buddy rhodes catalog of concrete … 2 budd hode oncre products 8777065303 3 this catalog marks both...
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This catalog marks both a long history and tradition of Buddy Rhodes, just as it represents a new beginning. We have compiled stories, techniques, recipes, process insights, a touch of inspiration, and a comprehensive list of materials for anyone concerned with making artisan concrete. The stories, ideas, and materials herein are the combined efforts of the large group of artisans, material specialists, chemists, and entrepreneurs
that make up Delta Performance Products.
The first section of this document is a collection
of stories, finishes, tips, recipes, techniques and insights. These are not intended to be
steadfast, but rather guidelines to assist you along in creating your vision. We hope this
helps you along in your journey of creating with the medium of concrete. If you have
questions or comments, please email us or give us a call, we would love to hear from you.
There are a number of places where the conversation is continuing. Find us on Facebook
as Buddy Rhodes Concrete Products, follow us on Instagram as @buddyrhodes, follow
us on Twitter as @buddyrhodescp, get inspiration from our Pinterest page at Buddy
Rhodes, link up with our business profile on Linkedin at Delta Performance Products LLC.
If you like the tips and tricks you see here, check out our blog at blog.buddyrhodes.com.
If you want to have a conversation with other concrete artisans, check out our forum at
ask.buddyrhodes.com
We hope you enjoy!-The Buddy Rhodes Team
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STABLE of CONTENTS
The BR Story ............................................................. 4
The Evolution ............................................................ 5
New Materials ........................................................... 6
Choosing a Finish ...................................................8-9
Guide to Recipes ................................................. 10-11
Craftsman Mix Recipes ........................................... 10
GFRC Recipes .......................................................... 14
ECC Recipes ............................................................. 18
Color Options ..................................................20-21
Curing ...................................................................... 22
Processing ................................................................ 23
Polishing .................................................................. 24
Etching ..................................................................... 25
Glazes ...................................................................... 26
Sealing ................................................................ 27-28
Products And Services ............................................ 29
Mixes .................................................................. 30-31
Admixtures .............................................................. 32
Water Reducers ....................................................... 33
Fibers ....................................................................... 34
Color Range ........................................................ 35-47
Glazes ...................................................................... 48
Sealer ....................................................................... 49
Tools ................................................................... 50-51
Pads .......................................................................... 52
Molds ....................................................................... 53
Raw Materials .................................................... 54-55
Training............................................................... 56-57
Credits ...................................................................... 58
Delta Performance Products .................................. 59
PA G E
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Delta Performance Products, with the BlueConcrete brand,
was the company that housed this process. BlueConcrete
created a fertile ground to experiment and develop concrete
beyond the limitations it had always known. This philosophy
is revolutionizing the industry.
Buddy demanded more, and
created something new.
BlueConcrete demanded more,
and created something better.
Now these two brands are joined
forces to create the Evolution of artisan concrete. We have
created materials that we believe are easier to use, perform
at the highest level available in artisan concrete, and that
expand the possibilities for makers around the world in ways
that only time will reveal.
Buddy started an evolution. These materials are his invitation
to you to join that evolution. This is not the end, but rather
the continuation. Now it’s time for you to continue the
tradition. Welcome to the Evolution!
We have created materials that we believe are easier to use, perform at the highest level available in artisan concrete, and that expand the possibilities for makers around the world .
| THE EVOLUTION
| THE BR STORYAs a young man, Buddy Rhodes was consumed by clay. It was all he could think about,
night and day. More important than the material itself, Buddy was compelled by the creative
process. Eventually that creative process pushed his desire beyond the capacity of the
material he was creating with. His ideas were too big for a kiln.
Rather than let this limit his ability to create, Buddy struck out to find something different
to quench his desire as a maker. Buddy was after a material that would behave like clay, but
that could develop strength and durability without the need of a kiln. Buddy was after a self
hardening clay.
Buddy found his solution in concrete, but not concrete in the way the world had come to
know, a workhorse in the development of modern civilization- cold and utilitarian. Buddy
was investigating the material through his own lens, as a moldable and infinite material, and
from that process a whole new material came to life. Buddy created a material that behaved
like both clay and concrete, and from that moment an evolution began.
Buddy sought to create, and to share with other makers who wished to do the same. Over
the decades of this collaboration, a whole new language has been born. A language in the
tradition of the craftsman movement, and a set of materials that would allow the maker
community to create their vision.
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S B U D DY ’ S E C C M I X
This is a mix for the most demanding applications. ECC was developed to combat concrete’s naturally brittle habits, a
big problem particularly in areas prone to earthquakes. ECC is an incredibly ductile material, allowing unprecedented
flex prior to failure. We have improved the workability of this mix. The ECC mix can be the consistency of taffy, or
can behave like hard clay. With a skilled hand, this mix can also be cast, troweled, and pressed. This mix performs at
the highest level, and is not for the faint of heart. This is a mix for masochists, madmen, engineers and artisans with
the highest demands of performance and durability.
1 0 P O U N D A R T I S A N M I X
This is just as it sounds. Ten pounds of a mix that just needs water. Reinforcement, water reducer, additional aggre-
gates, and pigment can be added to suit the project. This mix can be made into very thin as it does not have any large
aggregates. This mix is ideal for smaller projects. Whether a base for a sculpture, handcrafted jewelry, objects for
the home and garden, or art, this mix brings the craft of concrete to artisans who want to create on a smaller scale.
P R E - B L E N D E D M I X E S
These mixes are available fully blended in 50# bags using aggregates that have been specially selected for their
unique characteristics. They contain no water reducer, fiber or pigment, leaving ultimate control in your hands. We
have various recipes for you to try, and a wide range of materials for you to choose from in order to create a mix
perfect for your needs.
A D M I X T U R E
Rather than just having mixes that are blended for you, we are introducing the capability to build your own mix using
your local materials. We will give you the recipe we use in our blended mixes, and you can follow that recipe using
your local ingredients to blend the mix yourself. You can also use these admixtures to create mixes entirely unique
to you. In fact, much of the development of this set of materials is based on artisans who have done just that, and
have come back to us to share their feedback and results.
and THERE’S MOREIn addition to the new pre-blended mixes and admixtures, we have improved the entire supporting cast.
New materials include
• Added reinforcement options
• New sealer options
• Limitless color options
• Glazes for a broad range of color tinting of finished concrete
• A selection of raw materials, as well as new tools and pads
We are expanding our voice in the arena of training and information, continuing to bring top of the line training from the
crew at Set in Stone and through the annual event of EPIC.
Buddy has spent the past 2 years collaborating with the BlueConcrete team about ways to improve the materials we make available. BlueConcrete has spent extensive time working
with concrete professionals across all spectrums, from the DIYer to multi-
national industrial companies in order to understand their needs and provide solutions to their troubles. It is the merger of the inspiration of Buddy and the technology of BlueConcrete that has brought these new materials into the world. Enjoy!
THE NEW MATERIALS
MIXESLooking at all the possible ways to approach mix design, we have settled on 4 mixes which are the building blocks from which
virtually anything can be created. Each one of these mixes are unique in their workability habits, and they are all built with
performance in mind. These mixes are incredibly strong and durable, but more importantly, they are versatile enough to build
virtually any finish possible with concrete.
B U D DY ’ S C R A F T S M A N M I X
This is the mix that started this all. Famed for it’s ability to behave like clay, this mix is the easiest mix to work with,
while providing exceptional possibilities for surface finishes and aesthetics. We have taken the mix Buddy created
decades ago, and have improved performance, while maintaining workability.
The Craftsman mix can be pressed up vertical surfaces, trowels like butter, and can be made fluid to conform to any
shape. It is ideal for the newcomer to concrete, but is also revered by professionals as one of the easiest and more
enjoyable mixes there is to work with.
B U D DY ’ S G F R C M I X
GFRC (Glass Fiber Reinforced Concrete) has become the material of choice for many in the professional community.
BlueConcrete’s team was the first group in the artisan world to address the shortcomings of the GFRC mix design,
and developed mixes that outperformed what the market had seen before. Buddy’s new GFRC mix is the next
generation of the Fuzion ZFRC, a mix that was developed and refined by people that work with GFRC professionally.
This mix can be sprayed, pressed, cast, and troweled, and is a perfect high performance base mix for more traditional
concrete mixes. This GFRC mix can be made incredibly thin, and can be manipulated into virtually any shape. It is the
workhorse of our mixes, and is the preferred choice for many of the most successful artisans in the concrete world.
While there is a slightly higher learning curve with this mix then there is with the Craftsman mix, it is still accessible
to newcomers who are looking to push the boundaries a bit further.
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P R E S S E D —This is Buddy Rhodes’ Signature technique. The concrete is pressed into precast in forms, and excels for
vertical surfaces with minimal effort. The color options are endless. The size of your voids depends on how soft your mix is
and how hard you press. This is arguably the easiest finish to get great results from.
C R E A M —This finish is accomplished when very little processing is done to a neatly cast piece. This requires tight mold
work to do well. It shows loads of character, while often being soft and muted in appearance.
P O L I S H E D (S A LT A N D P E P P E R ) — This is a result a polishing the concrete after it has been cast. This can be
achieved whether cast right side up, or precast upside down. This process exposes a bit of the sand in the mix, which is where
the name “salt and pepper” comes from.
G R O U N D — This is similar to Lightly Polished, but more of the surface is removed to expose the sand fully, or to expose
decorative aggregates. This is the process to use if you want to expose glass or other decorative aggregates.
T R O W E L E D —This is a finish that reflects the hand of the maker. Full of character and variation, every piece will be
different and unique.
H I G H S P R AY—This is a GFRC technique created when the mold is sprayed with variation, and often with different
colors. It produces variations in tone and texture, either subtly or dramatically.
V E I N E D — This is achieved when different colors of wet mix are blended to together and placed in the form. There are
numerous methods to achieve this finish.
S TA I N E D — All of these finishes can be glazed using various application techniques. The finish you choose will be the
undertone of color and movement that you see below the glaze. You can use a Sprayed or Lightly Ground finish, and add
a tint, creating a more monolithic finish. You can also use a Pressed or Veined finish, apply the glaze, and have far more
movement and character in the finished piece.
C U S T O M — For every finish we discuss, there is an artisan out there coming up with something new. Concrete is a material
of infinite possibilities. These mixes and techniques can be mixed, matched, and manipulated to create infinite variations.
Much of the success of an artisan concrete project boils down to selecting the right mix for a given project. What is the right mix? That depends on a few factors.
—What finish are you after?—What is your skill level?and so on…. These questions begin the process of picking the right mix
for the project. As you answer the various questions, the right mix will become more and more clear.
PICK THE FINISH THAT IS RIGHT FOR YOUR PROJECT.
W H O A R E YO U ?
This may simplify the decision making process more than anything. While not a steadfast rule, our mixes can be broken down
into how user friendly they are. The Craftsman Mix is a very simple mix to use, the GFRC mix requires a touch more effort,
and the ECC is for masochists and madmen. While there are certain exceptions to these rules (some of which will get pointed
out in the recipe section), this should give you a good reference point.
Each technique has its own unique finish qualities and working parameters so each has its own unique mix design. The basic ingredients are the same, but each technique section will explain and demonstrate its own particular procedure. When working with such specialized methods we must maintain respect for the medium and its timetable.
A R E T H E O T H E R C O N S I D E R AT I O N S ? Due to design considerations, the region where the work is to be done,
and the individuality of each artisan, there will always be other variables to consider. If you are stumped with a problem in
figuring out which mix to use, or which finish would best suit you, we have a forum that is a great resource for answering
these very questions. ask.buddyrhodes.com
W H Y I S T H I S S O C O M P L I C AT E D ? T H E O T H E R G U Y S S AY I J U S T H AV E T O A D D WAT E R
T O T H E I R M I X ! Concrete is a complicated material. We believe that it is through discussion and consideration that
the complexities of this material are lessened. We don’t believe that over simplification makes anyone’s lives better. We
have made an effort to simplify the process where it can be simplified, based on many decades of direct experience in this
medium, and we hope to arm you with the facts and insights so you can make good decisions.
I just want “concrete countertops.” It’s just concrete, right? Correct, it is just concrete. And concrete is an infinitely moldable material, that’s what makes it so cool. Since it is moldable, the first thing you need to figure is how you want it to look.
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T H E R E A R E 2 T H I N G S T O C O N S I D E R W H E N D O S I N G YO U R WAT E R R E D U C E R .
• The more you add, the more inclined your mix will be to slump and consolidate. This is a concern if you are going up vertical
surfaces.
• How much is too much? You know you have gone beyond the threshold of water reducer dosages when you notice your
mix begin to separate, causing the heavier particles to sink to the bottom of your bucket. Depending on the severity of your
segregation, sometimes you can wait a bit for the mix to stiffen up, and remix. Sometimes you need to add more mix to
your bucket to balance out the consistency (keep your proportions in mind with this to ensure your color stays consistent).
T H E R E A R E N U M E R O U S WAY S T O M I X .
