bridging innovation between design and humanities

33
BRIDGING INNOVATION BETWEEN HUMANITIES AND DESIGN: NEW COGNITIVE AND RELATIONAL PROCESSES Chiara Colombi, Eleonora Lupo, Politecnico di Milano

Upload: eleonora-lupo

Post on 28-Mar-2016

218 views

Category:

Documents


0 download

DESCRIPTION

presentation for the conference Diversity: design/humanities - 4th International Forum of Design as a Process, that will be held from the 19th to the 22nd of September at the Universidade do Estado de Minas Gerais, in Belo Horizonte, Brasil.

TRANSCRIPT

BRIDGING INNOVATION BETWEEN HUMANITIES AND DESIGN: NEW COGNITIVE AND RELATIONAL PROCESSES Chiara Colombi, Eleonora Lupo, Politecnico di Milano

1. A one way path from H to D and from D to H, by supporting tools

2. A two ways path of complementarity between D&H

3. D+H: a new innovation model beyond the linear one - humanistic design - humanities centred innoation

1. A one way path from H to D and from D to H, by supporting tools

1. A one way path from H to D and from D to H, by supporting tools

A linear models in which: H D -Humanities provide an analytical approach to the following synthetic and creative design action D H - Design provides visualization tools to collect and share data in the analytical research

Humanities Design Humanities Design

Ethnographic observation (anthropology)

Data gathering&recording tools (visualization)

1. A one way path from H to D and from D to H, by supporting tools

The linear models in the design process: H D D H

design process (adapted from Jonas, 2006)

Projection Synthesis (create)

Analysis (understand)

humanities

design tools

1b. A phenomenology of COLLABORATION H D / D H

APPROACH H D / D H

? DESIGN EXPERTISE Digitalization Visualization Archiving Codifying Interpreting/translating Prototyping Production Testing Sharing/Transfer

QUALITIES Hyper-sensoriality Lightness Sociability Sustainability Distinctiveness Personalisation Identification Ethics Reversibility

HUMANISTIC COMPETENCES Anthropology/Ethnography Art History Philosophy Sociology Psicology Economics Semiotics Neurosciences

AREA OF ACTION Arts&Crafts Cultural Heritage Territory Social communities Product Fashion Interiors Performance/Events Interfaces

DESIGN COMPETENCES Product Fashion Interior Communication Service Strategy

The New York Times, 2009

APPROACH H D FASHION STUDIES

1b. A phenomenology of COLLABORATION H D

DESIGN COMPETENCES Product Fashion Interior Communication Service Strategy

DESIGN EXPERTISE Digitalization Visualization Archiving Codifying Interpreting/translating Prototyping Production Testing Sharing/Transfer

AREA OF ACTION Arts&Crafts Cultural Heritage Territory Social communities Product Fashion Interiors Performance/Events Interfaces

HUMANISTIC COMPETENCES Anthropology/Ethnography Art History Philosophy Sociology Psicology Economics Semiotics Neurosciences

QUALITIES Hyper-sensoriality Lightness Sociability Sustainability Distinctiveness Personalisation Identification Ethics Reversibility

APPROACH H D FASHION STUDIES

APPROACH D H PERFORMATIVE ART

Rirkrit Tiravanija, 2002

1b. A phenomenology of COLLABORATION D H

DESIGN COMPETENCES Product Fashion Interior Communication Service Strategy

DESIGN EXPERTISE Digitalization Visualization Archiving Codifying Interpreting/translating Prototyping Production Testing Sharing/Transfer

HUMANISTIC COMPETENCES Anthropology/Ethnography Art History Philosophy Sociology Psicology Economics Semiotics Neurosciences

QUALITIES Hyper-sensoriality Lightness Sociability Sustainability Distinctiveness Personalisation Identification Ethics Reversibility

APPROACH D H PERFORMATIVE ART

AREA OF ACTION Arts&Crafts Cultural Heritage Territory Social communities Product Fashion Interiors Performance/Events Interfaces

