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    Time Frame: 6 Weeks (June July) Teacher:

    Crisostomo D. Aguda Jr.

    STANDARDS

    Listen and analyze aural examples of varied repertoire of music representing diverse genres and cultures by describing the uses of allelements of music and its expressive devices

    Listen, identify, and explain compositional devices and techniques used in musical works and make use of similar devices in their owncompositions

    Listen and analyze & describe the uses of elements of music in a given work that make it unique, interesting, & expressive

    Compare and contrast ways in which music materials are used in varied musical forms, styles and period

    Compare the characteristics of two or more arts within a particular historical period or style and cite some examples

    TOPICSENDURING

    UNDERSTANDINGESSENTIALQUESTIONS

    CONTENT BENCHMARKPERFORMANCE TASK

    ANDOTHER EVIDENCES

    KNOWLEDGE SKILLS

    At the end of the session, the studentsshould...

    Transition

    fromClassicalMusic toRomanticEra

    Ludwig VanBeethoven

    Music of the

    EarlyRomanticPeriod

    HistoricalBackground

    Characteristics

    Student willunderstand that:

    music of theRomantic Period wastypified by a

    personal expressionof emotion andimagination.

    Romantic artistsapproached the artswith extremesubjectivity, vividlyexpressing their mostintimate thoughts andpersonal experiences.

    Is emotionimportant inmusic?

    know:

    1. influence of Beethoven in thedevelopment ofRomantic Music

    2. characteristicsof Romantic Arts andMusic

    be able to:

    1. correlates thedistinguishingcharacteristics ofrepresentative music

    from Romanticperiod in relation tohistory and culture.

    2. analyze anexample of musicfrom theRenaissance anddescribe how theelements are used.

    3. draw/paint

    PERFORMANCE

    TASK: 1. During mid-session, the studentswill draw thecharacteristics ofRomantic art. Students

    need to explain whytheir work can beconsidered as anexample of Romanticart.

    PERFORMANCE

    TASK: 2. At the end ofthe session, eachstudent will singWiegenlied byJohannes Brahms. FOR

    SAINT PEDRO POVEDA COLLEGEHigh School Department

    S.Y. 2013 2014

    Music IV Western Music (Romantic to 20th Century Style Music)Topic Plan No. 1 Early Romantic Period

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    of RomanticArts

    Characteristicsof Early Romantic Music

    3. styles of earlyRomantic composers

    using the ideals ofRomantic Arts andMusic

    4. sing accuratelyalone and/or withothers

    representativeexamples of songsof the Romanticperiod

    EVALUATION referto attached rubricfor individualsinging.

    Integration (Values/Content/Activities)

    VALUES

    Excellence and Creativity singing song from different period/era

    Integrity originality and citing the sources of all journal entries

    Responsive Freedom all journal entries will be checked on the end of each trimester and students are given freedom to do alljournal activities anytime they want as long as theyre able to submit all requirements complete and on-time

    SKILLS

    Research understanding the importance of citing resource to avoid plagiarism and other related violations

    Music Appreciation understanding and appreciating the difference of each music

    Materials/References:

    Books/Magazines/ Pamphlets:Burkholder, Peter, Donald Jay Grout, Claude Palisca.A History of Western Music. 8th edition. W.W. Norton & Company. 2010.Ferris, Jean. Music the art of Listening. 7th edition. McGraw Hill. 2008.Kamien, Roger. Music An Appreciation. 4th edition. McGraw Hill. 1988.Miller, Michael. The Complete Idiots Guide to Music History. Penguin Group. 2008.Afable, Vanessa. Keyboard-playing Made Easy. Saint Pedro Poveda College. 2013

    Audio and Video:Wiegenlied (Johannes Brahms)Pathetique Sonata no. 8 (Ludwig Van Beethoven)Beethoven, Liszt, Chopin, Schubert and Mendelssohns Music from 10 Greatest Composer CD

    Remarks:

    _________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________.

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    Time Frame: 4 Weeks (August) Teacher:

    Crisostomo D. Aguda Jr.

    STANDARDS

    Read and write scales in various tonality and basic chord progressions in piano

    Listen, identify, and explain compositional devices and techniques used in musical works and make use of similar devices in their owncompositions

    Listen and analyze & describe the uses of elements of music in a given work that make it unique, interesting, & expressive

    Evaluate personal participation in music classes or performances

    TOPICSENDURING

    UNDERSTANDINGESSENTIALQUESTIONS

    CONTENT BENCHMARKPERFORMANCE TASK

    ANDOTHER EVIDENCES

    KNOWLEDGE SKILLS

    At the end of the session, the studentsshould...