These mixes have been mixed in virtually every type of concrete and mortar mixer available. The ideal mixers are handheld
mortar mixers, particularly the CS Unitec Eibenstock EHR 12/1.3R, but less expensive mixers can be used as well. If you want
to graduate to a larger mixer, we are keen to the vertical shaft mixers carried by Imer. Get in touch with us, and we can set
you up with any of their tools. If you don’t have access to a mixer, and all you have is a hoe, is that enough? Sure. Everyone
needs a workout!
R E I N F O R C E M E N T S
Each mix needs some type of reinforcement. We have a great blog post discussing the principles behind reinforcement of
artisan objects. Find that article, as well as other articles at blog.buddyrhodes.com
One helpful hint when adding fibers to your mix in higher dosages-
If you create a scale in your mind from 1-10, where 1 is stiff and 10 is fluid, you will lose roughly 2 points in that scale when
adding fiber. So if the mix looks perfect when you start adding your fibers, you will find that the fibers make the mix a bit
too stiff.
See Page 34 to read more about our line of fiber reinforcements. Each mix needs some type of reinforcement. See Page XX
to read more about your options with reinforcement.
There are as many concrete recipes and techniques as there are baking recipes and methods! Understand, these recipes are not steadfast rules, rather general guidelines around mixes used by professionals to achieve various results. These mixes can be
manipulated, modified and twisted to suit your creative needs. There are as many finish possibilities with these mixes as there
artisans using them.
So let’s talk about some good practices.
T E M P E R AT U R E I S I M P O R TA N T.
When cement and water are combined, a chemical reaction
begins. This reaction produces heat, and is accelerated
by heat. The hotter the mix gets, the faster it hardens. For
large or complicated projects you may need to extend the
working time of the mix. The important factor is to monitor
and understand the temperature of the mix. Once the
temperature of your mix reaches 70 F, the cement reaction
begins to accelerate. Keep the mix temperature in the high
50’s or low 60’s if possible.
One way to keep the mix cool is to use cold water and even
ice. How Cold? That depends on the other variables you are
dealing with. Some portion of your water is ice, in hotter
times up to 50% of your water weight will be ice, and other
times it means just using cool water.
WAT E R R E D U C E R S | P L A S T I C I Z E R S
Water Reducer is used in many of these mixes. The water reducers, also commonly known as plasticizers, are chemicals that
reduce the amount of water necessary to produce the mix consistency you are after. In general, the more water used, the
weaker the mix will be. Our goal is to minimize the water content and still maintained the required workability. Water can be
added in small doses in situations where the durability of the object is not paramount, but it should be used sparingly in the
mixing process.
Water reducers are used differently by virtually every artisan in order to meet their desired objective. Basically, everyone has
personal preferences, and that is ok.
GUIDE TO RECIPES
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S T H E T R O W E L T E C H N I Q U E
The trowel technique is different in that you are building
your forms right side up; either in the shop or actually cast
in place at the job site. This technique is a great opportunity
to show the unique hand and skill of the craftsman. The
final finish has an almost buttery, leathery look and feel
due to the trowel work bringing up the cream and working
it at different stages of curing.
Cast in place objects can also be composed with a structural
mix containing fibers, and a finished surface that does not. If
additional reinforcement is needed, we would recommend
layers of glass scrim. You can opt to use steel as a means
to reinforce, but note that rebar should not be used with
these mixes. The maximum sized steel that should be used
is 9 ga. ladder wire.
This mix contains additional aggregate in order to improve
yield and reduce shrinkage. The mix that is added at the
surface (the layer that you trowel) can be made without
fiber to improve trowelability.
You can use water reducer to taste in this application. You
can opt for a stiffer mix that will be ready for troweling
sooner, or you can opt to make a more fluid mix that will be
a touch more difficult to trowel initially but will consolidate
along the edges more efficiently, leaving fewer air voids
along the edge.
T R O W E L R E C I P E
• 50 lb Craftsman Mix
• 15 lb 3/8” Aggregate (can be withheld in the troweling
layer)
• 6.8 lb Chilled Water
• Water Reducer 420 to taste
• Pigment to taste
• 0.1 lb Acrylic Fiber (recommended, particularly in the
troweled surface)
1.25- 1.5 lb Alkali Resistant Glass Fiber (Backer/Structural
Mix Only)
Ideal for - Cast in Place, Troweled, Polished, Ground
Skill Required v v v v v
This depends on how much processing you intend to do.
The more processing you are willing to do, the easier it is to
achieve good results.
C A S T T E C H N I Q U E
The casting technique (Pour and vibrate) is fairly straight
forward. Build a watertight mold
and pour in the concrete. If mixed properly and vibrated well,
a good clean surface can be achieved free of any air pockets
or bug holes. For an aesthetic that includes pits and holes,
minimize your water reducer and/or vibration. Choices man,
we’re all about the choices.
C A S T I N G R E C I P E
• 50 lb Craftsman Mix
• 6.8 lb Chilled Water
• 5-10 fl oz Water Reducer Adva 555
• Pigment to taste
• 0.1- 0.5 lb PVA 15, PVA 100, or Acrylic Fiber
Ideal for Lightly Polished, Ground, Machined, Veined
Skill Required v v v v v
You will be hard pressed to find a more enjoyable concrete mix to work with. The consistency of this mix can be that of clay or fluid like pancake batter. The choice is yours, and depends on your project. This mix can be pressed up vertical surfaces,
trowels like butter, and can be made fluid to conform to any shape. It is ideal for the newcomer to concrete, but is also revered
by professionals as one of the easiest and more enjoyable mixes there is to work with.
CRAFTSMAN MIX
T H E P R E S S T E C H N I Q U E
The press technique is Buddy Rhodes’ signature technique. It is achieved by using his
Craftsman Mix with as little water as possible to create a dry, clay like mix. Buddy’s adventure
into concrete began with his search for a “self-hardening” clay; so it makes sense that a clay
like mix would be central to his signature technique. This mix is then hand packed into the
mold; because the mix is so dry, during placement there are a lot of voids that naturally occur
creating a veined look. This is what we want; that beautiful structural geology.
In many cases, the pressed technique is approached in a similar manner to the composition
of GFRC (see next section). A thin layer is pressed into the form, followed by a backer mix
containing AR Glass Fiber, offering the piece the necessary structural reinforcement.
Because this mix is often pressed up vertical walls, it is important to be cautious with dosing
water reducer. If too much water reducer is added, the mix will have a tendency to slump
down your vertical surfaces. Water reducer should only be used sparingly in the surface mix
to soften the mix for improved workability. You can be slightly more liberal when adding
water reducer to the backer mix to compensate for the glass fiber stiffening the mix.
M I X I N G I N S T R U C T I O N S F O R C R A F T S M A N M I X
• Set aside 30% of dry mix.
• Add water and water reducer to 70% of your dry ingredients and mix until fully
blended.
• After initial blending, add any pigments you are using, blend until homogeneous.
• Slowly add the remainder dry ingredients into the mix. Blend until homogeneous.
• For Backer Mixes- Slowly add the AR Glass Fiber, blend until homogeneous. Temper
with Water Reducer as needed for desired consistency.
*Overmixing of the glass fiber can cause the fiber to break down. Do not mix glass fiber
longer than 2 minutes. It is best only to mix as long as necessary for the fiber bundles to
disperse through the mix.
P R E S S R E C I P E
• 50 lb Craftsman Mix
• 6.8 lb Chilled Water
• 0-5 ml Water Reducer 420
• Pigment to taste
• 0.1 lb Acrylic Fiber
(optional)
1.25- 1.5 lb Alkali Resistant
Glass Fiber (Backer/
Structural Mix Only)
Ideal for Pressed Finish
Skill Required v v v v v
This mix is typically cast at
1.25” - 1.5” thick. It can be
cast thinner, particularly
with the use of AR Glass
Fibers in the backer mix,
but consideration must be
given in the handling and
support of the piece.
One Bag covers roughly 5
sq. ft. at 1” thick.
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• 50 lb GFRC Blended Mix
• 8.3 lb Chilled Water
• 25 ml Water Reducer 420 (Add to taste)
• Pigment to taste
• 0.1 lb PVA 7, PVA 15, or Acrylic Fiber (optional)
• 1.5- 1.75 lb Alkali Resistant Glass Fiber (Backer/Structural
Mix Only)
Ideal for Cream, Polished, Ground, High Spray
Particularly useful for large complex shapes and 3D objects.
Skill Required v v v v v
S P R AY T E C H N I Q U E
The consistency of the sprayable mist coat should be
similar to a milkshake. You want the mix fluid enough to
move through the hopper (pg 50), but not so fluid that it
slumps down your vertical formwork. This is made easier
with a little practice. For the backer mix, you can make a
fluid mix that
pours over the mist coat, or you can make a thicker mix
that is applied by hand, which is especially useful for your
vertical walls. The key to the process is making sure that
there is good bonding between layers. This is accomplished
with rollers (pg 50) and timing- making sure that the mist
coat is not so soft that your backer mix ‘breaks’ the surface
and shows fiber in your finished piece, but you don’t want
the mist coat to fully dry out.
This same recipe is ideal for adding decorative aggregates
into your mix. You can add up to 10 lb of decorative
aggregates to the face/mist coat, and simply pour the mix
into your forms, followed by the backer mix just as if you
sprayed the mix.
S C C T E C H N I Q U E
SCC (Self Compacting/Consolidating Concrete) is a mix that
consolidates with minimal mechanical force. This mix is cast
directly into the forms, often without a face mix. This is a
great method for rapid casting of flat panels. The key to
success here is keeping in mind that the glass fibers are just
below the surface. Too much polishing and grinding on this
mix will expose fibers and be unsightly. Many people have
replaced the glass fiber with 0.6 lb of PVA100 fibers (or a
combination of PVA100 and PVA15), allowing the ability to
polish a bit further without having the fibers be as noticeable.
S C C /C A S T R E C I P E
• 1 bag GFRC Blended Mix
• 8.3 lb Chilled Water
• 5-10 fl oz Water Reducer Adva 555
• Pigment to taste
• 1.5- 1.75 lb Alkali Resistant Glass Fiber
Ideal for Cream
Useful for Objects that will require minimal processing.
This will produce more variation that some of the other
‘machined’ finishes due to the fluid nature of the mix.
Skill Required v v v v v when cast.
A GFRC Mix is a simple composite. GFRC typically consists of a surface layer (face/mist coat) without fiber, and a structural layer (backer mix) containing Alkali Resistant Glass Fibers. This mix can also be sprayed, poured, pressed, or troweled.
Due to the absence of larger aggregate in the mix, it is an ideal base mix to add decorative aggregates to, or to build a specific
custom mix from. In some cases the GFRC mix contains fibers throughout, such as the SCC mix. The introduction of GFRC to our industry has made possible stronger and lighter weight pieces. The mix can be used to create many different looks, from a clean almost machined look to one of depth and variegation with pockets.
O C R E AT E YO U R
O W N G F R C B L E N D
You can source local sands
and cements to create your
own blend. Here is the rec-
ipe for the blend, the only
thing you will need to add is
the GFRC Admixture.
Your blend will contain the
following:
• 24.5 lb Portland Cement
(We recommend Federal
White Cement)
• 21.5 lb 30/60 Mesh Silica
Sand
• 4 lb GFRC Admixture
GFRC
M I X I N G I N S T R U C T I O N S F O R G F R C
• Separate 30% of dry mix and set aside
• Add water and water reducer to 70% of your dry ingredients and mix until fully blended.
• When using acrylic fiber- Mix fibers with 20% of the mix to create an acrylic fiber slurry.
• After initial blending, add acrylic fiber slurry and any pigments you are using, blend until
homogeneous.
• Slowly add the remainder dry ingredients into the mix. Blend until homogeneous.
• For Backer Mixes- Slowly add the AR Glass Fiber, blend until homogeneous. Temper
with Water Reducer as needed for desired consistency.
*Overmixing of the glass fiber can cause the fiber to break down. Do not mix glass fiber
longer than 2 minutes. It is best only to mix as long as necessary for the fiber bundles
to disperse through the mix.
This mix is typically done at 0.75” - 1” thick. This mix is often cast at ½” thick for
objects like tiles, but considerations must be given in the handling and support of
the piece.
One Bag covers roughly 5 sq. ft. at 1” thick.
One Bag produces roughly 30 sq ft of mist/face coat when sprayed.
GF
RC
RE
CIP
ES
GF
RC
RE
CIP
ES
GF
RC
RE
CIP
ES
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S C U L P TA B L E T E C H N I Q U E
Since there are no large aggregates in this mix, it is an ideal
mix for sculpting. Rather than applying the mist/face mix
to the mold surface first, followed by the backer mix, you
applying the backer mix first, and finish off with a surface
coat that has fibers that will not show in the finished surface.
T R O W E L T E C H N I Q U E
There are artisans that will take the aforementioned recipes
and trowel these mixes. You can also add additional sand and
aggregate to this mix to increase yield and reduce shrinkage.
The composition will be the same as the sculpt recipe, adding
backer mix first, followed by the surface mix last.
