book by fred ebb and bob fosse music by john kander lyrics by … · script adaptation by david...
TRANSCRIPT
Book by Fred Ebb and Bob Fosse Music by John Kander Lyrics by Fred Ebb
Based on the play Chicago by Maurine Dallas Watkins Script adaptation by David Thompson
BY ARRANGEMENT WITH ORiGiN™ THEATRICAL ON BEHALF OF SAMUEL FRENCH LTD
ABOUT PRIMA Pine Rivers Musical Association Incorporated (PRIMA) is a thriving community theatre group based in the northside of Brisbane. Our aim is to provide professional quality musical
theatre to the community of the Moreton Bay region and beyond.
Established in 2004, PRIMA has continued to grow in presence and strength, now delivering a number of productions each year, from theatre restaurant ‘revue’ style shows to
major productions of popular musicals.
Some of our more recent major productions include Flashdance The Musical, Shrek The Musical, Carrie, Monty Python ’s Spamalot, The 25th Annual Putnam County Spelling Bee,
Little Women, The Little Mermaid, Legally Blonde, Hairspray and The Wedding Singer.
PRIMA is a passionate advocate of the development and growth of the performing arts in our community, offering vibrant and accessible experiences to performers and audiences
alike.
We pride ourselves on offering our members the opportunity to work with leading Directors, Musical Directors, Choreographers, Production Teams and Technical Specialists,
providing a unique learning and development experience to community members of all ages, skill levels and backgrounds.
CHICAGO THE MUSICAL Set in the legendary city during the roaring “jazz hot” 20s, Chicago tells the story of two rival vaudevillian murderesses locked up in Cook County Jail. Nightclub star Velma’s
serving time for killing her husband and sister after finding the two in bed together.
Driven chorus girl Roxie’s been tossed in the joint for bumping off the lover she’s been cheating on her husband with. Not one to rest on her laurels, Velma enlists the help of prison
matron Mama Morton and slickster lawyer Billy Flynn, who turn Velma’s incarceration into a murder-of-the-week media frenzy, thus preparing the world for a splashy showbiz
comeback. But Roxie’s got some of her own tricks up her sleeve…
A true New York City institution, Chicago has everything that makes Broadway great: a universal tale of fame, fortune and all that jazz; one showstopping song after another; and
the most astonishing dancing you’ve ever seen.
No wonder Chicago has been honoured with 6 Tony Awards, 2 Olivier Awards, a Grammy® and thousands of standing ovations. It’s also no surprise that Chicago has wowed
audiences all around the world, from Mexico City to Moscow, from São Paulo to South Africa.
Whether you’re looking for your first Broadway musical, whether you’ve seen the Academy Award®-winning film and want to experience the show live onstage or whether you’ve
seen it before and want to recapture the magic, Chicago always delivers.
CREATIVE TEAM
SHELLEY MARSHALL, Choreographer From a young age, Shelley has been passionate about the performing arts, acting and dancing
especially. In addition to completing her 18th year at Conroy Dance Centre, she graduated
Queensland University of Technology with a Bachelor of Fine Arts Drama, with a second major in
Dance. Previously a Musical Theatre teacher, Shelley is also qualified in the C.S.T.D. syllabus,
teaching various styles including jazz, tap, ballet, contemporary, theatrical and Musical Theatre to
name a few.
Shelley has extensive international performance experience, which includes working in the
Bollywood industry performing in Music Videos, TV Shows, Feature films as well as global awards
shows. Venturing on a dance tour to New York, Shelley attended classes at Broadway Dance
Centre as well as various workshops led by cast in the Broadway production of Chicago. There,
Shelley learnt first hand the iconic fosse style and improvised dramatic scenes with the cast. Shelley
has also taught C.S.T.D at a prestigious Performing Arts School in Singapore.
Over the past few years, Shelley has performed as a dancer and aerialist in various stage
productions around Brisbane including Blue Fish Theatrical’s production of Chicago and highly
successful cabaret productions with Oscar Theatre Company. Shelley has previously
choreographed for both stage and film, locally and internationally. Her choreography has even
featured in music videos in the Bollywood industry. Her local musical theatre choreography includes
Flashdance The Musical, FAME, Oliver!, Popping Lead Balloons, Pajama Game and more. Shelley
is thrilled to be on the creative team for Prima’s production of Chicago.
