building b. · 2020. 3. 25. · building by historian/archivist adrian harvey who shared the...

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Page 3: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural
Page 4: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural
Page 5: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural
Page 7: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural
Page 9: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural
Page 10: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Activities have been organised into types under each outcome as follows:

Outcome:

People will have developed skills

Outcome:

People will have learnt about heritage

Activity type Activity type

Construction and design skills

Digital technology skills

Historic research, recording and

interpretation skills

Marketing and branding skills

Staff training

Arts training and skills

Heritage learning

Historic research, recording and improved site knowledge

Creative heritage engagement and interpretation

Page 11: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Construction and design skills

The capital project involves a considerable amount of repair and conservation work to the buildings, in particular Building A which can offer several

opportunities for conservation skills training for existing tradesmen, who may wish to develop specific repair and conservation skills, or for current

students within construction training courses offered at the Inverness and Moray campuses of the University Highlands and Islands (UHI).

The conservation, repair and re-use of the building could provide particular construction skills training in:

Slate roofing

Leadwork

Masonry repair and lime pointing

Building services within historic buildings

Health and safety

Architectural technicians

Construction management

Contract administration

The architectural and engineering designs for the buildings will involve developing detailed repair specifications for the buildings as well as detailed

alterations to the buildings to suit their new uses. The engineering design development will involve detailing and overseeing the installation of new

building services sensitively within the historic building fabric. Following the award of contract, the administration of the contract will be delivered

by the lead consultant, and consultancy input provided by the design team members. The Lead Consultant and Design Team for Phase 2 works, LDN

Architects are locally based and have a good relationship with the Inverness College UHI architectural technology courses, often taking on work

placements. There is considerable potential for specific work placement training for students on the UHI architectural courses.

For young people considering their future career options there may be the opportunity for members of the Design Team to visit secondary schools

and FE colleges to hold careers workshops and to accommodate visits to site during the construction period or to spend time in their practice offices.

Page 12: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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sk

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1. Traineeships - provide on-

site practical traineeships

(unpaid) during main contract

focusing on traditional skills

and construction site

management. In conjunction

with Inverness or Moray

College UHI.

On-site practical training

during main contract

(leadwork, slaterwork, M&E

engineering, masonry repair

and lime pointing, decorating)

New

workforce

entrants/

students

working

towards

qualifications

in the

construction

industry.

Young

people.

Increased practical heritage skills

for work involving traditional

building skills and repair.

Increased employability within

the construction industry.

Increased practical skills in

construction management, on-

site health and safety and

practical application towards

fulfilling construction

management course

requirements.

Inverness/Moray

College UHI and Main

Contractor time

Delivery -

Construction

2 traineeships of 2-4

weeks

Evaluation – trainees

will be asked to

complete a short

feedback survey or

write a blog post.

Co

nst

ruct

ion

/d

esi

gn

sk

ills

2. Onsite training for existing

workforce- upskilling in

repair and conservation

techniques.

Potential link to CiTB NOS

NVQ 3 traditional

construction skills.

Construction

employees

Increased construction skills

within existing local workforce in

repair and conservation.

Increased practical heritage and

employability skills for work

involving traditional skills.

Contractor

commitment

Delivery -

Construction

2 trainees/employees

upskilled

Evaluation –

participants will be

asked to complete a

short feedback survey.

Page 13: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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sk

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3. Student work placement

within architectural design

practice. In conjunction with

Inverness College UHI.

Students on

architecture

and building

design

related

courses with

interest in

building

conservation

and

designing for

re-use of

existing

buildings.

Increased architectural design,

technology, project brief and

construction contract delivery

skills and experience. Increased

skills in design for the repair and

re-use of historic buildings.

Practical experience of working in

a design practice.

Increased practical skills in on-

site health and safety and

practical application towards

fulfilling construction

management course

requirements.

Design team

LDN Architects

Inverness College UHI

Heritage Activity

Planner (HAP) time to

co-ordinate

Delivery -

Construction

2 student work

placements provided

Evaluation –

participants will be

asked to complete a

short feedback survey

or write a blog post.

Page 14: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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4. Architect/engineer talks

and hard hat tours of on-site

works. Q and A session with

site manager.

Careers advice in the

construction industry -

traditional trades,

architecture, engineering.

Young

People.

Secondary

school

students

from

Inverness

Royal

Academy,

Millburn

Academy.