S C U L P T R E C I P E
• 50 lb GFRC Blended Mix
• 8.3 lb Chilled Water
• Water Reducer 420 (Add to taste)
• Pigment to taste
• 0.1 lb Acrylic Fiber
• 1.5 lb Alkali Resistant Glass Fiber (Backer/Structural Mix
Only)
Ideal for Sculpting, Pressed
Skill Required v v v v v
This really varies depending on the object. It is more complex
simply because you are doing the finishing while the mix is
workable, adding the ticking clock to the list of complexities.
Artist: Olga Ziemska Studio, “Dendrite”
T R O W E L R E C I P E
• 50 lb GFRC Blended Mix
• 10 lb Coarse Sand
• 20 lb 3/8” Aggregate
• 8.3 lb Chilled Water
• Water Reducer 420 (Add to taste)
• Pigment to taste
• 0.1 lb Acrylic Fiber
• 1.5 lb Alkali Resistant Glass Fiber (Backer/Structural Mix
Only)
Ideal for Troweled, Polished, Ground, Veined
Skill Required v v v v v
GF
RC
RE
CIP
ES
GF
RC
RE
CIP
ES
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EC
C R
EC
IPE
S
EC
C R
EC
IPE
S
O C R E AT E YO U R
O W N E C C B L E N D
You can source local sands
and cements to create your
own blend. Here is the
recipe for the blend, the
only thing you will need to
add is the ECC Admixture.
• 26.15 lb Portland Cement
(We recommend Federal
White Cement)
• 7.1 lb 30/60 Mesh Silica
Sand
• 9 lb 40/120 Mesh Silica
Sand
• 7.75 lb ECC Admixture
C A S T R E C I P E
This mix has a soft consistency, not as fluid as the flowable
mix, but easier to move around than the clay mix. This
mix is ideal for casting and troweling. Many interesting
effects are created using this mix in interesting ways during
casting, and often in combination with the Clay mix. These
mixes can be pressed together without having color bleed
between the mixes, opening up a world of possibilities with
finishes and movement.
C A S T R E C I P E (S O F T )
• 50 lb ECC Blended Mix
• 8.6- 8.9 lb Chilled Water
• 60-140 ml Water Reducer 420
• 110 Grams PVA RECS 15
• 220 Grams PVA RECS 100
Ideal for Troweled, Polished, Ground, Veined
Skill Required v v v v v
C L AY M I X
This is a stiff mix, which can be pressed up vertical
walls and into molds to create beautiful finishes.
While it is quite a bit different to work with than is
the Craftsman Mix, you can achieve brilliant veined
finishes with tremendous durability. Patience is
key when mixing this recipe, adding the fibers too
quickly can choke the mix.
C L AY R E C I P E (S T I F F )
• 50 lb ECC Blended Mix
• 8.6- 8.9 lb Chilled Water
• 0-60 ml Water Reducer 420
• 42 Grams Acrylic Fiber AC 50
• 130 Grams PVA RECS 15
Ideal for Troweled, Lightly Polished, Ground, Machined,
Veined
Skill Required v v v v v
F L O WA B L E T E C H N I Q U E
This Recipe produces a fluid ECC mix. It can be placed
directly into forms, and will consolidate with minimal effort.
F L O WA B L E R E C I P E ( F L U I D)
• 50 lb ECC Blended Mix
• 8.6- 8.9 lb Chilled Water
• 140-150 ml Water Reducer 420
• 360 Grams PVA RECS 100
Ideal for Cream, Polished, Ground, Veined
Skill Required v v v v v
M I X I N G I N S T R U C T I O N S F O R E C C
• Separate 30% of dry mix and set aside
• Add water and water reducer to 70% of your dry ingredients and mix until fully blended.
• When using acrylic fiber, mix fibers with 20% of the mix to create an acrylic fiber slurry.
• After initial blending, add acrylic fiber slurry and any pigments you are using, blend
until homogeneous.
• Slowly add 2/3rd’s of the remaining dry ingredients into the mix. Blend until
homogeneous.
• Add PVA fibers slowly, while continuing to blend, until the fibers are fully dispersed.
• Add PVA 15 fibers first, followed by PVA 100.
• Blend about 3 minutes after final addition of fibers for full dispersion.
• Slowly add the remainder of the dry mix, blend until homogeneous.
• Temper with Water Reducer as needed for desired consistency.
This mix is typically done at 0.75” - 1” thick. This mix is often cast at 3/8” thick for
objects like tiles, but considerations must be given in the handling and support of
the piece.
One Bag covers roughly 5 sq. ft. at 1” thick.
The most advanced mix design available is ECC (Engineered Cementitious Composite). This mix was originally developed for use in seismic zones for it’s high ductility, and has been modified to maintain performance and improve the mix characteristics.
The key components to this mix design is the particle gradation and high dosage of fiber.
From a creative standpoint, this mix can conform to highly unusual workabilties, allowing for many possible variations in finish. While this mix takes some getting used to, the professionals that use it swear by the vast possibilities and performance associated with this mix. It is very strong, it will bend before it breaks, and it produces unrivaled aesthetics and durability.
ECC
These mixes contain fiber throughout the mix, which will ultimately become part of the finish. In the case of troweled finishes,
a composition similar to those mentioned with GFRC can be utilized. Instead of eliminating fibers throughout the face mix,
you increase the loading of acrylic fibers which trowel well, and decrease the loading of PVA 100 which are far more visible in
finished surfaces.
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CO
LO
R S
EL
EC
TIO
NS
COAL
SMOKE
WINE
CHOCOLATE
SKY
STRAW
SLATE
MUSHROOM
MOSS
EARTH
UNIVERSE
WHEAT
ASH
BRICK
SAND
We are unique in our ability to offer limitless color options. There are a few routes you can take to add color to your concrete. Whatever color you are after, and however you would
like to accomplish that, we have the materials you will need. All of the
pigments we use are designed specifically to withstand the caustic nature of cement, are uv stable, and provide the largest range of color possibility on the planet.
COLOR TELLS A STORY
B R S E R I E S
This is a series of colors that are timeless, aesthetically rich, and simple to use. They are produced so that 1lb of pigment
produces outstanding shades of color when added to one bag of mix. The amount of pigment used per bag can be doubled
to produce richer tones, and can be reduce to create more subtle colors.
C U S T O M C O L O R
If you don’t find the color you are after in the BR Color Series,
no problem! We will match any color in Benjamin Moore’s
color range for you. That’s right, you name the color, and we
will make it for you. These colors are formulated to be added
at a certain percentage of your cement content. Regardless
of the mix you are using, this method means you can pig-
ment your mix to any color.
P U R E P I G M E N T S
Not interested in blended colors? You have the power to
formulate any color using our range of Pure Pigments. The
Pure Pigment range consists of 28 base pigments packaged
in small quantities suitable for the artisan, or in bulk for the
professional.
B E N J A M I N M O O R E ™ CO
LO
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EL
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PR
OC
ES
SIN
G
CU
RIN
G Just a minute before you pull your concrete from the mold! Take a minute and give a little polish to the bottom of your concrete and round over the corners. This will give you
an indescribable happiness every time you, your clients, or one of your
guests does what everyone does when they address a piece of furniture, run their hand along the underside of the piece.
PROCESSING OVERVIEW
P R O C E S S I N G
Wait! Take a minute before you demold to give a polish to
the bottom of your concrete and round over the corners.
This will give you an indescribable happiness every time
you, your clients, or one of your guests does what everyone
does when they address a piece of furniture, run their hand
along the underside of the piece.
Now that you have demolded, what’s next? The answer to
this question depends on 2 things, what was it you had in
mind to begin with, and what you received as the result of
casting. Certain techniques will render you with something
that needs very little processing. Other techniques will
require a bit of processing prior to being ready to seal and
finish your piece.
There will usually be voids or pinholes to be filled. This is
accomplished with the Bone Paste Plus, perhaps some
pigment, and a bit of water. The new Bone Paste Plus
includes a polymer blended in, so the acrylic additive is no
longer necessary, just add water. The paste doesn’t have
any large particles, so it is soft and smooth, allowing it to
easily fill holes and voids. This process is not dissimilar to
mudding drywall, paste is applied and polished off.
If you’ve chosen a pressed finish, now is the time to add
some character. Fill the voids with one color, or multiple
colors. The color can be similar to the base color, or it can
be complimentary or contrasting color. Fill the voids, a
little bit at a time, allowing each layer to dry fully (a few
hours depending on the temperature) before adding the
next layer. Be sure you leave a thin ‘skim coat’ of your final
color, not so much that you will have to polish forever, but
enough that you will fully fill the voids.
Concrete develops strength through a process called hydration. We want concrete to be as hard and dense as possible, so we create an environment where hydration is as efficient as
possible, this is called curing. So what does this all mean?
CURING OVERVIEW
C U R I N G
When cement comes in contact with water, a chemical reaction begins to take place. This chemical reaction uses the
elements of the cement and the water, and converts these elements into a crystalline formation. This is hydration, and
this hydration is most efficient in a humid and warm environment. If humidity and heat cease to be present, the process
of hydration is stifled and slows to a snails pace, and we don’t want that to happen.
In order to see that concrete reaches its maximum potential, we create a curing environment, meaning we go through
the necessary steps to keep the concrete warm and moist for the first hours or days after casting. Moist felt, covered with
plastic to keep the moisture from escaping, often covered again by blankets or insulation to keep the heat from escaping.
This will create an environment ideal for concrete to develop strength.
So in order to see that concrete reaches its maximum potential, we create a curing environment. This basically means we
go through the necessary steps to keep the concrete warm and moist for the first hours or days after casting. Moist felt,
covered with plastic to keep the moisture from escaping, often covered again by blankets or insulation to keep the heat
from escaping will create an environment ideal for concrete to be strong.
So how persistent do I need to be in this step, and how long should I allow the concrete to be in this curing environment?
Whether we are talking about cured meats, or fine wine, or bourbon, or hot sauce, the mark of quality is often referenced
in the period of time that the product was allowed to develop its genius, and what kind of environment it was allowed
to do so in. Equally true, there is plenty of good things in the world that are not babied to perfection, and they serve a
perfectly good function. Ultimately this is a choice for you to make.
If you create a good warm and moist curing environment, then anything beyond 72 hours in the mold is beyond good. 48
hours is ideal. 24 hours is common (and can be improved using heating blankets, but only under guidelines of a pro). 16
hours, pick yourself up a bottle of Boone’s Farm before you do that.
One note of caution, if the concrete is in a mold that is built with a material that is absorbent (i.e. melamine) extended
periods of moisture and heat can cause bad things to happen to the mold which will reflect into the finished surface.
Troweled finishes should not have plastic placed directly on them during the curing process, as it is likely to leave
discolorations.
Wait a minute! This seems complicated, and these other companies say I can pull their product from the mold in 16 hours
and it will be super strong. This is true with all of our mixes as well, our concrete will be super hard and strong the next
day to move around and polish and so on. The point is that there is chemistry taking place, and to ignore this reality out of
negligence or ignorance would negate all the efforts made to create something awesome! All good things have nuance,
and we want you to embrace and understand that nuance of the material, just as an artisan winemaker appreciates nuance
in the effort of providing you with an experience, not a bottle of Boone’s Farm.
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ET
CH
ING
PO
LIS
HIN
G
Etching is a process of washing and profiling the concrete with and acidic, or non acidic solution. In the case of a ‘full
treatment’, the entire surface is flooded with water, then an acidic solution is applied. The concentration of the acidic
solution varies based on the desired texture and working time. The piece is fully neutralized and rinsed, and then it is
buffed while wet with the Non Woven Abrasives (PG#). A neutralizing formula is one cup of ammonia per gallon of water.
W H Y E T C H ?
Etching opens up the surface so that the sealer is more easily received, it flattens the sheen, it also allows ‘tooth’ for
materials like Glazes. While it is not necessary, and in many situations it is not practical, it is a useful technique in many
situations.
A unique and versatile finishing technique used by many professionals is etching the concrete. Etching can be done in conjunction with stencils to produce designs, or as an entire
surface treatment. ETCHING OVERVIEW
The most important thing to understand before polishing is the ‘geology’ of the concrete. The finished surface is the
‘cream layer’ consisting of very fine materials only. As you work your way into the slab, the next layer you will find is a fine
bit of sand, the ‘salt and pepper layer’. Then you will begin to fully expose the sand particles, the “sand layer”. Finally you
will enter the “aggregate layer” where your sand and any additional aggregate is fully exposed. When polishing into your
concrete, you will progressively encounter these various layers.
Your choice of grinding and polishing tools, pads, and process will reflect what you are trying to accomplish. To maintain
the cream layer, lightly polish the concrete using pads that are 200 grit or higher. The higher grits produce higher sheen.
To expose your aggregate, begin grinding with more aggressive grit pads, progressing to higher grits until reaching the
desired sheen and exposure.
P O L I S H I N G - W E T O R D RY ?
Dry polishing is likely to produce a higher sheen, even at lower grits, and it will produce a dust that is not good for your
health. Wet polishing is messier, but safer for your health and it produces a sheen that is more true to the grits you are
using.