MESSAGE FROM THE DIRECTOR Since 1975 Chicago the Musical has been
razzle-dazzling audiences with its comedic
yet gritty take on 1920s and vaudeville in
the jazz age. An absolute classic beloved
by many, it is my all-time favourite show
which I am thrilled to have the opportunity
to Direct .
With catchy jazz beats, and of course the
iconic choreographic style of the late great
Bob Fosse, it is my absolute pleasure to
work with you to bring this vision to life.
With a split stage detailing Roxie’s
imagination and reality, we will work with a
full band on stage and upbeat sexy
choreography to develop this celebrity
criminal’s inner sanctum, being sure not to
forget the real life gritty, grungy feel of the
prohibitionist Roaring 20s.
As a recognisable story of female
empowerment, I believe it is the absolute
best time to bring this story back to the
stage, with not only a cast featuring a
number of strong female roles, but also a
predominantly female creative team to
boot.
I am so looking forward to the journey that
we are going to take together, and trust
that we will find all the local talent we need
to make this show incredible. See you at
auditions!
- Nicole Milosevic, Director
NICOLE MILOSEVIC, Director Nicole started her career in the performing arts at an early age, investing in dance and drama classes
to develop her techniques. She then went on to study a Bachelor of Fine Arts Drama, with a Graduate
Diploma of Education (Secondary). As a passionate educator, Nicole has worked in both the private
and public education system, developing and delivering multiple highly successful extra-curricular
performing arts programs.
Further to this, Nicole has worked extensively throughout South East Queensland as a producer, di-
rector and performer with a clear focus on advocating for the Creative Industries. She has performed
for QUT, Out of the Box and been an artist in residence for QPAC. Her most notable performance
credits include Way Out West, Grease, Romeo and Juliet and Dags, with performer and creator cred-
its for being an original contributor to the performances of Some Dumb Play and Of Little Matter by
Dead Puppets Society in conjunction with Vena Cava productions. However, it is Directing that Nicole
truly believes to be her calling. Her most recent credits as Director and Assistant Director include A
Midsummer Nights Dream, Hairspray and Hating Alison Ashley.
CREATIVE TEAM
WENDY BIRD, Musical Director A musician for nearly 30 years, Wendy is a Brisbane based multi instrumentalist, vocalist, musical
director and arranger. Her musical endeavours have taken her all over Australia as a musician and
vocalist having performed in a range of ensembles from jazz and rock groups to orchestras and
brass bands.
In the musical theatre world, Wendy has more than 20 years experience in the pit and on the stage,
with show credits including Flashdance the Musical, Avenue Q, Shrek The Musical, Carrie, Joseph
and The Amazing Technicolor Dreamcoat, The Wiz, Calamity Jane, Bugsy Malone, Guys and Dolls ,
Annie Get Your Gun, Grease and Anything Goes.
Most recently, Wendy has written, arranged and directed a number of bespoke concerts for PRIMA,
including Life Is A Cabaret, Nothing But Oz and All Out 80s.
Having fallen in love with Chicago after seeing a professional production in Brisbane 20 years ago,
Wendy is thrilled to be part of the team behind PRIMA’s production this incredibly, iconic show.
STEPHANIE INCHES, Assistant Choreographer Stephanie’s performing life started with dancing lessons in ballet, jazz, tap and contemporary from
four years old. Through her training she received certifications for dance with RAD and CSTD while
also competing at eisteddfods across Queensland.
She stepped into the theatre world at age seven and has since performed in over 20 musicals.
Over the years Stephanie has had the honour of training with industry professionals and incredible
teachers through ADPI and workshops at NIDA, Brent Street and the Queensland Conservatorium.
Most recently, Steph’s performance credits include Mary Poppins, Wicked, Grease, Beauty and the
Beast, Backwards Broadway and All Out 80s.
Working behind the scenes has been a recent love for Stephanie, starting with choreographing
junior productions in 2015. Since then she has earned credits in choreography for Anything Goes
Jr., Madagascar: A Musical Adventure Jr. and Alice in Wonderland Jnr. Most recently, Stephanie
has been assistant choreographer for PRIMAs production of Flashdance and co-choreographer of
All Out 80s.
MESSAGE FROM THE PRESIDENT
The second longest show to ever run on
Broadway, Chicago the Musical is an
absolute institution of the stage.