Inverness

College UHI

FE students

in building

design and

construction.

Crown

Primary P6-7

pupils.

Increased heritage skills,

appreciation of heritage skills and

potential career opportunities in

the design and construction

sector.

Learning about the history and

heritage of the building and their

school’s connections with the

buildings.

Practical/hands-on experience of

tools required, traditional

buildings materials and repair

techniques.

Insights into potential careers in

the construction industry relating

to the redevelopment of

traditional buildings and skills

required, training routes and

qualifications available.

Increased interest from young

people in the construction

industry.

Design Team

Contractor

HAP time to co-

ordinate

Delivery -

Construction

50 young people

attending

Evaluation –

participants will be

asked to complete a

short feedback survey

or write a blog post.

Page 15: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Digital technology skills

A website was delivered during the Development Phase providing a platform for promoting and sharing news, activities and events of the project as

it unfolds. The website includes a historical research into the building, a participants’ blog, social media links, and will be promoted through WASPS

e-newsletters to current subscribers. It also provides a digital media for which to present the outputs of various heritage learning activities and

events, and for volunteers to curate a digital storyboard on the heritage of the buildings and activity outputs.

The website was launched during the annual Inverness-based XpoNorth festival – Scotland’s leading creative industries festival taking place on 27th

and 28th June 2018. WASPS were present within the trade stands at the festival (based in the Eden Court arts centre) to give further information

about the project including how to get involved with the engagement activity as well as applying for a studio/workspace.

Once some of the other engagement projects are underway, a social media trainer will provide training on digital content curation, and production of

digital media for websites and social media, to enable project participants/volunteers, and new building management staff, to develop their project

specific blogs and a digital storyboard.

New logo development for the building and a screen-grab of the new website - www.invernesscreativeacademy.org.uk

Page 16: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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Dig

ita

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chn

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sk

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5. Online development -

Website design with a

dedicated heritage

interpretation page, story-

board and participants blog

for engagement activity.

Social media set-up to

signpost website and provide

a discussion forum around the

engagement activity –

dedicated Inverness Creative

Academy account on

Facebook.

Digital

audience,

social

networkers.

Potential and

existing

funders and

supporters.

Increased access to heritage and

learning about the site and

project proposals.

New Inverness Creative Academy

mini-site with dedicated project

webpages within WASPS Trust

existing site.

Inverness Creative Academy

facebook page – opportunity for

the general public

comment/discussion.

New Inverness building logo

inline with WASPS’ branding of

other sites.

WASPS marketing staff

to develop website

Graphic design input

HAP time to co-

ordinate content

Delivery -

Development

Evaluation - Install

website analytics to

measure page visits/

engagement.

Inverness Creative

Academy Facebook

page – use Facebook

Insights to measure

likes/engagement.

Increased levels of

support and interest

in the project –

measure number of

page shares.

Page 17: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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sk

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6. Training in social media for

heritage projects and website

content preparation/

presentation.

Project

participants

involved with

creative

projects

and

Local

volunteers

from local

interest

groups past

pupils.

Volunteers will gain skills in

digital content production for

social media, blog/social media

writing skills.

Increased quality of social media

input to project website, writing

project specific blogs, editing of

website content.

Social media trainer

HAP time to co-

ordinate

Delivery –

Construction

10 people receive

training.

New and effective

online content

delivered.

Increased levels of

support and interest

in the project

measured through

social media

engagement via

Facebook Insights and

website analytics.

Evaluation –

participants will be

asked to complete a

short feedback survey

or write a blog post.

Page 18: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Historic research, recording and interpretation skills

Through photography workshops participants will develop new ways of observing, interpreting and presenting their historic environment, as a

building detective identifying materials common features and architectural characteristics, architectural terminology, or to read clues linked to the

Midmills building within the wider urban environment of Inverness. This will help individuals to observe, interpret and present their heritage in

both digital and printed mediums.

A record of the capital works, and changes to the historic fabric will be recorded as part of a photography projects lead by professional, local

photographers, some of whom will be artist tenants of Building B. Participants will gain new skills in digital or film photography including

developing and printing film. There will be a new darkrooms facility within Building B run by local photographers’ collective, providing dark room

space for workshops and training activities.