As for tools, you can use a variable speed polisher, or a random orbital polisher. Variable speed polishers and grinders are
best for aggressive grinding, and are faster with polishing. The fastest option is our Planetary Polisher which utilizes three
grinding heads working in unison. It is a great tool for a very good price. It will speed up the process on large pieces to a
remarkable degree, but you will still need to finishing the border and edges with a polisher. Random Orbital Sanders are
nice since they are less likely to leave ‘swirl marks’ in the way that polishers do. It is a slower and more methodical process,
but it is easier for containing water in the case of wet polishing or dust in the case of dry polishing.
Most often, you will want to do a bit of grinding and polishing. This will allow you to clean up edges and remove any casting residue, or it could allow you to fully expose a glass aggregate
you have added to the mix, all depending on how you go about polishing.
POLISHING OVERVIEW
The Non Woven Abrasive Pads are
a great finishing pad. They help
remove swirl marks, residue, and
slurry that may not have made it off
during your process.
For detail work, the Hand Polishing
Pads are ideal. Best if used wet, these
allow you to easily polish edges and
hard to reach spots, and for small
objects can be all you need to use.
After polishing, clean off all residue,
water, and dust. Be sure to dry
everything off so that the concrete
is ready for what the next step is,
whether etching, glazing, or sealing.Dice Stencils are applied to concrete cubes in preparation
for etching and glazing.
Following being etched, and having the glaze added, the
stencils were removed, and the dice were further antiqued
with glaze.
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SE
AL
ING
| B
R S
YS
TE
M
GL
AZ
ING Concrete is inherently a porous material and often needs to
be sealed for particular environments and uses. There are multitude of systems and products on the market used for
sealing concrete. There is no magic answer, every sealer and system has pros and cons.
SEALING OVERVIEW
We offer 2 systems for sealing concrete, developed after many years of experience, trial and error, and observation. Like most
things we value, concrete requires care and attention. We love concrete because of its handcrafted nature, ageless beauty,
and ability to develop its own life story. If a carefree and sterile material is what you are wanting, you are in the wrong place.
Buddy’s system is a combination of penetrating sealer, a satin acrylic sealer, and beeswax. The penetrating sealer is a primer, the satin sealer is a protective coat that
provides decent stain resistance, and the wax is an optional maintenance step.
S O M E H E L P F U L T I P S F O R A P P LY I N G G L A Z E S :
• The material can be applied over polished concrete, but it will be far more durable and
rich in concrete that is matte or etched.
• When the glaze is wet, it is active. When you rub across a still wet area, it will remove the
material. This can either be a cool effect, or a precursor to cursing.
• The longer the glaze has been dry, the harder it will be to remove. Soon after drying, it
can be removed with a wet towel, the next day it will require diamonds.
• Apply thin layers. You will end up with a more durable finish applying multiple thin layers
as opposed to one thick layer.
• The first coat is the hardest. When the concrete is thirsty, it is tough to keep from getting
streaks. You can dilute the glaze with water by 50%. If you want to make an even more
dilute solution, you can make a base of 25% CH Prep, 25% FS Sealz, and 50% water. With
this formula, you can make as dilute glaze as you want. The further the dilution on your
first layer, the more forgiving.
• While this is compatible with many different sealers, and it in fact enhances the
performance of many sealers, it should be tested with non BR Sealers.
• You can combine these colors to make virtually any color you want. This is very useful if
you have concrete colors you want to shift the color of, or if you simply want to enhance
a color. If you want help formulating a color to suit a particular situation, let us know and
we can help you in that process.
• A dilute version of the Black Glaze is a very effective way to enhance virtually any color.
In many cases, this will produce the most durable ‘wet look’ effect you will find.
• Protect your piece with sealer. These Glazes are fully UV stable, and will stand up to a fair
bit of abrasion, but sealer will help protect them for the long haul.
Glazes can be used to produce color enhancements, whether to produce a full color treatment, or just to shade the color in one direction or the other. The Glazes are a water based
color treatment that will produce a consistent color regardless of the state of the concrete.
GLAZING OVERVIEW
Whether applied over stencils to create patterns, used as a tint, or applied to create variation and movement, the possi-
bilities are endless. There are many techniques for application, which included rubbing with a microfiber cloth, dabbing
with a cloth, applying with a roller or brush, and so on.
BR SYSTEM
Do you need to use all three? Not necessarily, but here is the scoop. The penetrating sealer provides a primer that will
improve stain resistance. This adds further protection if there is a failure of the satin sealer, or there is prolonged exposure
to staining agents. The satin sealer provides your main source of protection. The wax is an optional step. It provides a wear
layer, and allows for an easy process for rejuvenating your concrete. The only downside to the wax is that it is hard to remove
if you want to reseal your countertops. We have a great blog post about this if you visit blog.buddyrhodes.com
This sealer system is easy to apply, easy to repair, and provides good protection, making it a great choice for many situations.
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PR
OD
UC
TS
& S
ER
VIC
ES
SE
AL
ING
| I
CT
SY
ST
EM Many of our products and services have been discussed in the
preceding pages. Our list of products also includes a wide range
of raw materials. If you don’t see something you are looking for,
check out our website. If you still can’t find it, let us know.
All of these materials can be purchased from
our website. You will find our worldwide list
of distributors on our website. If you can’t find anyone locally,
contact us.
Shipping can be complicated. We offer a best price guarantee on
shipping costs. What does that mean? If we find that the cost of
shipping is less than what you were quoted on our website, we
will give that money back to you.
If you are still concerned, during checkout you can select the
option to ‘pay by phone’, and you can add comments. If you place
your order online, and select this option, this ensures accuracy
of your order and means we can give you a real time quote on
your shipment.
PRODUCTS & SERVICES
I C T S Y S T E M
ICT is a hybrid reactive sealing system. What the heck does that mean? Reactive sealers penetrate into the concrete, convert
weak material into crystalline structures, and block the pore structure of the concrete from penetration of foreign materials.
It does all this while maintaining breathability, so you don’t have the concern of the sealer ‘lifting’ if moisture penetrates. The
hybrid part of the equation is that ICT also includes advanced technology to improve the stain resistance of the concrete.
This sealer is the highest performing reactive sealer on the marketplace, and has been developed over many years specifically
for artisan concrete applications.
Here’s the catch- ICT relies on the concrete you are applying it on. This is not a classic topical or penetrating sealer that
cures to itself and sits on or in the concrete. This means that the curing, processing, and application of the sealer happens
thoughtfully to increase the effectiveness of the system.
When applied well, there is not a sealer on the marketplace that can compete with ICT. That said, there is a learning curve. Using this sealer should happen only after consideration and
study has been given. For more details, a full application guide and application video can be found on our website.
ICT SYSTEM
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MIX
ES E C C B L E N D E D M I X is designed using the most advanced concrete mix design theory
currently available. This mix is designed to produce tremendous ductility and tensile capacity,
and is more likely to bend than break. These mix produces a very dense and strong concrete.
Boasting impressive strengths, the habits of workability with these mixes open up unique
and interesting possibilities as well. This mix can create workabilities that range from taffy to
clay to pancake batter. ECC mixes require careful care be given through the mixing process to
ensure success, and should be carefully considered by one unfamiliar with the material. ECC
is reinforced with high loadings of fiber which are carefully chosen so as not to affect the
finished visual aesthetic (see recipes). The mix uses all white ingredients, naturally curing to a
bone white. The mix can be pigmented to any color using the BR Color Series, Custom Color,
or with our Pure Pigments. The mix has all of the necessary high performance ingredients
preblended, including curing polymer, such that only water and necessary reinforcement
need to be added. The workability of the mix can be changed with the addition of our series
of water reducers.
Packaged in 50 lb bags
1 0 P O U N D A R T I S A N M I X- Ten pounds of a specially formulated concrete mix that
is ideal for artistic, sculptural, and craft projects. This mix has only fine sand as aggregate,
allowing for casting thin sections. The mix cures to a bone white color and may be pigmented
to any color using the BR Color Series, Custom Color, or with our Pure Pigments. The mix
has all of the necessary high performance ingredients preblended, including curing polymer,
such that only water and necessary reinforcement need to be added. The workability of the
mix can be changed with the addition of our series of water reducers. Primary reinforcement
can be achieved using our series of reinforcing fibers.
Packaged in 10 lb Pails
MIX
ESB U D DY R H O D E S ’ C R A F T S M A N M I X- is an artisan concrete blend designed
to exhibit clay like properties in the wet state. The consistency of the mix lends itself to
being applied with Buddy’s signature press technique, applying up vertical surfaces with
minimal molding and simplicity of application. This mix is also ideal for troweling, and can be
plasticized to create a pourable mix. The mix uses all white ingredients, naturally curing to a
bone white. The mix can be pigmented to any color using the BR Color Series, Custom Color,
or with our Pure Pigments. The mix has all of the necessary high performance ingredients
preblended, including curing polymer, such that only water and necessary reinforcement
need to be added. The workability of the mix can be changed with the addition of our series
of water reducers. Primary reinforcement can be achieved using our series of reinforcing
fibers.
Packaged in 50 lb bags
G F R C B L E N D E D M I X is a carefully proportioned blend of cement, sand, pozzolans,
curing polymer and performances additives designed to the highest performance standards.
This mix can be used in a multitude of ways, serving as a base mix for infinite applications. The
mix is ideal for spraying, fiber reinforced scc (self compacting/consolidating concrete), and
with minimal modifications can be pressed, troweled, or converted into a high performance
wet cast mix or terrazzo mix. When reinforced with fiber, this mix can be created with
minimal thickness and high tensile strengths. This mix reaches impressive strengths in under
24 hours, allowing for rapid turn around when necessary. The mix uses all white ingredients,
naturally curing to a bone white. The mix can be pigmented to any color using the BR Color
Series, Custom Color, or with our Pure Pigments. The mix has all of the necessary high
performance ingredients preblended, including curing polymer, such that only water and
necessary reinforcement need to be added. The workability of the mix can be changed with
the addition of our series of water reducers. Primary reinforcement can be achieved using
our series of reinforcing fibers.
Packaged in 50 lb bags
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WA
TE
R R
ED
UC
ER
S |
PL
AS
TIC
IZE
RSWAT E R R E D U C E R 2 0 5 is a powdered polycarboxylate based plasticizer and pozzolan blend. It is a dry white multi
component material that can also replace pozzolan or metakaolin material in certain mix designs. Ideal for use in GFRC mist
and backer coats, or as a water reducer in any concrete formulation. This unique blend offers both water reducing capability
as well as pozzolanic benefits, improving the workability, strength and durability of concrete.
205 Dry is 10% as potent as 310 Dry.
Packaged in 5 lb containers and 30 lb. bags
(Formerly SuperSealz)
Dosage Rate: 0.5- 10% of Cement Weight
2 0 5 D R Y has a wide range of dosage rates, depending on the application and mix. In GFRC mist coats, use the lower end
of the dosage range, typically 2-6 grams per lb of cement used. In wetcast mixes, dosage ranges can approach 10% of the
cement weight. The ultimate indicator of an overdosage of plasticizer is segregation of the mix. Make test batches prior to
production to ensure optimum dosage.
WAT E R R E D U C E R 3 1 0 is a unique and powerful powdered polycarboxylate plasticizer designed to significantly
reduce water requirements. This is an incredibly potent plasticizer, and must be carefully managed to avoid segregation. WR
310 has 10 times the potency of WR 205.
Packaged in 4 lb and 20 lb Containers
(Formerly Super Flowz)
Dosage Rate: 0.05%- 1.5% of Cement Weight
The ultimate indicator of an overdosage of plasticizer is segregation of the mix. Make test batches prior to production to
ensure optimum dosage.
WAT E R R E D U C E R 4 2 0 is a liquid high range water reducer formulated specifically for concrete blends with high
fines and cementitious content, and is suited for self-compacting concrete(SCC) mixes. Great to use for ‘trimming’ mixes to
achieve the optimum workability.
Packaged in Quarts, Gallons, and 5 Gallon Pails
(Formerly Liquid Flowz)
Dosage Rate: 0.1- 2% of Cement Weight
The ultimate indicator of an overdosage of plasticizer is segregation of the mix. Make test batches prior to production to
ensure optimum dosage. See recipes section for dosage instructions with our blends.
WAT E R R E D U C E R 5 5 5 (ADVA® Cast 555) is a high efficiency polycarboxylate based superplasticizer ideally suited
for use when making Self-Consolidating Concrete (SCC). ADVA Cast 555 has been formulated to impart maximum desired
workability without segregation to concrete.
Packaged in Quarts, Gallons, and 5 Gallon Pails
Dosage Rate: 8 to 20 fl oz per 100 lbs. Cement Weight
Dosage range of ADVA Cast 555 can vary with the type of application, but will normally range from 8 to 20 fl oz for 100
lbs. of cement. The ultimate indicator of an overdosage of plasticizer is segregation of the mix. Make test batches prior to
production to ensure optimum dosage.
AD
MIX
TU
RE
S G F R C A D M I X T U R E is a polymer modified multi component admixture which provides
strength and durability for GFRC mixes. This admixture can be added to other blended
concrete mixes and from scratch formulas to increase strength and improve workability.