45 years after it originally opened on
Broadway, Chicago the Musical is still a
show that dazzles audiences, with its
vaudevillian style of humour,
showmanship and of course, incredible
music and choreography.
PRIMA are incredibly proud and excited to
be bringing Chicago the Musical to the
stage in August 2020.
It’s an honour and a privilege to have the
opportunity to work on such an iconic
show, and we are excited to step up to the
challenge of producing a show that so
many of us have grown up admiring and
enjoying.
Behind the scenes our Production and
Creative Teams are already hard at work
planning a spectacular production, and we
can’t wait to start auditions and put
together the rest of the team for this
incredible show!
- Curtis Lisch, President PRIMA
AUDITION PROCESS VOCAL SELECTION ONE
> Choose one excerpt for the list below.
Class
Funny Honey
Little Bit Of Good
Mr Cellophane
Razzle Dazzle
> Sheet music for these excerpts are available at the end of this information
pack.
> Please select the excerpt that best showcases your voice and suits the role/s
you are auditioning for.
> Please note, your performance of this selection will be assessed on both
characterisation and vocal ability.
VOCAL SELECTION TWO
> Select a song in a contrasting style to your chosen excerpt.
> This selection should be 24—32 bars in length.
SCRIPT READ / CHARACTERISATION
Depending on the role you are auditioning for, you may also be asked to
present a cold read of dialogue either individually or with a scene partner.
In this case, you will be provided with an extract of script selected by the
Director and will have the opportunity to read through and prepare your read
while other individuals in your group are presenting their vocal selections.
WHAT TO BRING
> Sheet music for your free choice song in the correct key, with cuts clearly
marked for the accompanist (no backing tracks will be accepted).
AUDITION DETAILS
AUDITION SESSIONS
Thursday, 16 April 6.30pm—9.30pm Strathpine Community Centre
Sunday 19 April 9am—6pm Lawnton Show Grounds
CALL BACKS
Thursday 23April 6.30pm—9.30pm Strathpine Community Centre
AUDITION FORMAT All auditionees are required to participate in Cast and Vocal Audition as well as
a Dance Call.
The Audition Panel will consist of the Director, Choreographer, Assistant
Choreographer, Musical Director and representative of PRIMA.
Following the completion of first round auditions, the panel will determine call
back requirements. Call back notices will be issued by Monday, 20 April.
Please note that call backs may not be required for all roles, so please do not
assume that you have been unsuccessful if you do not receive a call back
request.
It is anticipated that cast offers will be issued by Tuesday, 28 April.
CAST AND VOCAL AUDITIONS > Cast and vocal auditions will be held in 30 minute sessions, with up to four
participants per session.
> Each auditionee will be called in individually to present their vocal selections.
> All auditionees are to present two vocal selections.
AUDITION PROCESS DANCE CALL > Auditionees have the choice of participating in a Standard Dance Call or an
Advanced Dance Call.
STANDARD DANCE CALL
> A general movement to music audition.
> Please attend this session if you have no formal training or experience.
ADVANCED DANCE CALL
> For those who have trained at a dance school, completed dance exams and/
or competed at eisteddfods.
> If you have attended dance classes on a casual basis or feel you have a natural
ability to pick up choreography quickly, you may attend this session also.
> If you are unsure, please contact us and we can direct you to the right
audition.
TAP DANCE CALL
> A Tap specific session will be held after each Advanced Dance call .
> This call is for Advanced Dancers with training and experience in Tap.
WHAT TO BRING
> Please bring a water bottle, towel and clothes you can move in.
> If you are attending the standard dance call, please ensure you are wearing
appropriate footwear.
> If attending the advanced call, please wear form fitting clothes and bring
chorus heels and jazz shoes.
> Those attending the tap dance call will also need to bring tap shoes.
HOW WILL I BE ASSESSED?
The Audition Panel will be taking the following into consideration:
> Preparedness for audition
> Quality of performance
> Characterisation and presence during vocal audition, readings (if applicable)
and dance call
> Level of participation during dance calls , ability to pick up choreography /
movement , attend to detail and application of style.
> Ability to follow direction on characterisation
> Suitability to the roles nominated by the auditionee (vocal range and quality,
dance capability and characterisation)
REGISTERING TO AUDITION To register, go to www.prima.org.au/auditions.