    Elements of

    Music

    Review onScales and KeySignatures

    HarmonicIntervals

    ChordConstruction

    Students willunderstand that:

    different chordprogressions areimportant tools inenhancing onescomposition.

    musicianship isdeveloped throughdiscriminative

    listening, singing and

    What makesmusic a pleasureto listen to?

    Why is itimportant tolisten actively tomusic?

    know:

    1. scales and keysignatures

    2. differencebetween melodicand harmonicintervals

    be able to:

    1. analyze anexample of musicfrom theRenaissance anddescribe how theelements are used.

    2. apply harmonicintervals inconstructingdifferent kinds of

    PERFORMANCE

    TASK: At the end ofthe session, studentswill take an individualtest on musicalanalysis. Each studentwill be given 5 minutesto finish the activitycard assigned to herwhich consists of thefollowing:

    Key signature (1)

    Harmonic Intervals

    SAINT PEDRO POVEDA COLLEGE

    High School DepartmentS.Y. 2011 2012

    Music IV Western Music Literature (Romantic to 20th Century Style Music)Topic Plan No. 2 Scales, Key Signature, Intervals and Triads/Chords

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    comprehensiveanalysis. 3. how to

    construction triadsand chords

    triads and chords

    3. differentiatethe triads/chords bylistening andanalyzing

    (3)

    Harmonic Analysis(1)

    Chord Construction(2)

    Integration (Values/Content/Activities)

    VALUES

    Excellence and individualism activities in class encounter are all in groups but performing the performance task should bedone individually

    Integrity originality and citing the sources of all journal entries

    Responsive Freedom all journal entries will be checked on the end of each trimester and students are given freedom to do alljournal activities anytime they want as long as theyre able to submit all requirements complete and on-time

    SKILLS

    Research understanding the importance of citing resource to avoid plagiarism and other related violations

    Music Appreciation understanding and appreciating the difference of each music

    ACTIVITIES:

    Buwan ng Wika integration of Filipino and Music Area during Buwan ng Wika through activities such as Kundiman Singing, etc.

    Materials/References:

    Books/Magazines/ Pamphlets:

    Baker, Kenneth. The Complete Keyboard Player. Omnibus Press. 1997.Kamien, Roger. Music An Appreciation. 4th edition. McGraw Hill. 1988.Schonbrun, Marc. The Everything Music Theory Book. Adams Media, F+W Publications Company. MA USA. 2007.Afable, Vanessa. Keyboard-playing Made Easy. Saint Pedro Poveda College. 2013

    Activity Materials

    Nikolai Rimsky-Korsakov http://www.classicsforkids.com/activitysheets/April2011.pdf

    Remarks:

    _____________________________________________________________________________________________________________________________________________

    http://www.classicsforkids.com/activitysheets/April2011.pdfhttp://www.classicsforkids.com/activitysheets/April2011.pdf
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    ______________________________________________________________________________________________________________________________________________.

    Time Frame: 4 Weeks (July September) Teacher:

    Crisostomo D. Aguda Jr.

    STANDARDS

    Listen and analyze aural examples of varied repertoire of music representing diverse genres and cultures by describing the uses of allelements of music and its expressive devices

    Listen, analyze & describe the uses of elements of music in a given work that make it unique, interesting, & expressive

    Compose a short melodies unaccompanied within the specific guideline in style, meter and tonality

    TOPICSENDURING

    UNDERSTANDING

    ESSENTIALQUESTIONS

    CONTENT BENCHMARK

    LEARNING PLAN

    PERFORMANCETASKAND

    OTHEREVIDENCES

    KNOWLEDGE SKILLS

    At the end of the session,

    the students should...

    Late

    RomanticComposers

    RichardWagner

    Peter IllyichTchaikovsky

    Students willunderstandthat:

    composingmusic is oneway ofshowingnationalism,

    but to

    What does itmean to benationalistic?