During the Development Phase, 9 students studying Higher Photography at Inverness College UHI took part in the initial part of this project – six of

whom fall into the target 16-25 age range. Over two sessions (30th May & 6th June 2018) they worked with the interim Heritage Activity Planner,

Kirsten Body, and their class tutor, Rachel Fermi, to document Building A before construction begins. The group were given an introduction to the

building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for

architectural detail and evidence of change within the building as well as have their own creative responses to the site using various digital methods.

Some of their highlights include:

‘I really liked the aesthetics of the building. Was interesting to see the work Wasps are doing to give the place a new use.’

‘Being able to look around and see the inside of a building I’ve never been into before but has interested me for some time.’

‘I found the interior architecture interesting, as it shows how the building has aged over the past few years.’

‘I hadn’t actually been to the building before so I didn’t know really what to expect. I think the most interesting part of the building was the older

part which hadn’t been renovated yet – especially seeing the contrast with the “new” building.’

And all of the participants though the project was beneficial to their future career:

‘It’s awesome to be involved in projects such as this and I hope my pictures are nice additions to the collections.’

‘Yes, this would be beneficial – I currently sell my photographs/digital art online so being part of a physical exhibition would really help my

business.’

Page 19: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

‘Yes, as I am aspiring to become a better photographer, and having work exhibited would help.’

A full summary of their feedback and equalities monitoring information can be found in Appendix 4.

Page 20: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

A selection of the Inverness College UHI students’ digital photographic artwork from their site visit on 30th May 2018.

Page 21: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Currently Inverness College UHI does not have a dark room so all the photography undertaken in this initial phase was digital. In the later

Construction and Operational phases dark room skills will form a key part of the historic building recording and interpretation exercise, as the

community dark room within Building B is set to open in October 2018 and will provide regular courses and membership access to the facility. It is

intended that a new class of students could apply for this opportunity as well as group drawn from the wider community. The work produced from

these three different groups will make up part of a series of exhibitions displayed within Building B at regular intervals during the project, as well as

story boards on the website.

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7. Photographic record of

project pre, post and during

construction produced by

local young persons and local

people as part of practical

photography workshops in

Building B.

Three different groups will

have access to the building to

take photographs and then

work alongside professionals

to print and curate a group

exhibition.

Young

people,

Inverness

College UHI

Higher

Photography

students.

Local

community,

photography

groups.

Wider

audiences

Skills in reading a historic

building and phases of change.

First images displayed on website

from July 2018 followed by an

exhibition during Construction

and Operational phase.

Practical DSLR and/or film

photography skills for heritage

recording and surveying.

Potential dark room skills, use of

film SLR cameras.

Printing and curation of

exhibition – on-line and physical.

Local photographers

time for workshop

preparation and

delivery.

Access to photography

workshop/darkroom

space in Building B.

Spare cameras

Delivery

during all

phases:

Development

Construction

Operational

Minimum of 15 people

have recorded the

buildings.

To date 9 Inverness

College UHI students

have taken part and

their feedback/

demographics have

been captured in a

short survey.

Images are curated

and displayed in

creative hub and on-

line.

Page 22: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Marketing and branding skills

The creative re-use of the Midmills buildings needs to have a new identity to promote the building to its end users, to excite and nurture creative

talent within Inverness and Highlands and to encourage active use of the buildings. This needs to reflect the heritage significance of the buildings,

and look to the vibrant, creative future that the new use will invigorate.

This project will work with the Visual Communications HND and degree course students at Inverness and Moray College UHI on a graphic design

exercise in and around the building, as a competition to develop temporary signage material for the new Creative Hub. Selected artworks will then

be developed professionally and incorporated into banners displays within the building and at the exterior entrances. As the site is not intending to

have hoarding, banners attached to railings could provide a length of blank canvas to excite, inform and engage individuals and the passing public

and raise awareness of the buildings’ creative re-use and history as well as mark the entrance during the capital works.

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sk

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8. Graphic design project for

creative hub’s entrances.

Students work to a live brief,

mini competition.

Select one/two ideas to

develop fully into interior and

exterior banner artworks.

Young

people.

UHI Visual

Communicati

on students

at Inverness

and Moray

College.

General

audiences,

digital

audience.

Create interest in the local

community and enliven visual

appearance of building works.

Skills in working to a brief and

with a real Client .

Learning about the heritage of the

buildings and the significance.

Contribution to student’s

portfolio and access to work

opportunities in the creative

industries.

Strengthen links with UHI’s

creative students and potential

future occupants of the creative

hub.

