRY MARC, Paris, the movement stamped HY.
MARC Paris 41097, under oval glass dome with black ebonised stand
107A Vienna regulator style wall clock, walnut with satinwood marquetry, within an architectural case surmounted with a foliate carving,
97cm high
108A late 19th century German oak cased mantel clock, by Lenzkirch, architectural case with pediment top, square brass dial with copper
Roman chapter rings, twin winders, the sides with mounted twin loop handles, 47.5cm high
109 A French gilt metal carriage clock, Roman numerals to enamel dial, with key, 11.5cm high
110 A London Clock Co. brass cased carriage clock with 11 jewel movement by Fema of London, 11cm high
111
A very rare Victorian rosewood mercury Patent Compensating Portable Barometer or mercury sympiesometer by William Harris and
Son, London, mid 19th century, the rectangular silvered scale applied with short U-shaped mercury tube terminating with open bulb to
left hand column opposing sealed bulb to t ...[more]
112An ivory S. Mordan & Co. propelling pencil, nib engraved 'M', the handle tapering to a ball finial, 8cm; together with a bone bodkin case,
decorated with metal dots, with cork stopper, 6cm high
113 A 14ct gold bound folding pocket knife, with small steel blade and pair of scissors, 6.7cm long
114A yellow metal fob seal with carnelian intaglio, bearing the Montefiore crest; together with a small glass intaglio seal with the message
'go where I wish to be' (2)
115 A steel and gold plated Dunhill Rollagas lighter with indented gold stripes
116A tortoiseshell trinket box with hinged lid, together with a guilloche enamel and gilt metal cigarette box, and a hand painted Limoges
porcelain pin box retailed by Harrods, 'Joyeux Nowell'
117 A pair of gilt metal hanged handles inscribed Depose L. Pinet, no.108
118 An Italian white metal mounted giant clam shell, approximately 50cm wide
119A George III marquetry and parquetry tea caddy, of canted square form, with lined interior and internal parquetry cover, 12.9cm square,
18cm high
120An early 19th century burr walnut sewing box, the top with shell marquetry inlay, cross banded with barber's pole stringing, twin loop
handles, with key, 36.5cm wide, 24cm deep, 15.5cm high
121A 19th century parquetry writing box, having fitted interior with inkwell and pen rest, the slope with purple velvet, 30cm wide, 22.5cm
deep, 17.5cm high
122A George III mahogany tea caddy of rectangular form, with blue glass mixing bowl, and two lidded compartments with boxwood
stringing, 30.5cm wide, 15cm deep, 15cm high
123
A 19th century kingwood writing slope, having brass and mother of pearl inlay to hinged lid and keyhole, opening to reveal a blue
morocco skiver, again hinged, below a fitted interior of several lidded compartments, ink wells, pen holder, etc, 36cm wide, 25.5cm
deep, 9.5cm high
124
A Jennens & Bettridge of Birmingham papier mache Japan lacquer writing slope, inlaid with mother of pearl and heightened in gilt,
depicting a turreted building amidst trees, the hinged lid opening to a red satin lined and fitted interior decorated with further gilt
spandrels, 31.5cm wide, 26.5cm ...[more]
125 Two 19th century papier mache trays, one 48cm diameter, the other 48cm long, 38.5cm wide
126 A three decanter oak tantalus with brass fittings, single drawer below
127 A two decanter silver plated oak tantalus, by Martin Hall & Co., Sheffield, square cut glass decanters, with key
128 A bone page turner with with chased white metal handle, 32cm long
129A George IV policeman's truncheon, turned wooden handle, black painted body with gilt 'GR IV' below crown, 47cm long; together with
one other similar (2)
130 Two carved Black Forest bears, one standing on all fours, the other seated, 13cm and 9cm high
131 A very large piece of carved quartz upon a fitted hexagonal hardwood plinth, 47.5cm high including base
132 A pair of decorative Indian brass chalices, each 10.5cm high; together with a pair of unusual brass bangles, each having six prongs
133
A collection of late 18th/19th century fans, to include a hand fan with green lace leaf intricately embroidered with metal sequins, pierced
sticks and guards with floral design heightened in gilt; together with a hide hand fan in the form of a peacock, hand coloured, with
entwined handle; and two ot ...[more]
134 A pair of Matthew Hilton for SCP cast aluminium chargers or bowls, marked 'HILTON' with signature, 50.5cm diameter
135An ivory and onyx Art Deco dish, after Ferdinand Preiss, with carved figures of a nude lady and a mouse in ivory (af), 9.5cm high;
together with an onyx inkwell, letter rack and blotter
136A 19th century carved serpentine statue 'The Dying Gaul', raised on a stepped oval plinth, which sits upon an additional serpentine
plinth with four feet, 25cm high
137 A pair of 19th century bronze cherub figures upon red marble plinths, each 17.5 cm high
138 A pair of bronze candlesticks, decorated with masks of Bacchus and trailing hops, the base encircled by vines, 28cm high
139A collection of nine Persian As Nas playing cards, illuminated oil paintings lacquered on cardboard, each approx. 4x6cm Provenance,
from the collection of Herbert Sykes
140A Japanese Meiji era ivory Okimono of a fisherman holding a teapot, 8cm high; together with one other holding a basket (af), 6cm high;
an ivory elephant (af), 2cm high, and small fishing boat
141A Japanese carved Okimono of a lady seated in a rickshaw holding a small dog and parasol, 9cm high; together with a Chinese carved
ivory pincushion clamp depicting figures in a garden
142A prototype design for an advertising poster for The Society of Motor Manufacturers Fourteenth Motor Exhibition, Olympia, signed
indistinctly lower right, approximately 50 x 32cmSign Ahearn
143 A 19th century needlework sampler, dated 1887 37x42cm; together with one other, dated 1899, 32x32cm (2)
144 A 19th century ink on glass pastoral silhouette scene, signed indistinctly lower left, 6.5x11.5cm
145Two Swiss 19th century silhouettes depicting gentlemen, 'St.Gallen, Juni 1852' and 'St.Gallen, 22 August 1851', in Sebastian D'Orsai
frames, each 8.5x9
146Three late eighteenth century silhouettes, oval glass with black lacquered frames, two heightened in white with floral hanging loops,
9x7cm
147A pair of late 19th century Chinese cloisonné enamel vases on hardwood stands, depicting cherry blossom on a black ground, each
25.5cm high
148A pair of early 20th century Chinese lidded cloisonné urns, depicting dragons on a black ground chasing a flaming pearl, each 14cm
high
149 A Chinese cloisonné bottle vase with lid (af), depicting dragons chasing a flaming pearl on a white ground, 22cm high
150 A pair of 19th century Chinese blue and white tea cups, marked to base, on hardwood plinths, 5.5cm high
151A very large 19th century Chinese famille verte baluster vase (af), with kui dragon handles, depicting court figures within a garden
landscape, 63.5cm high
152A Chinese ginger jar, painted in polychrome with images of a rooster and a chrysanthemum, marked to base with Jingde Town stamp,
13cm high
153
A Chinese famille rose plate, featuring four gilt panels surrounding a central ring, decorated with images of fans and birds amongst
foliage; together with another famille rose plate, depicting butterflies and a bird amongst foliage, the border heightened in gilt, 24cm
diameter (2)
154A small 18th century enamelled Chinese cloisonné vase, decorated with a scrolling lotus on a turquoise ground between ruyi borders,
Qianlong Nian Zhi four character mark inscribed to gilt-bronze base, 14cm high
155 A Cantonese famille rose cylindrical mug, decorated with court scenes, heightened in gilt, 13cm high
156A matched pair of Chinese bottle vases, the first decorated with butterflies and dragons, 16cm high; the other decorated with butterflies,
fruit and birds, 17cm high, each heightened in gilt (2)
157 A Chinese blanc de Chine porcelain figure of Guanyin, the Bodhisattva of Compassion (af), 36.5cm high
158 An Imari bowl with scalloped edges and hand painted interior and surround detail, on carved hardwood stand, 25.5cm diameter
159 A Japanese bronze figure of a hare, with impressed seal mark to base (Norimitsu?), on hardwood plinth, 18cm high
160 A Japanese carved wooden koi jizai kagi, 42.5cmL
161 A Japanese carved wooden koi jizai kagi, 40cmL
162A large Japanese Meiji period bronze sculpture of an elephant (af), impressed character marks to underside, on hardwood plinth, 46cm
high
163 A Japanese Meiji era bronze elephant, seal mark to underside, on carved hardwood base, 22cm high
164A Chinese brass censer with twin loop handles, with Xuande seal to base, 16.5cm high, approx. 2.5kgProvenance: collected by the
current vendor's great uncle who travelled extensively in the Far East.