    How can weshow

    nationalism in

    know:

    1. composers ofthe lateRomanticPeriod

    2. basic chordprogressions

    to able to:

    1. enumeratethedistinctivedifferencesbetweenEarly andLateRomantic

    DAY 1DAY 1

    Motivation

    Review let studentsreview the composers ofEarly Romantic Period

    Discussion & Lecture -

    PowerPoint Presentation:

    Style of late Romantic

    PERFORMANCE

    TASK: At the endof the session,students willsubmit the lyricsof their graduationsong with thetheme, Lord youare the Way, the

    Truth and the

    SAINT PEDRO POVEDA COLLEGEHigh School Department

    S.Y. 2012 2013

    Music IV Western Music Literature (Romantic to 20th Century Style Music)Topic Plan No. 3 Nationalism and the Late Romantic Composers

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    Russian Five MilyBalakirev,Cesar Cui,AlexanderBorodin,NikolaiRimsky-Korsakov &

    ModestMussorgsky

    JohannesBrahms

    Other LateRomanticComposers EdvargGrieg, JeanSibelius,BedrichSmetana &Antonin

    Dvorak

    Keyboard

    II

    ChordProgression

    SongWritingTools

    Elements ofLyrics andMelody

    reinforce thetrue meaningof nationalismin music,proper wordsshould beincorporated

    on the lyrics.

    Romanticartistsapproachedthe arts withextremesubjectivity,vividlyexpressingtheir mostintimate

    thoughts andpersonalexperiences.

    compositionfacilitates thecommunication of ideas and

    emotions.

    music? Is itpossible?

    What is the

    importance ofknowing/studying thecomposers ofdifferentmusic eras?

    How cancompositionbe used tocommunicateemotions andideas?

    3. elements ofsong-writing

    Music

    2. identifywhether amusic is inRomanticstyle or not

    3. createdifferentharmonicprogressionsin a givenmelody

    Music Nationalism as the main

    theme in Late RomanticMusic

    Composers of LateRomantic Music:

    1. Richard Wagner

    2. Peter IllychTchaikovsky

    3. Johannes Brahms

    4. Russian Five - MilyBalakirev, Cesar Cui,Alexander Borodin,Nikolai Rimsky-Korsakov & ModestMussorgsky

    5. Other Late RomanticComposers - EdvargGrieg, Jean Sibelius,Bedrich Smetana &Antonin Dvorak

    Click and Think Game

    Students play a game byclicking the name of thecomposer on the board andexplaining in their ownwords the meaning of thequotation inside.

    Valuing: How does history

    affect music or vice-versa?

    DAY 2DAY 2

    Motivation

    Quiz no. 2 on LateRomantic Composers

    Group Activity

    Two groups will be assignedin each of the followingactivities:1. How can you promote

    Life, followingthe rubrics given.

    OTHEREVIDENCES: Active class

    participation

    Quiz output

    Group workoutput

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    nationalism in Philippinemusic?

    2. Create a poster thatshows nationalism inmusic

    3. Create a poem (twostanzas with four lines

    each) about nationalismin music

    4. Create an acrostic onhow to promotenationalism in musicusing the last name ofany Romanticcomposers.

    Answers to the above-mentioned activities shouldbe in Filipino as part of the

    celebration of Buwan ngWika.

    Rubrics will be given as thebasis for their presentation.

    Group Presentation

    Let the groups present theirfinished output.

    Valuing: Why is

    nationalism important?How can nationalism be

    shown in music?

    DAY 3DAY 3

    Motivation

    Review Give somecommon chordprogressions

    Discussions & Lectures :

    Triad/Chord

    How to construct a chord

    Groupperformance

    Active classparticipation

    Homeworkoutput

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    Different chordprogressions i.econventional four chord

    Elements of lyrics andmelody

    Parts of a song Song structure

    Homework :

    Group Work divide theclass into 8 groups.Students write the lyrics forthe graduation song-writingwith the theme, Lord, Youare the Way, the Truth andthe Life.

    Valuing: What are thevalues you have learned

    today?

    DAY 4DAY 4

    Song-Writing Activity Finalize the lyrics of their

    graduation song Compose the melody of the

    chorus part of their song Present the lyrics in class Class evaluation and

    critiquing based on thecharacteristics of a songwith good lyrics.

    Valuing: How was yourexperience in writing thelyrics of a song?

    Lyrics writing

    Creative Output melodymaking

    Integration (Values/Content/Activities)

    VALUES

    Integrity writing an original song

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    Excellence and Creativity music composition

    SKILLS

    Life Skills composition is not just an ordinary talent but it can may become your future career ACTIVITIES

    Buwan ng Wika answering the given activities on nationalism for Day 2 using the Filipino language

    Materials/References:

    Books/Magazines/ Pamphlets:

    Baker, Kenneth. The Complete Keyboard Player. Omnibus Press. 1997.Burkholder, Peter, Donald Jay Grout, Claude Palisca.A History of Western Music. 8th edition. W.W. Norton & Company. 2010.Ferris, Jean. Music the Art of Listening. 7th edition. McGraw Hill. 2008.Hoffer, Charles R. The Understanding of Music. 5th edition. Wadsworth Publishing Co. 1985.Kamien, Roger. Music An Appreciation. 4th edition. McGraw Hill. 1988.Miller, Michael. The Complete Idiots Guide to Music History. Penguin Group. 2008.Schonbrun, Marc. The Everything Music Theory Book. Adams Media, F+W Publications Company. MA USA. 2007.Willoughby, David. The World of Music. 4th edition. McGraw Hill. 1996.