Tutor time & HAP to

develop brief around

course criteria

Wasps Staff to

introduce/develop the

brief

Delivery -

Construction

20 - 30 students

proposals

Print and produce

one/two concepts for

interior and exterior

banners.

2000 Public/casual

viewers

Evaluation –

participants will be

asked to complete a

short feedback survey

or write a blog post.

Page 23: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Staff training

When operational the Inverness Creative Academy building will be managed by a small on-site building team comprising part-time facilities

manager, a part-time marketing and sales manager, and a full-time administrator. They will be supported by the Property Team at WASPS main

office in Glasgow. There is strong evidence to support that creative industries are more likely to occupy refurbished historic buildings, as cited in the

New Lives for Old Buildings research study undertaken by the Heritage Lottery Fund in 2013. It is important for building management staff to

complement this trend for the creative industries in their choice of workspace, to encourage new interest in the building and maintain interest and

sense of pride and care amongst the tenants that the building management staff have a good understanding of the history and heritage of the

building, and its historic fabric to share this with prospective users, visitors and the public alike. The recruitment and induction of new staff

members for the Inverness Creative Academy, and members of the existing property team, will involve training on the heritage of the building and

knowledge sharing.

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Page 24: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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9. Staff training in the

heritage and history of the

buildings, and the care and

maintenance of its historic

fabric.

New and

existing

property

staff.

New and

prospective

tenants,

visitors and

public users

Learning about the historic and

heritage of the buildings.

Training in the care and

maintenance of historic fabric

and in property management.

Soft skills in sharing knowledge

to others, to instil a sense of pride

and stewardship in users.

HAP

Wasps Staff

Delivery -

Operational

3 staff to receive

heritage training.

Archive resource

developed through

engagement projects

easily accessible

within the building.

Website including

historic building

information to be

maintained after the

funded projects have

finished.

Arts training

During the Development phase, we have explored the potential for training and delivering Arts Awards as part of the creative heritage projects –

these projects may be suitable for the Discover level Arts Awards if the guided sessions are 20 hours in total.

Arts Awards are a recognised scheme delivered through Trinity College, London, with qualifications designed to support young people from the age

of 5 to 25, working through the various levels enables participants to grow and develop as artists and art leaders. Local artists would be trained as

Arts Awards Assessors and young participants will achieve an award for taking part in the creative heritage workshops in recognition of their

activities and outputs.

Discussion with the Arts Steering Group has revealed that the upper level awards (Bronze and Silver) would greatly benefit secondary school pupils

seeking to develop art portfolio – this is currently unavailable in Inverness. Therefore, WASPS have also assessed the viability of running the upper

level awards long term as a paid course once the building is fully operational. WASPS intend to offer two fully funded placements to young people

facing access and inclusion barriers – these will be by application.

Page 25: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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10. Arts Award scheme –

training for creative

practitioners/artists to

become Arts Awards

Assessors.

Recruited through an open

application process.

4 Local

creative

practitioners,

artists

4 creative practitioners will

attend a days training course.

Creative practitioners will

develop skills in assessing and

delivering targeted programmes

as part of the Arts Awards

scheme.

HAP to co-ordinate

and develop classes

with potential artists

advisor/tutors

Delivery -

Construction

4 x artists become Art

Awards Assessors.

Creative Hub the first

Arts Awards centre in

Inverness area.

Artists will use the

training to deliver

classes long term with

the Creative Hub.

Page 26: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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11. Arts Awards - deliver

Discover awards as part of the

Creative Heritage

Engagement activities within

schools.

Discover Arts Awards will

consist of eight sessions

lasting 2.5 hours (20 hours in

total).

Long term programmes for

young people at the Bronze

and Silver award level

developed and delivered

within the creative hub (self

funded by participants) -

including 2 funded places for

those with social and

economic barriers to

participation.

Bronze Arts Awards will

consist of 16 sessions of 2.5

hours (total 40 hours).

Silver Arts Awards will

consist of 24 sessions of 2.5

hours (total 60 hours).

P6/7 Pupils

from Crown

Primary

S1/2 Pupils

from

Inverness

Royal

Academy

Young people

(5-25 years)

Developed skills in preparing and

presenting art portfolio linked to

the creative heritage activities.

Discovered the enjoyment of

creating and participating in a

range of artforms, developing

their creativity skills.

Experienced working with

creative arts professionals.