165Two unusual Chinese 19th century blue and white Cadogan teapots (af), each formed in the shape of a peach, one painted with a crane
and a flowers; the other with flowers and a swallow, each with Kangxi character marks to base, 16.5cm high (2)
166 A Chinese famille rose plate, Yongzheng character marks to base, 24.5cm diameter
167 A pair of Chinese blue and white crackle glaze baluster vases, with incised Chenghua character mark to base, 26.5cm high
168 A set of three glazed polychrome porcelain foo dogs (af), two of which 9.5cm high, the other 8cm high
169A pair of famille verte biscuit porcelain Budai figures, with green underglaze robes, reclined upon pierced aubergine washed bases,
possibly Kangxi period, each 7.5cm high
170A pair of Chinese famille jaune rectangular brush pots, each panel decorated with a spray of flowers, on hardwood plinths (af), 13.5cm
high
171 A Korean blue and white Joseon Dynasty vase, 10cm high
172 A Japanese blue and white plate depicting a tree and flowers, heightened in gilt, Edo period, no marks to base, 20cm diameter
173A large brass Chinese censer, seal marks to base, 23.5cm diameter, approx. 5kgProvenance: collected by the current vendor's great
uncle who travelled extensively in the Far East.
174AA large 20 th century Chinese famille rose baluster vase, profusely decorated in enamel with images of fans and flora, the rim
heightened in gilt, with Qianlong seal to base, 63cmH
175
A pair of Chinese ivory snuff bottles with one side having carved scenes depicting scholars and students, the other engraved and inked
with a landscape scene, each 9.5cm high; together with one other intricately carved ivory snuff bottle, depicting a court scene, 8.5 cm
high (3)
176
Fassam, Thomas and Shaw-Lawrence, Betty. 'An Herbarium for the Fair, Being a Book of Common Herbs with Etchings', London: Hand
& Flower Press, 1949, 4to, brown three quarter morocco, number 197 of 260 copies, printed by the Ditchling Press and signed by the
author, etched title and 20 plates etc ...[more]
177Wilfred Owen, 'Poems', 'Thirteen poems by Wilfred Owen, with drawings by Ben Shahn, printed at the Gehenna Press, in Northampton
Mass MCMLVI', with leather bindings and hardcover slipcase, Northampton: 1957
179'The Penny Cyclopedia of the Society for the Diffusion of Useful Knowledge', vols 1-27 with 2 supplement vols within 16 editions,
Charles Knight and Co., London, 1837 (16)
180Fleming, Ian, 'Live and Let Die', London: Jonathan Cape. With original dust jacket crediting artist Kenneth Lewis, missing pages 1-4,
public library stamp on final page
181Fleming, Ian, 'Diamonds are Forever', London: Jonathan Cape, with correct but not original dust jacket, library stamps on front and back
inside covers, missing frontispiece
182 Fleming, Ian, 'Octopussy and The Living Daylights', London: Jonathan Cape, 1966 with original dust jacket, (10s 6d)
183Fleming, Ian, 'You Only Live Twice', London: Jonathan Cape, 1964 first edition, black cloth boards embossed in silver and gold,
inscription to frontispiece 'April 2nd 1964'
184
A selection of Ian Fleming's James Bond novels, to include: 'Dr No', London: Cape, 1958 edition; 'The Man with the Golden Gun',
London: Jonathan Cape, 1965, replacement dust jacket, library stamped; 'The Spy Who Loved Me', London: Jonathan Cape, 1962, no
dust jacket; 'On Her Majesty's Secret Service ...[more]
185 Stoker, Bram, 'Dracula', New York: Grosset & Dunlap, bound in yellow cloth with red embossed title and Constable Westminster to spine
186
Orwell, George, 'Nineteen Eighty-Four', London: Secker & Warburg, 1949 First edition, bound in full red leather with embossed brick
design, spine embossed 'MCMLXXXIV', the endpapers decorated with Orwell's eyes, including a secret panel to reveal a £5 note folded
to display the Queen's eyes
187Orwell, George, 'Animal Farm', London: Secker & Warburg, first edition published 1945, in faded green cloth binding with white
embossed title to spine
188Du Maurier, Daphne, 'Jamaica Inn', London: Victor Gollancz, 1936 first edition, bound in full leather in the style of a gentleman's jacket,
with gilt buttons
189 Lewis, Frederick Christian, 'The Scenery of the River Exe', London: 1827, quarter bound in red leather with gilt embossed title
190Romaine, William, 'A Treatise Upon the Life of Faith', London: M. Jones, Paternoster-row, 1807, in leather bindings with gilt embossed
title
191
Milne, A.A, 'Now We Are Six', London: Methuen & Co. ltd, 1927 first edition, red cloth boards with gilt embossed cover and spine; 'The
House at Pooh Corner', London: Methuen & Co ltd, 1928 first edition; 'Winnie the Pooh', London: Methuen & Co ltd, 1927 third edition;
and 'When We Were V ...[more]
192A Victorian Sowerby opaque Aesthetic Green glass posy vase, decorated with three swans within bulrushes, makers mark to base,
dated 1879, 10cm high
193A Victorian Sowerby Patent Ivory Queens Ware glass posy vase, decorated with three swans within bulrushes, makers mark to base,
8cm high; together with two Sowerby Ivory uranium glass baskets, makers mark on interior, dated 1878, 5cm high (3)
194 A Mary Gregory style cobalt blue glass jug, with white enamel decoration of a young girl holding a bird in a pastoral setting, 18cm high
195
Four pieces of Victorian Sowerby 'Sorbini' blue and white malachite slag glass, to include two square vases, each 6.5cm high, marked to
base, dated 1872; a tri-handled vase (af), marked inside, dated 1878, 7cm high; and a small double handled pot, marked to base, dated
1878, 5cm high (4)
196 A John Walsh uranium vaseline glass thorn vase (af), 10cm high; together with a yellow Davidson uranium glass jug, 12cm high
197
Four pieces of Victorian black pressed glass, to include a four-sided vase, the panels decorated with ferns and holly, 9cm high; two
small cylindrical vases decorated with vine leaves, each 8cm high; and a small jug decorated with thistles, roses and crowns, 11.5cm
high (4)
198 A pair of Burtles and Tate pressed opalescent glass swans, reg no. 20086, each 9cm high
199An early 20th century French opalescent glass bowl, decorated with doves and a triangular flower head in relief, reg no.780212, 18.5
diameter
200A pair of Mary Gregory style cranberry glass baluster vases, hand painted with white enamel, one depicting a young boy with a net and
the other a young girl with a basket, both within a pastoral scene, each 28cm high
201A pair of Mary Gregory style cranberry glass baluster vases (af), hand painted with white enamel, one depicting a young boy pointing at
a flock of birds, the other a girl holding a fan, each 23.5cm high
202A pair of Mary Gregory style green glass vases with scalloped edge detailing (af), each painted with white enamel depicting a young boy
and girl holding a tree branch, 17.5cm high
203A pair of Mary Gregory style green glass tumblers, each decorated with white enamel depicting a young girl with a handful of grass, 9cm
high
204 Four pieces of Victorian Davidson purple malachite slag glass, to include two tumblers, a jug and a spray vase
205 A mixed lot of Victorian glass, to include Sowerby and Davidson (9)
206 Livio Seguso (b. 1930), a large freeform glass sculpture with gilt detail, signed to base
207A pair of Bengt Edenfalk for Skruf Swedish cut glass vases, of rectangular form, each signed and numbered A 4/8 to base, each 18.5cm
high
208A quantity of George Davidson Opalescent Pearline blue glass, to include bonbon dishes, tumbler, bowl with dish, basket etc, no.