    Audio/Video:

    Morning Mood from Peer Gynt (Edvard Grieg)Hungarian Dance no. 5 (Johannes Brahms)

    Remarks:

    _______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

    ________________________________________________________________________________________________________________________________________________.

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    Time Frame: 5 Weeks (October - December) Teacher:Crisostomo D. Aguda Jr.

    STANDARDS

    Listen, identify, and explain compositional devices and techniques used in musical works and make use of similar devices in their owncompositions

    Listen and analyze & describe the uses of elements of music in a given work that make it unique, interesting, & expressive

    Perform in groups, blending vocal and instrumental timbres, responding to the cues of the conductor/teacher/student-leader

    Compose songs within specific guidelines, demonstrating how the elements of music are used to achieve unity and variety, tension,release and balance

    Use specific criteria for informed, critical evaluations of the quality and effectiveness of performances, compositions and arrangements

    Evaluate personal participation in music classes or performances

    TOPICSENDURING

    UNDERSTANDING

    ESSENTIALQUESTIONS

    CONTENT BENCHMARK

    LEARNING PLAN

    PERFORMANCETASKAND

    OTHEREVIDENCES

    KNOWLEDGE SKILLS

    At the end of the session,the students should...

    Song-writing

    Review onthe parts of

    a song andelements oflyrics andmelody

    Analysis ofsongstructure

    Appliedharmonyand seventhchord

    Graduation

    Students willunderstandthat:

    originalcompositionsare groundedby priortechnicalknowledge inmusic andpersonalexperiences.

    composingcan helppeople work

    together and

    Why dopeople havedifferentinterpretations of differentmusicalpieces?

    What aresome of theadvantages of

    composing

    know:

    1. elements oflyrics andmelody

    2. songstructureand form

    3. advancedharmony

    to able to:

    1. write lyricswithdifferentparts

    2. analyze lyricand melodicstructure ofmusicthroughsinging

    3.applycorrectharmonic

    DAY 1DAY 1

    Motivation

    Review students review

    the parts of a song andelements of lyrics andmelody.

    Discussion & Lecture -

    PowerPoint Presentation: song structure different kinds of song

    structures and form

    Song analysis

    Students will l isten to

    PERFORMANCE

    TASK: 1.Students willsubmit thecheckedcomposition oftheir graduationsong with thetheme, Lord youare the Way, theTruth and theLife.

    OTHER

    EVIDENCES: Active class

    participation

    SAINT PEDRO POVEDA COLLEGEHigh School Department

    S.Y. 2012 2013

    Music IV Western Music Literature (Romantic to 20th Century Style Music)Topic Plan No. 4 Song-writing Techniques

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    song-writingcompetition

    learn torespect andappreciate theworks ofothers.

    differentchordprogressionsare importanttools inenhancingonescomposition.

    musicianshipis developedthrough

    discriminativelistening,singing andcomprehensive analysis.

    music withother people?

    What makes

    music apleasure tolisten to?

    Why is itimportant tolisten activelyto music?

    progressionsin theircompositions

    examples of songs, andanalyze them according to:

    1. parts of a song2. form of a song

    Quiz no. 1 on parts and

    forms of a song

    Homework Song analysis search for

    one pop song composedbetween 1980 2000.Write the lyrics on a shortbond paper and include thefollowing information: title,composer, parts, form andstructure of the song andshort description of whatthe song is all about.

    Valuing: Why is it important to know thedifferent forms of music?

    DAY 2DAY 2

    Motivation

    Review students reviewthe song structure andforms

    Discussion & Lecture -PowerPoint Presentation: Solar Harmony Nashville system and the

    traditional chord system different kinds of advance

    chord progressions

    Group Activity

    Let the group analyze thechord progressions of thedifferent examples of music

    played and shown.

    Song analysis

    Quiz output

    Homeworkoutput

    Active classparticipation

    Active classparticipation

    Groupperformance

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    Song-writing activity

    Using the differentadvanced chordprogressions discussed inclass, analyze the chordprogressions used in their

    graduation composition.