The blend is a carefully proportioned mix of chemical and mineral admixtures to combat the
inherent weaknesses in concrete. The use of this admixture eliminates the need for curing
polymers, pozzolans, defoamers, and shrinkage reducers. Highly refined in composition, this
admix provides maximum performance at minimal weight, reducing shipping costs and other
concerns related to comparable products, including risk of freezing common with liquid
curing polymers.
Packaged in 4 lb water soluble bags in cases of 10, and in 30 lb bags
E C C A D M I X T U R E is a polymer modified multi component admixture which provides
strength, premium working characteristics, and durability for ECC mixes. This admixture can
be added to other blended concrete mixes and from scratch formulas to increase strength
and improve workability. The blend is a carefully proportioned mix of chemical and mineral
admixtures to combat the inherent weaknesses in concrete. The use of this admixture
eliminates the need for curing polymers, pozzolans, defoamers, and shrinkage reducers.
Highly refined in composition, this admix provides maximum performance at minimal weight,
reducing shipping costs and other concerns related to comparable products, including risk of
freezing common with liquid curing polymers.
Packaged in 30 lb bags.
P| 3 4 P| 3 5BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
RE
INF
OR
CIN
G F
IBE
RS
BR
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EA
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RSA L K A L I R E S I S TA N T G L A S S F I B E R S are designed specifically for use in concrete. Alkali Resistant (AR) Glass
fibers are manufactured from a specially formulated glass composition with an optimum level of Zirconia (ZrO2) to be suit-
able for use in concrete. These AR fibers are designed to resist breaking down during mixing and processing so that it stays
basically as a bundle of filaments. These products are particularly suitable for Premix GFRC and other mortar and concrete
reinforcement applications. AR glass fiber have high tensile strength and modulus, do not rust like steel, and are easily incor-
porated into concrete mixes.
Our fibers are 19mm (3/4”) in length with, 200 filaments per stand, with a filament diameter of 18 microns. These fibers im-
part strength in a concrete unit due to their bundled nature. Due to the fact that they are bundled fibers, they are more likely
to show up in finished surfaces if precautions are not taken. See recipes section to read more about this.
Packaged in 1 lb, 12 lb, and 44 lb bags
A L K A L I R E S I S TA N T G L A S S S C R I M is an oriented fiber fabric. Scrims are particularly used in conjunction with
fiber reinforced mixes to provide additional tensile strengths in locations that will experience point specific strain. When they
are placed in the tensile regions of the product they can significantly increase the flexural strength of the composite.
This scrim is produced with 10mm X 10mm webbing, and comes in 40” wide rolls. It is available in lengths of 15’, 50’ 100’,
and 300’
P VA F I B E R S (polyvinyl alcohol) are high-performance reinforcement fibers for concrete and mortar. PVA fibers are
well-suited for a wide variety of applications because of their superior crack-fighting properties, high modulus of elasticity,
excellent tensile and molecular bond strength, and high resistance to alkali, UV, chemicals, fatigue and abrasion. PVA fibers
are unique in their ability to create a molecular bond with mortar and concrete that is 300% greater than other fibers.
These are monofilament fibers that are available in 3 different deniers (diameter of the fiber)- 7, 15, and 100. The fiber lengths
are ¼” (PVA7), ½” (PVA15), and ¾” (PVA100). Due to the fine nature of these fibers, and the fact that they disperse into
monofillament fibers, they are less likely to be visible in finished surface. How visible they are in relation to each other is in
direct proportion to their various diameters (7 is least visible, 100 is most visible). Equally true, the small the fiber, the more
fibers there are for any given unit of measure, the more likely they are to choke mixes at higher dosage rates. This is why the
PVA100 are dosed at higher rates in the more flowable mixes than are the PVA15.
Packaged in 1 lb bags
A C RY L I C F I B E R - AC50 is a concrete additive that enhances the performance and durability of concrete, adding years
to its useful life. This modified polymer fiber, made of staple fiber, reduces shrinkage cracks and provides reinforcement. Re-
duces permeability, increases impact and abrasion resistance, and improves tensile and flexural properties of concrete mixes.
These fibers are the least visible of our fiber offerings, and they are the easiest fiber to trowel, making them especially useful
for troweled surfaces.
Packaged in 1 lb, 18 lb, and 40 lb bags
BR COLOR SERIESThe Buddy Rhodes colors were selected by Buddy and are timeless, aesthetically rich, and simple to use. The amount of
pigment used per bag can be doubled to produce richer tones, and can be reduce to create more subtle colors.
These colors are available in 1lb bags, and also in bulk.
Sample Color tiles are available in ‘standard’ and ‘fancy’ packaging.
COAL
SMOKE
WINE
CHOCOLATE
SKY
STRAW
SLATE
MUSHROOM
MOSS
EARTH
UNIVERSE
WHEAT
ASH
BRICK
SAND
The Buddy Rhodes color options are powered by BlueConcrete™. At BlueConcrete™ we’re passionate about color, we understand the nuance of light and hue. Our
impeccable science, advanced technology, and the eyes of experience deliver color matching that’s very personally yours. Choose from the
BR Series of Color, Custom Color, or Pure Pigments. For color that’s right for your project choose the pigment science of BlueConcrete™.
COLOR IS PERSONAL
P| 3 6 P| 3 7BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
CU
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B E N J A M I N M O O R E T M
OR
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OR
HOW TO ORDER CUSTOM COLOR All colors are formulated as a percentage of the Total Cementitious Binder (TCB) of your mix. TCB is a combination of all
things cementitious, including all cement and Pozzolans. The TCB is multiplied by the “Loading Percentage Rate”, listed
with each of the color swatches, which determines how much pigment needs to be added to your mix.
H E R E ’ S H O W I T W O R K S -
• Determine your TCB - Your mix is a blend of cement, pozzolan (maybe), sand, aggregate, and so on. For the sake of
example, we will say that your mix has 10 lb of cement, and 2 lb of VCAS as a pozzolan. So, Your TCB is 12lb
• Determine your color - You are a big fan of swimming, so you pick “2058-30 Deep Ocean” as your color. Look at the
swatch and you will see a little % number on the swatch, this is your loading rate(LR). It has a loading rate of 8.55% or .0855
• Determine your Number of Batches - How much coverage will you get with your mix? This will determine how many
batches of concrete you will need to make, which will tell you how much pigment you need. Let’s say your mix covers 2
sqft at 1.5” thick, and the piece you are making is 10 sqft and 1.5” thick. You will need 5 batches of mix.
• Round up - It is good practice to add 10% to that amount for slurry, spillage, and test samples. To add 10%, multiply by 1.1
• Round up one more time - These pigments are sold incrementally by the pound.
• Determine the cost - Each color has a TYPE # ,and each number has a cost listed. You picked Deep Ocean, which is a Type
II color that costs $15.80 per lb when purchased in increments of 5lb or more.
Do you have a color you have in mind that you want to match? We can do that for you. You name the color, and we will match it for you. One simple way to do that is to reference Benjamin MooreTM colors. Our in-house color lab can match any Benjamin
MooreTM color, allowing your project seamless color expression in any artisan concrete project.
We have outlined 200 standard custom colors that we can formulate for you, which you will see swatches for in the following pages. If you don’t find what you are after in those 200 colors, our lab with custom formulate the color you want.*
CUSTOMCOLOR
12 (TCB) x .0855 (LR) = 1.026
1.026 x 1.1 = 1.1286
1.1286 x 5 (batches) = 5.645 (6lb needed)
6 x $15.80 = $94.80
You will need 6 lb of pigment, and it will cost $94.80.
You are ready to order.
If you are using the blends we have listed in our recipes, we
can make this simple for you.
HERE ARE THE AMOUNTS OF TCB PER 50 LB OF THE
BLENDS FOUND IN OUR MIXES.
If you follow the recipes given to create your own blends,
the same will be true.
TCB per bag
Craftsman Mix- 20.5
GFRC Mix- 26
ECC Mix- 28.45
I am using an 80 lb bag of an off the shelf product. What is my TCB? Who knows. One of the problems with off the shelf products
like these is that they are manufactured with priorities other
than quality. So the amount of cement you get can range
wildly. We use 20lb (25%) as our guess more often than not.
Also keep in mind that most of these mixes are not white,
but rather grey, so you will not get a perfect color match.
I am using mix out of a Ready Mix truck, how do I know what to add?Most ready mix applications refer to their mixes as “x”
Sack Mixes. The “x” in question is the number of sacks of
Portland cement used to make one yard of concrete. You
would multiply that amount (“x”) by 94.4 lb (the number
of pounds of cement in a bag). Then multiply that by the
number of yards of concrete in your truck. Keep in mind that
most ready mix applications are made with grey cement.
So what if I want a color, but I am stuck with using grey cement?There are lots of colors not possible in grey cement,
particularly light, and many bright, colors. That said, you can
have custom blends made using grey cement, no different
than if you were sending in a custom tile (see ←). If you want
to get it real close, then you are wise to send us the cement
you are using, as grey cement color varies wildly from region
to region.
I am using another company’s countertop mix, does that make me bad?Of course not. But we can help you make that mix a custom
color. We have formulated with most of the competitive
products on the market, and are glad to assist you.
I have another concrete project to pigment, will this work?It doesn’t matter if it is a swimming pool plaster, an overlay,
a carvable mix, or a driveway, if it is made from cement, we
can make you a color to your liking! Just shoot us an email, or
give us a call, with what you are hoping to accomplish, and
we will be glad to assist you.
The color you have in mind is not so simple?
We can match a physical color reference, for example a
fabric swatch, a piece of tile, or perhaps even a river rock.
Phone us and we will help you achieve your desired color.
Additional charges apply.
C O L O R C O L L E C T I O N S P R I C I N G B Y T Y P E
Type I 1-4 lbs - $15.80 lb
5-50 lb - $9.95 lb
50 + lb - Call for Pricing
Type II 1-4 lbs - $25.80 lb
5-50 lb - $15.80 lb
50 + lb- Call for Pricing
Type III 1-4 lbs - $43.80 lb
5-50 lb - $35.00 lb
50 + lb - Call for Pricing
*For colors not included in this color guide, there will be
an additional, one time charge of $75 for other Benjamin
Moore™ and custom color formulations.
B E S T P R A C T I C E S :
The final appearance of the concrete product is determined
by a combination of several color factors, including surface
texture, color of the cement-pigment paste, aggregate
color, admixtures, and water/cement ratio. Test using a
small batch of your mix design before any large pour. Use
the same steps and example as ordering to figure your color
test mix design.
Note:: All Custom Color Formulas are developed using
Federal White Cement. Colors will change is blended in
other white or grey cements.