130643 and 96945 (7)
209A modern set of Continental enamelled glasses, decorated with cornflowers, grasses and other flowers, comprising: champagne flutes
(16); red wine glasses (15); white wine glasses (5); and water glasses (6)
210 A set of 12 gilt and enamel octagonal shot glasses; together with six further clear glass shot glasses (18)
211 A studio glass scoop and bowl, 41cm long, and 25cm diameter
212Twelve Rosenthal Studio Linie brandy balloon glasses, supported on stems with mottled opaque-white inclusions, acid-etched marks,
15.5cm high
213 Early 20th century Czech glass cracker pig charms (af), two with collars and glass droplet pendants, each 3cm high
214A pair of post-war Lalique 'Hirondelle' Swallow bookends, one af, each etched with signature to base, includes broken wing tip, 15.5cm
high
215 An 18th century ale glass with flared trumpet bowl, on plain stem with folded foot, 15.5 high
216An 18th century porcelain twin handled cache pot, bearing red trumpet fanfare Chantilly mark to base, painted with Oriental style design
depicting flowers, figures, and birds, 11cm high
217A pair of Aynsley coffee cans and saucers, the cans set within pierced silver holders with scroll handle, hallmarked for James Dixon &
Sons Ltd, Sheffield 1918, together with two small silver coffee spoons
218A pair of Royal Worcester twin handled baluster vases, hand painted with scenes of a boat at sea, signed by R. Rushton, heightened in
gilt, each 17cm high
219A Royal Worcester bottle vase with moulded neck and base heightened in gilt, hand painted with the image of a peacock within a forest,
signed A. Lane, 16cm high
220A pair of Royal Worcester bottle vases (af) heightened in gilt, hand painted with scenes of peacocks on a branch, signed F. J Bray, each
20.5cm high
221A Royal Worcester potpourri vase with pierced lid and base, hand painted scene of pheasants within woodland on three scroll supports,
signed by James Stinton, shape G474, c.1903, 19cm high
222A Royal Worcester potpourri vase with pierced lid, heightened in gilt, hand painted with blackberries and leaves, signed by Kitty Blake,
shape no. 279, 13cm high
223 A Royal Worcester cabinet plate depicting a Lapwing, hand painted and signed by James Stinton, 22cm in diameter
224A pair of Coalbrookdale style two-handled porcelain landscape vases with encrusted floral decoration amongst two hand painted
vignettes, heightened in gilt, each 24cm high
225 A Coalbrookdale style twin-handled vase profusely encrusted with flowers, heightened in gilt, 30cm high
226 A twin-handled Coalbrookdale style bottle shaped vase, florally encrusted and heightened in gilt, 26cm high
227A floral encrusted porcelain bottle, heightened in gilt and decorated with insects, underglazed with crossed Meissen swords to base,
19cm high
228 A Coalbrookdale style urn shaped vase, the handles decorated with acorns and heightened in gilt, 28cm high
229 Three Coalbrookdale style twin handled floral encrusted lidded porcelain potpourri pots, each approx. 16.5cm high (3)
230A Sitzendorf wall mirror, with encrusted floral decoration alongside a cherub, with three removable candle holders, underglaze blue
marks on reverse, 43x26cm
231 A Goldscheider of Austria Art Deco wall mask, makers stamp to reverse, incised no. 6427, 27cm high
232A Herend porcelain figure of a white seated rabbit, 14cm high; together with a Royal Copenhagen figure of two rabbits, 5.5cm high; and
a USSR Lomonosov rabbit, 4cm high, all with marks to base (3)
233 A Swansea Dillwyn pottery jug, decorated with domestic Oriental scenes, c.1795, 13cm high
234 An early-mid 20th century porcelain jaguar, possibly Keramos of Vienna, 9.5cm high
235 A pair of Karl Ens porcelain songbirds, each 9.5cm high
236 Two Karl Ens porcelain bird figurines, a blue tit, 7cm high, and another songbird, 10cm high, each marked to base
237 A Karl Ens porcelain finch, 12cm high; together with another, 11cm high, each marked to base (2)
238 A Karl Ens porcelain bird, 12cm high; together with another, 11cm high, each marked to base
239 A Karl Ens porcelain figure of a wren, 9cm high; together with a thrush, 15cm high, each marked to base
240 A Karl Ens porcelain figurine of a kingfisher, 12.5cm high; together with a crested tit
241 A Karl Ens porcelain figurine of a woodpecker, 24cm high, marked to base
242 A Karl Ens porcelain figurine of a golden oriole, 22cm high, marked to base
243 A Karl Ens porcelain figurine of a lapwing, marked to base, 19cm high
244 A Karl Ens porcelain figurine of two bee-eaters perched on a branch (af), marked to base, 22.5cm high
245 A Karl Ens porcelain figurine of a hawk, marked to base, 23.5cm high
246 A Karl Ens porcelain figure of a parrot, marked to base, 32.5cm high
247 A Karl Ens porcelain figure of an eagle (af), 23.5cm high
248 A Hutschenreuther porcelain figure of two Arctic Terns (af), marked to base 'GR', 35cm high
249 A set of ten Sitzendorf monkey band figurines, each marked to base, the tallest 11cm high (10)
250 A Continental porcelain figure of an 18th century gentleman and lady, heightened in gilt, marked with a crown over an N, 21cm high
251 A Coalport dessert service, comprising of 33 pieces, to include plates, lidded tureens, meat plates and cake stands
252 A Karl Ens porcelain figure of a pair of herons, marked to base, 32.5cm high
253 A Japanese blue and white Arita ware plate depicting, Edo period, marked to base, 17cm diameter
254 An early 20th century figurine of a recumbent boy wearing a tam o'shanter, marks to base, 9.5cm high
255 Rebecca Lardner (b.1971), untitled, oil on canvas, signed lower left, 20 x 50cm
256Stephen Bishop (British, contemporary), 'Regeneration - Purbeck Meadow', oil on linen, signed lower right, titled and dated 2012 in
pencil to verso, 182 x 122cm
257 Alex Lowery (b.1957), 'West Bay 68', oil on canvas, signed, titled and dated 1997 to verso, 50.5 x 91cm
258 Magdy Basstorous (contemporary, Egyptian, b.1951), fish abstract, mixed media on canvas, 50 x 61cm
259 Magdy Basstorous (contemporary, Egyptian, b.1951), abstract, mixed media on canvas, 50 x 61cm
260 Ataual ?, 'Serenade pour un Canard', signed and dated 1990 lower left, mixed media on board, 55cm x 65cm
261 Leslie Gooday O.B.E. (1921-2013), still life, acrylic on board with collage, signed lower right, framed and glazed, 39 x 55cm
262 Francois Lombardi (French, contemporary), Paysage de Provence, landscape, oil on canvas, 54 x 73cm
263 Felicity Swan, landscape abstract, acrylic and oil on canvas, 49 x 60cm
264 Frederick Donald Blake (Scottish, 1908-1997), 'Sunday Morning', watercolour and ink, signed lower right, 35cm x 47cm
265 Marian Wenzel (1932-2002), 'The Mendicant Walks On', watercolour and gold leaf, titled and signed in pencil, 24 x 24cm
266 Galina Rusak (Russian, 1930-2000), 'Men (Moujik) Hives', mixed media on canvas, 90.5 x 80.5cm
267 Russian, dated 1999, man with violin, oil on canvas, 80 x 100cm
268 Ghislaine Howard (b.1953), Study of trapeze artist, 2001, signed and dated lower left, 49 x 70cm
269 John Sullivan (b.1940), 'Odalisque', 1987, oil on canvas, a reclining lady, signed and dated lower left, 76 x 76cm
270 Early 20th century French school, promenade scene, oil on canvas, signed indistinctly lower right, 65cm x 60cm
271 20th century Russian school, 'Figure of a Lady with a Small Dog', oil on canvas, signed and dated lower right 2001, 120x50cm
27220th century European school, Nojiri(?), 'Figures with Donkey', oil on canvas, signed lower right 1985, the reverse reading 'Henri
Anastaze', 60x39cm
273 Miguel Rajonlai(?), 'Tropico', oil on canvas, signed and dated '62 lower right, 105x85cm
274 21st century Vietnamese school, Lim Khim Katy, untitled '08, oil on canvas, signed and dated lower left, 80x95cm
275 Russian school, Nikolai Reznichenko, 'Photographer', 2000, signed, titled and dated to the reverse, with gallery label, 80x100cm
276 John Sullivan (b.1940), 'Model by the Studio Stove', 1995, oil on canvas, initialled and dated top right 30cm x 40cm
277Circle of Stephen Wiltshire (b.1974), An Aerial View of London, showing Westminster, Lambeth and Southwark beyond, oil on canvas,
89 x 107
278 Charles Robert Doyly-John (1906-1993), oil on board, signed lower left, 52x42cm
279 Bernard Munch (b.1921), abstract woodblock print signed in pencil and titled 'Nous reverrrons des Écureuils', 44cm x 37cm
280 Bernard Munch (b.1921), abstract woodblock print signed in pencil, untitled, 42cm x 52cm
281Robert O. Lenkiewicz (1941-2002); pencil study of a group of people; 25.5cm x 33cm, studio stamp lr. rt.; framed by Studio 4 Picture
Framing.
282 Robert O. Lenkiewicz (1941-2002); pencil study of a two men; 25cm x 27cm, studio stamp lr. rt.; framed by Studio 4 Picture Framing.