2. A two ways path of complementarity between D&H

2. A two ways path of complementarity between D&H

Trans-disciplinarity between Humanities and Design

Transdisciplinary is the capability to transfer knowledge fragments from a discipline to another one. Therefore it refers (…) to the real trasfer of methods and topics from an area of interest to another one. (…) The suffix “trans” refers to the performative nature of those transictions. (Cometa M., Studi Culturali, Guida, Naples, 2010)

Humanities Design

Humanities Design

Humanities Design

2. A two ways path of complementarity between H&D

Trans-disciplinarity between Humanities and Design

-Humanities provide an analytical approach to examine or describe a context setting a problem that, later, represents a starting point for the design activity to the following synthetic and creative design action -Design reviews the data delivered by Humanities finding a problem on transcontextual variables, elaborating a new hypothesis (design proposition), prototyping a solution (design concept) and, eventually, developing a product.

- Design provides creative methods and generative tools (“metadesign”) that explain the process of design proposition and offer new possible point of view for an in-depth humanistic research -Humanities evaluate through an analytical approach the potential impact of the design solution

2b. A phenomenology of COMPLEMENTARITY H D H

DESIGN COMPETENCES Product Fashion Interior Communication Service Strategy

DESIGN EXPERTISE Digitalization Visualization Archiving Codifying Interpreting/translating Prototyping Production Testing Sharing/Transfer

APPROACH

? AREA OF ACTION Arts&Crafts Cultural Heritage Territory Social communities Product Fashion Interiors Performance/Events Interfaces

HUMANISTIC COMPETENCES Anthropology/Ethnography Art History Philosophy Sociology Psicology Economics Semiotics Neurosciences

QUALITIES Hyper-sensoriality Lightness Sociability Sustainability Distinctiveness Personalisation Identification Ethics Reversibility

APPROACH H D H DIGITAL HUMANITIES

2b. A phenomenology of COMPLEMENTARITY H D H

DESIGN COMPETENCES Product Fashion Interior Communication Service Strategy

DESIGN EXPERTISE Digitalization Visualization Archiving Codifying Interpreting/translating Prototyping Production Testing Sharing/Transfer

HUMANISTIC COMPETENCES Anthropology/Ethnography Art History Philosophy Sociology Psicology Economics Semiotics Neurosciences

QUALITIES Hyper-sensoriality Lightness Sociability Sustainability Distinctiveness Personalisation Identification Ethics Reversibility

APPROACH H D H DIGITAL HUMANITIES

AREA OF ACTION Arts&Crafts Cultural Heritage Territory Social communities Product Fashion Interiors Performance/Events Interfaces

APPROACH H D H SOCIAL/ SUSTAINABLE DESIGN

Haas&Hahn, Rio de Janeiro 2010

2b. A phenomenology of COMPLEMENTARITY H D H

DESIGN COMPETENCES Product Fashion Interior Communication Service Strategy

DESIGN EXPERTISE Digitalization Visualization Archiving Codifying Interpreting/translating Prototyping Production Testing Sharing/Transfer

HUMANISTIC COMPETENCES Anthropology/Ethnography Art History Philosophy Sociology Psicology Economics Semiotics Neurosciences

QUALITIES Hyper-sensoriality Lightness Sociability Sustainability Distinctiveness Personalisation Identification Ethics Reversibility

APPROACH H D H SOCIAL/ SUSTAINABLE DESIGN

AREA OF ACTION Arts&Crafts Cultural Heritage Territory Social communities Product Fashion Interiors Performance/Events Interfaces

APPROACH H D H CURATORIAL DESIGN

2b. A phenomenology of COMPLEMENTARITY H D H

DESIGN COMPETENCES Product Fashion Interior Communication Service Strategy

DESIGN EXPERTISE Digitalization Visualization Archiving Codifying Interpreting/translating Prototyping Production Testing Sharing/Transfer

HUMANISTIC COMPETENCES Anthropology/Ethnography Art History Philosophy Sociology Psicology Economics Semiotics Neurosciences