Gained experience and

knowledge to progress into

further education and

employment.

WASPS develops a model of

generating income from long

term activity while helping to

plug gaps in local arts

provision.

HAP time to co-

ordinate Arts Awards

log books and

certificates as well as

tuition schedule for

long term Bronze

(40 hours) and Silver

(60 hours) courses.

Delivery -

alongside

Creative

Heritage

projects

during

Construction

and

Long term

during

Operational

25 young people

receive Discover Level

Arts Awards through

the Creative Heritage

Engagement events

(each receiving 20

hours tuition).

2 fully funded access

and inclusion

opportunities for

young people at the

Bronze & Silver.

25 young people

receive Bronze & Silver

Level Arts Awards.

Evaluation –

participants will be

asked to complete a

short feedback survey

or write a blog post.

There may be scope

within some personal

projects for the young

person to create a

short documentary

film.

Page 27: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

1.1.1 People will have learnt about heritage

Heritage learning

Doors Open Days (DOD) is Scotland’s largest free festival that celebrates heritage and the built environment. It offers free access to over a thousand

venues across the country throughout September, every year. The aim of Doors Open Days is to ensure that Scotland’s built heritage, new and old, is

made accessible to people living and visiting the country. The Highland DOD is co-ordinated by Alison Tanner (Inverness City Heritage Trust).

Discussions with Alison Tanner during the Development phase has secured three tours of the Midmills buildings within the Highland programme on

Saturday 29th September 2018, to be booked in advance via the DOD website as well as an agreement in principle to participate in 2019. The 2018

date is an ideal time as the Building B will be complete but not yet occupied and Building A will not have started it’s construction construction. There

will be an exhibition to view and well as a guided tour of the building lead by the Heritage Activity Planner with the Architect to share the historic

research to date and plans for the future.

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12. Doors Open Day - hard hat

tours during September 2018

and September 2019.

Two pre-booked guided tours

(morning/afternoon) with an

exhibition and archive

research made available to

view.

Public, local

community

Learning about the history of the

Midmills buildings, development

proposals during construction.

Learning about historic building

fabric and conservation.

Builds relationships with local

people and potential users.

Increased permeability of

building and public awareness.

Increased visibility nationally

through joint marketing via DOD

website and print material.

HAP to co-ordinate

and share buildings

history.

Design Team/

Architect involved in

tour.

2019 – Contractor on

site to manage safety

whilst undergoing

construction work.

Delivery –

Development

Saturday 29th

September

2018

and

Construction

in September

2019.

30 people

participating in three

guided tours during

2018.

30 people

participating in 2019.

Evaluation –

participants will be

asked to complete a

comments postcard.

Page 28: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Public exhibitions will be installed within the Corridor Gallery or main Gym space with Building B periodically and will tie into other engagement

activity so as to be easily invigilated for a specific period by tenant volunteers from within the building. Key moments to have material on display are

Building B launch event (December 2018), Door Open Days, Film Booth Sound Bites project and during other schools visits/hard hat tours.

Within the budget below WASPS aim to produce 3 separate exhibitions with information printed on display panels, pop-up banners, photographic

prints, short films and take away leaflets. Exhibitions will be advertised via the Inverness Creative Academy facebook and website as well as through

locally distributed posters.

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13. On-site temporary

exhibitions during

construction works in

Building B.

Focus on history of Inverness

Royal Academy and Inverness

College at Midmills, socio-

economic impact on the wider

area.

Display proposals for end use

and consult on heritage

activities, recruit participants

and expand audience/

promoting end use.

Display some of the creative

engagement/schools

outcomes – i.e. films,

photograph, drawings.

Public, local

community

Learning about the heritage of the

buildings related to end use,

record interest in buildings and

their history and activities.

Wider audiences to heritage

buildings.

Learn about construction works

underway and notice board for

progress updates.

Greater public consultation and

awareness.

Encourage public engagement

with heritage activities.

WASPS staff time.

HAP to co-ordinate.

External exhibition

design, production

professional.

Equipment to display

films.

To be managed daily

by tenant volunteers.

Delivery -

periodically

spaced out

during the

Construction

phase to co-

inside with 3

key events.

3 short exhibitions in

Building B during

construction works to

Building A – 500 visits

pa.

Exhibitions regularly

updated with progress

report and ‘snippets’

of findings from

research projects.