    Valuing: How can chordprogressions affect themusicality of acomposition?

    DAY 3DAY 3

    Motivation

    Quiz no. 2 on chords andNashville system

    Discussion & Lecture -

    PowerPoint Presentation: Introduction to seventh

    chords Functions and uses of

    seventh chords Construction of different

    seventh chords

    Group Activity

    After finalizing the harmonyof the graduationcompositions duringprevious encounter, let thegroups enhance the chordprogressions of their workusing the seventh chord.

    Each group will present thenew chord progressions.

    Homework :

    Using the same song that

    students have chosen

    Active classparticipation

    Quiz output

    Active classparticipation

    Group work

    output

    Homeworkoutput

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    during their previoushomework, let themidentify the chordprogressions used using thetraditional chord systemand Nashville numbersystem.

    Valuing: In life, is it

    important for us toenhance things fromsimple to complex just likefrom simple triad tocomplete seventh chords?Why? Why not?

    DAY 4DAY 4

    Motivation

    AVP Presentation letstudents watch an audio-visual presentation aboutgraduation song-writingcontest.

    Song-writing competition

    Each section of thegraduating class of 2012-2013 will present the finalcomposition after theirprogressive discussionabout song-writing.

    With the theme, Lord, youare the Way, the Truth andthe Life, each section willcompete for the bestcomposition that will beused for their graduation.

    The competition will bejudged by 3 respectedpeople in the field of musiceducation. They will beevaluated using the

    Active class

    participation

    PERFORMANCETASK:2. At the end ofthe session,students willperform/presentthe class finalgraduationcomposition in acompetition

    format followingthe rubrics given.

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    following criteria (seeattached rubrics):

    1. Originality andCreativity

    2. Lyrical Organization3. Melody and Harmony4. Musicality and

    InstrumentalArrangement5. Over-all Performance

    Valuing: How was theexperience in composingand performing yourgraduation song?

    Writtenevaluation

    Self-evaluationof the

    graduation song Group

    evaluation onparticipation

    Integration (Values/Content/Activities)

    VALUES

    Integrity writing an original song composition

    Excellence and Creativity graduation song music composition

    SKILLS

    Life Skills music analysis and composition is not just an ordinary talent but it can may become your future career

    ACTIVITIES

    ICT Subject integration the song-writing contest will be integrated to ICT subject in which each class is going to create a MUSICVIDEO of their graduation song.

    Materials/References:

    Books/Magazines/ Pamphlets:

    Baker, Kenneth. The Complete Keyboard Player. Omnibus Press. 1997.Burkholder, Peter, Donald Jay Grout, Claude Palisca.A History of Western Music. 8th edition. W.W. Norton & Company. 2010.Ferris, Jean. Music the Art of Listening. 7th edition. McGraw Hill. 2008.Hoffer, Charles R. The Understanding of Music. 5th edition. Wadsworth Publishing Co. 1985.Kamien, Roger. Music An Appreciation. 4th edition. McGraw Hill. 1988.Miller, Michael. The Complete Idiots Guide to Music History. Penguin Group. 2008.Schonbrun, Marc. The Everything Music Theory Book. Adams Media, F+W Publications Company. MA USA. 2007.Willoughby, David. The World of Music. 4th edition. McGraw Hill. 1996.

    Audio/Video:

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    We are one (Allen Pote)We are the world (Michael Jackson)Someone like you and Rolling in the deep (Adele)Soundtracks from Glee (Glee Artists)Let it be (Beatles)

    Remarks:_______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________.

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    Time Frame: 3 Weeks (January - February) Teacher:Crisostomo D. Aguda Jr.

    STANDARDS

    Listen and analyze aural examples of varied repertoire of music representing diverse genres and cultures by describing the uses of allelements of music and its expressive devices

    Listen, analyze & describe the uses of elements of music in a given work that make it unique, interesting, & expressive

    Interpret a particular style of music through actions and interpretative movements

    TOPICSENDURING

    UNDERSTANDI

    NG

    ESSENTIALQUESTIONS

    CONTENT BENCHMARK

    LEARNING PLAN

    PERFORMANCETASKAND

    OTHEREVIDENCES

    KNOWLEDGE SKILLS

    At the end of the session,the students should...

    ProgramandAbsoluteMusic

    DifferencebetweenProgramandAbsolute

    Music

    Nationalistic Music

    Characteristics

    Composers

    Students willunderstandthat:

    the aim ofprogrammusic isexpressionmore thanmere

    description.

    throughnationalism,music canglorify love forones nationalheritage.