When registering, you will be able asked to nominate three suitable timeslots
for your vocal audition and to select a dance call session.
You will also be required to provide information on your training and
experience as part of your registration. Please provide as much information as
possible to assist the Audition Panel in reviewing your application.
Once you have submitted your registration, you will receive an email with the
confirmed time for your vocal and dance calls. Please allow up to 24 hours for
this email to be sent.
ROLES FRED CASELY Male | Range: Flexible (Ensemble) | Dance Ability: Advanced
Roxie’s short lived lover. Murdered for trying to leave Roxie.
MATRON “MAMA” MORTON Female | Range: Alto | Dance Ability: Beginner
Leader of the prisoners of Cook County Jail. The total essence of corruption.
Accepts bribes for favours from laundry service to making calls to lawyers.
“When you’re good to Mama, Mama’s good to you”.
MARY SUNSHINE Male / Female | Range: Soprano | Dance Ability: Beginner
Sob sister reporter from the Evening Star. Believes there is a little bit of good in
everyone, and will believe anything she is fed that matchers her beliefs.
HUNYAK Female | Range: Alto / Mezzo Soprano | Dance Ability: Advanced
One of the murderesses of the Cook County Jail. Hungarian, the only English
she speaks is the phrase, “not guilty”, which follows her to the grave.
LIZ Female | Range: Alto / Mezzo Soprano | Dance Ability: Advanced
One of the murderesses of the Cook County Jail, she is imprisoned for firing two
warning shots into her husband’s head.
VELMA KELLY Female | Range: Alto | Dance Ability: Advanced
Vaudeville performer who is accused of murdering her sister and husband.
Hardened by fame, she cares for no one but herself and her attempt to get away
with murder.
ROXIE HART Female | Range: Mezzo Soprano | Dance Ability: Advanced
Reads and keeps up with murder trials in Chicago, and follows suit by
murdering her lover, Fred Casely. She stops at nothing to render a media storm
with one goal: to get away with it.
BILLY FLYNN Male | Range: Baritone | Dance Ability: Advanced
Established lawyer who hasn’t lost a woman’s case yet. Master of media
manipulation who will get a girl off the hook as long as she can fork up the hefty
$5,000 fee.
AMOS HART Male | Range: Baritone | Dance Ability: Beginner
Roxie’s faithful husband. Lies for her and tries to take the blame until he realises
that he has been two-timed by Roxie. Still in love with her, or misguided, he
believes anything she says in her pursuit to get out of jail.
ROLES HARRY Male | Range: Flexible (Ensemble) | Dance Ability: Beginner—Advanced
Murdered by Go To Hell Kitty for sleeping around with three women behind her
back.
JUDGE Male | Range: Flexible (Ensemble) | Dance Ability: Beginner
Judge overseeing Roxie’s trial.
SERGEANT FOGARTY Male | Range: Flexible (Ensemble) | Dance Ability: Beginner - Advanced
Assigned to Roxie’s case. After asking the right questions, he manages to get
Roxie to confess.
MARTIN HARRISON Male | Range: Flexible (Ensemble) | Dance Ability: Advanced
Ensemble member who doubles as the Master of Ceremonies at times.
VOCAL ENSEMBLE Male & Female | Range: Flexible | Dance Ability: Beginner—Advanced
DANCE CHORUS Male & Female | Range: Flexible | Dance Ability: Advanced
ANNIE Female | Range: Alto / Mezzo Soprano | Dance Ability: Advanced
One of the murderesses of the Cook County Jail, she murders her lover after
finding out he already has six wives.
JUNE Female | Range: Alto / Mezzo Soprano | Dance Ability: Advanced
One of the murderesses of the Cook County Jail. After her husband accuses her
of sleeping with the milk man he mysteriously runs into her knife ten times.
MONA Female | Range: Alto / Mezzo Soprano | Dance Ability: Advanced
One of the murderesses of the Cook County Jail. Murders her lover after he has
a round of affairs with other woman and an occasional man.
GO TO HELL KITTY Female | Range: Alto / Mezzo Soprano | Dance Ability: Beginner—Intermediate
Steals the spotlight when she murders her husband along with three other
women. Her crimes are labelled “Lake Shore Drive Massacre”.
AARON Male | Range: Flexible (Ensemble) | Dance Ability: Beginner—Advanced
Court appointed lawyer for Hunyak. He tries to get her to confess to speed
along the trial.