P| 3 8 P| 3 9BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
HC-76 Davenport Tan 3 .7 8 %
TY
PE
I
HC-77 Alexandra Beige 5 . 5 5 %
TY
PE
I
HC-79 Greenbrier Beige 2 . 3 3 %
TY
PE
I
HC-80 Bleeker Beige 3 . 2 4 %
TY
PE
I
HC-78 Litchfield Gray 5 . 4 6 %
TY
PE
I
HC-81 Manchester Tan 4 . 1 2 %
TY
PE
I
HC-85 Farview Taupe 5 . 3 2 %
TY
PE
I
HC-87 Ashley Gray 4 . 5 6 %
TY
PE
I
HC-94 Old Salem Gray 1 . 4 0 %
TY
PE
I
HC-10 Stuart Gold 2 . 0 0 %
TY
PE
I
HC-12 Concord Ivory 3 . 1 8 %
TY
PE
I
HC-14 Princeton Gold 3 . 3 2 %
TY
PE
IHC-36 Hepplewhite Ivory 3 .7 6 %
TY
PE
I
HC-40 Greenfield Pumpkin2 . 5 8 %
TY
PE
I
HC-43 Tyler Taupe 3 . 0 4 %
TY
PE
I
HC-44 Lenox Tan 3 . 5 2 %
TY
PE
I
HC-45 Shaker Beige 3 . 0 1 %
TY
PE
I
HC-46 Jackson Tan 4 .7 0 %
TY
PE
I
HC-48 Bradstreet Beige 3 . 0 8 %
TY
PE
I
HC-50 Georgian Brick 7 . 0 8 %
TY
PE
I
HC-51 Audubon Russet6 . 0 8 %
TY
PE
I
HC-58 Chippendale Rosestone 3 . 4 0 %
TY
PE
I
HC-59 Odessa Pink 6 . 3 7 %
TY
PE
IHC-61 New London Burgundy 7 . 0 7 %
TY
PE
II
HC-66 Garrison Red 7 . 2 5 %
TY
PE
I
HC-71 Hasbrouck Brown 2 . 9 6 %
TY
PE
III
HC-72 Branchport Brown 9 . 2 8 %
TY
PE
II
BC-00 Beautiful Color 0 . 0 0 %
TY
PE
I
Benjamin Moore™ Color Number
Benjamin Moore™ Color Name
Loading Percentage Rate
Type Group
L E G E N D
BC-00 Beautiful Color 0 . 0 0 %
TY
PE
I
Benjamin Moore™ Color Number
Benjamin Moore™ Color Name
Loading Percentage Rate
Type Group
L E G E N D
HC-95 Sag Harbor Gray 1 . 9 5 %
HC-166 Kendall Charcoal3 . 8 2 %
TY
PE
I
HC-96 Richmond Gray 3 . 3 4 %
TY
PE
I
HC-107 Gettyburg Gray 4 . 6 2 %
TY
PE
I
HC-100 Gloucester Sage 4 . 1 2 %
TY
PE
I
HC-109 Sussex Green 4 . 5 2 %
TY
PE
I
HC-114 Saybrook Sage 3 . 0 2 %
TY
PE
I
HC-115 Georgian Green 3 . 3 9 %
TY
PE
I
HC-118 Sherwood Green 6 .7 4 %
TY
PE
II
HC-122 Great Barrington Green6 . 2 0 %
TY
PE
I
HC-124 Caldwell Green 7 . 2 6 %
TY
PE
I
HC-130 Webster Green4 . 2 0 %
TY
PE
II
HC-134 Tarrytown Green 6 . 3 1 %
TY
PE
II
HC-145 Van Courtland Blue 2 . 1 9 %
TY
PE
II
HC-148 Jamestown Blue 5 . 9 6 %
TY
PE
III
HC-151 Buckland Blue3 . 9 6 %
TY
PE
II
HC-152 Whipple Blue3 . 3 1 %
TY
PE
II
HC-155 Newburyport Blue6 .7 6 %
TY
PE
II
HC-159 Philipsburg Blue5 . 6 1 %
TY
PE
II
HC-160 Knoxville Gray2 . 6 5 %
TY
PE
II
HC-164 Puritan Gray2 .7 0 %
TY
PE
II
TY
PE
II
HC-171 Wickham Gray 3 . 9 6 %
TY
PE
I
HC-173 Edgecomb Gray 4 . 2 5 %
TY
PE
I
27 San Antonio Rose 7 . 9 6 %
TY
PE
I
31 Georgia Peach5 . 2 0 %
TY
PE
II
32 Coral Rock6 . 9 8 %
TY
PE
II
35 Baked Clay 7 . 2 4 %
TY
PE
I
45 Romantica 3 . 2 2 %
TY
PE
III
103 Sweet N’ Sour 2 . 4 2 %
TY
PE
I
123 Citrus Blossom4 . 6 7 %
TY
PE
III
135 Peach Cider 5 . 3 8 %
TY
PE
I
143 Golden Light 5 . 6 6 %
TY
PE
I
166 Orange Ice4 . 2 0 %
TY
PE
III
180 Beverly Hills 4 . 8 5 %
TY
PE
I
181 Pan for Gold 6 . 2 2 %
TY
PE
I
182 Glowing Ember 9 . 2 4 %
TY
PE
I
CU
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P| 4 0 P| 4 1BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
815 Swiss Blue 6 . 0 9 %
650 Highlands Green5 . 0 8 %
726 Rendezvous Bay2 . 8 5 %
727 Calypso Blue3 . 6 3 %
774 I’ve got the Blues2 . 5 3 %
809 Soft Jazz4 . 5 2 %
221 Golden Garden 2 . 1 8 %
TY
PE
I
224 Grecian Gold 9 . 2 4 %
TY
PE
I
231 Aged Bronze 1 0 . 3 0 %
TY
PE
I
235 Oakridge 3 . 8 1 %
TY
PE
I
267 Canvas 4 . 8 4 %
TY
PE
I
276 Cambridge Heights5 . 9 0 %
TY
PE
III
278 Angels Trumpet3 . 4 2 %
TY
PE
II
509 Cypress Green 6 . 1 8 %
TY
PE
I
546 Courtyard Green9 . 1 1 %
TY
PE
II
590 Celadon4 . 4 %
TY
PE
II
607 Albuquerque Teal3 . 8 8 %
TY
PE
II
641 Everglades4 . 8 2 %
TY
PE
II
TY
PE
II
676 Spirit in the Sky3 . 1 0 %
TY
PE
II
678 Pacific Rim9 . 2 0 %
TY
PE
I
684 Shenendoah2 . 2 4 %
TY
PE
II
705 Sioux Falls3 . 3 6 %
TY
PE
II
711 Boca Raton Blue1 . 3 6 %
TY
PE
II
TY
PE
II
TY
PE
II
TY
PE
III
TY
PE
II
TY
PE
I
826 Stunning1 0 . 0 8 %
TY
PE
II
829 Sunrise 4 . 4 1 %
TY
PE
I
836 Sea View 5 . 6 5 %
TY
PE
I
874 Fanfare 3 . 1 2 %
TY
PE
I
BC-00 Beautiful Color 0 . 0 0 %
TY
PE
I
Benjamin Moore™ Color Number
Benjamin Moore™ Color Name
Loading Percentage Rate
Type Group
L E G E N D
1080 White Oaks 5 . 4 0 %
1089 Chilled Chardonnay 2 . 1 6 %
1434 Into the Twilight3 . 3 4 %
OC-7 Creamy White 3 . 3 9 %
2041-20 Fiddlehead Green9 . 6 4 %
1054 Sherwood Tan 4 . 9 5 %
TY
PE
I
1070 Barley Harvest 7 . 6 9 %
TY
PE
I
1075 Fairway Oaks 1 . 9 2 %
TY
PE
IT
YP
E I
TY
PE
I
1126 Baked Pretzel 8 . 2 4 %
TY
PE
I
1162 Wooded Vista 5 . 5 6 %
TY
PE
I
1383 Iris Bliss6 . 8 9 %
TY
PE
II
TY
PE
II
1575 Rainy Afternoon 7 . 1 2 %
TY
PE
IT
YP
E I
OC-16 Cedar Key 7 . 5 2 %
TY
PE
I
OC-20 Pale Oak 3 . 1 7 %
TY
PE
I
OC-22 Calm 4 . 0 4 %
TY
PE
I
OC-25 Cloud Cover 4 . 0 3 %
TY
PE
I
OC-32 Tapestry Beige 2 . 2 0 %
TY
PE
I
OC-73 Opal 5 . 2 2 %
TY
PE
I
OC-83 Antique White 9 .7 8 %
TY
PE
I
OC-85 Mayonnaise 7 . 5 2 %
TY
PE
I
Sail Cloth 4 . 1 2 %
TY
PE
I
Platinum Gray 2 . 9 5 %
TY
PE
I
AC-27 Galveston Gray 3 . 8 4 %
TY
PE
I
2000-10 Red1 0 . 4 4 %
TY
PE
III
2000-40 Strawberry Shortcake5 . 1 2 %
TY
PE
III
2005-10 Red Rock8 .7 6 %
TY
PE
III
2005-20 Hot Apple Spice 6 .7 2 %
TY
PE
III
2008-30 Rasberry Blush 4 . 0 8 %
TY
PE
III
2009-10 Redstone 1 0 . 8 8 %
TY
PE
III
2015-10 Electric Orange9 .7 8 %
TY
PE
III
2017-30 Tangelo1 0 . 3 4 %
TY
PE
III
2020-30 Sparkling Sun1 1 . 0 2 %
TY
PE
III
2022-30 Bright Yellow8 . 1 0 %
TY
PE
III
2032-20 Traffic Light Green9 . 5 2 %
TY
PE
III
2036-20 Irish Moss6 . 0 0 %
TY
PE
III
TY
PE
II
2048-40 Poolside Blue3 . 4 6 %
TY
PE
II
CU
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P| 4 2 P| 4 3BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
NA
ME
NA
ME
2098-10 Barrell Brown1 0 . 2 0 %
2058-30 Deep Ocean8 . 5 5 %
TY
PE
II
2059-40 Yosemite Blue2 .7 0 %
TY
PE
II
2064-20 Patriot Blue 8 . 0 0 %
TY
PE
II
2066-10 Blue 8 . 1 6 %
TY
PE
II
2066-30 Big Country Blue 5 . 8 0 %
TY
PE
II
2067-30 Twilight Blue8 . 0 0 %
TY
PE
II
2068-30 Scandinavian Blue9 . 4 4 %
TY
PE
II
2071-10 Exotic Purple4 .7 6 %
TY
PE
III
2071-20 Gentle Violet4 . 3 8 %
TY
PE
III
2075-20 Mulberry6 . 6 4 %
TY
PE
III
2088-10 Red Oxide8 . 1 6 %
TY
PE
III
2092-20 Sienna9 .7 4 %
TY
PE
III
2094-20 Copper Mine 4 . 9 6 %
TY
PE
IT
YP
E I
II2106-30 Pine Cone 6 . 5 4 %
TY
PE
I
2107-10 Chocolate Candy1 1 . 4 8 %
TY
PE
II
2108-20 Sierra Spruce1 0 . 1 4 %
TY
PE
II
2110-20 Brown Tar9 . 1 3 %
TY
PE
II
2112-30 Stone Brown5 .7 4 %
TY
PE
II
2115-10 Appalchian Brown9 . 8 0 %
TY
PE
II
2117-20 Galaxy3 . 5 2 %
TY
PE
II
2117-40 Tropical Dust4 . 1 0 %
TY
PE
II
2118-40 Sea Life3 . 2 8 %
TY
PE
II
2119-40 Silver Streak3 . 6 0 %
TY
PE
II
2120-50 Silver Spring7 . 8 8 %
TY
PE
II
2121-20 Steel Wool 5 . 0 8 %
TY
PE
I
2121-10 Gray3 . 3 2 %
TY
PE
II
BC-00 Beautiful Color 0 . 0 0 %
TY
PE
I
Benjamin Moore™ Color Number
Benjamin Moore™ Color Name
Loading Percentage Rate
Type Group
L E G E N D
2126-30 Anchor Gray 8 . 0 7 %
TY
PE
I
2121-20 Steel Wool5 . 0 8 %
TY
PE
I
2126-40 Sweatshirt Gray5 . 5 2 %
TY
PE
III
2127-30 Gravel Grey5 . 8 4 %
TY
PE
II
2131-30 Lead Grey3 . 5 8 %
TY
PE
II
2136-40 Agean Teal3 . 2 6 %
TY
PE
II
2123-30 Sea Star2 . 0 6 %
TY
PE
II
2137-30 Durango6 . 6 0 %
TY
PE
I
2140-20 Tuscany Green8 . 8 2 %
TY
PE
II
2143-10 Sage7 . 5 2 %
TY
PE
II
2144-20 Eucalyptus Leaf3 . 1 4 %
TY
PE
II
2145-10 Avocado8 . 9 5 %
TY
PE
III
2146-30 Split Pea6 . 6 5 %
TY
PE
II
2147-20 Olive Moss9 . 4 6 %
TY
PE
II
Heritage Red9 . 6 6 %
TY
PE
III
Our lab recently created this beautiful base color plus
metallic pigment for a custom kitchen by Steve Millard.
Topical application mixed with water based arcylic sealer.
C U S T O M C O L O R E X A M P L E
CU
ST
OM
CO
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CU
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P| 4 4 P| 4 5BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
SB-98 Black Oxide. 5 0 %
SB-98 Black Oxide2 . 0 0 %
B L A C K
SB-98 Black Oxide3 . 0 0 %
SB-98 Black Oxide4 . 5 0 %
DVD-101 Liquid Black. 5 0 %
DVD-101 Liquid Black2 . 0 0 %
DVD-101 Liquid Black3 . 0 0 %
DVD-101 Liquid Black4 . 5 0 %
SB-99C Cool Gray. 5 0 %
SB-99C Cool Gray2 . 0 0 %
SB-99C Cool Gray3 . 0 0 %
SB-99C Cool Gray4 . 5 0 %
B L U ESB-35 Teal Blue. 5 0 %
SB-35 Teal Blue2 . 0 0 %
SB-35 Teal Blue3 . 0 0 %
SB-35 Teal Blue4 . 5 0 %
SB-40 Cobalt Blue. 5 0 %
SB-40 Cobalt Blue2 . 0 0 %
SB-40 Cobalt Blue3 . 0 0 %
SB-40 Cobalt Blue4 . 5 0 %
SB-44 Super Blue. 5 0 %
SB-44 Super Blue2 . 0 0 %
SB-44 Super Blue3 . 0 0 %
SB-44 Super Blue4 . 5 0 %
BC-00 Beautiful Color 0 . 0 0 %
BLUECONCRETE™ Color Number
BLUECONCRETE™ Color Name
Loading Percentage Rate
L E G E N D
VG-1007 Super Black. 5 0 %
VG-1007 Super Black2 . 0 0 %
VG-1007 Super Black3 . 0 0 %
VG-1007 Super Black4 . 5 0 %
SB-99W Warm Gray. 5 0 %
SB-99W Warm Gray2 . 0 0 %
SB-99W Warm Gray3 . 0 0 %
SB-99W Warm Gray4 . 5 0 %
W H I T E
SB-01 Titanium White. 5 0 %
SB-01 Titanium White2 . 0 0 %
SB-01 Titanium White3 . 0 0 %
SB-01 Titanium White4 . 5 0 %
SB-001 Ultra White. 5 0 %
SB-001 Ultra White2 . 0 0 %
SB-001 Ultra White3 . 0 0 %
SB-001 Ultra White4 . 5 0 %
PU
RE
PIG
ME
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PU
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S Not interested in preblended colors? We have a comprehensive range of pure pigments that you can use to formulate any color you want. Pure pigments are a selection of organic and
inorganic pigments suitable for use in concrete and packaged to meet the needs of our customers.