283Jeremy Barlow ROI (b.1945-), 'Open Door, Ramatuelle, Provence', oil on board, signed lower left, 48 x 38cmProvenance: bears label for
Mall Galleries, 2007, also The Bourne Gallery catalogue number 41, June 2009
284Jeremy Barlow ROI (b.1945-), 'Ramatuelle, Provence', oil on board, signed lower left, 48 x 38cmProvenance: bears label for The Bourne
Gallery catalogue number 39, June 2009
285 Andrew TOZER (b.1974), fishing village in blue, oil on board, signed lower right, 29x44cm
286 Phil Greenwood (British, b.1943), Season of Mist, screen print, numbered 32/100, signed and dated 1976 lower right, 43cm x 49cm
287 Phil Greenwood (British, b.1943), Claremont Park, screen print, numbered 25/350, signed and dated 1982 lower right, 38cm x 43.5cm
288Sarah Spackman RBA (b.1958), Self Portrait, oil on canvas, signed and dated to verso 1982, 76x63cmProvenance: purchased from or
given by the artist to the vendor, a former teacher
289Sarah Spackman RBA (b.1958), Battersea Bridge at Night, oil on board, signed to verso, 68x90cmProvenance: purchased from or given
by the artist to the vendor, a former teacher
290 Hans Schwarz, RP (1922-2003), Portrait of Baron Thorneycroft, CH, PC 1909-1994, 1st April 1985, pencil and watercolour, 72x49cm
291 Circle of Cy Twombly, abstract mixed media on paper, 50.5 x 75cmProvenance: from the collection of John Hubbard, thence by descent
292 William Woodhouse (1857-1935), 'Feeding Time', ink and pencil, 7.5x10.5cm
293
A collection of engravings of William Shakespeare, to include an engraving after William Marshall of Shakespeare 'from the edition of his
poems 1640', 11x17cm; after S Harding, Le Goux sculp. 'From an original picture in the posession of the late Duke of Chandois',
13.5x19cm; after Abraham Wivell, W ...[more]
294Mezzotint after M. Dahll, Portrait of William Bromley, half-length in an oval, wearing long wig, lace cravat, and robe of office; coat of
arms in lower margin, engraved by J. Smith, paper watermarked, the plate 34.5 x 25cm
296Walter W. Burgess (1856-1908), four etchings of London, each signed in pencil lower left, to include 'The Physic Garden, Chelsea', 25.5
x 15.5cm (4)
297Walter W. Burgess (1856-1908), 'A view of the Palace of Westminster and Westminster Abbey', coloured etching printed by Frederick
Keppel, signed and dated 1902 in pencil lower left, 53 x 78cm
297A
A collection of ten 19th century chromolithographs after William Havell, 'An Island On The Thames Near Park Place Oxfordshire'; 'View
of Taplow, from Maidenhead Bridge'; 'Wallingford Castle, Taken in 1810 While the Bridge Was Repairing'; 'Caversham Bridge, Near
Reading'; 'Oxford, From the Banks Of T ...[more]
298Walter Burgess (1856-1908), etching of Salisbury cathedral, signed in pencil lower right, label to reverse 'The Beaufort Gallery,
Watercolours and Drawings', 27.5 x 20cm
299 Walter W. Burgess (1856-1908), four etchings of London, each signed in pencil lower left, to include 'Old Church Street', 25.5 x 18cm (4)
300Walter W. Burgess (1856-1908), four etchings of London, each signed in pencil lower left, to include 'Old Swan Wharf and Cadogan
Pier', 25.5 x 11.5cm (4)
301 Rowland Langmaid, Peter Pan in Hyde Park, drypoint etching, signed in pencil with studio blind stamp lower right, 27 x 20cm
302 Manuel Robbe after George Henry RA (1858-1943), colour mezzotint, with studio blind stamp
303 WITHDRAWN
304After Holbein, a set of 12 aquatints of Swiss costume, published by Christian von Mechel, Basel c.1790, all frames by Sebastian
D'Orsai, 77 ELizabeth Street London, the plate 26.5 x 18cm
305 After Rembrandt Harmenz van Rijn, 'Beggars receiving alms at the door of a house, 1648', drypoint etching, 13 x 17cm
305A After Guercino, 'St. Dominic Presenting St. Catherine of Siena to the Madonna', etching by William Wyne Ryland, 33 x 41cm
306Early 19th century British, pencil sketch on paper of a lady, 23 x 18.5cmProvenance: bears Christie's label to verso for the house sale of
Myles Place, Salisbury, 25-26 October 1993, lot 646
307George Cruikshank (1792-1878), pencil sketch self portrait and study of a horse from behind, signed, further sketches on reverse visible
through a window in the frame, 8.5 x 15cm
308 Léon Gambey (1883-1914), two pencil nude studies of a woman, the first 6.5 x 17cm, the other 11 x 18cm (2)
309 Léon Gambey (1883-1914), a pencil study of a polo player and horse, 6 x 11.5cm
310 Edward Wakeford ARA (1914-1973), 'Hawkshead', pencil sketch, signed and dated 12.8.29 lower right, 12 x 19cm
311 A 19th century pencil study of two young women, heightened in white, signed '... Dunn, 1857', 41.5 x 33cm
312 Pedro Bueno Villarejo (Spanish 1910-1993), seated woman with child, pencil sketch, signed lower right, 31 x 21cm
313Attributed to Jean Michel Moreau, 18th century French school, 'Moreau le Jeune', pen and ink with wash, label to reverse, 'Cabinet de
Bayser Expertise Dessins', 18.5 x 25cm
314 Frank Lewis Emanuel (British, 1866-1948), A Delft Mill, pen and ink, signed and dated 1890 lower left, approximately 16 x 15.5cm
315
'Upon the Frost in the Year 1715-16', a rare 18th century personalised souvenir woodcut to commemorate the Thames Frost Fair,
belonging to 'Mr Jonathan Bowles', 'Printed upon the Ice on the Thames, at the Maidenhead, the Second Booth, at Old Swan Stairs, Jan
18. 1715-16', measures approx. 32.5 x 20. ...[more]
316Blaeu, J. (c. 1645), map of the county of Dorset, 'Comitatus Dorcestria sive Dorsettia vulgo Anglice Dorsetshire', for volume IV of the
"Atlas Novus", arranged with shields, coats of arms and several galleons heightened in gilt, 38 x 50cm
317John Ogilby, a strip road map 'The Roads from Exeter to Dorchester and from Plimouth to Dartmouth', two strip road maps on one
sheet, engravings on laid paper, 32.5cm x 46.5cm; together with 'A Correct Map of Dorset Shire', 16 x 18cm
318Frederick Rowland Emett (1906-1990), '"George III", A Royal Engine, The Brighton Pavilion Type. Emett Railway Festival Gardens', pen
and ink, signed lower right, 38 x 65cm
319An unusual early 20th century framed vintage fashion silhouette of a young woman gazing into a mirror, comprising of black card and
fabric, 15.5 x 24.5cm
320William Lionel Wyllie RA (1851-1931), two Maritime scenes, 'The Wind Falls Light' and 'The Bustling Mersey', drypoint etching, signed
lower left, both bearing label for Richard Haworth, Blackburn, each 12 x 16.5cm
321William Lionel Wyllie (1851-1931), 'National Dinghy Race, Portsmouth 1927', etching, signed in pencil lower left, Beaufort Gallery label
to verso, with plaque bearing title and incribed 'Presented by W.L. Wyllie R.A., Won by Lt. Comdr. H.M. Denham RM', 15 x 25cm
322William Lionel Wyllie (1851-1931), 'The Lower Pool, Wapping, with tug, Thames Barge, & other shipping', drypoint etching, artist's proof
signed in pencil lower right, bears label for The Wyllie Gallery, 28 x 45cm
323William Lionel Wyllie (1851-1931), fishing fleet at sea with tall ship, drypoint etching, signed in pencil lower left and numbered CXLIII
(143), 14.5 x 35cm
324William Lionel Wyllie (1851-1931), 'Portsmouth Harbour', showing HMS Vengeance, HMS Prince George, and HMS Victory, drypoint
etching, signed in pencil lower left, 8.5 x 34cm
325William Lionel Wyllie (1851-1931), 'British Light Cruiser HMS Chester engages the German Light Cruisers at the Battle of Jutland 31st
May 1916', drypoint etching, signed in pencil lower right, 12 x 16.5cm
326 William Lionel Wyllie (1851-1931), 'Yachting off No Man's Land Fort', drypoint etching, signed in pencil lower left, 8.5 x 33.5cm
327William Lionel Wyllie (1851-1931), 'The German High Sea Fleet caged at Scapa Flow', drypoint etching, signed lower left, bears label to
verso, 8.5 x 33cm
328William Lionel Wyllie (1851-1931), 'The Shivering Sand Bell Buoy', photogravure after a watercolour (af), 30 x 24cm; together with 'The
Upper Pool', photogravure after a watercolour, signed in pencil lower right, 35 x 24cm (2)
329 William Lionel Wyllie (1851-1931), 'Last Trickle of Flood - Thames', drypoint etching, signed lower left, 23 x 35.5cm
330 William Lionel Wyllie (1851-1931), 'On Medway', drypoint etching, signed lower in plate lower left, 22.5 x 14cm
331 William Lionel Wyllie (1851-1931), 'Sheerness', photogravure print, 19 x 26.5cm
332Rowland Langmaid (1897-1956), 'The Houses of Parliament and Westminster Bridge', drypoint etching, signed in pencil lower right, 15.5
x 38.5cm
333 Rowland Langmaid (1897-1956), 'Westminster', drypoint etching, signed in pencil lower right and titled, 15.5 x 20cm
334 Rowland Langmaid (1897-1956), 'Fairway into Portsmouth', drypoint etching, signed and titled in pencil, 8.5 x 32cm
335Rowland Langmaid (1897-1956), 'Thames Embankment with St Paul's', and 'Shipping on the Thames', drypoint etchings, signed in
pencil lower right, with Academy Proof blindstamp lower left, 29 x 23.5cm (2)
336 Rowland Langmaid (1897-1956), '"Fantome" & "Valhalla" off Cowes', drypoint etching, signed and titled in pencil, 17 x 35cm
337 Rowland Langmaid (1897-1956), 'The Big Class Racing Off Ryde, Isle of Wight', 16 x 30.5cm
338Rowland Langmaid (1897-1956), Yachts & dingies, etching, signed in pencil lower right, with Academy Proof blindstamp lower left, 27 x
21cm
339 Walter Greaves (1846-1930), untitled, etching, signed within plate and signed in pencil lower left, 11 x 22.5cm
340Will Pye, 'Weymouth, Harbour Side by Town Bridge', etching, signed in pencil lower left, 20 x 31cm; together with Edward Slocombe
(British 1850-1915), 'The Tyne at Shields', etching, signed in pencil lower left, 18 x 23.5cm (2)
341 Andrew Watson Turnbull (1874-1957), 'Barges on Thames', and one other, etching, both signed in pencil lower right, each 18 x 25cm
342Joseph Gray (1890-1962), 'Volendam', boats at rest on the Markermeer Lake, etching, signed lower right and numbered 52/71 lower
left, 21 x 37cmProvenance: bears label to verso 'Robert Bunting, The Rembrandt Gallery, Liverpool'
343
James Abbott McNeil Whistler (American, 1834-1903) 'The Little Pool - An Advert for an exhibition of Whistler's works at E. Thomas
Publisher', drypoint etching laid on paper, signed and dated 1861 lower left, 10.2 x 12.7cmPart of the 'Thames Set' publication, 1871.