Linked to website-

storyboard blogs,

progress and

Facebook page - 1,500

social media/website

visits.

Evaluation –

participants will be

asked to complete a

comments postcard.

Page 29: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Historic research, recording and improved site knowledge

The historic research undertaken has identified a considerable number of gaps in knowledge about the historic development, social and cultural

history of the buildings and has only really touched the surface on this subject. The Inverness Royal Academy archive has the potential to reveal a

considerable amount of information about the use of the Midmills buildings by the school, and details of past pupils. The archive holds minutes,

admission registers, log books, correspondents and school magazines from 1787 to 2004. It also holds original photographs taken by Andrew

Paterson of the 1913 extension. The archive records may not be publicly available but could be accessible by past or current pupils of the school as

part of a wider research project into the history of the buildings.

There are several historic digital photographs of the building available on Am Baile provided by High Life Highland, however, many more are

available on the Scottish Highland Photo Archive, Highland Archive Centre as well as in personal collections of former staff and pupils.

During the Development phase Historic Researcher and Social Anthropologist Kerry Duncan was appointed to conduct further research of

documentary sources and provide a greater understanding of the Midmills buildings. Based on the Black Isle, Kerry is already familiar with the

history of Inverness Royal Academy and knows a past pupil who went there in the 1940's. Kerry also worked in the building in 1999, when it was

part of Inverness College UHI and her recent projects include; research & interpretation for 'Coming Home: WWI in the Highlands' with High Life

Highland. See Appendix 5 for the Historic Researchers Brief and Appendix 6 for a full report of findings and recommendations. All finding to date can

be access via this shared folder.

The resulting information will be used as a tool for the heritage learning and creative activities – to inform and engage people in a richer and more

meaningful way with the heritage of the buildings. Kerry could provide support for the later Intergenerational project during the construction phase.

Page 30: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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(left) Kerry Duncan on site recording

personal memories from former Inverness

Royal Academy pupil Dave Conner (Chair

of Inverness Local History Forum) and IRA

school archivist and former geography

teacher Robert Preece, 26th June 2018.

(right) Adrian Harvey from the Andrew

Paterson Collection and Robert Preece study

the Paterson image from 1913 to locate and

photograph the rooms on the 26th June 2018.

Page 31: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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14. Historic Researcher – to

conduct further research into

the historic development of the

buildings through documentary

collection; photographic

archive, maps and plans etc. as

well as sound recordings and

moving image portraits of past

pupils.

All audiences Improved understanding of the

heritage significance of the

buildings and their context.

People will have a better

understanding of the historic

development, social and cultural

history of the buildings, including

a richer documentary account

and visual resources available.

Heritage significance and

documentary resource to inform

the planning and delivery of

activity projects.

Outputs include –

A written document of key

findings from desk research.

A series of edited sound

recordings/interviews and

moving image portraits to be

share via social media/website.

A compiled archive of any

photographs, maps/plans.

Historic Researcher

HAP to time to co-

ordinate

Delivery - Development Improved

understanding of

the significance of

the buildings and

their context.

More documentary

material and

resource to inform

and provide

material and

inspiration, for the

development and

preparation of

other learning

projects.

5 past pupils

interviews and

edited into

podcasts.

Page 32: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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15. Intergenerational project -

Archival research into past

pupils attending the schools

and social history of the school

during its time at Midmills.

Introductory training into

documentary research.

Option to link in with Scotland's

Urban Past team for a single

day’s workshop using

documentary resources to

uncover the story of a place

through time. Using four Scottish

urban case studies - the

workshop will guide participants

through an interactive journey

using maps, drawings and a wide

range of other historical

documents to give you the

confidence to use archives for

this research projects.

Intergenerati

onal.

Older people-

past pupils of

Inverness

Royal

Academy

Inverness

History

Forum

Young

people, local

people

Training in archive documentary

research to participants.

Training in research techniques

and presentation and collation of

findings.

Volunteers will gain skills in

digital content production for

social media, blog/social media

writing skills – see project 6

above.

Increased quality of social media

input to project website, writing

project specific blogs, editing of

website content.

Inverness Royal

Academy archivist

time (introduction to

collections skills).

Historic Researcher

time (introduction to

research to date).

Scotland's Urban

Past (introduction to

research skills).

HAP time to co-

ordinate.

Delivery - Construction 5 volunteers and 5

pupils undertaking

archive research.