PRODUCTION DETAILS OTHER KEY DATES Saturday, 9 May Chicago Boot Camp All Cast Required
Saturday, 23 May Cast Working Bee All Cast Required
Saturday, 6 June Media Launch All Cast Required
Sunday, 12 July SITZ PROBE All Cast Required
Monday, 3 August Bump In All Cast Required
Tuesday, 4 August Technical Run All Cast Required
Wednesday, 5 August Full Dress Run All Cast Required
Thursday, 6 August Technical Run All Cast Required
Friday, 7 August Opening Night All Cast Required
Sunday, 16 August Bump Out All Cast Required
Please note: it is anticipated that additional dates will be added to the schedule
for promotional activities. These will be communicated as soon as possible.
CHICAGO BOOT CAMP
All members of the production are required to attend the Chicago Boot Camp.
This is a full day of activities and will include a meet and greet, issuing of
rehearsal materials and production information, cast head shot photography,
filming of cast introductory videos, costume sizing and the first read through.
The day will conclude with a Production social event.
MEDIA LAUNCH
The Media Launch will include performances of excerpts from the show as
promotional features, as well as cast photography. Exclusive ticket offers will be
available at this event.
SHOW DATES Chicago the Musical will have a run of eight shows:
> Friday , 7 August (Evening)
> Saturday, 8 August (Matinee & Evening)
> Sunday, 9 August (Matinee)
> Friday, 14 August (Evening)
> Saturday, 15 August (Matinee & Evening)
> Sunday, 16 August (Matinee)
PRODUCTION VENUE Redcliffe Entertainment Centre. Downs Street, Redcliffe
REHEARSALS Rehearsals start on Tuesday, 12 May and will be held every Tuesday and
Thursday from 6.30pm—9.30pm and every Sunday from 1pm—6pm.
Rehearsals will generally be held at either the Strathpine Community Centre or
the Lawnton Show Grounds.
A detailed rehearsal schedule will be provided to cast at the first read through.
This will list the forecasted cast calls for each rehearsal, however please note
that this will be updated throughout the production period at the discretion of
the Creative Team.
REHEARSAL MATERIALS
All cast members will be issued with a Libretto on a loan basis. Care must be
taken to maintain these materials in good condition. Notes and mark ups may
only be made in pencil and must be erased prior to return.
PRODUCTION DETAILS COSTUMES
The majority of costume items will be provided, however there are basic
costume elements that we are asking cast members to supply, as follows:
FEMALE CAST MEMBERS
> Black fish net stockings
> Black character or T-bar chorus heels (closed toe)
> Black tap heels (for those with tap choreography)
MALE CAST MEMBERS
> Black dress pants that you are able to dance in
> Black leather / leather look low heel dance shoes
> Black tap shoes (for those with tap choreography)
PRODUCTION FEES PRIMA Annual Membership Fee ($40)
All members of the production are required to be a financial member of PRIMA.
Membership fees cover costs such as insurance and overheads associated with
the administration of shows. This fee is payable by any members of the
production who are not already financial members of PRIMA.
Production Fee ($60)
All members of the production are required to pay a Production Fee, which
contributes to covering the cost of rehearsal venue hire, costuming, sets, props
and rehearsal materials.
REFUNDABLE Deposit ($20)
A refundable deposit is held until the return of all items loaned to cast members,
including rehearsal materials, costumes, technical equipment and props. All
items must be returned in good, working order.
NEXT STEPS CHECK YOUR SCHEDULE
Please check your schedule against the rehearsal and key dates provided in this
pack to ensure you are available for the entire production period.
Any potential clashes with availability must be noted as part of your audition
registration.
CONSIDER THE ROLES
Review the list of available roles and consider what is suitable in terms of vocal
range and dance ability. You may nominate to be considered for multiple roles.
REGISTER TO AUDITION
Head to www.prima.org.au/auditions to register for an audition. Please ensure
that you provide as much information as possible in your registration form.
QUESTIONS?
If you have any queries or require further information, please contact
IMPORTANT INFORMATION
> This production includes mature themes. As such auditionees must be 17
years and over. Any auditionees under the age of 18 must have parental
consent to participate.
> Choreography in some scenes may include close / intimate contact with other
cast members.
> Costuming for many roles will include form fitting, potentially revealing
outfits.
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