PURE PIGMENTS
P| 4 6 P| 4 7BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
VG-20 Super Green. 5 0 %
VG-20 Super Green2 . 0 0 %
VG-20 Super Green3 . 0 0 %
VG-20 Super Green4 . 5 0 %
MOSS Green. 5 0 %
MOSS Green2 . 0 0 %
MOSS Green3 . 0 0 %
MOSS Green4 . 5 0 %
SB-065 Red Oxide. 5 0 %
SB-065 Red Oxide2 . 0 0 %
SB-065 Red Oxide3 . 0 0 %
SB-065 Red Oxide4 . 5 0 %
R E DSB-09 Red Oxide. 5 0 %
SB-09 Red Oxide2 . 0 0 %
SB-09 Red Oxide3 . 0 0 %
SB-09 Red Oxide4 . 5 0 %
DVD-05 Liquid Red. 5 0 %
DVD-05 Liquid Red2 . 0 0 %
DVD-05 Liquid Red3 . 0 0 %
DVD-05 Liquid Red4 . 5 0 %
G R E E N
SB-30 Green Oxide. 5 0 %
SB-30 Green Oxide2 . 0 0 %
SB-30 Green Oxide3 . 0 0 %
SB-30 Green Oxide4 . 5 0 %
BC-00 Beautiful Color 0 . 0 0 %
BLUECONCRETE™ Color Number
BLUECONCRETE™ Color Name
Loading Percentage Rate
L E G E N D
B U F FSB-144 Yellow Oxide. 5 0 %
SB-144 Yellow Oxide2 . 0 0 %
SB-144 Yellow Oxide3 . 0 0 %
SB-144 Yellow Oxide4 . 5 0 %
DVD-155 Bright Yellow. 5 0 %
DVD-155 Bright Yellow2 . 0 0 %
DVD-155 Bright Yellow3 . 0 0 %
DVD-155 Bright Yellow4 . 5 0 %
Curry. 5 0 %
Curry2 . 0 0 %
Curry3 . 0 0 %
Curry4 . 5 0 %
Walnut. 5 0 %
Walnut2 . 0 0 %
Walnut3 . 0 0 %
Walnut4 . 5 0 %
Redwood. 5 0 %
Redwood2 . 0 0 %
Redwood3 . 0 0 %
Redwood4 . 5 0 %
Y E L L O W
TA N
PU
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PU
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SB-48 Ultra Blue. 5 0 %
SB-48 Ultra Blue2 . 0 0 %
SB-48 Ultra Blue3 . 0 0 %
SB-48 Ultra Blue4 . 5 0 %
SB-54 Green Blue. 5 0 %
SB-54 Green Blue2 . 0 0 %
SB-54 Green Blue3 . 0 0 %
SB-54 Green Blue4 . 5 0 %
M A G E N TA / V I O L E T
SB-88 Super Violet. 5 0 %
SB-88 Super Violet2 . 0 0 %
SB-88 Super Violet3 . 0 0 %
SB-88 Super Violet4 . 5 0 %
DVD-75 Liquid Magenta. 5 0 %
DVD-75 Liquid Magenta2 . 0 0 %
DVD-75 Liquid Magenta3 . 0 0 %
DVD-75 Liquid Magenta4 . 5 0 %
P| 4 8 P| 4 9BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
BR
SY
ST
EM
SE
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ER BR SYSTEM
B U D DY R H O D E S P E N E T R AT I N G S E A L E R is an aqueous copolymer chemically reactive dispersion that
provides a durable and transparent protective barrier against oil and water on concrete surfaces. This new chemistry offers
invisible protection to both dense and porous concrete and is extremely effective as a water sealer. It is used as the primer
as the first step in the Buddy Rhodes sealing system. This product is water based and food safe.
Packaged in Quarts
B U D DY R H O D E S S AT I N S E A L E R is the latest in water based acrylic micro emulsion technology for concrete
countertops. It creates a barrier coating that seals and protects while enhancing the natural beauty of the concrete. The
sealer will resist most stains up to 72 hours; however, oils and solvents should be wiped up promptly. This is the second step
in the Buddy Rhodes sealing system. This product is water based and food safe.
Packaged in Quarts
B U D DY R H O D E S B E E S WA X helps resist stains and enhances the color of concrete surfaces. It may be used for
maintenance over the life of the concrete project. This is hard wax ‘puck’ that is rubbed across the surface, and buffed by
hand or mechanically.
Packaged in 12 oz Jars
ICT
SY
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ICT SYSTEMC H P R E P is our premium reactive densifier and conditioner. CH Prep seals and densifies the micro-channels to improve
the abrasion resistance of the concrete. Using CH Prep as part of sealing process works to establish an initial concentration
gradient to bring free reactive hydration by products to the surface of the concrete, enabling better reactions, and setting
the stage for FS Seals. CH Prep is the first step of the ICT sealing system. CH Prep can also be incorporated in the processing
stages of concrete to densify the surface for polishing, and begin the sealing process. CH Prep can be used as a replacement
for the Buddy Rhodes’ Penetrating sealer, providing better protection with minimal effort.
Packaged in Quarts and Gallons
F S S E A L S is hybrid reactive sealer with a micro acrylic emulsion, representing the most advanced sealing technology
available. FS Seals provides additional acid and stain protection, will not peel or scratch. FS Seals is the second step in the ICT
process.
Packaged in Quarts
C L E A N & S E T is the final step in the ICT sealing system. It accelerates the curing of ICT, and is also effective as a cleaner
for concrete sealed with ICT. Clean & Set is a pure acetic acid, and should be diluted with 3 parts water, 1 part C&S.
Packaged in Gallons
Glazes are a concentrated pigment based coloring treatment for use on cured con-crete. They achieve the desired appearance with nano sized pigment particles that penetrate deeply into the concrete surface. The carrier reacts with the concrete to
lock in the particles. Glazes can be used in a multitude of ways, producing subtle tints or dramatic color varia-
tion. See Glazes section for tips and tricks, application methods, and dilution rates.
GLAZES
Available in a wide color range, these colors can be blend-
ed together to produce a wide array of shades.
Black, Blue, Leather, Red, Maple, Olive, Umber, Green,
Yellow, and White
Glazes are UV stable, and do not contain acids, metal
salts, or acetone.
Packaged in 4oz Spray Bottles, Quarts, and Gallons
(Formerly Stainz)
P| 5 0 P| 5 1BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
Here is our current offering of tools. Not listed here is the entire line of Imer tools and mixers which are available on request. Visit our website for more tool options.T
OO
LS
K R A F T E Z Y D E C K P R O G U N & H O P P E R is the top selling spray gun for artisan
GFRC. Includes a 2.5 gallon hopper with built in handle, 40 degree hopper angle for easy
spraying, built in downward hopper angle vertical or horizontal surfaces, adjustable air
regulator valve and quick connect, full grip trigger for ease and comfort, three interchangeable
air nozzles (air volume) and orifices (spray pattern) for fine tuning.
Simply put, this is the best gun on the market.
G F R C Compaction Rollers help remove air and compact GFRC to help ensure a good bond
between face/mist coats and backer coats. Additionally they assist to leveling the mix and
orient fibers.
Roller sizes include- 1”x3”, 1”x6”, 2”x3”, 2”x6”, 2”x9”, and 3/8” corner roller
Sold individually or as a set
B U D DY R H O D E S 5 ” V S P is a variable speed wet polisher. Achieve professional results
when grinding and polishing concrete. Use the BR VSP polisher to effectively grind and polish
your concrete surface with diamond tools up to 5 inches in diameter.
B R V S P S P E C I F I C AT I O N S :
• Maximum accessory diameter: 5 inch
• No load speed: 2000 - 4500 rpms
• Arbor thread: 5/8 inch 11 thread
• Power input: 120 V
• Power output: 900 watt
• Weight: 5.5 lbs
• Does NOT include 5” Backer Pad
TO
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TOOLS
B U D DY R H O D E S P L A N E TA RY P O L I S H E R is a rugged, planetary powered tool
designed to produce a flat, swirl free finish on counter tops, floors, walls and steps. The unit
will grind, hone, polish or clean flat concrete surfaces with speed and efficiency. This is a true
planetary gear driven tool. The 10” platform turns at a lower rate than the higher rotational
speed of the 4” platens. This combination of rpm provides the optimal speed for diamond
polishing, producing a perfect finish 5 times faster than a single head polisher. The unit can
be powered by electric or pneumatic variable speed polishers with a collar size of 50mm or
less. A center coolant feed, precision bearings and sturdy construction make this the ultimate
tool for perfect flatness and a superior polish.
I N C L U D E S -
• 2 Vacuum Lines, Y Connector for Standard 2” Hose connections
• Dust Shroud
• Water Line and Garden Hose Adapter
• 3 Aluminum 4” Backer Pads
• BR Low rpm High Torque 5” Polisher
• D handle and side handle
• Heat Guard
• Carbon Brush Set
P| 5 2 P| 5 3BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
NA
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SWe offer a wide range of fiberglass, rubber, and foam molds in stock sizes and shapes, as well as build to suit custom molds. Our selection includes sink molds, furniture molds, and planter molds. Visit our website to see our entire collection of molds.
AB
RA
SIV
ES We carry a range of abrasive materials to address grinding
and polishing concrete. Visit our website for the entire list of abrasive materials.http://www.buddyrhodes.com/abrasives-and-pads/
B R H A N D P O L I S H I N G PA D S are electroplated diamond polishing pads manufactured to polish and grind hard
material such as concrete, glass and stone with ease. These pads are manufactured using an ergonomically designed, semi-
pliable foam backing with ambidextrous finger grips. The diamond surface has been extended to fill the entire face of the
pad allowing the diamond material to meet the edges of the pad without any foam buffers. Advanced electroplated bonding
procedures allow multiple embed layers of diamond substrate for superior wear resistance. Highly uniformed diamond
bedding prevents chipping when working delicate materials while producing a uniformed grinding and polishing profile.
Effective for detail and edge polishing.
Available Grits- 60, 120, 200, 400
5 ” W E T 6 M M P O L I S H I N G PA D S are diamond abrasive polishing pads which have been manufactured with
advanced hard bond resin matrix to maximize life when used to grind and polish abrasive concrete surfaces. Above normal
concentration of premium diamond enable faster stock removal speeds and quicker overall polishing results while 6mm
thickness maximizes pad life. When used in sequence from 50 grit to 3000 grit, these pads will remove material to expose
aggregate and create a remarkable polished concrete surface. Recommended to be used wet with a max RPM of 4000.
Available Grits- 50, 100, 200, 400, 800, 1500, 3000
6 ” O R B I TA L P O L I S H I N G PA D S are made specifically to polish concrete using orbital motion with or without the
use of water. When used dry, the pad design allows dust and particles to be extracted through and around the pad with a
series of dust extraction ports. Create a superior swirl free finish when dry polishing concrete using common random orbital
sanders. These pads can be cut down to accommodate 5” sanders.
Available Grits- 60, 120, 200, 400, 800, 1500, 3000
4” D - H E X W E T/ D RY P O L I S H I N G PA D S are ceramic resin hybrid dry diamond pads are used in wet or dry
polishing of concrete. Designed for use on the BR Triad planetary polisher, these pads incorporate 6mm diamond hexagonal
segments uniformly positioned to optimize planetary movement for superior surface finish quality. Proprietary segment
positioning allows the these pads to maintain flexibility and eliminate pad chatter found in rigid diamond pads.
Available Grits- 50, 100, 200, 400, 800, 1500, 3000
S P I N F L E X PA D S are 7” diamond impregnated burnishing pads, excellent for final buffing, scratch removal, and sheen
enhancement.
Available Grits-120, 200, 400, 800, 1500, 3000
N O N W O V E N A B R A S I V E S (NWA) perform a variety of functions including cleaning, burnishing and swirl removal.
Perfect for mechanical scrubbing surfaces prior to sealing.
Available in a variety of grits in 5” and 7” discs, as well as 6”x9” pads.
ABRASIVES MOLDS
Interested in having a custom mold built?Let us assist you in that process. Whether you just need the mold built, or you are looking for consulting on how the mold
should be designed and constructed, let our team of artisans assist you in getting a mold perfectly suited to meet your needs.
Buddy Rhodes Concrete ProductsS I N KM O L D S
15 0 0 17 t h S t r e e t | S a n F r a n c i s c o , C A 9 410 7 | 415 - 4 31 - 8 0 7 0 | w w w . b u d d y r h o d e s . c o m
BUDDY RHODES SINK MOLDS allow the
creation of concrete sinks integrated into the
counter top. Simply place the sink mold in the
countertop form and form the counter around it.