Whistler has included a self portr ...[more]
344 George Stainton (1855-1899), 'Morning on the Thames', watercolour on paper, signed lower right, 30 x 21cm
345 Frederick James Aldridge (1850-1933), Ship in a Choppy Sea, watercolour, signed lower right, 17.5 x 27cm
346 Frederick James Aldridge (1850-1933), Tall Ship coming in to harbour in a Choppy Sea, watercolour, signed lower right, 22.5 x 28cm
347Walter Cannon (exh. 1908-1913), 'Shipping in a Choppy Sea', watercolour, signed and dated 1906 lower left, bears label to verso for
The Beaufort Gallery, 26 x 71.5cm
348 William Henry Pearson (1849-1923), 'A Gray Morning', watercolour, signed and titled lower left, 49.5 x 24.5cm
349 19th century British school, David Cox, boat on a shore, watercolour on paper, signed lower left, 9 x 17cm
350 Alfred de Breanski RBA (1852-1928), rowing boat in the Highlands, watercolour, signed and dated 1882 lower right, 22 x 33.5cm
351 William Callow R.W.S. (1812-1908), boats at rest, watercolour, 20 x 36cm
352 Attributed to Anthony Vandyke Copley Fielding (1787-1855), 'Fishing boat in a choppy sea', watercolour, 15.5 x 25cm
353C. J. Ashford (British, 20th century), The 'Queen Elizabeth' and 'Queen Mary', watercolour heightened in white, each signed lower right,
each 25 x 35cm
354Ian Hansen (b. 1948), 'Clipper Blackadder' a study of a tall ship in choppy seas, oil on canvas laid on board, signed lower right, 20.5 x
29.5cm
355 Attributed to Henry Redmore (1820-1887), tall ships in rough seas, oil on canvas, 60 x 90cm
356
William Minshall Birchall (American, 1884-1941), H.M.S. Hawke, watercolour, signed and dated 1914 lower left, 20.5 x 30cmH.M.S.
Hawke, an Edgar class cruiser launched 1891, was sunk by a German U-boat in the North Sea while protecting a troop convoy from
Canada in 1915Provenance: bears label to vers ...[more]
357 Thomas Bush Hardy (British, 1842-1897), Portsmouth harbour, watercolour, signed and titled lower right, 16 x 22.5cm
358A 19th century watercolour depicting tall ships at sea, 17.5 x 27.5cm; together with one other small watercolour of a Napoleonic French
fleet, initialled 'ER' lower left and dated 1832, 9.5 x 6.2cm
359John Warwick Smith (1749-1831), Bamburgh Castle, Northumberland, watercolour, 50.5 x 68.25cm Provenance: from the collection of
Michael and Justina Ryan
360 John Warwick Smith (1749-1831), Borradaile, watercolour, 15 x 21.5cmProvenance: from the collection of Michael and Justina Ryan
361William Payne (1760-1830), Bridge over a river in Devon, watercolour, 25 x 34.5cmProvenance: from the collection of Michael and
Justina Ryan
362David Hall McKewan (1816-1875), Angling in the Highlands, watercolour, 23.5 x 34cmProvenance: from the collection of Michael and
Justina Ryan
363 20th century watercolour of a gentleman in Middle Eastern garbProvenance: from the collection of Michael and Justina Ryan
364 Leyton Forbes, (act. c.1900-1925), landscape and cottage, watercolour, signed lower right, 24.5 x 34.5cm
365Joshua Cristall (1769-1847), 'On the Common', watercolour, signed lower left, 17 x 14.5cm Provenance: bears label to verso for the
Beaufort Gallery, London SW3
366
John F. Supple (British, 19th century), a pair of watercolours of coastal scenes, each 16 x 35cm, and 'Fishermen in a Rough Sea', 19 x
32cm; together with English School, Dover 1838, watercolour, 17 x 34.5cm, all bearing labels from the Beaufort Gallery, London SW3
(4)
367 Emil Axel Krause (Danish 1871-1945), Bamburgh Castle, watercolour, signed and titled lower right, 35 x 54cm
368 William Bennett R.W.S (1811-1871), 'In Cleveland, Yorkshire', watercolour, signed lower left, 24.5 x 37cm
369 19th century British school, David Cox, Mountain view, watercolour on paper, signed lower right, 12.5 x 21cm
370 John Glover (1767-1849), 'Chapel Ruins', watercolour, unsigned, 16.5 x 25.5cm
371 James Burrell Smith (1822-1897), 'Approaching Dolgellau', watercolour, signed and dated 1868 lower right, 22.5 x 33.5cm
372 William Manners (1860-1930), cart and cottage, watercolour, signed lower left, 16.5 x 24cm
373 William Manners (1860-1930), droving sheep, watercolour, signed lower right, 17 x 24.5cm
374 William Manners (1860-1930), fishermen with cart, watercolour, signed lower left, 17 x 25cm
375 Henry James Johnstone R.B.A (1835-1907), 'A young girl gathering spring flowers', watercolour on paper, signed lower left, 25 x 17cm
376 19th century British school, 'Exmouth', watercolour, titled, initialed GTP, and dated 1852 lower right, 26 x 36cm
377 19th century British school, 'Windsor Castle', watercolour, titled, initialed GTP, and dated 1851 lower right, 26 x 36.5cm
378 19th century British School, Highland cliff, watercolour, 24 x 34cm
379 Theodor Renkewitz (1833-1913), still life with apples and pear, watercolour, signed lower right, 18 x 27cm
380 18th century Italian, A View of Mount Etna, watercolour, 25 x 37cm
381 Anne Anderson (1874-1952), 'The Pied Piper of Hamelin', watercolour on paper, signed lower right, 17 x 22.5cm
382John Callow O.W.S (1822-1878), 'On The Lledr', watercolour, signed and dated 1866 lower right, 15cm x 26cmBears label to verso for
George Hogarth Turner, Regent Street, London
383Ebenezer Wake Cook (1843-1926), 'The Rivals', watercolour, signed and dated 1891 lower left, 21cm x 14cmBears label for Marble Hill
Gallery
384 Rowland Hilder (1905-1993) Still life of plants, signed lr. rt.' watercolour over pencil, 26cm x 37cm
385 Rowland Hilder (1905-1993) Study of Irises, watercolour over pencil, 27cm x 38cm
386 Circle of George Leslie Hunter (1877-1931), study of a Fifeshire beach, watercolour on paper, signed and titled lower right, 22 x 17cm
387Lucy Knight, 'An Old Lacemaker, Bruges', c.1900, signed lower right, watercolour, bears label on reverse 'Richard Ivor, Bournevale
Road, London, 17 x 14.5cm
388 19th century gouache, children at play, signed indistinctly lower right, 19 x 37cm
389 John Henry Henshall (1856-1928), 'Unwillingly to School', watercolour, signed lower left, 26.5 x 18.5cm
390 Walter Emsley (1860-1938), Whitby street scene, watercolour, signed and dated 1920 lower left, 25 x 36cm
391 Newlyn school, fishermen, possibly Penzance, watercolour, 33 x 52cm
392 R.B. Ogle, toddler studies, gouache on paper, signed and dated 1916 lower left, 35 x 22cm
393Howard Gull Stormont (1844-1923), Evening 'Windsor Castle from the Thames', watercolour, signed and dated 1899 lower right, 40 x
65cm
394Circle of Sir Godfrey Kneller (1646-1723), portrait of Robert Walpole, 1st Earl of Orford, KG, KB, PC, 1676-1745, oil on canvas, 124 x
100 cm
395 John Ponsford (c.1790-1870), portrait of Rev. Robert Hawker, D.D. (1753-1827), oil on canvas, 102 x 77cm
396Robert Goodloe Harper Pennington (1854-1920), portrait of Professor James Joseph Sylvester 1814-1897, mathematician, oil on
canvas, 76 x 64 cm
397 George Dowdney (ex. 1730-1750), portrait of the Reverend Christopher Pitt 1699-1748, 7th July 1740, oil on canvas, 76 x 64 cm
398 Michael Dahl (1659-1743), portrait of Peter Mews 1619-1706, Bishop of Winchester, oil on canvas, 76 x 64 cm
400Thomas Kearsley (1773-1802), portrait of Sir Thomas Plumer, Master of the Rolls and First Vice Chancellor of England 1753-1824, oil
on canvas, 89 x 69 cm
401
Thomas Hudson (1701-1779), portrait of Thomas Heath (1705-1759) Alderman and Merchant of Exeter, oil on canvas, bears two
handwritten labels to verso 'Thomas Heath, Alderman of Exeter, Portrait of Benjamin Heath D.C.L., B 1705 D 1759' and 'Thomas Heath
of Exeter, Alderman of Exeter, Portrait of Benj ...[more]
402 18th century British school, Portrait of a gentleman in top hat, oil on canvas, 77 x 62cm
403 16th century Italian school, portrait of a Milanese Nobleman in armour, oil on canvas, 110 x 85cm
404
Portrait of Lieutenant General Lord Bloomfield G.C.B., G.C.H., half length, in military dress, oil on canvas, 76 x 63cm Lieutenant General
Benjamin Bloomfield, 1st Baron Bloomfield GCB GCH (13 April 1768 - 15 August 1846), rose through the ranks as a cello player who
caught the attention of the Prin ...[more]
405Engraved by Edward McInnes after John Lilley, portrait of Lieutenant General Lord Bloomfield G.C.B., G.C.H., full length in military
dress, the plate 71 x 46cm
406 Portrait of Harriott Douglas, wife to the First LordBloomfield, half length, oil on canvas, 76 x 63cm
407 Portrait of Lousia Norris, the sister of HarriottDouglas, half length, oil on canvas, 76 x 59cm
408 Portrait of Anne Ryder Pepper, sister of LieutenantGeneral Bloomfield, half length, oil on canvas, 76 x63cm
409George Hamilton Barrable (fl. 1873-1887), Henry Pelham Fiennes Pelham-Clinton, fifth duke of Newcastle under Lyme 1811-1864,
inscribed middle right 'By Mr Barrable', pencil coloured chalks and watercolour, 58 x 46cm
410
Portrait of Recorder Dennett, half length, oil on canvas, 76 x 63cmProvenance: This portrait has come down through the Bennetts of
Riverston, who were a well-known legal family, to the current vendor, a member of the Poe family.James Jocelyn Poe, son of Rev.