    What makesprogrammusic special?

    Why is it

    important toshow ournationalisticfeelings inmusic?

    know:

    1. programandabsolutemusic

    2. characteristics of

    nationalisticmusic

    3. famouscomposersofNationalisticmusic

    be able to:

    1. differentiateprogramandabsolutemusic

    2. interpret a

    programmusic usingtheir skills inlisteningand analysis

    3. analyzedifferentexamples ofNationalisticmusic

    DAY 1DAY 1

    Motivation

    Reminders about theirgraduation song-writingcontest:1. Criteria2. Important dates3. Recording4. AVP Materials

    Discussion & Lecture -PowerPoint Presentation: Program and Absolute

    Music

    Differentiating Program

    and Absolute musicthrough song analysis Students will l isten to

    examples of songs, and

    PERFORMANCE

    TASK: 1. Eachgroup will create ashort videopresentationshowing theirinterpretation toassigned programmusic through

    acting (withoutlines/voice). To besubmitted beforethe 3rd TrimestralExamination.

    OTHEREVIDENCES: Active class

    participation Song analysis

    SAINT PEDRO POVEDA COLLEGEHigh School Department

    S.Y. 2012 2013

    Music IV Western Music Literature (Romantic to 20th Century Style Music)Topic Plan No. 5 Program, Absolute, and Nationalistic Music

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    analyze them whether it isa program or absolutemusic

    Performance Task each

    group will select one programmusic and create a short act

    on how they will interpret themusic. The students willsubmit their activity in a videoformat a week before the 3rd

    trimestral examination.

    Valuing: Is it necessary for

    music to evoke specificemotions? Why is there a

    program and absolutemusic?

    DAY 2DAY 2

    Motivation

    Review differencebetween program andabsolute music

    Discussion & Lecture -

    PowerPoint Presentation: Nationalistic music Characteristic of

    nationalistic music

    Group Activity

    Six groups will be assignedto do the following activitiesfor next meeting:1. How can you promote

    nationalism in Philippinemusic?

    2. Create a poster thatshows nationalism inmusic

    3. Create a poem (two

    Performancetask/ groupperformance

    Active classparticipation

    Groupperformance

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    stanzas with four lineseach) about nationalismin music

    Valuing: Is it necessary for

    a composer to applynationalism in music?

    Aside from composingnationalistic song, how canyou show nationalismthrough music?

    DAY 3DAY 3

    Motivation

    Quiz no. 1 on program andabsolute music andnationalistic music

    Group Activitypresentation

    Discussion & Lecture -

    PowerPoint Presentation: Composers of Nationalistic

    music

    Listening Activity

    New World Symphony Antonin Dvorak

    Finlandia Jean Sibelius Die Walkure RichardWagner

    QUESTION what did youfeel while listening to themusic? How did thecomposer show theirnationalism in theircomposition?

    Valuing: What is your ideal

    music? What are your

    Groupperformance

    Active classparticipation

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    grounds for an ideal music? Is it fair to say thata particular music is thebest among the rest?

    Integration (Values/Content/Activities)

    VALUES

    Love patronizing Filipino music Excellence and Creativity interpretation of music through acting

    ACTIVITY

    National Arts Month presentation of projects this school year

    Materials/References:

    Books/Magazines/ Pamphlets:

    Baker, Kenneth. The Complete Keyboard Player. Omnibus Press. 1997.Burkholder, Peter, Donald Jay Grout, Claude Palisca.A History of Western Music. 8th edition. W.W. Norton & Company. 2010.

    Ferris, Jean. Music the Art of Listening. 7th

    edition. McGraw Hill. 2008.Hoffer, Charles R. The Understanding of Music. 5th edition. Wadsworth Publishing Co. 1985.Kamien, Roger. Music An Appreciation. 4th edition. McGraw Hill. 1988.Miller, Michael. The Complete Idiots Guide to Music History. Penguin Group. 2008.Schonbrun, Marc. The Everything Music Theory Book. Adams Media, F+W Publications Company. MA USA. 2007.Willoughby, David. The World of Music. 4th edition. McGraw Hill. 1996.

    Audio/Video:

    Die Moldau (Bedrich Smetana)Finlandia (Jean Sibelius)New World Symphony (Antonin Dvorak)

    Die Walkure (Richard Wagver)Mayon Fantasie (Francisco Buencamino)

    Remarks:

    _______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________.

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