Made from sturdy �berglass with a smooth
�nish, sink molds may be used hundreds of
times on countertop projects.
3-1/2"DIA.RUBBER DRAIN PLUG
7"
1/4"1-1/4"
1/2"
S m all R ectangle K itchen S ink M old3"R OUTSIDE CORNER
15-5/8"
20-3/4"
3-1/2"DIA.RUBBER DRAIN PLUG
7-1/2"
1/2"1-1/4"
1/2"
Large R ectangle K itchen S ink M old
1"R OUTSIDE CORNER
15"
30"
6-1/2"3-1/4"
3"
1/4" 1-1/2"
1-1/2"DIA. RUBBERDRAIN PLUG
Trapezoid S ink M old
6-1/2" 4" 6-1/2"
11"
7"
4"
17"
1-1/4"DIA. RUBBER DRAIN PLUG
5-1/2"
S m all Oval B ath S ink M old
11"
14"
14"
1-1/2"DIA. RUBBER DRAIN PLUG
6"
1-1/2"
Oval B ath S ink M old
14"
17"
1-1/4"DIA.RUBBER DRAIN PLUG
7"
1-1/4"
1/2"
Medium Rectangle Kitchen Sink Mold
1"R OUTSIDE CORNER
14-1/2"
24"
Trough B athS ink M old
1"R OUTSIDE CORNER
11"
40"1-1/4"DIA.
RUBBER DRAIN PLUG
2"
1-1/4"1/2"
Buddy Rhodes Furniture Molds take advantage
of the special qualities of our premier concrete
countertop mix. These reusable �berglass
molds bring Buddy’s unique designs to the the
concrete and masonry contractor, turning every
contractor into an artisan. Concrete furniture is
durable and timeless, yet modern.
BISTRO TABLE
29”
30”
6”
CONE TABLE30”
44”
6”
CONE TABLE36”
29”
6”
29”
36”
22”
DRUM TABLE
18”
10”
16”DRUM STOOL
18”
10”
15”
FLAT TOP STOOL
Buddy Rhodes Concrete ProductsF U R N I T U R EM O L D S
15 0 0 17 t h S t r e e t | S a n F r a n c i s c o , C A 9 410 7 | 415 - 4 31 - 8 0 7 0 | w w w . b u d d y r h o d e s . c o m
Buddy Rhodes Concrete ProductsP L A N T E RM O L D S
15 0 0 17 t h S t r e e t | S a n F r a n c i s c o , C A 9 410 7 | 415 - 4 31 - 8 0 7 0 | w w w . b u d d y r h o d e s . c o m
These monumental planters provide a powerful
yet elegant accent in settings as diverse as build-
ing lobbies, backyard patios, parking lots or
streetscapes. Designed for casting on site or in
the shop, a Buddy Rhodes planter provides the
architect, designer or contractor a unique option
to di�erentiate his o�ering from the competition.
TUB
20”
48”
48”
37”
32”
48” PLANTER
191/2”
31”
24”
31” PLANTER
16”
20”
13”
20” PLANTER
P| 5 4 P| 5 5BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
RA
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S U LT R A S E A L Z ™ Z F R C is a multi component blend of slag cement, pozzolan, E+ and other chemical and mineral
admixtures that when added to Portland cement, produces high performance and acid resistant concrete. Formulated
without plasticizer.
Packaged in 50 lb Bags
Sold by the bag, pallet, or truckload
B U R G E S S O P T I P O Z Z ® (Metakaolin) is a flash calcined (heat treated) product specifically engineered to develop
improved working characteristics, such as trowel ability, while also dramatically improving the strength of green and cured
concretes at various early, intermediate, and late measurement intervals.
Packaged in 50 lb Bags
Sold by the bag, pallet, or truckload
S R A 1 0 1 is a shrinkage-reducing and crack-control admixture for cementitious mixes. It has been formulated to prevent
and reduce cracking or curling caused by shrinkage. SRA facilitates the expansion of concrete at the same rate as drying-
shrinkage during the curing cycle, thus reducing overall shrinkage and side effects associated with shrinkage.
Packaged in 30 lb Bags
Sold by the bag, pallet, or truckload
W E D R O N R O U N D S I L I C A is a clean, well graded silica sand with sand particle that has a round shape which make
it a good sand for a variety of mix designs. These are the sands we use in our formulations.
Available in these sizes- 430, 480, 520, 730
Packaged in 50 lb Bags
Sold by the bag, pallet, or truckload
S 1 5 0 - 5 0 0 L I G H T W E I G H T A G G R E G AT E is a hollow aluminum silicate sphere which can be used as a sand
replacement. The specific gravity is 0.50 g/cc versus 2.65 g/cc of silica sand.
Packaged in 40 lb Bags
Sold by the bag, pallet, or truckload
R E TA R D E R is a white powder used to control and delay initial curing of concrete mixes, especially at elevated casting
temperatures or where extended work time is required. In addition to being used as a set retarder, Blue Retarder also
increases ultimate compressive strength and other physical properties.
Packaged in 1 lb, 5 lb and 25 lb Pails
E+ (Electrolytes) technology increases density and improves vibration rheology. E+ charges the cement particles in a mix,
allows the particle to reach a higher level of hydration, thus resulting is a stronger concrete mix. E+ also improves depth of
color, imparts acid resistance and aids in the sealing process when reactive sealer is used.
Packaged by the pound.
N YA D G (wollastonite) increases the strength in a number of construction based materials while improving dimensional
stability and resistance to drying and freeze-thaw cracking. In addition, the availability of calcium ions from the wollastonite
mineral structure enables decreased setting times in some systems and can act as a counter to acidic media due to the
mineral’s high pH.
Packaged in 50 lb Bags
Sold by the bag, pallet, or truckload
RA
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SIf you are interested in creating your own High Performance mixes from scratch, we have a range of raw materials to assist you in that process. This is a resource for artisans
and professionals with experience in concrete materials. High quality pozzolans, polymers, cementitious materials, and other admixtures- we have the building blocks for you to build your
own mix with. If you are using our mixes, or admixtures, you don’t need to add these as they are already built into the formulation, but you can decide to enhance properties of the mix using these raw ingredients where you see fit.
L I Q U I D P O LY M E R P L U S is an acrylic emulsion polymer specifically developed for use in High Performance Concrete.
This multi- component polymer enhances the durability of concrete by improving the concrete’s hydration through the
curing process, increasing density, flexural strength, color fastness, and overall durability in the finished concrete. This is an
ideal GFRC curing polymer.
Packaged in 40 lb pails, Totes
P O W D E R E D P O LY M E R 1 2 1 0 is a dry powdered polymer specifically developed for use in High Performance
Concrete. Much like the Liquid Polymer Plus, the 1210 enhances the durability of concrete by improving the concrete’s
hydration through the curing process, increasing density, flexural strength, color fastness, and overall durability in the
finished concrete. This polymer is favored by many due to reduced shipping costs, no risk of freezing in transport, and
reduced air in finished concrete surfaces.
Packaged in 10 lb Pails, 25 lb Pails
F E D E R A L W H I T E C E M E N T is a major manufacturer of white Portland cement in North America. From its two kiln
manufacturing facility, FWC provides, and is known for, its time tested consistent high quality and consistent white cement.
Federal White Cement is packaged in 92.4 lb Bags
Sold by the bag, pallet, or truckload
B U Z Z I U N I C E M C S A Additive is a hydraulic, cementitious binder, high in Calcium Aluminum Sulfate Crystals. When
used with Portland cement concrete, CSA accelerates the curing time and enhances the physical and chemical properties of
the mix. This is the basis for rapid setting mix designs.
Packaged in 50 lb Bags
Sold by the bag, pallet, or truckload
V C A S is a pure white pozzolan. Pozzolans are value-added supplementary cementing materials that exhibit pozzolanic
activity. Comparable to silica fume and metakaolin when tested in accordance with ASTM C618 and ASTM C1240.
Packaged in 50 lb Bags
Sold by the bag, pallet, or truckload
U LT R A S E A L Z ™ is a multi component blend of slag cement, pozzolan, plasticizer, E+ and other chemical and mineral
admixtures that when added to Portland cement, produces high performance and acid resistant concrete.
Packaged in 50 lb Bags
Sold by the bag, pallet, or truckload
RAW MATERIALS
P| 5 6 P| 5 7BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
CO
NS
UL
TA
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C O N S U LTAT I O N -
The collection of people that call Buddy Rhodes and Delta Performance their job is a unique bunch of folks. We have a
wide range of experience, in a wide range of industries. As it pertains to artisan concrete, a number of us have operated
professionally as concrete artisans, producing works around the world including countertops, architectural details, bathtubs,
furniture, water and fire features, industrial installations, and art installations. Our journeys have brought us face to face with
a wide range of challenges, complications, and demands.
Much of our time now is spent assisting people around the world with their own concrete ventures. We have assisted
everyone from DIYers to groups producing assets for Ford Motor Company. We have brought our expertise to them in an
effort to improve their ability to communicate in the medium of concrete.
Do you have a project, a business venture, a problem, or a great idea? Let us help you realize your vision and overcome your
hurdles. Contact us directly to discuss how we can help.
TR
AIN
ING Artisan concrete is not something you learn overnight. With
the vastness of possibilities, this is a material you can spend your entire life exploring and learning about. We offer a range of training and educational resources to assist you through that journey.
B O O K S A N D D V D ’ S
Buddy has writing and created a set of books and DVD’s to show the basics, as well as some advanced techniques. Since
artisan concrete is advancing at such a rapid rate, some of the information in these are becoming antiquity. That said, they
contain universal lessons and tricks that will be just as relevant decades from now as they were when they were recorded.
S E T I N S T O N E
One of the brightest, most talented, innovative, and creative groups of concrete artisans on the planet are the guys at Set in Stone
in Chattanooga TN. These guys boast a training facility and experience which is second to none. They host regular training events at
their studio in the wonderful town of Chattanooga. This training takes place in their working studio where they produce work day in
and day out. You will not find a more useful educational experience in the world of artisan concrete, whether you are an advanced
maker or someone new to the trade. There are 1 day and 3 day Workshops held on a quarterly basis.
TRAININGE P I C -
Once a year, a special thing happens in the outskirts of Atlanta in our R&D studio. We call it EPIC.
What is EPIC? It defies easy description. It is an experience that is hard to measure, and for many who have attended it is not
a stretch to say it was life changing.
It is about concrete. It is about community. It is about camaraderie. It is about communion. It is about communication.
We understand that this is an incredibly vague explanation, one that makes very little sense. All we can tell you is this- stay
tuned for the announcement for next years EPIC, because tickets sell out fast. Once you see what it is, and you miss it, you
will spend the following year in a deep depression.
Find details at http://www.buddyrhodes.com/epic/
P E R I O D I C W O R K S H O P S
We also schedule periodic training workshops around the world with a selection of various instructors. For those looking for
a similar training experience on the west coast, or internationally, send us a note on our website, and we will let you know as
we schedule an event.
D I S T R I B U T O R D E M O D AY S
Along with these focused trainings, there are distributors around the country that hold periodic workshops and demo days.
If you are interested in attending one of these, contact your local distributor and let them know.
P| 5 8 P| 5 9BU D DY R H O D E S C O N C R E T E P R O D U C T S | Call us: 877-706-5303 | Email us at: [email protected]
Buddy Rhodes Concrete Products is a brand of the Delta Performance Products Company. Delta Performance was founded by Shawn Hays. Shawn has spent his career in the mineral and materials world, and is well respected around the world. He has been providing
materials and solutions to industry for several decades. Delta was founded with the idea of adding value through quality materials, innovation, and technical support.
Delta has access to a broad range of minerals and pigments from around the world, and has a firm understanding of the
manufacturing, quality, and value of these materials. This access, coupled with a staff of material specialists, chemists,
and artisans, places us in a position to be uniquely valuable to a range of industries. We house world class manufacturing,
blending, and packaging equipment and capabilities. It is our objective to provide first class service, materials, and support
to our broad customer base.
Whether you have a need for pigment or material blending and packaging, technical support and innovation, bulk minerals
and pigment, or product development, we are here to support you.
Located just outside of Atlanta Ga., our facility blends, packages, and develops a full range of concrete pigments, admixtures,
and mixes for a wide range of customers. We have a range of logistical capabilities, and can provide services to the international
community.
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IMAGE CREDITSAndy Barber- CounterKulture
Buddy Rhodes Studio
Charles Coleman Photography
Chuck Anthony
Dusty Baker - Stonecrete Artistry
Eric Boyd - Reaching Quiet Design
James Mcgregor- Mcgregor Designs
Jason Pledger- Forever Design
Joe Bates - SC Fabrication
Jonathan Haywood- Epic Artisan Concrete
Justin Burd and Nathan Smith- Set in Stone
Jon Schuler - CreativeCrete
Olga Zimeska- Olga Zimeska Studio
Mandala Studio
Michael Karmody
Molly Rose Freeman
Delta Performance
9126 Industrial Blvd
Covington GA 30014
www.delta-performance.com