James Hill Poe, married Jane Bennett, dau ...[more]
411 Attributed to Antoine Pesne (1683-1757), portrait of Frederick William I of Prussia 1688 - 1740, oil on canvas, 76 x 53cm
41218th century Venetian School, in the manner of Giovanni Battista Piazetta (1682 or 1683-1754), Portrait of an Old Man, possibly an
allegory of Winter, oil on canvas, 99 x 49cm
413George Henry Harlow (1787-1819), portrait of Mrs Thomas Wright Hill, Nee Sarah Lea (1765-1842), dated 1st April 1790, oil on canvas,
76 x 64cm
414 18th century British school, 'Portrait of a Gentleman', canvas laid on board, in ornate gesso frame, 16 x 18cm
415George Sanders (1774-1846), portrait of Admiral George Keith Elphinstone, GCB, 1st Viscount Keith 1746-1823, oil on canvas, 76 x
63cm
416Attributed to George Theodore Berthon, 1806-1892, portrait of Lt General Sir Gordon Drummond, GCB 1772-1854, oil on canvas, 92 x
72cm
417 19th century British school, Kite Flying on the Heath, oil on canvas, 29 x 39cm
418 19th century English school, Old Martin Chuzzlewit, oil on canvas, 76 x 61cm
419 19th century British School, James Stark, cattle at water, oil on board, in gilt frame, 30 x 44.5cm
420 19th century Italian School, portrait of Giuseppe Garibaldi 1807-1882, signed Garibaldi, on canvas laid on to glass, 45 x 36 cm
421 19th century Italian school, figures within a landscape, oil on canvas, 64 x 77cm
422 Richard Buckner (1812-1883), Portrait of an Elegant Lady with her Child attended by Her Dog, oil on canvas, 92 x 72cm
423 19th century British school, J.B Knight (?), oil on canvas, signed and dated '93 indistinctly lower left, 34 x 29cm
424After Sir Thomas Lawrence PRA (1769-1830), portrait of Master Charles William Lambton 'The Red Boy' (1818- 1831), dated 8th
September 1825, oil on canvas, 84 x 64cm
426 19th century British School, in the manner of John Constable, shepherd in a pastoral settings, oil on canvas, 75 x 90cm
427Louis Mery (French, 1877-1967), 'Calme Dans La Montagne', nudes bathing in landscape, oil on canvas, signed lower left, and dated
1943 to verso, 60 x 72cm
428 J Wilson, grazing cows, oil on board, signed lower left, in ornate gilt gesso frame, 23 x 28cm
429Wilfred J Houghton PRSA FRSA (1921-1999), 'Showers over Lough Neagh, Co. Antrim', oil on canvas, signed and dated 1968, 45 x
54cm
430 Louis Mery (French, 1877-1967), untitled oil on board, French village among poplar trees, 35 x 27cm
431 L J Scott, goatherd playing a pipe by the River Nile, watercolour, signed lower left, 26 x 36cm
432 Leslie Carr (1891-1961), village church, oil on board, signed lower left, 53 x 79cm
433 Philip Hugh Padwick (1876-1958). Landscapes. Two, oil on canvas board, one signed lower right, each 35 x 50cm
434 19th century French school, I.M. Peyrat , still life of an apple in a bowl, oil on canvas, signed and dated '61 lower left, 23 x 29cm
434ACirca 1830s Swiss, oil on metal, Clocktower, Schaffhausen on the Rhine near Basel, Switzerland, the clock inset with original hands, 55
x 70cm
435 Still life of buddleia and butterfly, oil on canvas, signed Ch. Rouseaux 1915 lower left, 72 x 52cm
436Garstin Cox (1892-1933) Fishing in the Roseworthy Valley near Camborne, oil on board, signed and titled indistinctly verso, 60.5 x 46cm
Provenance: The Horner Galleries, Sheffield
437Henri Boisgontier (1850-1940) 19th century French school, figures within a woodland scene, oil on panel, indistinctly signed lower right,
in ornate gesso frame, 32 x 40cm
438 Joshua Anderson Hague (1850-1916), two children in a Scottish landscape, oil on board, 50 x 75cm
439 Attributed to William Coldstream (1908-1987), a Venetian canal, oil on board, 32 x 38.5cm
440 20th century Flemish, Chrysanthemums in a blue vase, oil on canvas, indistinctly signed 'Rich.ly' lower right, 61 x 56cm
441 20th century British School, River Itchen, indistinctly signed on reverse, 76 x 76cm
442 Alice Mary Burton (1893-1968), study of a corgi, oil on artist's board, signed and dated 1939 lower left, 20 x 25cm
443 Geoffrey Robert Russell (1902-1986), portrait of Eric Gill in his studio, oil on canvas, signed, 48 x 46cm
444Molly Loftus Payton, portrait of Jessie Royce Landis, 1952, oil on artist's board, bears label to verso 'James Bourlet & Sons, Nassau
Street London W1', 38 x 31cm
445
An 18th century French carved giltwood wall mirror, the arched pierced cresting with foliate carving above elaborate scroll and strapwork
with a quiver and mask, the divided plate within a carved and moulded rectangular frame decorated with spandrels, 98cm wide, 180cm
high
446A Venetian shield shaped wall mirror, 20th century, with etched decoration, 138cm high, 72cm wide; together with a smaller oval
example, 55cm high, 34cm wide
447A Regency giltwood and gesso overmantel mirror with applied balls above a frieze of charioteers, the three modern bevelled plates
flanked by fluted pilasters, 137cm wide, 91cm high
448 A 19th century giltwood pier mirror, oil on panel depicting depicting a folly at sunset, 132cm high, 73cm wide
449 A 19th century oval adjustable dressing mirror, with turned candle sconces
450An Adams style oval wall mirror, the bevelled plate within an egg and dart moulded rim, the top centred by a classical urn with trailing
husks, 97cm wide, 85cm high
451 A 19th century French giltwood wall mirror with floral cresting and foliate acanthus decoration, 87cm high
452 A pair of 19th century mahogany framed circular wall mirrors, the plates approximately 16.5cm diameter, external diameter 26cm
453A Regency style giltwood and gesso convex wall mirror, the circular plate within an ebonised reeded slip and giltwood cavetto frame set
with balls, surmounted by an eagle and scroll cresting with acanthus below, approximately 177cm high
454 A 20th century Venetian mirror with gilt metal decoration and bevelled glass plates, 70x85cm
455 A pair of early 20th century Regency style gilt pier mirrors, rosettes above, the plates flanked by fluted Corinthian columns, 57x104cmH
456 A very large 19th century mirror, with gilt gesso moulded frame, 218cm wide, 98cm high
457A Regency giltwood convex circular mirror wall mirror, the original plate within an ebonised reeded slip and giltwood cavetto frame set
with, 67cm diameter overall, the plate 45cm diameter
458 A Louis XVI giltwood wall mirror, with foliate cresting, replacement plate, 102cm high x 63cm wide
459 A Victorian adjustable dressing mirror, on turned and fluted supports, the rectangular base with twin cushion drawers
460 A brass four arm chandelier of central globe construction
461 A pair of bronze table lamps, in the form of Grecian urns, on octagonal marble bases
462An Art Deco Tiffany style table lamp and shade, the brass base with hand painted enamel stem decorated with grapes, signed, 48cm
high
463
A set of eight 20th century moulded glass five light wall appliques in George III taste, the circular drip pans suspending faceted pendants
and chains on spiral moulded serpentine arms rising from a metal boss, the baluster form shafts each with three serpentine finials, with
spherical glass termina ...[more]
464 A pair of carved mahogany standard lamps, reeded columns with wheatsheaf carving, on tripod cabriole legs
465 A brass Corinthian column table lamp, stamped C.W to base, 44.5cm high
466 A pair of figural brass table lamps in the form of women in classical dress, each 28cm high
467A substantial brass hall lantern in late Georgian taste, square form, with scrolling anthemion decoration, each side comprising six
bevelled glass panels, 26cm square, 96cm high
468 A gilt metal table lamp in the form of a reeded corinthian column, on square plinth base, 48cm high
469 A gilt metal table lamp in the form of a fluted corinthian column, on square base upon an ebonised plinth, 45cm high
470 A pair of late 19th century fluted glass candle holders, adapted for electrical use, the glass 44cm high
471
An exceptionally fine pair of George III giltwood three arm wall sconces, each arm with scrolling acanthus decorationProvenance:
Formerly part of the original contents of Fota House, Cty. Cork, designed by the architects Richard and William Morrison, having been
held in storage with the family to da ...[more]
472 A pair of plated table lamps of baluster form, 31.5cm high, together with one other, 47.5cm high
473
A probably Italian gilt metal and blue glass twenty four light chandelier, 20th century, the scallop cut sconces hung with faceted