Evaluation – all

participants will

be asked to write a

blog post sharing

their experiences

and key learning.

Website analytics

to measure page

visits/

engagement.

Facebook page –

use Facebook

Insights to

measure

likes/engagement.

Increased levels of

support and

interest in the

project – measure

number of page

shares.

Page 33: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

During the Development phase there was also the opportunity to interview Inverness Royal Academy past pupils and staff celebrating their 50 years

reunion since leaving the school. The event took place at the Kingsmills Hotel, Inverness. The interim Heritage Activity Planner and local filmmaker,

Mike Webster, were able to interview 11 participants on a green screen background and compile a series of short film trailers to used on the

Inverness Creative Academy social media and website as well as a full edit of all the interviews for the project’s archive.

The first selection of 5 short film trailers made during the Development phase will be released monthly via the Inverness Creative Academy Facebook page and website from August – December 2018. These films feature: Donnie Macleod, former pupil, talking about his journey to school from Glenelg on the west coast which involved two boats and a train; Barbara Bruce, former pupil, talking about playing hockey and the freezing cold sports pavilion; Alastair McArthur, former pupil, shares fond memories of his maths teacher and refusing to use log-books; Anne Barclay, former teacher Miss Skinner, talks about running the outdoor club which went hiking at the weekends; and finally Christine Gilsenan, former pupil, who shares her love of the school dances and bands.

Page 34: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Left: Film booth set up with filmmaker Mike Webster, Right: All attendees of the 50th IRA Reunion outside Kingsmills Hotel, Inverness on 30th June 2018. A

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16. Sound bite film booth –

film recording project in two

parts; during past pupil 50th

School Re-union event and

one public drop-in session in

Building B during 2019.

Older people

- past pupils

and staff of

Inverness

Royal

Academy

Older people

– local people

General

online/

digital

audience.

Experienced filmmaker/

interviewer to capture personal

stories/memories.

Learn about the personal

histories of the Midmills building

and former Inverness Royal

Academy.

Capture social and oral history of

the school buildings at Midmills

and people’s memories of their

school days before they are lost.

Series of short trailers to provide

dynamic content for social

media/website – to raise profile

of the overall building project.

Longer film edit as social history

record to inform future creative

engagement projects.

Filmmaker with own

equipment

HAP time to co-

ordinate

Delivery -

Development

and

Construction

11 participants filmed

during in the

Development Phase at

50th Reunion event

(actual).

9 participants filmed

during second event in

Construction Phase

(estimate)

Evaluation - Website

analytics to measure

page visits/

engagement. Facebook

page – use Facebook

Insights to measure

likes/engagement.

Increased levels of

support and interest

in the project –

measure number of

page shares.

Page 35: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Creative heritage engagement and interpretation

The development of the Creative Hub will provide a facility for networking and creative exchange in the Highlands that is currently just not available.

The Creative Hub will also be the largest provider of creative spaces in the Highlands, there just is not anything of this scale currently available.

Research into the creative use of historic buildings undertaken by Heritage Lottery Fund in 2013 (New Uses for Old Buildings) overwhelmingly

demonstrates that the creative industries are drawn to historic buildings, and find that ‘listed buildings are far more likely to be occupied by types of

independent non-branded business that give place a sense of distinctiveness, authenticity and diversity’. WASPS Trust is excited about the potential to

draw on the creative energy of potential tenants and artist users of the Phase 1 building, including creative individuals drawn to the building for the

creative networks generated, and concentrated within the building.

There will be considerable opportunity for developing creative engagement activities for people to learn about the heritage with local artists and

creative individuals. Visual art research and development methods can be used to effectively assemble collective memory and providing meaningful

interpretation of historical information. Professional artists are well placed to create these new relationships, refreshing how people engage with

their shared history and heritage by strengthening connections, developing creative skills and working collaboratively.

Box constructions by Will McLean – a creative means of assembling and interpreting collective memories, artefacts and drawings - a potential portfolio piece for Arts Awards participants.

A series of creative heritage workshops could follow the historic research and develop creative outcomes in response to the collated material as well

as gather supporting anecdotal histories. It is hoped that some of the creative engagement programme will happen on site in Building B during

construction works to Building A, and their creative responses can be shown as part of the temporary exhibition on site.

Page 36: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

The Academy Street TH is already engaging with the Crown Primary school, and it would be the intention to develop these connections further to

explore the architecture of Ross and Macbeth with the local primary school children. Consultation with the TH Project Officer has indicated their

interest in developing an activity themed on the art and architecture of Ross and Macbeth.

