bridging the gap between web and television

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BRIDGING THE GAP BETWEEN WEB AND TELEVISION MARIUS PREDA, MPEG 3DG CHAIR, INSTITUT MINES TELECOM, FRANCE www.slideshare.net/MariusPre SMART TV GLOBAL SUMMIT 2015 SEOUL

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Page 1: Bridging the gap between web and television

BRIDGING THE GAP BETWEEN WEB AND TELEVISION

MARIUS PREDA, MPEG 3DG CHAIR, INSTITUT MINES TELECOM, FRANCE

www.slideshare.net/MariusPreda

SMART TV GLOBAL SUMMIT 2015

SEOUL

Page 2: Bridging the gap between web and television
Page 3: Bridging the gap between web and television
Page 4: Bridging the gap between web and television

Then why the Web - the world of words- is becoming more

successful than the Television - the world of videos ?

Page 5: Bridging the gap between web and television

What are the Web key-concepts that can be adapted to the

Television?

Page 6: Bridging the gap between web and television

Is the Television only a follower or it may become a leader?

Page 7: Bridging the gap between web and television

This talk is also about rivers and lands

Page 8: Bridging the gap between web and television

Almost all the big cities are built on riverbanks

Page 9: Bridging the gap between web and television

The reason is simple: access to water

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OK…, however this is not a talk about geography or hydrology, but it is about

technology

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You probably figured out that our river today is the …

… TELEVISION

Page 12: Bridging the gap between web and television

Same as the rivers in the old time, television attracted the masses (and

still attracts)

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But also as for the rivers, when “water” became available in the fields, people

migrate to larger spaces

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… our river is the TELEVISION

… but the large fields around are the WEB

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TV vs WEB, we are actually comparing a line with connected dots!

Which one is better covering the region?

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Of course, today TV and Web co-exist

but TV becomes more and more invisible

Page 17: Bridging the gap between web and television

TV strategies to become more visible

Increase the number of channels

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TV strategies to become more visible

Create “thematic” channels

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TV strategies to become more visible

Play with the “temporal” aspects: VoD, TimeShift

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TV strategies to become more visible

Television already starts to “dotify” itself

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TV strategies to become more visible

The 1st lesson: the space near the river is limited, space in the lands is (almost) infinite

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TV strategies to become more visible

The 1st Web lesson revisited: the important is the content and not how it is distributed

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Still, there are differences

The missing links …

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Connecting pixels

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From letters to pixels

Classic Book: the value is in the content as a whole

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From letters to pixels

On the Web: the value is in the content and in the link

Page 27: Bridging the gap between web and television

From letters to pixels

Any word is now an entry in the online world: the words are connected mainly because of the search engines

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Connecting pixels

Appling the successful stories of textual information to the visual space

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From letters to pixels

Classic video content: the value is in the content as a whole

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From letters to pixels

Video linked content

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From letters to pixels

+ + … =

From a link to a set of links and to the 3D reconstruction of objects and scenes

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MPEG offer for connecting pixels

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Technology Time Line

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MPEG CDVS

State of the art technology for providing links between images

The 2nd Web lesson: the value of the link is at least as important as the value of the content

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Still, there are differences

Ok, we have links. And now what?- Able to search, find content and consume it in the traditional linear way …

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Still, there are differences

Personalized user experience

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The notion of bridget

A bridget is a link from the program being watched to (combinations of) external interactive media elements such as web pages, images,

audio clips, different types of video (2D, multi-view, 3D free viewpoint) and synthetic 3D models

Palazzo vecchio in Florence

is one of the most famous

Monuments. It was built in 1299

Time synchronisation

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Main TV screen

Personalized and interactive, synchronized content

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Second Screen “Application” is not a new idea, then how the Web can

inspire us here?

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Who is able to create the “dots”?

Anyone!

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Who is able to create the second screen applications?

Developers

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MPEG offer for personalized companion screen experience

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The 3rd Web lesson: the creativity may come from anywhere

MPEG MLAF – Multimedia Linking Application Format

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MPEG vision on Linking Format

MPEG-4 + MPEG-7 + MPEG-21 ++ MPEG-U+ MPEG-V

= MLAF MPEG Player

CompressionAuthoring Tool

Produce

Download

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Making Second Screen Sustainable in Media Production: the BRIDGET Approach

• The Authoring Environment– Using visual technologies to reduce the production time

of rich multi-media and multi-screen content

• User Experience and the BRIDGET Player– Interactive second screen content synchronized with the

main screen

• Enabling Technologies– Visual Search– 3D A/V reconstruction– Media Structure Analysis

Page 46: Bridging the gap between web and television

The Authoring Tool

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The Player

Native support for MPEG-4 BIFS

HTML 5 is also supported

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Making Second Screen Sustainable in Media Production: the BRIDGET Approach

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MPEG MLAF – Multimedia Linking Application Format

The 4th Web lesson: there is a big variety of the users’ profiles, they should be served differently

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OK for the lessons from the Web but is the Television able to

bring a new dimension?

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From centuries, we are building two different types of worlds

PhysicalInformational

Immersion, from a human user point of view, is making abstraction of the Physical world (remove all possible connection to it) and have stimuli only from the Informational one

Immersion, presence, stimuli, perception, …

stories

music

films

knowledge

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In which world our users are?

The stimuli from physical worlds are familiar or at very low intensities

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We intentionally block our interfaces with the physical world

Improving immersion feeling

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Strategies for blocking the interfaces with the Physical world

Improving immersion feeling

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Strategies for extending the space of the Informational world stimuli

Improving immersion feeling

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Television is expected to build multi-sensory experiences

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MPEG offer for multi-sensory experiences

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MPEG technologies related to multi-sensory experiences

MPEG-V - Media Context and Control

2011

• 2nd Edition: - GPS - Biosensors - 3D Camera

2014

• Compression of video + depth

2015

MPEG-V

- 3D Video

• 1st Edition - Sensors and actuators - Interoperability between Virtual Worlds

MPEG-U – Advanced User Interface

2012

A rich set of sensors and actuators

- 3D Audio

MPEG-H

2016

MPEG-V• 3rd Edition: - 4D theater - various camera sensor types

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MPEG-V – Media Context and Control

MPEG technologies related to multi-sensory experiences

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ActuatorsLight Flash Heating Cooling Wind Vibration Sprayer Scent Fog Color correction Initialize color correction parameter Rigid body motion Tactile Kinesthetic

Global position command

SensorsLight Ambient noise Temperature Humidity Distance Atmospheric pressure Position Velocity Acceleration Orientation Angular velocity Angular acceleration Force Torque Pressure Motion Intelligent camera typeMulti Interaction point Gaze tracking Wind

Dust Body height Body weight Body temperature Body fat Blood type Blood pressure Blood sugar Blood oxygen Heart rate

Electrograph EEG , ECG, EMG, EOG , GSR Weather Facial expression Facial morphology Facial expression characteristics Geomagnetic

Global position Altitude Bend Gas

MPEG technologies related to multi-sensory experiences

MPEG-V – Media Context and Control

Page 61: Bridging the gap between web and television

Conclusions

• Web development should be an inspiration for the Television development– Anyone should be able to become a source– Anyone should be able to link content to another

content– The user profile fragmentation is much higher that

television is considering it today• However, the Television has its own mission

– The multi-sensory experience