pendants and on foliate cast arms issuing from a moulded baluster and inverted baluster form knopped stem, with coronet finial and
sphere terminal, approximately 105cm h ...[more]
477 A West Persian rug with triple border, 191x102cm; together with a prayer mat, 120x88cm
478 A Kazak rug, early 20th century, 350x194cm
479 A Yomut Turkmen asmalyk rug, Turkmenistan, late 19th century, 118x65cm
480 A Kurdish rug, north west Persia, early 20th century, 94 x 145cm
481 A Tekke Turkmen carpet, Turkemistan, 103X190cm
482 A north east Persian kurd rug, 106 x 218cm
483 A Kurdish rug, probably kazak late 19th century, with central lozenges, 139 x 181cm
484 A Persian tree of life rug with triple border, 160X190cm
485 A Khamseh rug, Fars, south west Persia, early 20th century, 202x280cm
486A Regency brass coal scuttle with embossed husk bead detail and turned ebony handle, with original ebony handled shovel, on stepped
circular base, 32cm wide, 48cm deep, 50cm high
487 A good set of 19th century gilt metal fire tools, comprising poker, tongs, and shovel, on ornate stand
488 A 19th century pierced brass fire guard, with central urn motif flanked by griffins and phoenix, 135cm wide
489 A Regency style brass curb fender, with heavily pierced decoration, on five paw feet, 139cmW
490 Two part sets of fire tools, each on stands, on with cast iron shell design
491A Regency brass fender with rams masks, 132cm wide; together with an ornate 19th century fan fire guard, with foliate and ropetwist
decoraration, 56cm wide
492 A 19th century brass fender, 131cm wide; together with a good set of brass fire tongs with ropetwist decoration
493 An iron log prodder, 101cm long, the prongs 12cm long
494An ornate Louis XVI revival gilt metal fire screen, of scrolling foliate rococo influence, the mesh panel applied with two cherubs, the
whole raised on four scrolled feet, 72cm wide, 71cm high
495 A pair of Coalbrookdale style Victorian cast iron pot stands, 123cm high
496 A pair of large garden urns depicting Roman scenes, on square plinth bases, 100cm high
497 A demilune stone trough planter, 65cm wide, 62 deep, 29cm high
498 A small 17th century two panel oak coffer, pin hinged lid, 96cm wide, 34.5cm deep, 52.5cm high
499 A 17th century oak bible box, decorated with circular and lozenge carving, with key, 55cm wide, 33cm deep, 27cm high
500 A 17th century oak three panel mule chest, with carved rosette decoration, candlebox in interior, 120cm wide, 57cm deep, 65cm high
501 A Georgian oak mule chest, hinged lid with moulded edge, two cockbeaded drawers, on bracket feet
502A pair of oak joint stools, each with moulded top over carved apron, block turned legs on square stretchers, 46cm wide, 28.5cm deep,
45.5cm high; together with one other smaller (3)
503A William & Mary oak lowboy, moulded three plank top above single frieze drawer, on turned legs joined by a shaped cross stretcher, on
compressed bun feet, 72.5cm wide, 47cm deep, 67cm high
504A Charles II open armchair, crown and scroll carved cresting rail over an oval caned panel within twist turned uprights, swept scroll
arms, cane panel seat, on shaped supports and stretcher
505 A Charles II oak geometric chest of drawers, 86cm wide, 52.5cm deep, 88cm high
506A George II oak chest of two short over three long drawers, the top with an ovolo lip, the drawers with apparently original swan neck
handles, within carcass cockbeads, raised on bracket feet, 93cm wide, 47.5cm deep, 90cm high
507A Georgian mahogany chest of two short over three graduating drawers, moulded edge top, the drawers flanked by double sets of
columns, on moulded bracket feet, 106cm wide, 55cm deep, 99cm high
508A bow front mahogany chest of two short over two long cross banded drawers, on swept bracket feet, 88cm wide, 49.5cm deep, 88.5cm
high
509A mahogany chest of two short over three long drawers, with slide, on moulded base and bracket feet, 84cm wide, 39cm deep, 79cm
high
510An unusual Victorian chest of drawers, moulded top over blind drawer and a further three graduating drawers, each end with single
drawer and loop carry handles, on bracket feet, 90cm wide, 48.5cm deep, 81cm high
511A small 20th century Heal's bow front mahogany chest of four graduating cockbeaded drawers, on swept bracket feet, bearing ivorine
plaque for 'Heal's, Tottenham Court Road, London W1', 76cm wide, 50cm deep, 77cm wide
512A late 19th century mahogany Wellington style chest of five graduating drawers, with a hinged top, on plinth base with loop carry
handles, 56cm wide, 40cm deep, 96cm high
513A late 19th century mahogany specimen chest, having two cupboard doors opening to reveal six graduating drawers with brass knobs,
42cm wide, 25cm deep, 57cm high
514A late 19th century cabinet, two panel doors opening to reveal centrally divided adjustable shelves, 62.5cm wide, 44.5cm deep, 125.5cm
high
515A Regency mahogany specimen box on stand, hinged lid above single drawer, lion mask loop handles, on tapered legs with three
quarter stretcher, 40cm wide, 27cm deep, 85cm high
516 A 19th century rosewood pedestal sewing box on turned column on quatrefoil base, 80cm high
517A Regency and later mahogany lady's writing desk of good patination, with glazed shelves and two drawers above, the fold over top
above two banded frieze drawers, raised on strung square tapered legs, 98.5cm wide, 159.5cm high
518A 19th century pedestal library table, leather inset top, rosewood crossbanding, hexagonal pedestals, two FD, two blind drawers, 107cm
wide
519A 19th century mahogany sofa table, having two frieze drawers and two blind frieze drawers, the swept legs joined by lotus carved
stretcher
520A 19th century mahogany pedestal table, rectangular top on octagonal tapered column and quatrefoil base, 61.5cm wide, 46cm deep,
73cm high
521 A small 19th century oak display table containing a collection of 49 intaglio seals, 59cm square, 40cm high
522 A Regency break-front bookcase with central glazed doors, 183cm wide, 37cm deep, 90cm high
523A late 19th century mahogany hall bench by James Shoolbred, the long seat with bolster roll ends above a plain frieze raised on turned
legs, 98cm long, 48cm high
524A George III mahogany card table, the shaped fold over top above single frieze drawer, raised on capped club legs and pad feet, 76cm
wide, 37.5cm deep, 73cm high
525A 19th century rosewood folding card table with green baize lining, swivel top revealing compartment below, on hexagonal column and
quatrefoil base with paw feet, 92cm wide, 46cm deep, 75cm high
525AAn early Victorian rosewood writing desk, bookmatched top on two reeded scrolling pedestals, joined by two stretchers, 105 x 53 x
76cm high
526A small George III oak bureau, fall front over two short and three graduating drawers, on bracket feet, with key, 62cm wide, 38cm deep,
97cm high
527A George III mahogany bureau, the fall and drawers bookmatched, the top with the usual arrangement of drawers and pigeon holes,
over four graduating cockbeaded drawers, on bracket feet, with key, 90cm wide, 46.5cm deep, 108.5cm high
528A small 19th century mahogany bureau, the fall front above two short over two long drawers, on bracket feet, 61cm wide, 46cm deep,
99cm high
529A late 19th mahogany bureau of good colour, the fall front revealing the traditional arrangement of pigeon holes and drawers, above four
graduating drawers, on bracket feet, 114cm wide, 58cm deep, 106cm high
530A Regency mahogany serpentine knife box, the sloping lid revealing a later divided interior, with brass lock and key and brass loop
handles, 23cm wide, 23.5cm deep, 34cm high
531A George III mahogany three-tier circular dumb waiter, early 19th century, with three moulded platforms above part wrythen turned
supports, on three cabriole legs and pointed pad feet, the largest tier 58cm diameter, 112cm high
532A Regency mahogany two tier dumb waiter, the two moulded tiers joined by three brass columns, on baluster column and swept tripod
legs with brass cappings and casters, 58cm diameter, 110cm high
533 A 19th century mahogany barleytwist tripod table, moulded edge, 48cm diameter x 72cm high
534An early 19th century dressing mirror, shaped plate with bevelled glass, over two cavetto drawers and one long drawer, on bracket feet,
38cm wide, 25cm deep, 65cm high
535An early 19th century mahogany chest on chest, dentil cornice above two short over three long drawers flanked by stop-fluted canted