Pupils will attend a tour on site to record the capital works as well as a sketching walk of the Crown to identify the Ross and Macbeth architecture in

their neighbourhood. Followed by weekly sessions lead by local visual artists and photographers, some of whom will be artist tenants of Building B.

Participants will gain new skills in digital photography and drawing, then use text, photography, printmaking and college to make box constructions

inspired by Will Maclean’s work. Finally they will work with the Heritage Activity Planner to develop an exhibition in Building B and share their

artwork with friends and family.

Inverness Royal Academy’s building currently houses the school’s archive, which is managed by former teacher Robert Preece. After discussion with

the current head of the art department it appears they have recently purchased a printing press but do not fully know how to get the most from it.

Left to right: AI Welders/ Rose Street Foundry, Academy Street by Ross and Macbeth –a priority project for the Academy Street TH; Artist-lead print workshop at Velocity Café with Cat Meighan; Sketch-I-ness, an architectural drawing walk in Inverness

Page 37: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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17. Arts Awards recording

project to create mixed media

artworks, pupil’s

interpretation and own

aspirations for the site.

Eight sessions including: hard

hat tour, facilitated sketching

and photography walk to

learn about local buildings

lead by artists, creative

writing, printmaking, collage

& cut out to make final box

constructions.

Training from artist tenants at

the Creative Hub/trained Arts

Award Advisor following the

Discover level structure of: 1.

discover - understanding of a

range of art forms,

2. find out -knowledge of at

least one artist and their work

(Will Maclean),

3. share - what they enjoyed

and learnt through the award

through an exhibition.

Young

people:

P6 or P7

Crown

Primary

school pupils

Learning about traditional

building skills and conservation.

With 20 hours of taught time

these workshops are suitable for

Arts Awards Discover level.

Explore the Crown area further

through the architecture of Ross

& Macbeth.

Learning about the heritage of

Inverness Royal Academy at

Midmills and the area’s buildings.

Recording skills through range of

media, including photography,

creative writing, and visual arts.

Recognise architectural styles,

features and characteristics

within the urban environment

and recording them through

drawing skills.

Experience of working with a

creative arts professional.

Contribution to the four

capacities within the Curriculum

for Excellence.

Artist workshop time

Materials

Teachers time

HAP time to co-

ordinate

Delivery -

Construction

25 primary pupils will

gain Discover Arts

Awards

Exhibition of final

mixed media box

constructions in

Building B

Evaluation – pupils’

work will be shared

and documented in a

public exhibition.

Written self evaluation

of their key learning.

Work with a

filmmaker to capture

final presentation and

pupil feedback.

Page 38: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

Examples of the school magazines - covers from 1955-56, 1965 and 1967 found in the Inverness Royal Academy archive.

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Page 39: Building B. · 2020. 3. 25. · building by historian/archivist Adrian Harvey who shared the interior photographs taken by Andrew Paterson in 1913. Their brief was to look for architectural

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t 18. Inverness Royal Academy

School Magazine – a print

project to resurrect the student

magazine found in the IRA’s

archive and produced during

it’s time at Midmills.

Series of 4 workshops

included archive research and

printing techniques.

Magazines will be exhibited

within temporary exhibition

on site as well via the website.

S1-S3

secondary

pupils and a

core group of

S5/6 art

students from

Inverness

Royal

Academy

Learning about traditional

printmaking skills and equipment

- gaining experience and

knowledge to progress into

further education and

employment.

Learning about the heritage of

Inverness Royal Academy at

Midmills

Pupils working with a

artist/printmaker, experience of

working with creative arts

professionals.

Utilising the school’s newly

purchased printing press.

Pupils print and distribute their

own school magazine with art,

design and creative writing.

Contribution to the four capacities

within the Curriculum for

Excellence.

Increase art teachers printing

skills and confidence when use

the press.

IRA Archivists time

Artist workshop time

in collaboration with

the Highland Print

Studio

Materials

Art teachers time

HAP time to co-

ordinate

Delivery -

Construction

50 secondary school

pupils.

Series of 50 magazines

produced on a press.

Evaluation – pupils’

work will be shared

and documented in a

public exhibition.

Written self evaluation

of their key learning.

1/2 pupils to write a

blog post for the

website.