QUALITIES Hyper-sensoriality Lightness Sociability Sustainability Distinctiveness Personalisation Identification Ethics Reversibility

APPROACH H D H CURATORIAL DESIGN

AREA OF ACTION Arts&Crafts Cultural Heritage Territory Social communities Product Fashion Interiors Performance/Events Interfaces

APPROACH H D H BUSINESS DESIGN

2b. A phenomenology of COMPLEMENTARITY H D H

DESIGN COMPETENCES Product Fashion Interior Communication Service Strategy

DESIGN EXPERTISE Digitalization Visualization Archiving Codifying Interpreting/translating Prototyping Production Testing Sharing/Transfer

HUMANISTIC COMPETENCES Anthropology/Ethnography Art History Philosophy Sociology Psicology Economics Semiotics Neurosciences

QUALITIES Hyper-sensoriality Lightness Sociability Sustainability Distinctiveness Personalisation Identification Ethics Reversibility

APPROACH H D H BUSINESS DESIGN

AREA OF ACTION Arts&Crafts Cultural Heritage Territory Social communities Product Fashion Interiors Performance/Events Interfaces

3. D+H: a new innovation model beyond the linear one

3. D+H: a new innovation model beyond the linear one

New cognitive and relational processes: transformative potential of D+H knowledge for a new “discipline” (“humanistic design”)

D Dh Dhd Hdh Hd H

3. D+H: a new innovation model beyond the linear one

Humanistic design is more than…

HUMANISTIC DESIGN

form-function Expression Senses emotions Soft qualities Interculturality archetypes

AESTHETIC DESIGN

SOCIAL DESIGN

Collaborative Inclusive Participative Sustainable

STRATEGIC DESIGN

Conceptual Critical Organisational

UCD / HCD

User studies Co-design HI

3b. D+H: a new innovation model beyond the linear one

Appraches D+H: Trend research as orienting the design process (from fashion)

•  Search into a sociocultural context •  Interpret the context •  Design a vision of the contemporary culture •  Share the vision through prototypes and make the context converge on that •  Influence the context

3b. D+H: a new innovation model beyond the linear one

Approaches D+H: Values Activation dynamics (from design for cultural heritage)

3. D+H: a new innovation model beyond the linear one

Introducing humanities in the whole innovation chain

Humanistic design process (adapted from Jonas, 2006)

Projection Synthesis (create)

Analysis (understand)

humanities

design tools

humanities

humanities

4. Humanites centred innovation

Levels of humanistic design strategy

Processes Relations Image/imaginary/scenary

Values systems

4. Humanities centred innovation

Humanistic design strategy 1. Humanistic design as “filter” for innovation topics 2. Humanistic design as understanding of analysis 3. Humanistic design as driver of change 4. Humanistic design as human friendly processes 5. Humanistic design outputs as set of “meta-products”

4. Humanities centred innovation

Humanistic design “meta-products”: a possible initial catalogue for professionals and companies (still under development)

Evolutionary repository

A critical catalogue of existing design solutions over a values deconding map

Brief Impulse

A capturer and selector of new project innovation topics

Evaluation filters

A set of criteria to define contiguity, divergence, convergence, coherency of design prototypes to the context

Changes samples A collection of new tested contextual situations that are offered as demi-products, to verify their relevancy and orient the next design development

Mental conversations

A diagram to explode the cognitive process leading to new mental models

Cultural shadows

A collection of cultural references that are re-called by a new product

Values decoding map

A synoptic map of lines of evolutions in values systems

Performative environment A set of rules to manage a not confrontational relation allowing to experience a prototyped solution in an ostensible dimension

… … …

Projection

Synthesis (create)

Analysis (understand)

values systems image/imaginary relations processes

values decoding

map

evolutionary repository

brief impulses

evaluation filters

changes samples

performative environment

performative environment

prformative environment

cultural shadows

mental conversations

Obrigada

[email protected] http://designview.wordpress.com

[email protected]

Aknowledgement