corners, above a brushing slide and further three graduating drawers, on bracket feet, 111cm wide, 52cm deep, 187cm high
536A 19th century mahogany chest on chest, dentil cornice above blind fretwork panel, two short over three graduating drawers flanked by
stop-fluted canted corners, over a base of three further graduating drawers, on bracket feet, 118cm wide, 52cm deep, 176cm high
537An embossed and painted Georgian leather four fold screen, heightened in gilt, depicting dragons among swags, foliage, and fruit,
191cm high, each panel approximately 57cm wide
538
A Victorian walnut whatnot cum davenport desk, the top with a hinged galleried compartment fitted for inkwells, pens, and letters, the
hinged slope inset with brown simulated leather enclosing a plain interior, on turned legs joined by two cutaway undershelves, 52cm
wide, 43cm deep, 93cm high
539
A Victorian walnut davenport desk, with waisted box superstructure above a leather inset slope opening to reveal an interior of four
drawers, supported on leaf-carved scrolling supports, fitted to one side with four drawers opposed by dummies, raised on bun feet with
castors
540A Victorian burr walnut chiffonieur, bookmatched top, the cupboard doors with applied carved mouldings, opening to single shelf, on
plinth base, 75cm wide, 36cm deep, 151cm high
541 A Victorian cylindrical marble top pedestal pot cupboard, the white marble top inset above a concave door upon a circular plinth
542A pair of mid-19th century carved Italian open armchairs, upholstered seats and backs, scrolling arms on turned supports, the legs
joined turned H stretchers with decorative pierced scrolling from stretcher
543 A 19th century wheel back Windsor chair, shaped seat on turned supports and H stretcher
544A good set of four Georgian dining chairs, one a carver, carved pierced rails, stuffover seats, on square section legs and peripheral
stretchers
545 A further two Georgian dining chairs of similar design
546 A well carved Charles II styleoccasional chair
547Two miniature carved hardwood vase splat open armchairs, each with upholstered seat, on cabriole legs with carved knees, each
approximately 55cm high
548 A button back salon chair, curved top rail, with carved supports on scrolling carved legs, with brass casters
549 A 19th century button back open armchair, scrolling arms, on carved front legs
550 A good 19th century low armchair, on rosette from feet and casters
551 A 19th century Continental armchair, outward scrolling arms, carved apron and scrolling cabriole legs
552 A set of six 19th century dining chairs, carved rail with parcel gilt rosette decoration, over drop in seats, on swept sabre legs
552A A set of six Regency dining chairs, with lattice backs above stuffover seats, on turned legs
553 A set of six Louis Philippe mahogany and marquetry inlaid side chairs, circa 1840, upholstered in a striped fabric, on scroll cabriole legs
554 A late 19th century French giltwood open arm sofa, in need of much restoration, on tapering fluted supports, 149cm wide
555A George III sofa with square back, upholstered in a striped fabric, with horsehair cushion, raised on eight square tapered legs with
brass capping and casters. 181cm wide x 70cm deep x 88cm high
556 A pair of modern upholstered banquettes with fringe, on faux bamboo turned tapered legs, with brass casters
557An armchair and matching footstool by Howard & Sons, on square tapered legs with brass cappings and casters, the legs stamped
Howard Chairs Ltd. London England'
558A modern 19th century style mahogany metamorphic library chair, in the form of a bar back chair, 88cm high, with hinged seat becoming
a flight of four steps, each with inset tread, 88cm high
558AA George III mahogany rectangular metamorphic stool/library steps, the rectangular upholstered seat hinged to enclose six treads,
indistinct makers label to underside of seat, 45cm deep x 61 wide x 55cm high when closed
559A Chinese hardwood elbow chair, the shaped back with pierced and carved peach and scroll ornament, solid seat on carved frieze and
square section supports, 65cm wide, 99cm high
560A 19th century Chinese export black lacquered and parcel gilt sewing table, the lid enclosing various lidded compartments, 58cm wide,
41cm deep, 67cm high
561A 19th century foot stool with needlework drop in seat, on carved cabriole legs with ball and claw feet, 53cm wide, 50cm deep, 58cm
high
562A French Belle Epoque display table, of bombe form, sans traverse veneer, with scrolling ormolu mounts, the sides with convex glass,
and convex glass door with key, on scrolling ormolu feet, 69cm wide, 43cm deep, 82cm high
563 An oak refectory style table with moulded top, 142cm wide, 61cm deep, 73cm high
564 A Spanish walnut refectory table with three plank top, 152cm long, 68cm wide, 75cm high
565 A large oak farmhouse refectory table, four plank top with wrought iron brackets, 245cm long, 87cm deep, 77cm high
566 An Edwardian mahogany bookshelf with single drawer, on turned feet, 86cm wide, 30.5cm deep, 104cm high
567 An early 20th century duet stool with hinged seat, 100cm long
568 A pair of early 20th century embroidered footstools raised on turned legs, each 29cm square
569 An early 20th century mahogany coat stand with brass fittings, 178cm high
570 An early leather shell carrier with loop handle, decorated with armorial crest 'Dieu et mon droit', converted to a stick/umbrella stand
571 An early 20th century tooled leather three panel screen, painted with flowers, 182cm high, each panel 57.5cm wide
572 A Chinese coffer with hinged lid, on carved stand, with carved stretchers
573 A painted cast iron sofa, in Empire style, 20th century, with suede cushions and bolsters, 105cm high, 211cm wide
574A modern Vaughan lacquered and japanned tray top occasional table in the Victorian manner, on faux bamboo supports, highlighted in
gilt, with turned cross stretcher, 66cm wide x 52cm deep x 46cm high
575 A Vaughan black Japanned occasional table, 121cm wide, 75cm deep, 40cm high
576
A substantial Victorian 'Berlin' wool work depicting of the Finding of Moses, the subject taken from the Book of Exodus depicting the
Pharaoh's daughter finding Moses amongst the bulrushes on the Nile, with Moses' mother and sister, Jochebed and Miriam, looking on,
with a temple complex in the backg ...[more]
577A modern tester bed, hung with turquoise and white Chinoiserie drapes, counter pain and headboard, with blue silk lined interior, 209cm
long
578 A 19th century French empire period mahogany and ormolu mounted 'lit en bateau' sleigh bed, 116cm wide, 210cm long
579An oak cased longcase clock by Jn. Christian of Aylsham, arched brass dial with silvered circular plaque inscribed Jn. Christian
Aylsham, silvered chapter ring with Arabic and Roman numerals, subsidiary seconds dial and date aperture
580An oak cased longcase clock, swan pediment with phoenix cresting, the case cross banded with central lozenge motif, the door flanked
by fluted columns, on bracket feet
581
An early 18th century longcase clock by John Smorthwaite of Colchester, brass dial with silvered chapter ring with Roman and Arabic
numerals, subsidiary seconds dial, date aperture, twin winding holes, the case with moulded outswept cornice, Doric columns, plinth
base, heightened in gilt with Chinoi ...[more]
582
A George III oak longcase clock by Thomas Read of Tarporley, the silvered dial 30.5cm diameter, with Roman hours and Arabic
minutes, subsidiary seconds dial, with gilt spandrels, flanked by fluted columns, the slender trunk with a crossbanded door embraced by
fluted columns raised upon a panelled pl ...[more]
583An oak longcase clock, the 31.5cm dial marked Yoevil and signed indistinctly, swan neck pediment with gilt finial, crossbanded door
flanked by stop fluted canted corners, on bracket feet, 226cm high
584A mahogany longcase clock, the 30.5cm dial signed James Ferris, Poole, the dome top with three gilt finials, domed moulded door
flanked by stop fluted canted corners, panelled base, on bracket feet, 230cm high
585
10% BUYER'S COMMISSION. CAN BE DRIVEN AWAY.A 1961 Austin Healey 3000 MkII BT7, finished in classic Healey blue metallic,
with darker blue leather interior, piped ivory, and matching mohair hood and tonneau cover. The car was imported from the USA,
converted to RHD and fully restored approximately 20 ...[more]